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Feargal Sharkey Speaker Profile
Feargal Sharkey Musical Legend and Co-founder of The Undertones Feargal Sharkey first found fame as the lead vocalist of punk band The Undertones, famous for hit singles such as Teenage Kicks. Since then Feargal has worked in the business side of music including, for a number of years, being head of UK Music, which represents the UK's commercial music industry. Feargal has been recognised for his outstanding achievements in the field of musi In detail Languages Feargal Sharkey was a co-founder of The Undertones at their He presents in English. inception in 1976. His best-known solo material is the 1985 UK chart-topping single penned by Maria McKee, A Good Heart, a Want to know more? worldwide number 1 in 1985. In the business side of the music Give us a call or send us an e-mail to find out exactly what he industry he was initially an A&R manager for Polydor Records, could bring to your event. and then Managing Director of EXP Ltd. He was appointed a Member of the Radio Authority for five years from 1998 to 2003. How to book him? He became Chairman of the UK Government task force the Live Simply phone, fax or e-mail us. Music Forum in 2004 to evaluate the impact of the Licensing Act 2003 on the performance of live music, and gave public evidence before the Culture, Media and Sport Committee in 2008. What he offers you Having enjoyed some 12 years of world tours and hit albums, Feargal Sharkey is keen for us to adapt, progress and develop to help secure a solid foundation from which a successful, vibrant and world dominating British online industry can be built. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Various Top of the Pops - 819 Mp3, Flac, Wma
Various Top Of The Pops - 819 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: Top Of The Pops - 819 Country: UK Released: 1980 Style: Pop Rock, Ska, Synth-pop MP3 version RAR size: 1194 mb FLAC version RAR size: 1202 mb WMA version RAR size: 1144 mb Rating: 4.8 Votes: 810 Other Formats: MIDI MP4 MOD TTA DXD ASF AC3 Tracklist A1 –Commodores Machine Gun 0:21 A2 –The Rolling Stones Dance 4:16 A3 –The Human League Dreams Of Leaving 3:41 A4 –Bad Manners Lip Up Fatty 2:46 A5 –Kate Bush Babooshka 3:25 A6 –Splodgenessabounds Simon Templar 2:33 A7 –The Human League Being Boiled 4:06 A8 –The Rolling Stones Emotional Rescue 5:15 A9 –Commodores Machine Gun 0:20 B1 –Kate Bush Babooshka 1:16 B2 –The Rolling Stones Dance 4:19 B3 –The Human League Dreams Of Leaving 3:52 B4 –Bad Manners Lip Up Fatty 2:45 B5 –Kate Bush Babooshka 3:27 B6 –The Human League Being Boiled 4:06 Companies, etc. Phonographic Copyright (p) – BBC Credits Hosted By – Brian Matthew Notes BBC transcription disc hosted by the British DJ Brian Matthew (born 17 September 1928) Track A1 and A9 are listed as Signature Tune - 'Machine Gun' on cue sheet with the host speaking over the music. Track B1 is listed as programme trailer for 'Top Of The Pops' - 819. The host speaks over the music. Track B1 is a closed groove meaning the stylus must be lifted onto the beginning of track B2 to play the remainder of side 2. -
Record-Business-1982
INSIDE Singles chart, 6-7; Album chart, 17; New Singles, 18; New Albums, 19; Airplay guide, 15-15; Quarterly Chart survey, 12; Independent Labels, 12/13. April 12, 1982VOLUME FIVE Number 3 65p Virgin tops RBTV promotions back singles & LPs 75% of CBS LP sales chart survey CBS, WITH the most active roster ofthe industry's national chart was gained, MOR artists, is increasingly resorting toalthough promotion on such an intense television promotion asa means ofscale was not underway anywhere else at for first time securing sufficient volume to ensurethe time. Since then the campaign has chart placings. It has been estimatedbeen efficiently rolled out to give the FOLLOWING A quarter during that about 75 percent of the company'ssinger her highest chart placing to date. which the Human League, Toni albumsalescurrentlyarecoming Television backing for the IglesiasTIGHTFIT, keepfitand Felicity Basil and Orchestral Manoeuvres through TV -boosted repertoire. album has given it a new lease of lifeKendall - the chart -topping group In The Dark were major best- after an earlier chart entry at the time offrom the Zomba stable present actress selling artists, Virgin has emerged Of the seven releases with which it is scoring in the RB Top 60, CBS has givenrelease last year. Felicity Kendall with a gold album for as the leading singles and albums "We are certainly getting volume, butsales of 200,000 -plus copies of her label for the first time in a Record significant smallscreen support to five of them, Love Songs by Barbra Streisand,it is a very expensive way of doing it andShape Up And Dance LP, sold on mail Business survey of chart and sales there is no guarantee that you willorderthroughLifestyleRecords, action during January -March. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Rectv Powered by レコチョク 配信曲 覧(アーティスト名ヨミ「は」 )
RecTV powered by レコチョク 配信曲⼀覧(アーティスト名ヨミ「は」⾏) ※2021/7/19時点の配信曲です。時期によっては配信が終了している場合があります。 曲名 歌手名 アワイロサクラチル バイオレント イズ サバンナ It's Power of LOVE バイオレント イズ サバンナ OH LOVE YOU バイオレント イズ サバンナ つなぐ バイオレント イズ サバンナ I'M DIFFERENT HI SUHYUN AFTER LIGHT [Music Video] HYDE INTERPLAY HYDE ZIPANG (Japanese Version) HYDE feat. YOSHIKI BELIEVING IN MYSELF HYDE FAKE DIVINE HYDE WHO'S GONNA SAVE US HYDE MAD QUALIA [Japanese Version] HYDE LET IT OUT HYDE 数え切れないKiss Hi-Fi CAMP 雲の上 feat. Keyco & Meika, Izpon, Take from KOKYO [ACOUSTIC HIFANA VERSION] CONNECT HIFANA WAMONO HIFANA A Little More For A Little You ザ・ハイヴス Walk Idiot Walk ザ・ハイヴス ティック・ティック・ブーン ザ・ハイヴス ティック・ティック・ブーン(ライヴ) ザ・ハイヴス If I Could Change Your Mind ハイム Summer Girl ハイム Now I'm In It ハイム Hallelujah ハイム Forever ハイム Falling ハイム Right Now ハイム Little Of Your Love ハイム Want You Back ハイム BJ Pile Lost Paradise Pile I Was Wrong バイレン 100 ハウィーD Shine On ハウス・オブ・ラヴ Battle [Lyric Video] House Gospel Choir Waiting For The Sun Powderfinger Already Gone Powderfinger (Baby I've Got You) On My Mind Powderfinger Sunsets Powderfinger These Days [Live In Concert] Powderfinger Stumblin' [Live In Concert] Powderfinger Take Me In Powderfinger Tail Powderfinger Passenger Powderfinger Passenger [Live At The 1999 ARIA Awards] Powderfinger Pick You Up Powderfinger My Kind Of Scene Powderfinger My Happiness Powderfinger Love Your Way Powderfinger Reap What You Sow Powderfinger Wake We Up HOWL BE QUIET fantasia HOWL BE QUIET MONSTER WORLD HOWL BE QUIET 「いくらだと思う?」って聞かれると緊張する(ハタリズム) バカリズムと アステリズム HaKU 1秒間で君を連れ去りたい HaKU everything but the love HaKU the day HaKU think about you HaKU dye it white HaKU masquerade HaKU red or blue HaKU What's with him HaKU Ice cream BACK-ON a day dreaming.. -
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
Roman Graf Niedergang
Donnerstag 29. August 2013 Kultour 33 Aufgefallen Prototypen Beziehungsprobe am Berg des Punk ROMAN Ein Mann, eine Frau sie in Andrés ungeduldigem Bei- nigt André, vom einschiessen- ren scheitern. Nicht so der 35- KONZERT Nur schon wegen und ein Berg: In diesem ver- sein provokativ langsam ein den Adrenalin getrieben, vom jährige Roman Graf. Seine Spra- ihrer Hymne «Teenage Kicks» hängnisvollen Dreieck erzählt Croissant vertilgt. Testosteron, berauscht von der che ist klarer und schärfer ge- zählen The Undertones zu den Roman Graf eine Geschichte eigenen Kraft und der Erinne- worden, fast kristallin. So wird Legenden des Punkrock. Dass mit starker Sogwirkung. Bekanntes Motiv rung an die Pfadfinderabenteuer sein (Anti-)Held nach und nach sie mehr zu bieten haben, wer- Mit seinem Zweitling trotzt Die Erprobung von Beziehungen seiner Jugend. Nüchtern, ja fast transparent: Der Weg zum Gip- den die Iren am Sonntag an- der preisgekrönte Winter- am Berg ist ein altbekanntes lite- grausam präzise beschreibt der fel enthüllt das Psychogramm lässlich eines Auftritts im Ber- thurer Autor drohender Ab- rarisches Motiv, das Roman Graf eines sturen, unbelehrbaren ner ISC in Erinnerung rufen. sturzgefahr. gekonnt in die Jetztzeit trans- Mannes, der gegen sich selber portiert. Dabei hat er es nicht kämpft. «André beschloss, wei- «Wenn ich diesen Song im Radio Der Mann heisst André, ist nötig, von todesmutigen Free- ter zu klettern. Er durfte nicht spiele, muss ich ihn in den Anfang Schweizer und lebt in Berlin. Die ridern oder Transzendenz su- ins Zaudern geraten; Zaudern, einer anderen Platte überblen- Frau heisst Louise, kommt aus chenden Barfusskletterern zu Unentschiedenheit – das war den, weil ich nicht mehr spre- dem Osten Deutschlands und erzählen. -
Listening in on Belfast Punk Linsey Mcfadden Photo Courtesy of Sing Sing Records N the Late 1970’S Punk Rock Struck a City Divided by Religion and Politics
Listening In On Belfast Punk Linsey McFadden Photo Courtesy of Sing Sing Records n the late 1970’s punk rock struck a city divided by religion and politics. A city with an atmosphere permeating with the smell of hatred and fear, security checkpoints marred the entrance to the city centre, while bombings and shootings were commonplace. At Inight the only people that dared to walk the city’s streets were the one’s that enforced the curfews and the ones that broke them— punks. It wasn’t London and it wasn’t New York. They weren’t the only cities to carve out their stake in the punk rock world. Welcome to Belfast, a city where punk rock came at a time when it really made sense. In Northern Ireland, punk rock was never simply a fashion piece to be gawked at. Punk rock came to Belfast at a time of Troubles, a time when the city was more comparable to a warzone than a Western metropolis. It came at a time of blown out buildings, shootings, tense security, intimidation, curfews, and hate. “It was a scary place to be, in the city centre at night,” said Aidan Murtagh of Protex. “People stayed in their own areas where they felt safe. The only people about town at nights were British army, police and punks. These tensions probably added to the way the music was played and performed by many of the bands.” Until the relatively recent release of the Good Vibrations movie, Northern Irish punk had largely been pushed to the background as writers and filmmakers rushed to document the rise of punk in cities like New ork,Y London and L.A. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
PRRP 021 – Peter Gabriel Manchester 1980 – Liner Notes
Through The Wire With the release of his ground-breaking third solo album in May 1980, Peter Gabriel firmly began to establish his reputation as a highly innovative solo artist. In February of that year, before the release of the album, he embarked on a British tour, dubbed the „Tour Of China 1984‟, showcasing new material and a streamlined, more direct live sound. At The Apollo in Manchester, Gabriel and his band entered from the rear of the auditorium, arriving on stage to the menacing opening strains of “Intruder”. Alongside Tony Levin on bass and Larry Fast on keyboards was a surprising new recruit – guitarist John Ellis from punk outfit THE VIBRATORS. It was Ellis‟ raw, dry guitar, combined with Jerry Marotta‟s dominant, economical drumming, which gave Gabriel‟s new live sound much of its harder edge. This recording, from March 5th 1980, includes several rarely performed songs from Peter Gabriel‟s live repertoire at the time. “Milgram‟s 37”, given a lengthy explanatory introduction by Gabriel, wouldn‟t appear on an album until 1986‟s classic “So”, where it was renamed “We Do What We‟re Told”. The minimal “Lead A Normal Life” complements “Mother Of Violence” while “Bully For You” (co-written with Tom Robinson, who provided the lyrics for Gabriel‟s music) and the ebullient “I Go Swimming” both remain unreleased as studio recordings. “Games Without Frontiers” provided Gabriel with his second solo hit single (following the early success of “Solsbury Hill” in 1977) and it was during this song that he chose to leave the stage and venture into the audience to encourage a sing-along of the “Jeux Sans Frontières” chorus refrain. -
Lps Page 1 -.:: GEOCITIES.Ws
LPs ARTIST TITLE LABEL COVER RECORD PRICE 10 CC SHEET MUSIC UK M M 5 2 LUTES MUSIC IN THE WORLD OF ISLAM TANGENT M M 10 25 YEARS OF ROYAL AT LONDON PALLADIUM GF C RICHARD +E PYE 2LPS 1973 M EX 20 VARIETY JOHN+SHADOWS 4 INSTANTS DISCOTHEQUE SOCITY EX- EX 20 4TH IRISH FOLK FESTIVAL ON THE ROAD 2LP GERMANY GF INTRERCORD EX M 10 5 FOLKFESTIVAL AUF DER LENZBURG SWISS CLEVES M M 15 5 PENNY PIECE BOTH SIDES OF 5 PENNY EMI M M 7 5 ROYALES LAUNDROMAT BLUES USA REISSUE APOLLO M M 7 5 TH DIMENSION REFLECTION NEW ZEALAND SBLL 6065 EX EX 6 5TH DIMENSION EARTHBOUND ABC M M 10 5TH DIMENSION AGE OF AQUARIUS LIBERTY M M 12 5TH DIMENSION PORTRAIT BELL EX EX- 5 75 YEARS OF EMI -A VOICE WITH PINK FLOYD 2LPS BOX SET EMI EMS SP 75 M M 40 TO remember A AUSTR MUSICS FROM HOLY GROUND LIM ED NO 25 HG 113 M M 35 A BAND CALLED O OASIS EPIC M M 6 A C D C BACK IN BLACK INNER K 50735 M NM 10 A C D C HIGHWAY TO HELL K 50628 M NM 10 A D 33 SAME RELIGIOUS FOLK GOOD FEMALE ERASE NM NM 25 VOCALS A DEMODISC FOR STEREO A GREAT TRACK BY MIKE VICKERS ORGAN EXP70 M M 25 SOUND DANCER A FEAST OF IRISH FOLK SAME IRISH PRESS POLYDOR EX M 5 A J WEBBER SAME ANCHOR M M 7 A PEACOCK P BLEY DUEL UNITY FREEDOM EX M 20 A PINCH OF SALT WITH SHIRLEY COLLINS 1960 HMV NM NM 35 A PINCH OF SALT SAME S COLLINS HMV EX EX 30 A PROSPECT OF SCOTLAND SAME TOPIC M M 5 A SONG WRITING TEAM NOT FOR SALE LP FOR YOUR EYES ONLY PRIVATE M M 15 A T WELLS SINGING SO ALONE PRIVATE YPRX 2246 M M 20 A TASTE OF TYKE UGH MAGNUM EX EX 12 A TASTE OF TYKE SAME MAGNUM VG+ VG+ 8 ABBA GREATEST HITS FRANCE VG 405 EX EX