DOCSLIB.ORG

INIFE RNIAT 0 0 El AL / *F

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
INIFE RNIAT 0 0 El AL / *F FALL and WINTER 09 Issue #26 P UPPETRY e INIFE RNIAT 0 0 El AL / *f *la the puppet In contemporary theatre, film & media $5.95 US $7.95 CAN '« 0 74470 87511 6 lf,Y It 111 11 PUPPETRY INTERNATIONAL issue no. 26 The Editor's Page 1 ART IN THE SHADOWS Nabil Bahgat's Egyptian Shadows hy Lum·ie kic·('an/x . ... 4 Eric Ruin- Puppet Punk by Mc,/Man /2/1 ,/,ic/,rws 7 Moseowk Fabulous Epelballins br .Jolin Freedman \0 Eye of Light hi, Sterhen Kap/in 14 Iii Xanadu-poetry hr Linda /:hi·/ich 17 Shadowgraphy bi Beth kamdman \ 8 London's Chinese Shades br Daysia Posner ..... 20 Light by Kate Brelmi 23 Innovations iii Thai Shadow Theatre by Kevin Brown .... 14 A Balinese Tempest hy .Jacquelinc Romeo 26 The Ritualistic Shadows of Hunan bi Fwi Pen Chen 30 Skipitat~es Takes Greek Myths to India /11· Law·en //obbs Ser/on 33 Italy 's Gioco Vita-The Shadow 's Space 41 · Fabrizic, Montecchi 36 Teaching through Shadows br Brigitte Rire Iii 3% PUPPET HISTORY Metaphysic Tradition iii Shadow Theatre by John Bell 41 REVIEWS The Career of Bob and .ludy Brown U Rell ) 44 Morpurgo's Wai Horse by Mervy,i Miller C.J. Bell) ...... 45 Kermit Culture U Stoessne,7 46 In Praise of Shadows (.5. Abram.0 47 ©2009- UNIMA-USA Puppetry International is a publication of UNIMA-USA. Inc. American Center of the UNION INTERNATIONALE de la MARIONNETTE Pron w ting m tern:itional friendship and unders landing through the art of puppetry. c/o Center for Puppetry Arts 1404 Spring Street, NW Atlanta, GA 30309 USA 404-873-3089 www.unima-usa.org FRONT COVER .. Billboard for the International NATIONAL Kerala Film Festival iii Trivandum. ENDOWMENT FOR THE ARTS photo: Morism FitzPatrick Andrews This project is supported, in part, by an award from the National Endowment for the Arts. PUPPETRY INTERNATIONAL Ed#rdat- imagine yourself making a shadow. Finished? Good. Did you imagine, 1 wonder, setting it perceives as unimportant.* sacred, ritualistic. And it is. But it up the lamp, or choosing an instru- Except that iii art the details are is also much more-ephemeral, ment with a small point source, or never unimportant. But don't de- subversive, confounding, hysteri- placing it at a particular distance spain in this issue we will give cal, metaphoric. therapeutic, mind- from the projection surface? If you you more details than you can bending, gut-wrenching. .. were using an overhead projector, shake a lightsaber at. Welcome to did you plug it in first'? If you used the Shadow Issue. As Fabrizio Montecchi insists: the sun as a light. was it shining so Shadow theatre is not a technique, brightly that you felt its warmth on As this magazine hits your mailbox rather it is a kind ofscenic art, a your skin? or local bookstore, the 88 Interna- theatrical language that makes use tional Shadow Festival will be tak- ofa multitude of techniques. No? ing place in Schwabisch Gmund, Germany-dozens of performanc- When we decided to devote an is- That's not surprising. Why'? Be- es by companies from all over sue of PI to Shadows, I was pretty cause the amazing human mind the world. The range of work is sure we'd get enough material for a is not only capable of imagining fantastic-small- and large-scale, good survey of the genre, but l did things that it is not actually doing, simple and multi-layered, tradi- not foresee getting the deluge of it also selects the most important tional and cutting edge. We often diverse articles that would threaten images and leaves out the details think of shadow theatre as ancient, to breach our editorial levees IMAGES FROM THE SCHWABISCH GMGnd SHADOW FESTIVAL PROGRAM Editor Andrew Periale 56 Woodland Drive www.unima-usa.org/publications Strafford, NH 03884 [email protected] Designer/Assistant Editor Bonnie Periale Historian / Book Review Editor John Bell [email protected] (and this at a time when- edition, as well as an assort- thanks to the current -Eco- Web Guru ment of full-length articles that Donald Devet nomic Downturn, we are appear here in abridged form. unable to blithely increase Advertising Reay Kaplan the number of pages in order Thanks so much for your on- [email protected] to include more material). going support of this venture. Distribution We hope you'll continue to en- Meghan Fuller One of our strategies to get joy Puppetry International both Controller you the full range of opin- in the hand and on the web. I.isa Rhodes ions. reviews and research on this topic is to increase our Peer Review Committee Chair Colette Searls (UMBC) web component yet again. John Bell (U.CT & MIT) Go to our website now and *see Dan Gilberto Stumbling Eileen Bllinientlial (Rutgers U.) on Bradford Clark (Bowling Green U.) you will get access to what Happiness. for more oil mind Kathy Foley ( U . CA Riverside ) is essentially an entire online Claudia Orenstein (Hiinter C.) and perception. Dassia Postier (Tufts U.) magazine to complement our print edition. There are lots Board of Directors, UNIMA-USA, Inc. more miages and many ar- Founding President - JIM HENSON ticles that don't appear in this Karen Smith - President 7444660 Pe¥date Steve Abrams* - VP. Procedures Mariamie Tucker - VP. Committees John Bell* - VP. Publications Colette Seat'ls - Secretary Kalliee Foran - Treasiirer I,ytin K. Jeffries Manuel Mordn* Claudia Orenstein Blair Tliomas Gretchen Van Lente* *UNIMA Interliational Councilor Ex-Officio Board Members Vitic(ii[ Anthony - General Secretary Michael Nelson - Consultant. Proceditres Andrew & Bonnie Periale - Pitblications Production Terrie Ilaria. Lilliaii Meier STEINWAY STUDIO GIOCO VITA WAYANG EDITOR Il 1 1- PUPPETRY INTERNATIONAL WAMDA: Op®Hi« Doors aAR flt,e~UU*8 Ll~'lk 01/l, Ejyptiawl Sh#619 Pu,ppetry by Laurie McCants Not long ago. m the cool ot a Cairo twilight. children ran will tall behind and be left 1,1 the hand0 ofa generation in ,earch of in0tant through the wmding alley; (not tar hom where fecently a entertainnient :ini| 11-14t:int plea~re " bomb wax planted under a bench at the centurie~-old .wmA. the Bahgat and hi4 fellow Wanu/a membet-0 Anow what it mean4 to hearch. gather m the open-air couityard 01 an el - Khan iiI- Khalilijto but theit quew ha, been to tind the authentic entertainnient indigenous, to egantly-rextored Ottoman-era hi~,toric hou'·,e Awaiting them theirow 11 culture They ventuted out and found the IN remaining ,hadow wa4 a 4hadow-puppet ~tage. canopied with vibrant Egyptian puppeteer m all 01 Egypt. Ha«m Khanouta, who wai hant:inizC L out and fe„tival fabric and 0trung with multicolored lights They 0nioking i/inha at an (thwa (cottee,hop) on Mohammed Ali Street. where plopped them,elve, down in front ot the xtage and began to bufken look for work The aging mNer took them underhinving. teaching -Aragoil Arago/'- And on the,creen appeared the chatit them the 0101 1(h and trick0 of ht. trade (how to buy and dry the tran,,lucent figure of "The Aragoz." the puppeteet who tiavels shadow dotikey leather that ts cut. pierced. painted, and decorated m the Namic to vii lage, ,treet to 4treet, pei torm ing the antic4 trom vii lage ,tyle, how to hinge and attach the todi. how to breathe life mto figure0 of hi, hand puppet. al.0 named Aragoi Like hi~ Turki~h and preHed againht the vereen 00 that they talk. walk. dance. cry. and laugh) Not European couxi!70. Karagoi and Punch. Aragoz A a complex long after these le.0on.. Ha..an Khatiouta died The young artist0 were left creature, a wily little guy Both dupe and trickver, ,illy and to cal y on then teacher'h legacy, and al,c, that ol thet ranee *toi-. Mohammed xly. hei a beloved rap0callion [bn [)antel. who fled to Cairo tiom Iraq during the Mongol invasions ot Turn4 out the tricks on the audience thii time For :10 the ;tory unfold0. it 10 ievealed that thi$ diadow AngO7 10 not whatheappear~ to be He ~actually Ah Al-Zeibaa ( Alt Quickv I ver" ). mafter of d i,gii i fe, a Nort of med meval Middle Eaitein mix of Robin Hood and Zorro, yet unmi~takably 4 Egyptian By theeveningi end. Ah Al-Ze,baa ha~ managed to upend the corrupt rule of tainted leader~ and re~tore order to the nation. to the cheen ot the children who have been 4 ightened by th i 4 twist on a 4tory entertained. engaged. and enl Vt/:'*-, 1/ as old :14 the Arabian NighA ., , The 0how i. one of ~everal updated ancient tales pre- ,ented by Mmicht (:in arcane Arabic woid that means "t/ie 5, flii\11 (}1 light al night in the dark de#ert thut bill\' ilittlitificiteN * eve, rthmg"),apuppettroupeled by Nabil Bahgal Dedicated , to revitaliting the almost-extinct Ahaval al i// (Egyptian ,hadow puppetry ). Bahgan motto i " We have that which ( (ill er/ircu u, " He teeK that thi0 di~tinctly Egyptian art form can combat the "cultural invavoll' ot commelcial product~ mid ~hallow value4 from abroad 1.ook at the Ninja by pioduction,J Bahgat ,ay4 -They are alway0 followed the 13~ century HI~ three extant puppet play ~cript~ (labeled by the author pizza promotion0 Th~ creatr, a non-productive penon. as -phantoni~ 01 the 4hadow~-) are the only complete eA,imple0 of Arabic whenever he teeb. hungry he order, junk food by phone drania trom the Middle Age~ that h.ive ,urvived to the p~ent day Bahgat feels that multinational corporatioih aim to make people the world over into con4umet~ rather than creatori A.
Load more

Recommended publications
  • Catalogue 21St Konfrontacje Teatralne
    Program Festiwalu 6 Festival Programme 8 21. Konfrontacje Teatralne. Wprowadzenie 10 Konfrontacje Festival – introduction to the 2016 programme 10 Po co nam festiwal? Why do we need a festival? Rozmowa Janusza Opryńskiego, Marty Keil i Grzegorza Reske 12 Janusz Opryński, Marta Keil and Grzegorz Reske in conversation 12 AUTONOMIA / INSTYTUCJA / DEMOKRACJA 16 AUTONOMY / INSTITUTION / DEMOCRACY 16 Autonomia / Instytucja / Demokracja Marta Keil 18 Autonomy / Institution / Democracy Marta Keil 18 Auto-teatr w czasach post-prawdy Joanna Krakowska 24 Auto-theatre in times of post-truth Joanna Krakowska 24 Opór sztuki zaangażowanej Bojana Kunst 32 The uneasiness of active art Bojana Kunst 32 Oparte na faktach Ahmet Öğüt 44 Things based on real-life events Ahmet Öğüt 44 Fabryka nieszczęścia Franco „Bifo ” Berardi 50 The factory of unhappiness Franco ‚Bifo’ Berardi 50 Nie ma się czego wstydzić Agnieszka Jakimiak 58 Nothing to be ashamed of Agnieszka Jakimiak 58 Konkluzje badania: prekarność, projekt i miłość do sztuki Conclusion: discussion of original hypotheses in light of research results Michał Kozłowski, Jan Sowa, Kuba Szreder 64 Michał Kozłowski, Jan Sowa, Kuba Szreder 64 Mikro Teatr Komuna// Warszawa 70 Micro Theatre Komuna// Warszawa 70 Ewelina płacze TR Warszawa 72 Ewelina’s crying TR Warszawa 72 Drugi spektakl Teatr Polski w Poznaniu 74 The other show Teatr Polski w Poznaniu 74 Usland. Śladami Leonarda Z. Atman / Jakimiak / Malone / Siniarska 76 Usland. Following in Leonard Z’s footsteps Atman / Jakimiak / Malone / Siniarska 76 Aktorzy żydowscy Jewish actors Teatr Żydowski im. Estery Rachel i Idy Kamińskich w Warszawie 78 Teatr Żydowski im. Estery Rachel i Idy Kamińskich w Warszawie 78 Kantor downtown Teatr Polski im.
    [Show full text]
  • National Endowment for the Arts Annual Report 1989
    National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216
    [Show full text]
  • Applause05.06 10/31/05 4:42 PM Page 1
    Applause05.06 10/31/05 4:42 PM Page 1 FROM THE CHAIR 75:20 FEATURE The Future is Here Celebrating 75:20 A Message from the Chair of the Department of Theatre Arts & Dance Reflecting on 75 years of University Theatre & 20 years of University Dance Theatre by Professor Michal Kobialka, chair, Department of Theatre Arts & Dance by David Bernstein As some of you may know, I was on sabbatical during the 2004-05 year. I The academic year 2005-06 marks the 75th anniver- have returned with new energy and fresh insight to focus on two signature sary of University Theatre, and the 20th anniversary of strengths that I think make us special among university performing arts pro- theatre and dance joined in a single department. Seventy- grams: our emphasis on collaborating across boundaries and disciplines, and five years is not much time in the span of human history, our integration of the creation and practice of theatre and dance with the criti- perhaps, but a ripe old age for a theatre. After all, the cal study of performance. My priority during my first 3-year term as chair was to Guthrie, at 42, is only middle-aged. Penumbra, founded preserve and build on these strengths, and I wish to thank Professor Lance by faculty member Lou Bellamy in 1976, is half our age – Brockman for providing the leadership to move the department forward on though it is one of a very few surviving theatres of the both fronts while I was away. Black Arts and Theater Movements of the early 1970s.
    [Show full text]
  • A History and Narrative of Wynn Handman, The
    THE LIFE BEHIND LITERATURE TO LIFE: A HISTORY AND NARRATIVE OF WYNN HANDMAN, THE AMERICAN PLACE THEATRE, AND LITERATURE TO LIFE A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by TRACY TERSTRIEP-HERBER B.A., University of California, 1992 Kansas City, Missouri 2013 ©2013 TRACY TERSTRIEP-HERBER ALL RIGHTS RESERVED THE LIFE BEHIND LITERATURE TO LIFE: A HISTORY AND NARRATIVE OF WYNN HANDMAN, THE AMERICAN PLACE THEATRE, AND LITERATURE TO LIFE Tracy Terstriep-Herber, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2012 ABSTRACT Literature to Life is a performance-based literacy program developed under the auspices of The American Place Theatre in New York City (1994). The American Place Theatre was founded in 1964 and stewarded by the artistic mission of Wynn Handman. It has earned its own place in American theatrical history. Prior dissertations have chronicled specific elements of the American Place Theatre (APT), but no account has bridged the history of APT and Wynn Handman’s privately-run acting studio to the significant history of Literature to Life. The once New York City-based program that promoted English, cultural and theatrical literacy to students within the city’s public iii school system, now has a strong national following and continues to inspire students and adults across the country. This thesis will chart an historical and narrative account of Literature to Life as it emerged from the embers of the American Place Theatre and rekindled the original mission of Wynn Handman, in a different setting and for new audiences.
    [Show full text]
  • Publication.Pdf
    www.urbanbug.net Videvši line up predstojećih festivala, još uvek vagaju da li da uđu u studio ili ne, prijatelj iz Niša rekao je kako bi najbolje kazaćemo da ima vremena da urade svoju bilo da se preseli u Beograd na dva meseca. varijantu tracka, a najbolji će biti nagrađeni Iz istog razloga, zbog serijala fantastičnih nastupom na Urban Bug bini na Exitu 2012. dešavanja na Zrću, Bačvicama, u Tisnu, Pomenimo još i to da smo bili veoma Štinjanu... ne mali broj nas rado bi se uputio prijatno iznenađeni brojem zahteva za ka Jadranu na duže. Sve u svemu, u potrazi pridruživanje staroj 'Urban BUG - mesečni za dobrom zabavom koju će definitivno i vodič kroz alternativnu kulturu!' grupi naći, party nomadi kretaće se ovog leta ako na Facebooku. Grupa je u međuvremenu ne dalje, ono makar po prostoru ex Juge! zatvorena zbog ograničenja broja članova Dobre zabave će i ove godine biti unutar na samo pet hiljada, tako da svima zidina petrovaradinske tvrđave, kao i na preporučujemo Bug stageu. Obradovao nas je feedback prelazak na za Remix Contest koji je naš magazin istoimeni namenio producentima. Pored poznatih fan page. imena, primetili smo da je regionalni Hvala! projekat okupio i mlade producente željne afirmacije ili pak predstavljanja publici sa kojom se do sada nisu sretali. Onima koji EXAMPLE FOO FIGHTERS EXIT FEST WARRIOR’S DANCE FEST HIDEOUT FEST SLURP! FEST LIFE CELEBRATION FEST CINEMA CITY 334N Marketing Redakcija [email protected] [email protected] Du{an Kuzmanov [email protected] [email protected] +38111 3690 218
    [Show full text]
  • Ronnie Wood, Keith Richards, and Mick Jagger by S.L
    The Retort - Wednesday, February 17, 1993 Revelations Editor Greg Chinberg - 2195 Solo Stones: Ronnie Wood, Keith Richards, and Mick Jagger By S.L. Maasch the album to an immediate rousing boil as Retort Revelations Writer Jagger rages with cyclonic fury, "I'm hard as a The Rolling Stones. The mere mentioning brick / I hope I never go limp." There's the of that name brings to mind the distinctive reckless declaration of independence of the Jagger vocals, the metallic whiplash of Richards' rockin' title track and the vocal duet of Jagger and Ron Wood's guitars, and the elementary and Lenny Kravitz doing a cover of Bill bass-and-drums thunder of Bill Wyman and Withers's 1970's hit song, "Use Me". His Charlie Watts. brashness and swagger are well intact on num- Though the Stones are set to regroup later bers like "Put Me In The Trash" and the relent- this year for yet another new studio album, they lessly strutting cover ofJames Brown's "Think". aren' t ones to sit on their laurels. Recently, three The first single, "Sweet Thing", has Jagger of them put out solo albums and have proven applying a "Fool To Cry" falsetto to a danceable, that they are far from being merely three oldies "Miss You"- style track. On "Out Of Focus", a acts. It's startling to hear rock' n roll so alive and churchy piano-vocal intro segues into a kind of passionate from players whose ages hover near gospel-funk. "Don't Tear Me Up" is a sadder- fifty and who come trailing chains of history, but-wiserreflection bolstered byechoes of "You myth and cash.
    [Show full text]
  • German Writing, American Reading
    German Writing, American Reading German Writing, American Reading Women and the Import of Fiction, 1866–1917 LYNNE TatlOCK THE OHIO StatE UNIVERSITY PRESS | COLUMBUS Copyright © 2012 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Tatlock, Lynne, 1950– German writing, American reading : women and the import of fiction, 1866–1917 / Lynne Tatlock. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1194-6 (cloth : alk. paper)—ISBN 978-0-8142-9295-2 (cd-rom) 1. American literature—German influences. 2. German literature—Translations into English—History and criticism. 3. German literature—Women authors—History and criticism. 4. German literature—Appreciation—United States. 5. Literature and soci- ety—United States. I. Title. PS159.G3T38 2012 810.9'3243—dc23 2012018741 Cover design by Laurence J. Nozik Text design by Juliet Williams Type set in Adobe Minion Pro Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 For Joe CONTENTS List of Illustrations ix Preface xi Acknowledgments xiii PART ONE · German Writing, American Reading Chapter 1 Introduction: Made in Germany, Read in America 3 Chapter 2 German Women Writers at Home and Abroad 28 PART TWO · German Texts as American Books Chapter 3 “Family Likenesses”: Marlitt’s Texts as American Books 53 Chapter 4 The German Art of the Happy
    [Show full text]
  • A Masterpiece M +++++ Mojomagazine U S I C W E E K
    Cover11.01.13_cover template 07/01/13 15:49 Page 1 1 0 6 3 1 6 7 7 9 6 6 6 7 7 9 THE BUSINESS OF MUSIC www.musicweek.com 11.01.13 £5.15 A masterpiece +++++ Mojo Magazine Project1_Layout 1 07/01/2013 15:48 Page 1 the multi award winning album Re-released on January 28th On multiple formats DELUXE 3 CD DIGI PACK ;:9876548382:18350/.:/-:4,8:/30+0.6*:6*)(7 ;:'.38*86582:*018:&83-/376.%85:-3/7:4,8:$#"":4/(3 ;:'.38*86582:46!85:-3/7:4,8:9(7/(35:58550/.5 e '9:':: $$0.* ;:9876548382:18350/.:/-:4,8:/30+0.6*:6*)(7 ;:'.38*86582:*018:&83-/376.%85:-3/7:4,8:$#"":4/(3 ;:'.38*86582:46!85:-3/7:9(7/(35:58550/.5 ;:9/(+,5:6.2:(446!85:-3/7:4,8::38055(8 ;::/-:,8:9/58)(2:0*7 :): 0%,68*:/**0.5 ;:0.*: e 9 9: ' :/.: e : e ':': : e 9 9:6.2 DELUXE 18350/.5:6*5/:6160*6)*8: e **:18350/.5:6160*6)*8:-/3:5438670.+ ,8:6*)(7:0**:)8:*6(.%,82:04, 6:-(**:763!840.+::&3/7/40/.6*:%67&60+. 6%8)//!%/7*884//2 6% 0.%*(20.+::0.4831085:6.2:.640/.6* 884//276%%/7 :621834050.+:&3855:625/.*0.8 FM MW Inside Cover 2 indd 1 07/01/2013 15:32 Cover_v3_cover template 08/01/13 19:22 Page 1 01 9 776669 776136 THE BUSINESS OF MUSIC www.musicweek.com 11.01.13 £5.15 NEWS BIG INTERVIEW ANALYSIS 02 10 12 Newly-promoted Universal Petula Clark discusses seven Music Week’s six page Music International boss Max decades in showbiz - and what it’s investigation into last Hole on his ambitions for EMI like to meet Elvis and John Lennon year’s record sales BMG: we’re still majorly hungry MUTE AND VIRGIN BOUGHT OVER CHRISTMAS - BUT THE RIGHTS GROUP’S NOT DONE YET ACQUISITIONS A bigger shock was BMG’s acquisition of Mute Records, the David Bowie announced a TALKING MUTE I BY TIM INGHAM shock new album this label sold by founder Daniel week - but his catalogue is Mute founder Daniel Miller up for grabs in the licensed back the label’s name he battle to acquire Miller to EMI in 2002 for £23m.
    [Show full text]
  • Working Therapeutically with Video Gamers and Their Families Anthony M
    Working Therapeutically With Video Gamers and Their Families Anthony M. Bean Video games are a common form of entertainment, but small percentage of those who regularly play video games engage in excessive use of video games. There is a professional debate about whether excessive video game use should receive a formal diagnosis as an addiction. Video games can also be used as a tool in psychotherapy, and elements of video game activity can be valuable in assessment of personality and domains of psychological struggles. This article presents examples of questions and observations of game playing as a means to engage child and adolescent players in discussion and exploration of more psychologically relevant matter. Your new clients have arrived: two parents and their 15- Anthony M Bean, PhD, earned his doctoral degree at yearold son. The son enters first and flops down on your Pacifica Graduate Institute in Caipinteria, CA. His office sofa, crossing his arms across his chest. His clinical practice is located in Fort Worth, TX, and he parents follow him in, sitting down with exasperated specializes in the therapeutic implications of video looks on their faces. The parents begin to tell you about games and gaming. He is the author of Working with the son's difficulties with video gaming. He is reportedly Video Gamers and Games in Therapy: A Clinician's playing video games from the moment be gets home Guide and The Psychology of Zelda: Linking Our World to the Legend of Zelda Series. from school until late into the night. His grades are ……………………………………………………………………………………… slipping, homework is not being turned in, family time is …… being interfered with, and he is not getting enough sleep at night.
    [Show full text]
  • One Stop | Directories | Search U of M Editor: Jason Sanford 612
    Return to: University Relations : U of M Home One Stop | Directories | Search U of M Editor: Jason Sanford 612-624-8520, [email protected] Past Issues Search past issues of Brief: SUBMIT To subscribe or unsubscribe Vol. XXXIV No. 1; Jan. 7, 2004 INSIDE THIS ISSUE 1. Top Stories U presents stadium findings to Governor's Stadium Commission. Memorial service for Gisela Konopka will be Jan. 9. 2. News and Announcements Nominations sought for several U awards. Mileage allowance changes. 3. Campus Events and Information Legislative Network's annual legislative briefing will be Jan. 22. 4. Links 1. Top Stories RECOMMENDATIONS FOR AN ON-CAMPUS GOPHER FOOTBALL STADIUM were presented to the Governor's Stadium Commission by U officials on Jan. 6. The commission, which is charged with making recommendations regarding Twins baseball and Vikings football facilities, invited the U to present the findings of its recently completed stadium feasibility study. The study recommends a 50,000-seat, open-air, on-campus facility at a projected cost of $180 million, with another $42 million needed for site preparations and infrastructure improvements. For more information on the feasibility study, see http://www.umn.edu/stadium/ PRESIDENT BRUININKS HAS BEEN NAMED "MINNESOTAN OF THE YEAR" by Minnesota Monthly in their January 2004 issue. Bruininks was honored for his handling of "one of the U's most challenging years--and one of its most successful." A MEMORIAL SERVICE FOR GISELA KONOPKA, who died Dec. 9 at age 93, will be held Jan. 9, 10 a.m-12 p.m., Memorial Hall, McNamara Alumni Center.
    [Show full text]
  • METAGAMING Electronic Mediations Series Editors: N
    www.ebook3000.com METAGAMING Electronic Mediations Series Editors: N. Katherine Hayles, Peter Krapp, Rita Raley, and Samuel Weber Founding Editor: Mark Poster 53 Metagaming: Playing, Competing, Spectating, Cheating, Trading, Making, and Breaking Videogames Stephanie Boluk and Patrick LeMieux 52 Th e Perversity of Th ings: Hugo Gernsback on Media, Tinkering, and Scientifi ction Hugo Gernsback, Edited by Grant Wythoff 51 Th e Participatory Condition in the Digital Age Darin Barney, Gabriella Coleman, Christine Ross, Jonathan Sterne, and Tamar Tembeck, Editors 50 Mixed Realism: Videogames and the Violence of Fiction Timothy J. Welsh 49 Program Earth: Environmental Sensing Technology and the Making of a Computational Planet Jennifer Gabrys 48 On the Existence of Digital Objects Yuk Hui 47 How to Talk about Videogames Ian Bogost 46 A Geology of Media Jussi Parikka 45 World Projects: Global Information before World War I Markus Krajewski 44 Reading Writing Interfaces: From the Digital to the Bookbound Lori Emerson 43 Nauman Reiterated Janet Kraynak (continued on page 380) www.ebook3000.com METAGAMING Playing, Competing, Spectating, Cheating, Trading, Making, and Breaking Videogames STEPHANIE BOLUK AND PATRICK LEMIEUX University of Minnesota Press Minneapolis London Portions of the Introduction and chapter 1 appear together as “Metagame,” in Debugging Game History: A Critical Lexicon, ed. Henry Lowood and Raiford Guins, 313– 24 (Cambridge, Mass.: MIT Press, 2016). Portions of chapter 2 were previously published as “Stretched Skulls: Anamorphic Games and the Memento Mortem Mortis,” Digital Humanities Quarterly 6, no. 2 (2012). http://www.digitalhumanities.org/dhq/vol/6/2/000122 /000122.html. Portions of chapter 4 were previously published as “Hundred Thousand Billion Fingers: Seriality and Critical Game Practices,” Leonardo Electronic Almanac 17, no.
    [Show full text]
  • Populární Hudba Zahraniční
    Číslo Rok Autor Název Styl 3151 rok:2005 …And You Will Know Us by the Trail of Dead Worlds apart alterantive rock 5645 rok:2006 …And You Will Know Us by the Trail of Dead So divided alternative rock 3979 rok:2000 10CC /populární kapela ze 70.let/ Best of the 70's soft rock 4816 rok:1995 2 Unlimited /nejv ětší hity legendární disco formace/ Hits Unlimited disco/dance 4177 rok:1996 2Pac /fantastické dvojalbum zast řelené hip-hop hv ězdy/ All eyez on me - 2CD hip-hop 5696 rok:2005 3 Doors Down Seventeen days post-grunge 2008 rok:2002 3 Doors Down /pro fandy:Creed, Nickelback/ Away from the sun post-grunge 5483 rok:2002 30 Seconds to Mars 30 Seconds to Mars alter..rock/EMO 5637 rok:2009 30 Seconds to Mars This is war Emo/alter-prog r. 3706 rok:2007 30 Seconds to Mars /pro fandy:My Chemical Romance/ A Beautiful EMO/alter.rock 6432 rok:2013 30 Seconds to Mars Love lust faith & dreams symph/alter./rock 5676 rok:2006 36 Crazyfists Rest inside the flames EMO/hard-core 2329 rok:2004 36 Crazyfists /zní to jako:Lostprophets,SystemOfADown/ A snow capped romance EMO/nu metal 1169 rok:2001 4 Hero Creating patterns nu-jazz 3127 rok:1992 4 Non Blondes /jedna super deska s hitem What's up/ Bigger, better, faster, more! rock 5858 rok:2009 50 Cent Before i self destruct + DVD hip-hop 3162 rok:2005 50 Cent The Massacre hip-hop 4130 rok:2007 50 Cent /nové album/ Curtis hip-hop 6485 rok:2012 69 Eyes X gothic rock/metal 3930 rok:2002 69 Eyes /pro fandy:HIM,Paradise Lost/ Paris kills gothic metal 2162 rok:2000 69 Eyes /zní to jako: HIM,Type O Negative,Sisters
    [Show full text]