Twenty Thousand Leagues Under the Sea by Jules Verne
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Exposición Pública Y De Cobranza De Ibi (Urbana
BOP Nº 106 4 de junio de 2018 ADMINISTRACIÓN PROVINCIAL Númer 1423/18 EXCMA. DIPUTACIÓN PROVINCIAL DE ÁVILA ORGANISMO AUTÓNOMO DE RECAUDACIÓN E DICTO PUESTA AL COBRO IMPUESTO DE BIENES INMUEBLES Se somete a exposición pública, por término de un mes contados a partir del siguiente al de la inserción del presente edicto en el Boletín Oficial de la Provincia, las listas cobratorias, de exentos, no sujetos y no gestionados por cuota mínima del Impuesto sobre Bienes Inmuebles del ejercicio de 2018 comprensivo de los bienes inmuebles de naturaleza urbana, rústica y bienes de características especiales, sujetos pasivos y valores catastrales; basadas en el padrón catastral facilitado por la Gerencia Territorial de Ávila, correspondientes a los municipios que seguidamente se relacionan: MUNICIPIO CONCEPTO CONCEPTO CONCEPTO ADANERO Urbana Rústica Características especiales ADRADA (LA) Urbana Rústica — ALBORNOS Urbana Rústica — ALDEANUEVA DE SANTA CRUZ Urbana Rústica — ALDEASECA Urbana Rústica Características especiales ALDEHUELA (LA) Urbana Rústica Características especiales AMAVIDA Urbana Rústica Características especiales ARENAL (EL) Urbana Rústica — ARENAS DE SAN PEDRO Urbana Rústica Características especiales AREVALILLO Urbana Rústica — ARÉVALO Urbana Rústica Características especiales AVEINTE Urbana Rústica — AVELLANEDA Urbana Rústica — BARRACO Urbana Rústica Características especiales BARROMAN Urbana Rústica Características especiales BECEDAS Urbana Rústica — BECEDILLAS Urbana Rústica — BERCIAL DE ZAPARDIEL Urbana Rústica — BERLANAS (LAS) -
BOE 160 De 06/07/1999 Sec 3 Pag 25716 a 25717
25716 Martes 6 julio 1999 BOE núm. 160 Malpartida de Corneja. San Juan del Olmo. Mamblas. San Lorenzo de Tormes. Mancera de Arriba. San Martín de la Vega del Alberche. Manjabálago. San Martín del Pimpollar. Marlin. San Miguel de Corneja. Martínez. San Miguel de Serrezuela. Mediana de Voltoya. San Pedro del Arroyo. Medinilla. San Vicente de Arévalo. Mengamuñoz. Sanchidrián. Mesegar de Corneja. Sanchorreja. Mijares. Santa Cruz de Pinares. Mirón (El). Santa Cruz del Valle. Mironcillo. Santa María del Arroyo. Mombeltrán. Santa María del Berrocal. Monsalupe. Santa María del Cubillo. Muñana. Santa María del Tiétar. Muñico. Santiago de Tormes. Muñogalindo. Santiago del Collado. Muñogrande. Santo Domingo de las Posadas. Muñomer del Peco. Santo Tomé de Zabarcos. Muñopepe. Serrada (La). Muñosancho. Serranillos. Narrillos del Álamo. Sigeres. Narrillos del Rebollar. Sinlabajos. Narros de Saldueña. Solana de Rioalmar. Narros del Castillo. Sotalbo. Narros del Puerto. Sotillo de la Adrada. Nava de Arévalo. Tiemblo (El). Nava del Barco. Tiñosillos. Navadijos. Tolbaños. Navaescurial. Tormellas. Navahondilla. Torre (La). Navalacruz. Tórtoles. Navalmoral. Vadillo de la Sierra. Navalonguilla. Valdecasa. Navalosa. Vega de Santa María. Navalperal de Pinares. Velayos. Navalperal de Tormes. Villaflor. Navaluenga. Villafranca de la Sierra. Navaquesera. Villanueva de Ávila. Navarredonda de Gredos. Villanueva de Gómez. Navarredondilla. Villanueva del Aceral. Villar de Corneja. Navarrevisca. Villarejo del Valle. Navas del Marqués (Las). Villatoro. Navatalgordo. Viñegra de Moraña. Navatejares. Vita. Neila de San Miguel. Zapardiel de la Cañada. Niharra. Zapardiel de la Ribera. Ojos-Albos. Orbita. Padiernos. ANEXO II Palacios de Goda. Relación de oficinas delegadas de la Diputación Provincial Papatrigo. Parral (El). Pascualcobo. Municipio Domicilio Pedro Bernardo. Pedro Rodríguez. -
Stuart Chases's Use of Jules Verne's the Mysterious Island, (1874)
University of Rhode Island DigitalCommons@URI Special Collections Publications (Miscellaneous) Special Collections 2006 Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874) Richard Vangermeersch Follow this and additional works at: http://digitalcommons.uri.edu/sc_pubs Part of the Library and Information Science Commons Recommended Citation Vangermeersch, Richard, "Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874)" (2006). Special Collections Publications (Miscellaneous). Paper 6. http://digitalcommons.uri.edu/sc_pubs/6 This Text is brought to you for free and open access by the Special Collections at DigitalCommons@URI. It has been accepted for inclusion in Special Collections Publications (Miscellaneous) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) December 2006 Richard Vangermeersch P.O. Box 338 Kingston, RI 02881 401-783-8853 2 Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) There are two very specific reasons why this piece was researched and written. The first is a continuation of my work done on Stuart Chase (various publications). I am still hopeful my efforts will inspire an historian to do a 1000 page biography on Stuart Chase. The second is further example why my idea of using Verne’s book as the basis for a one-day management seminar is worth trying. I’ve explored this idea with a number of friends and hope that this piece will take at least one of them to try this idea. I am classifying this as a casual piece and have no interest in this being written for a vigorous academic review. -
From the Earth to the Moon / Around the Moon Free
FREE FROM THE EARTH TO THE MOON / AROUND THE MOON PDF Jules Verne,Alex Dolby,Dr. Keith Carabine | 448 pages | 01 Aug 2011 | Wordsworth Editions Ltd | 9781840226706 | English | Herts, United Kingdom From the Earth to the Moon (TV Mini-Series ) - IMDb Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. This darkness This light would have lit the window, and the window was dark. Doubt was no longer possible; the travelers had left the earth. When the members of the Baltimore Gun Club-bored Civil War veterans-decide to fill their time by embarking on a project to shoot themselves to the moon, the race is on to raise money, overcome engineering challenges, and convince detractors that they're anything but "Lunatics. First published in France inthis replica edition includes the sequel, 's Round the Moon. Get A Copy. Paperbackpages. Published July 1st by Cosimo Classics first published More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about From the Earth to the Moon and 'Round the Moonplease sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Jul 21, Bettie rated it liked it Shelves: summerweapon-evolutionshortstory-shortstories-novellas From the Earth to the Moon / Around the Moon, sci- fifraudioclassicspaaaaaacepublished Description: The War of the Rebellion is over, and the members of the American Gun Club, bored with inactivity, look around for a new project. -
Captain Nemo/Lt-General Pitt Rivers and Cleopatra's Needle
Free Press. Stocking, G. W. Jr. 1984. Introduction. In G. W. Stocking Jr. (ed.) Functionalism Historicized: Essays on British Social Anthropology. Madison: University of Wisconsin Press. Stocking, G. W. Jr. 1987. Victorian Anthropology. London: Collier Macmillan. Sweet, R. 2004 . Antiquaries: The Discovery of the Past in Eighteenth-Century Britain. London: Hambledon & London. Captain Nemo/Lt-General Pitt Rivers and Cleopatra’s Needle — A Story of Flagships Christopher Evans ([email protected]) Recently re-reading Verne’s 20,000 Leagues Beneath the Sea for our children I was struck by the marked similarities between the novel’s elusive protagonist, Captain Nemo, and the renowned later 19th century British archaeologist, Lt.-General Pitt Rivers. Could they have been the same person? How could something so seemingly blatant have gone unnoticed? These questions are, of course, only raised in a spirit of academic tongue-in-check. Yet, in an ethos of ‘learning through amusement’ (itself directly relevant to the themes of this study), exploring the parallels between these two ‘heroic’ individuals provides insights into the nature of 19th century science, Victorian edification and disciplinary institutionalisation (e.g. Levine 1986). This eclectic contribution will, moreover, be introduced with the third component of its headline title – Cleopatra’s Needle – as this provides an appropriately quasi- nautical parable on the project of 19th century archaeology and the problem of ‘deep time’ (Murray 1993). Cleopatra’s Voyage The transhipment of the -
Lusardi 1999- Blackbeard Shipwreck Project with a Note on Unloading A
The Blackbeard Shipwreck Project, 1999: With a Note on Unloading a Cannon By: Wayne R. Lusardi NC Underwater Archaeological Conservation Laboratory Institute of Marine Sciences 3431 Arendell Street Morehead City, North Carolina 28557 Lusardi ii Table of Contents Introduction..........................................................................................................................................1 1999 Field Season.................................................................................................................................1 Figure 1: Two small cast-iron cannons during removal of concretion and associated ballast stones. ...................................................................................................................................1 The Artifacts .........................................................................................................................................2 Ship Parts and Equipment...................................................................................................................2 Arms...................................................................................................................................................2 Figure 2: Weight marks on breech of cannon C-21..............................................................3 Figure 3: Contents of cannon C-19 included three iron drift pins, a solid round shot and three wads of cordage.........................................................................................................3 -
The Pirates' Code
The Pirates’ Code Scan to watch an instructional video! Components Legend Legend Legend Dread Legend Dread Dread Pirate Sure-fire Dread Pirate Sure-fire Pirate Sure-fire Pirate - Buccaneer Sure fire Buccaneer Buccaneer Buccaneer Swash 1 Market Mat Swash Buckler Swash Buckler Swash Buckler Buckler Corsair Corsair Corsair Corsair Pirate Pirate Pirate Pirate Sea Dog Sea Dog Sea Dog Repair Sea Dog Repair Repair Extort Repair Extort : Extort Cannons: Extort Cannons: Cannons: Rigging 1 Cannons Rigging 1 Rigging 1 1 Rigging 1 1 2 Port Tokens 1 1 4 Legend Mats 4 Helm Mats 16 Map Cards 8 8 6 6 6 4 4 4 2 2 2 1-4 1-4 1-3 1-3 1-3 1-2 1-2 1-2 . Cpt. Carmen RougeCpt Morgan Whitecloud FRONTS . Francisco de Guerra Cpt. Magnus BoltCpt BACKS 11 Merchant Cards 4 Double-Sided Captain Cards Alice O’Malice 1 Doc Blockley Lisa Legacy Sydney Sweetwater Buck Cannon Betty Blunderbuss Eliza Lucky Ursula Bane Willow Watch Taylor Truenorth Quartermaster Quigley Jolly Rodge Silent Seamus Lieutenant Flint Raina Rumor Black-Eyed Brutus Pale Pim 2 Salty Pete 2 Cutter Fang BACKS Sara Silver Jack “Fuse” Rogers Chopper Donovan Sally Suresight FRONTS Tina Trickshot 24 Crew Cards BACKS BACKS FRONTS 20 Search Tokens FRONTS 20 Order Tokens (5 in 4 colors) 2 4 Pirate Ships (in 4 colors) 2 Merchant Ships (in 2 colors) 1 Navy Ship 4 Captains (in 4 colors) 16 Deckhands 4 Legend Tokens 12 Treasures (4 in 4 colors) (in 4 colors) (3 in 4 colors) 1 Booty Bag 40 Booty Crates 4 Gold 3 Dice 12 Sure-fire Tokens (10 in 4 colors) Doubloons Prologue You helm a notorious pirate ship in the swashbuckling days of yore. -
Islands in the Screen: the Robinsonnade As Television Genre Des Îles À L’Écran : La Robinsonnade Comme Genre Télévisuel Paul Heyer
Document generated on 09/24/2021 6:24 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Islands in the Screen: The Robinsonnade as Television Genre Des îles à l’écran : la robinsonnade comme genre télévisuel Paul Heyer Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 The island survivor narrative, or robinsonnade, has emerged as a small but significant television genre over the past 50 years. The author considers its URI: https://id.erudit.org/iderudit/1015187ar origins as a literary genre and the screen adaptations that followed. Emphasis DOI: https://doi.org/10.7202/1015187ar is placed on how “island TV” employed a television aesthetic that ranged from an earlier conventional approach, using three cameras, studio locations, and See table of contents narrative resolution in each episode, to open-ended storylines employing a cinematic style that exploits the new generation of widescreen televisions, especially with the advent of HDTV. Two case studies centre the argument: Gilligan’s Island as an example of the former, more conventional aesthetic, and Publisher(s) Lost as an example of the new approach. Although both series became Cinémas exceedingly popular, other notable programs are considered, two of which involved Canadian production teams: Swiss Family Robinson and The Mysterious Island. Finally, connections are drawn between robinsonnades and ISSN the emerging post-apocalyptic genre as it has moved from cinema to television. 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Heyer, P. (2013). Islands in the Screen: The Robinsonnade as Television Genre. Cinémas, 23(2-3), 121–143. -
The Low Countries. Jaargang 11
The Low Countries. Jaargang 11 bron The Low Countries. Jaargang 11. Stichting Ons Erfdeel, Rekkem 2003 Zie voor verantwoording: http://www.dbnl.org/tekst/_low001200301_01/colofon.php © 2011 dbnl i.s.m. 10 Always the Same H2O Queen Wilhelmina of the Netherlands hovers above the water, with a little help from her subjects, during the floods in Gelderland, 1926. Photo courtesy of Spaarnestad Fotoarchief. Luigem (West Flanders), 28 September 1918. Photo by Antony / © SOFAM Belgium 2003. The Low Countries. Jaargang 11 11 Foreword ριστον μν δωρ - Water is best. (Pindar) Water. There's too much of it, or too little. It's too salty, or too sweet. It wells up from the ground, carves itself a way through the land, and then it's called a river or a stream. It descends from the heavens in a variety of forms - as dew or hail, to mention just the extremes. And then, of course, there is the all-encompassing water which we call the sea, and which reminds us of the beginning of all things. The English once labelled the Netherlands across the North Sea ‘this indigested vomit of the sea’. But the Dutch went to work on that vomit, systematically and stubbornly: ‘... their tireless hands manufactured this land, / drained it and trained it and planed it and planned’ (James Brockway). As God's subcontractors they gradually became experts in living apart together. Look carefully at the first photo. The water has struck again. We're talking 1926. Gelderland. The small, stocky woman visiting the stricken province is Queen Wilhelmina. Without turning a hair she allows herself to be carried over the waters. -
Divers Things: Collecting the World Under Water
Hist. Sci., xlix (2011) DIVERS THINGS: COLLECTING THE WORLD UNDER WATER James Delbourgo Rutgers University I do not pretend to have been to the bottom of the sea. Robert Boyle, 1670 matter out of place Consider the following object as shown in an early eighteenth-century engraving (Figure 1). It is a piece of wood — not a highly worked thing, not ingeniously wrought, though it is an artefact of human labour rather than a natural body. Or is it? In the engraving, the piece of wood disappears: it is visible towards the bottom of the image, a sober pointed stump, but it is quickly subsumed by a second, enveloping entity that swirls about it in an embroidering corkscrew. What elements are here intertwin- ing? The legend beneath the engraving identifies the artefact thus: “Navis, prope Hispaniolam ann Dom 1659. Naufragium passae, asser, a clavo ferreo transfixus, corallio aspero candicante I. B. Obsitus, & a fundo maris anno 1687 expiscatus.” It describes a stake or spar from a ship wrecked off Hispaniola in 1659, which is transfixed by both an iron bolt and rough whitish coral, fished out of the depths in 1687. This collector’s item is neither the cliché of exemplarily beautiful coral nor straightforwardly a historical relic, but an intertwining of the two: the “transfixing” of a remnant of maritime technology by an aquatic agent. It exhibits the very proc- ess of encrustation. The spar is juxtaposed with the image of a jellyfish, and more proximately, engravings of Spanish silver coins, also encrusted with coral: “Nummus argenteus Hispanicus … incrustatus”, one of the labels reads.1 Still another illustra- tion, in a separate engraving, bears the legend “Frustum ligni e mari atlantico erutum cui adhaerescunt conchae anatiferae margine muricata” — a piece of “drift wood beset with bernecle [sic] shells”. -
Robur-Le-Conquérantrobur-Le-Conquérant
Jules Verne Robur-le-ConquérantRobur-le-Conquérant BeQ Jules Verne 1828-1905 Robur-le-ConquérantRobur-le-Conquérant roman La Bibliothèque électronique du Québec Collection À tous les vents Volume 334 : version 2.0 2 Du même auteur, à la Bibliothèque : Famille-sans-nom L’école des Robinsons Le pays des fourrures César Cascabel Voyage au centre de la Le pilote du Danube terre Hector Servadac Un drame au Mexique, et Mathias Sandorf autres nouvelles Le sphinx des glaces Docteur Ox Voyages et aventures du Une ville flottante capitaine Hatteras Maître du monde Cinq semaines en ballon Les tribulations d’un Les cinq cent millions de Chinois en Chine la Bégum Michel Strogoff Un billet de loterie De la terre à la lune Le Chancellor Le Phare du bout du Face au drapeau monde Le Rayon-Vert Sans dessus dessous La Jangada L’Archipel en feu L’île mystérieuse Les Indes noires La maison à vapeur Le chemin de France Le village aérien L’île à hélice Clovis Dardentor 3 Robur-le-Conquérant 4 1 Où le monde savant et le monde ignorant sont aussi embarrassés l’un que l’autre « Pan !... Pan !... » Les deux coups de pistolet partirent presque en même temps. Une vache, qui paissait à cinquante pas de là, reçut une des balles dans l’échine. Elle n’était pour rien dans l’affaire, cependant. Ni l’un ni l’autre des deux adversaires n’avait été touché. Quels étaient ces deux gentlemen ? On ne sait, et, cependant, c’eût été là, sans doute, l’occasion de faire parvenir leurs noms à la postérité. -
Le Fonds D'affiches De La Maison De Jules Verne À Amiens
UNIVERSITÉ DE PICARDIE JULES VERNE Charlotte SICARD Le fonds d’affiches de la Maison de Jules Verne à Amiens Etude Mémoire Master 2 Histoire de l’art Sous la direction de M. Nicholas-Henri Zmelty Août 2019 2 Remerciements Je remercie mon directeur de recherche, Monsieur Nicholas-Henri Zmelty, professeur d’Histoire de l’art à l’Université de Picardie Jules Verne, qui m’a guidée et accompagnée vers ce sujet pour lequel j’ai développé un grand intérêt. Je remercie Monsieur Sinoquet pour m’avoir donné l’opportunité de réaliser mon stage de Master à la Bibliothèque Louis Aragon d’Amiens, afin d’étudier les affiches conservées dans les réserves, d’avoir répondu à mes nombreuses interrogations et fait partager ses connaissances sur la Collection Jules Verne. Je remercie également le personnel de la Bibliothèque Louis Aragon pour leur sympathie et leur aide apportée me permettant d’approfondir mes recherches. Je tiens enfin à remercier mes proches. 3 Sommaire Introduction ..................................................................................................................... 7 I- Les affiches des éditions Hetzel............................................................................... 19 1- Les premières publicités sur Jules Verne....................................................................... 19 A- La collaboration entre deux hommes de lettres .................................................................... 19 B- Le pouvoir de l’affiche, un véritable atout commercial.......................................................