Studies in 20th & 21st Century Literature Volume 40 Issue 1 Article 4 2016 Gender: The Hidden God in Yasmina Reza's Le Dieu du Carnage Lauren Tilger The Pennsylvania State University,
[email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons, Modern Literature Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Women's Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Tilger, Lauren (2016) "Gender: The Hidden God in Yasmina Reza's Le Dieu du Carnage," Studies in 20th & 21st Century Literature: Vol. 40: Iss. 1, Article 4. https://doi.org/10.4148/2334-4415.1832 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact
[email protected]. Gender: The Hidden God in Yasmina Reza's Le Dieu du Carnage Abstract Most critics have analyzed acclaimed playwright Yasmina Reza’s Le Dieu du Carnage (2007) as a descent into savagery. This close examination of the play points to the role of gender norms and stereotypes in causing the decline in civility. By taking part in a culture that worships gender ideals, the characters in Reza’s play police one another’s actions to ensure that everyone behaves like proper men and women. The act of attempting to successfully perform femininity or masculinity leads to the evening’s disastrous events.