La Racialisation Des Africains : Récits Commerciaux, Religieux, Philosophiques Et Littéraires, 1480-1880

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La Racialisation Des Africains : Récits Commerciaux, Religieux, Philosophiques Et Littéraires, 1480-1880 LA RACIALISATION DES AFRICAINS : RÉCITS COMMERCIAUX, RELIGIEUX, PHILOSOPHIQUES ET LITTÉRAIRES, 1480-1880 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Nicolas P.A. Médevielle, D.E.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by Professor Eugene Holland, Adviser Professor Danielle Marx-Scouras ________________________ Professor Jennifer Willging Adviser French and Italian Graduate Program Copyright by Nicolas Médevielle 2006 ABSTRACT This project examines the progressive racialisation of Africans by French authors during the four centuries of contact between Sub-Saharan Africa and France that eventually produced one of the two largest colonial empires in Africa. Racialisation refers to the historical process by which it became possible for French people to think of Africans not as human beings, but as creatures so far removed from themselves that they could be construed as substandard beings, akin to animals and monsters. The project starts with the examination of several mid-sixteenth century documents: a book published in 1559, entitled Les voyages aventureux de Jean Alfonse, Sainctongeois; and a series of maps of Africa appearing in a 1547 Norman publication known as The Vallard Atlas (H.M.29). This first chapter shows that the figure of race, and hence the process of racialisation, is not yet pertinent in French descriptions of Africans. Although these documents are largely forgotten today (the Voyages has not been republished since 1610), by carefully retracing the social milieu in which the books circulated and ii reconstructing an image of the maritime links between Africa and France prior to 1550, we can conclude that the documents had a wide enough audience to be deemed representative of the literature of the time. The second chapter proceeds in a very different fashion. Instead of focusing on a few key texts, we show how the context of colonial slavery dating back to the beginning of the Enlightenment period led to a style of thought about Africans that is distinctly pre-racial. To this end, we examine the evolution of the word “race” from its earliest appearance in the late fifteenth century until its modern meaning emerges throughout the first part of the eighteenth century. Finally, we look at the work of three important representatives of the French Enlightenment - Montesquieu, Buffon and Voltaire - to show how this style of thought influenced their views of Africans. Montesquieu comes to endorse the practice of colonial enslavement of Africans, who are constructed as savages living in climates that predispose them to be slaves; Buffon, although he emphasizes the oneness of humankind, nevertheless presents Africans as having degenerated from full humanity; Voltaire, who endorses polygenesis, considers them as a separate human species, situated among the lowest strata of humankind, not too far from Apes. The third chapter, devoted to the years 1860-1890, is narrower in scope: it focuses on one novel by Jules Verne and a series of short stories by Maupassant, read in light of nineteenth-century raciology. It is first argued that the nascent anthropology progressively established “race” at its core during the first part of the century. The raciology reached full force during the period 1860-1890, when iii Verne and Maupassant wrote. However, for these authors, the African Race has little to do with the pseudo-scientific constructions of the time. The figure of the African in their texts is largely mythological, oscillating between the image of the cannibal and that of the savage, even though, on some occasions, their works have recourse to scientific images to heighten their rhetorical impact. Ultimately, Verne and Maupassant use African figures mostly to express fears and concerns about European society itself, the African serving as a totem to refer to whomever these authors dread or want to vilify – be they Germans, working -class people, farmers, or women. The literary construction of race is therefore autonomous from the pseudo-scientific one, but they both embody the heightened state of racialisation of Africans during this period. iv Dedicated to Sara and Oen, For all the hours I stole from you, for all the joy you bring me. v ACKNOWLEDGMENTS I wish to thank my adviser, Eugene Holland, for his intellectual and moral support, as well for showing me what intellectual standards I should try to reach. He made the completion of this project possible. I also wish to express my gratitude to Professor Danielle Marx-Scouras for her frequent friendly advice and for the trust that she has shown me in the last few years. I am grateful to Professor Jennifer Willging who accepted to be part of my committee although my project was well under way, as well as Professor John Conteh-Morgan who has followed this project in the last two years, and has always provided me with useful comments and his vast knowledge about Africa. I am extremely indebted to Eliza Segura whose constant support, advice and friendliness have helped me write whenever I felt like researching instead. Finally I want to thank all of the people who have helped and supported me during the last few years, my families, my friends from here and Europe, and especially Sara without whom this project would never have happened. vi VITA April 11, 1974………………………..…Born - Clamart, France. 1996………………………………….…Licence de Droit, Université de Rennes I, France 1997…………………………………….Maitrise de Science Politique, Université de Rennes I, France 1999……………………………………D.E.A de Science Politique, Université de Rennes I, France 1999-2005……………………………...Graduate Teaching Associate, The Ohio State University 2005…………………………………….Teaching Associate, Denison University FIELDS OF STUDY Major Field: French and Italian Areas of Emphasis: Early modern and modern literature, cultural history. vii TABLE OF CONTENTS Page Abstract…………………………………………………………………………...iii Dedication…………………………………………………………………………v Acknowledgments………………………………………………………………..vi Vita………………………………………………………………………………vii List of Illustrations………………………………………………………………..x Chapters: Introduction…………………………………………………..……………1 1. La Renaissance des marchands : Les Voyages Aventureux de Jean Alfonse, Sainctongeois (1559) et l’Atlas Vallard (HM 29) de Dieppe (1547 face à l’Afrique.....................................................................................................26 1.1 Les Voyages aventureux......................................................................29 1.1.1 L’identité de Jean Alfonse de Saintonge..............................29 1.1.2 Présentation des Voyages aventureux et du milieu littéraire qui a participé à sa publication..............................................35 1.1.3 Les Conceptions géographiques des Voyages aventureux : étude des cas européens et américains..................................44 1.2 L’Atlas Vallard et la cartographie dieppoise du milieu du siècle........56 1.3 La géographie africaine de l’Atlas Vallard et des Voyages aventureux……………………………………………………………59 1.3.1 Géographie renaissante et mirabilia médiévales..................70 1.3.2 L’Ethiopie merveilleuse d’Alfonse.......................................79 1.3.3 Le commerce, critère de valuation des Africains..................83 1.3.4 L’Atlas Vallard et la représentation physique des Africains..............................................................................100 1.4 Conclusion…………………..……………………………...………105 viii 2. Esclavage et anthropologie : Philosophes et administrateurs coloniaux face à la « race »………………….……………………………………..…...111 2.1 Colonisation antillaise et traite esclavagiste………………………..113 2.2 Discours missionnaires sur les Africains au XVIIe siècle………….123 2.2.1 Une tendance au mépris dans les îles……………………..123 2.2.2 Une figure éclatée de l’Africain d’Afrique……………….127 2.3 Ordre colonial, esclavage et naissance de la discrimination raciale..132 2.3.1 Couleur et sexe, les premières mesures…………………..134 2.3.2 Après 1750 : vers un ordre raciste d’Ancien Régime ?......141 2.4 L’évolution du mot « race » de 1480 à 1700.....................................145 2.4.1 Evolution des conceptions aristocratiques de la race sous l’Ancien Régime…………………………………….146 2.4.2 La liaison entre apparence physique et idée de race……...150 2.5 Les Lumières et l’Afrique..................................................................154 2.5.1 Montesquieu et De l’esprit des lois....................................155 2.5.2 Le monogénisme de Buffon................................................168 2.5.3 Voltaire, la polygénie, et les espèces humaines.................180 2.6 Conclusion.........................................................................................186 3. De Jules Verne à Maupassant : Race, classe, sauvagerie et cannibalisme ………………………………………………………...…189 3.1 La montée du paradigme raciologique : 1800-1850………………..190 3.2 L’Afrique sauvage et cannibale de Verne..........................................196 3.2.1 Jules Verne (1828-1905) : milieu familial et début de carrière littéraire…............…………………………………..…….196 3.2.2 Explorateurs européens et Afrique sauvage........................199 3.2.3 Les Africains de Verne : sauvagerie, animalité et cannibalisme.......................................................................205 3.3 Afrique, sauvagerie et cannibalisme dans l’œuvre de Maupassant...238 3.3.1 Le Maghreb sous le signe de l’Afrique...............................240 3.3.2 Tombouctou et
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