The Fair Reward Problem: the Illusion of Success and How to Solve It
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The Law of Black Mirror - Syllabus
City University of New York (CUNY) CUNY Academic Works Open Educational Resources Baruch College 2020 The Law of Black Mirror - Syllabus Yafit Lev-Aretz CUNY Bernard M Baruch College Nizan Packin CUNY Bernard M Baruch College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_oers/27 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Law of Black Mirror: Privacy, Online Social Profiling and the Law Spring 2020 Zicklin School of Business Baruch College Professor Nizan Geslevich Packin Department: Law Email: [email protected] Phone: 646-312-3593 Office: Room B9-208, Vertical Campus Professor Yafit Lev-Aretz Department: Law Email: [email protected] Phone: 646-312-3606 Office: Room B9-219, Vertical Campus Course Description: Using episodes from the show Black Mirror as a study tool - a show that features tales that explore techno-paranoia - the course analyzes legal and policy considerations of futuristic or hypothetical case studies. The case studies tap into the collective unease about the modern world and bring up a variety of fascinating key philosophical, legal, and economic- based questions. Learning goals for the course include: ł Students will use primary sources to analyze contemporary legal and policy issues arising from emerging technologies. ł Students will engage critically and constructively in key policy debates that shape the future of the technology, through in-class discussions, presentations, and colloquia. -
“If Music Be the Food of Love, Play On
As Fate Would Have It Pat Sajak and Vanna White would have been quite at home in New Orleans in January 1828. It was announced back then in L’Abeille de Nouvelle-Orléans (New Orleans Bee) that “Malcolm’s Celebrated Wheel of Fortune” was to “be handsomely illuminated this and to-morrow evenings” on Chartres Street “in honour of the occasion”. The occasion was the “Grand Jackson Celebration” where prizes totaling $121,800 were to be awarded. The “Wheel of Fortune” was known as Rota Fortunae in medieval times, and it captured the concept of Fate’s capricious nature. Chaucer employed it in the “Monk’s Tale”, and Dante used it in the “Inferno”. Shakespeare had many references, including “silly Fortune’s wildly spinning wheel” in “Henry V”. And Hamlet had those “slings and arrows” with which to contend. Dame Fortune could indeed be “outrageous”. Rota Fortunae by the Coëtivy Master, 15th century In New Orleans her fickle wheel caused Ignatius Reilly’s “pyloric valve” to close up. John Kennedy Toole’s fictional protagonist sought comfort in “The Consolation of Philosophy” by Boethius, but found none. Boethius wrote, “Are you trying to stay the force of her turning wheel? Ah! Dull-witted mortal, if Fortune begins to stay still, she is no longer Fortune.” Ignatius Reilly found “Consolation” in the “Philosophy” of Boethius. And Boethius had this to say about Dame Fortune: “I know the manifold deceits of that monstrous lady, Fortune; in particular, her fawning friendship with those whom she intends to cheat, until the moment when she unexpectedly abandons them, and leaves them reeling in agony beyond endurance.” Ignatius jotted down his fateful misfortunes in his lined Big Chief tablet adorned with a most impressive figure in full headdress. -
Enamorarse En El Enjambre Digital: Relaciones Virtuales Y Aplicaciones De Citas
ENAMORARSE EN EL ENJAMBRE DIGITAL Relaciones virtuales y aplicaciones de citas Universidad de Barcelona. Facultad de Filosofía Investigación Documental Filosofía Política II. Grado de Filosofía. 12 de junio de 2020, Barcelona Natán Verdés Bertolín [email protected] Índice 1. Introducción .................................................................................................................. 4 2. El enjambre digital: falto de comunidad, de distancia y de respeto ................................ 6 3. Relaciones virtuales ...................................................................................................... 8 3.1. Miedo a lo real, dictadura de lo positivo y huida a la imagen ..................................................... 8 3.2. Enamorarse de una inteligencia artificial: el caso de Her ........................................................... 9 3.3. La muerte del Eros por hiperconectividad virtual ..................................................................... 10 3.4. El nuevo uso del imaginario en el enjambre digital .................................................................. 11 4. Enamorarse mediante algoritmos y aplicaciones de citas ............................................ 13 4.1. Aplicaciones de citas: Tinder y Grindr ....................................................................................... 13 4.2. Reflexiones sobre Black Mirror: Hang the DJ ............................................................................ 14 4.3. El algoritmo del amor: competitividad, -
Representations of the Ocean in Early Modern English Drama
Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2020 Multitudinous seas: representations of the ocean in early modern English drama https://hdl.handle.net/2144/39858 Boston University BOSTON UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES Dissertation MULTITUDINOUS SEAS: REPRESENTATIONS OF THE OCEAN IN EARLY MODERN ENGLISH DRAMA by JULIA PORTIA MIX BARRINGTON B.A., Barnard College, Columbia University, 2012 M.A., Boston University, 2013 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2020 © 2020 by Julia Portia Mix Barrington All rights reserved Approved by First Reader James R. Siemon, Ph.D. Professor of English Second Reader William C. Carroll, Ph.D. Professor of English Third Reader Laurence A. Breiner, Ph.D. Professor of English On land, the tuggings of the moons can somewhat safely be ignored by men, and left to the more pliant senses of women and seeds and an occasional warlock. But at sea even males are victims of the rise and fall, the twice-daily surge of the waters they float on, and willy-nilly the planetary rhythm stirs them and all the other voyagers. M.F.K. Fisher, The Gastronomical Me (New York: North Point Press, 1943), 40. iv ACKNOWLEDGEMENTS This project could not exist without the help and support of my graduate student colleagues in the Boston University Department of English, in particular the tireless guidance of Dr. Alex MacConochie and Dr. Emily Keck; the careful attention and feedback from Professors James Siemon and William Carroll, my primary and secondary readers; the inexhaustible encouragement of my partner, William Porter; and the generous financial support of the Alumnae Association of Barnard College, the Boston University Institute for the Study of Muslim Societies and Cultures, and the Shakespeare Association of America. -
Netflix Teases 'Black Mirror' Season 4 Episode Titles
Netflix Teases 'Black Mirror' Season 4 Episode Titles 08.25.2017 Netflix has revealed the episode titles and cast for Black Mirror's six-episode fourth season. Black Mirror focuses on the collective unease of the modern world. Each stand-alone episode poses a future where technology has transformed society, typically much to the chagrin of the global populace. Season four looks to continue the series' theme, with Netflix's tease showing clips of a future filled with technology and strife. RELATED: Cracking 'Black Mirror' in Netflix's Featurette See the Black Mirror season four episode titles below: "Arkangel" Cast: Rosemarie Dewitt (La La Land, Mad Men), Brenna Harding (A Place to Call Home), Owen Teague (Bloodline) Director: Jodie Foster Written by: Charlie Brooker "USS Callister" Cast: Jesse Plemons (Black Mass, Fargo), Cristin Milioti (The Wolf of Wall Street, Fargo), Jimmi Simpson (Westworld, House of Cards), Michaela Coel (Chewing Gum, Monsters: Dark Continent) Director: Toby Haynes (Dr Who, Sherlock) Written By: Charlie Brooker & William Bridges "Crocodile"Cast: Andrea Riseborough (Birdman, Bloodline), Andrew Gower (Outlander), Kiran Sonia Sawar (Murdered By My Father) Director: John Hillcoat (Triple Nine, Lawless) Written By: Charlie Brooker "Hang the DJ" Cast: Georgina Campbell (Flowers, Broadchurch), Joe Cole (Peaky Blinders, Green Room), George Blagden (Versailles, Vikings) Director: Tim Van Patten (The Sopranos, Game of Thrones) Written By: Charlie Brooker "Metalhead" Cast: Maxine Peake (The Theory Of Everything, The Village), Jake Davies (The Missing, A Brilliant Young Mind), Clint Dyer (Hope Springs) Director: David Slade (Hannibal, American Gods) Written By: Charlie Brooker "Black Museum" Cast: Douglas Hodge (The Night Manager, Catastrophe), Letitia Wright (Humans, Ready Player One), Babs Olusanmokun (Roots, The Defenders) Director: Colm McCarthy Written By: Charlie Brooker Netflix has not revealed the premiere date just yet, but the the show will return "later this year.". -
Correlations Tennessee
Tennessee Correlations LEVELS 1 & 2 An Overview of Levels 1 & 2 of Our New 2-Year Latin Series Bolchazy-Carducci Publishers, Inc. THE IMPORTANCE OF POST-ANTIQUE LATIN How Should We Teach the Patrimony of Latin Literature? To say that Latin literature did not end with the Romans would be an understatement. In fact the Roman contribution to Latin, however fundamental, is a mere beginning. Th e amount of surviving Latin literature writt en in Europe since the collapse of the Western Roman Empire in the late fi fth century ce is almost inconceivably larger than the surviving corpus of literature left by the Romans themselves. Th is heritage of post-Roman Latin literature was anything but a sterile idiom reserved for a few reclusive monks. Th e very pulse of western European civilization, as it developed through the Middle Ages and the Renaissance, moved primarily to the rhythms of Latin prose and poetry. Th e language of Caesar and Cicero performed new functions and came to be used in ways unimagined by the ancient Romans. Latin became the vehicle for sciences as refi ned as ballistics and hydrodynamics. Latin exclusively provided the academic and philosophical vocabulary for the expression of Europe’s most sophisticated thoughts. Latin was the language in which fun- damental concepts, such as gravity and the heliocentric solar system, received their fi rst coher- ent expression. Latin, along with some revived terms from ancient Greek, supplied the language of botany and zoology. Latin was the international language of cartography, geography, history, and ethnography, the sciences through which the discoveries of Renaissance explorers gradually became part of the consciousness of European civilization. -
Enews Nostalgia Heading2
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard As Fate Would Have It Pat Sajak and Vanna White would have been quite at home in New Orleans in January, 1828. It was announced back then in L’Abeille de Nouvelle-Orléans (New Orleans Bee) that “Malcolm’s Celebrated Wheel of Fortune” was to “be handsomely illuminated this and to- morrow evenings” on Chartres Street “in honour of the occasion”. The occasion was the “Grand Jackson Celebration” where prizes totaling $121,800 were to be awarded. The “Wheel of Fortune” was known as Rota Fortunae in medieval times, and it captured the concept of Fate’s capricious nature. Chaucer employed it in the “Monk’s Tale”, and Dante used it in the “Inferno”. Shakespeare had many references, including “silly Fortune’s wildly spinning wheel” in “Henry V”. And Hamlet had those “slings and arrows” with which to contend. Dame Fortune could indeed be “outrageous”. In New Orleans her fickle wheel caused Ignatius Reilly’s “pyloric valve” to close up. John Kennedy Toole’s fictional protagonist sought comfort in “The Consolation of Philosophy” by Boethius, but found none. Boethius wrote, “Are you trying to stay the force of her turning wheel? Ah! Dull-witted mortal, if Fortune begins to stay still, she is no longer Fortune.” Ignatius jotted down his fateful misfortunes in his lined tablet adorned with a most impressive figure in full headdress. The first copyright for Big Chief went to the Western Tablet Company of Saint Joseph, Missouri, but today the tablets are no longer being produced. -
Black Mirror and the Fear of Technology
Janssen, 11926430/ 1 Master thesis Television and Cross-Media Culture Black Mirror and the Fear of Technology Pim Janssen 11926430 First reader: Dhr. Dr. S.M. Dasgupta Second reader: Dhr. Dr. J.A. Teurlings Date: 28-05-2018 Word Count: 19370 Janssen, 11926430/ 2 TABLE OF CONTENTS ABSTRACT 3 INTRODUCTION 4 CHAPTER 1: “ARKANGEL” AND THE TECHNOLOGIES OF PARENTAL CONTROL 10 1.1 “ARKANGEL” 10 1.2 PARENTAL CONTROL DUE TO FEAR 11 1.3 “ARKANGEL” PREMEDIATING FEAR 15 1.4 AESTHETICS 18 CHAPTER 2: “NOSEDIVE”, PUBLIC APPROVAL, AND ANTI-SOCIAL MEDIA 21 2.1 “NOSEDIVE” 21 2.2 PUBLIC APPROVAL AND ANTI-SOCIAL MEDIA 22 2.3 “NOSEDIVE” PREMEDIATING FEAR 28 2.4 AESTHETICS 31 CHAPTER 3: “CROCODILE” AND THE FEAR OF SURVEILLANCE AND TRACEABILITY 33 3.1 “CROCODILE” 33 3.2 FEARS OF PRIVACY INVASION AND TRACEABILITY 34 3.3 “CROCODILE” PREMEDIATING FEAR 39 3.4 AESTHETICS 42 CONCLUSION 45 BIBLIOGRAPHY 49 Janssen, 11926430/ 3 ABSTRACT This thesis focuses on how Black Mirror premediates fears of the effects of technology around issues of censorship, social media, and surveillance. This is based on Richard Grusin’s concept of premediation, which he uses as a tool to explain how a familiar underlying level of anxiety can prevent the shock of future trauma’s. Grusin’s notion of premediation focuses on the effect being beneficial to the State and how it can be used to control its citizens. In the case of this thesis, Grusin’s notion is reimagined to do the opposite; not to spark fear about future events to control the masses, but to spark fear about dystopian futures to criticize the amount of control being exercised (through technology). -
Q5-Second-Edition.Pdf
1 THIS TERM IN Q5… Since the last issue (even in the space of a few months) there have been SO many sequels hitting cinemas around the world. These range from the record breaking Avengers: Infinity War to the SURPRISE Cloverfield: Paradox to Insidious 4 (yeah I didn’t realised that happened either) to another Star Wars Solo film!?! Enjoy our first sequel involving new talent and returning contrib- utors discussing TV with the recently popular Black Mirror and The End Of The F***ing World as well as looking at the recent Oscar winner Jordan Peele in his success with Get Out. At the height of the #MeToo movement we look at why there are shockingly few female directors working in prominent places in the industry as well as being graced with the presence of a pro in our ranks as in this issue Mr. Saunders recalls many tales of his time working with his film production company 14167films. We travel back in time to visit a film outing from Mr. Keeley’s young- er self and look back at the career of Leonardo DiCaprio. In Bertie Kinnings’ second Q5 article you may be left wondering why there is no spaghetti in The Good, The Bad and The Ugly… In the future months we hope to “GET TO THE CHOPPA!!” in the new Predator film, wonder if there will be“ no capes!” in The Incredibles 2 and can only imagine what Tom Cruise will jump out of/ climb up/ fall down in Mission Impossible: Fallout, with the controversially moustached Henry Cavill that cost DC millions of dollars. -
Music, Myth, and Metaphysics in Twelfth-Century Cosmology
Music, Myth, and Metaphysics: Harmony in Twelfth-Century Cosmology and Natural Philosophy by Andrew James Hicks A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Medieval Studies University of Toronto c Copyright by Andrew James Hicks (2012) ABSTRACT Music, Myth, and Metaphysics: Harmony in Twelfth-Century Cosmology and Natural Philosophy Andrew James Hicks Doctor of Philosophy, 2012 Centre for Medieval Studies University of Toronto This study engages a network of music, myth, and metaphysics within late-ancient and twelfth- century music theory and cosmology. It traces the development, expansion, and demise of a (natural-) philosophical harmonic speculation that stems largely from an a priori commitment to a harmonic cosmology with its deepest roots in Plato’s Timaeus. It argues that music theory not only allowed twelfth-century thinkers to conceptualize the fabric of the universe, but it also provided a hermeneu- tic tool for interpreting the ancient and late-ancient texts that offered detailed theories of the world’s construction. The twin goals of this study are thus philosophical and musicological: firstly and philosophically, to analyze and re-assert the importance of musical speculation in the writings of the self-styled physici, who probed the physical world and its metaphysical foundations during the ‘Twelfth-Century Renaissance’; secondly and musicologically, to document the sources and scope of this musical speculation and to situate it within the larger tradition of ‘speculative music theory.’ The first part of the thesis (chapters one and two) disentangles the knotty question of sources for and connections between the late-ancient texts (by Calcidius, Macrobius, and Boethius) that form the background of twelfth-century thought, and it sketches the proper domain of musical thought by tracing the expansion of music’s role in quadrivial and natural-philosophical contexts from late- ancient encyclopedism though various twelfth-century divisiones scientiae. -
Jokerjekyll, It's a Match!
JokerJekyll, It’s a Match! Noves dinàmiques a Tinder mitjançant el consum de pràctiques identitàries. Txell Palau Julià. JokerJekyll, It’s a Match! Noves dinàmiques a Tinder mitjançant el consum de pràctiques identitàries. Agraïments. Als companys de classe i tutor de TFG Cultura del Disseny, als amics i col·laboradors i als usuaris de Tinder. Txell Palau Julià. Tutor: Octavi Rofes. Treball Fi de Grau. Cultura del disseny. EINA 2017-2018. Abstract. Aquest és un treball d’índole social que investiga les relacions que s’estableixen entre usuari-usuari i entre usuari-sistema a partir d’especulació i suposicions sobre el funcionament de Tinder, la creació d’identitats no previstes i l’ús alternatiu que els usuaris fan de l’aplicació generant canvis no previstos durant la seva creació. Tot buscant posar en dubte les dinàmiques previstes o normalitzades a Tinder, per demostrar que tot i ser una app que accepta tot tipus d’usuaris no depèn d’ella mateixa ni pren les seves pròpies decisions desvinculades dels usuaris, sinó que es va plantejar amb unes intencions i ara són els usuaris qui la conformen a través de les seves pràctiques. Tinder alters Mite de consum Creació de personatges Tinder identitat Tinder paràmetres Abstract. This is a social research project that investigates the established relations between user-user and between user-system based on speculations and assumptions of the Tinder functioning, the creation of unexpected identities and the alternative use that the users give to the app generating changes not foreseen during its creation. This project wants to put in doubt the normalized or expected Tinder dynamics, to show that, in spite of being an app that accepts all kind of users, Tinder doesn’t depend of itself and neither can take unrelated decisions of its users, because it was set up with concrete intentions and now the users are who define its direction through their practices. -
"The Wheel Weaves As the Wheel Wills" Metaphors of Fate in Robert
Ghent University Faculty of Arts and Philosophy "The Wheel Weaves as the Wheel Wills" Metaphors of Fate in Robert Jordan's The Eye of the World Supervisor: Paper submitted in partial fulfilment Prof. Dr. Nadia Sels of the requirements for the degree of "Master in de Taal- en Letterkunde: Engels" by Lucas Rabaey May 2016 Acknowledgements First and foremost, I would like to thank my supervisor, Prof. Dr. Nadia Sels, for the help she has provided me with during the writing of this MA dissertation. I was not very sure of where this dissertation was going, but she helped me get on the right track and has always encouraged me in my writing. During the writing process of this dissertation, she has given me useful feedback on all of the pieces of writing I sent her, and she has provided several sources that were necessary for the successful completion of this dissertation. She was always ready to meet up and discuss my progress, and I am sure that without her help, this dissertation would not have become what it is now. I would also like to thank my family and friends for the support they have given me throughout the last couple of months. Special thanks go to my brother Ward, who was always eager to give me tips on how to write a dissertation and has often provided feedback on both content and form of this dissertation. He has also read my thesis and has pointed out several mistakes that I was able to fix before the deadline. Table of contents Introduction ...............................................................................................................................