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Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-1946
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2007 Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946 Khouri, Malek University of Calgary Press Khouri, M. "Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946". Series: Cinemas off centre series; 1912-3094: No. 1. University of Calgary Press, Calgary, Alberta, 2007. http://hdl.handle.net/1880/49340 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com FILMING POLITICS: COMMUNISM AND THE PORTRAYAL OF THE WORKING CLASS AT THE NATIONAL FILM BOARD OF CANADA, 1939–46 by Malek Khouri ISBN 978-1-55238-670-5 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
NATIONAL FILM BOARD of CANADA FEATURED at Moma
The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion al and historical pilgrimage of strong impact and sensitivity. -
Canadian Masculinity in the NFB's Second World War Series
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence Faculty Books School of Communication and Literary Studies 10-2011 Who’s on the Home Front? Canadian Masculinity in the NFB’s Second World War Series “Canada Carries On” Michael Brendan Baker Sheridan College, [email protected] Follow this and additional works at: https://source.sheridancollege.ca/fhass_comm_book Part of the Film and Media Studies Commons SOURCE Citation Baker, Michael Brendan, "Who’s on the Home Front? Canadian Masculinity in the NFB’s Second World War Series “Canada Carries On”" (2011). Faculty Books. 1. https://source.sheridancollege.ca/fhass_comm_book/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book Chapter is brought to you for free and open access by the School of Communication and Literary Studies at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in Faculty Books by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. ramsay (d)_x 13/06/11 9:18 AM Page 39 CHAPTER 3 Who’s on the Home Front? Canadian Masculinity in the NFB’s Second World War Series “Canada Carries On” MICHAEL BRENDAN BAKER It is widely accepted, and rightfully so, that the prestige of Canada’s docu- mentary tradition is wedded to the success of its Second World War–era film series, Canada Carries On. John Grierson, founding commissioner of the National Film Board of Canada, and Stuart Legg, the executive producer of the series (and a British documentarian who had worked with Grierson at the General Post Office Film Unit during the 1930s), shaped Canada Carries On in such a way that it became the signpost for Canadian documentaries of the war and immediate postwar eras. -
Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-1946
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2007 Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946 Khouri, Malek University of Calgary Press Khouri, M. "Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946". Series: Cinemas off centre series; 1912-3094: No. 1. University of Calgary Press, Calgary, Alberta, 2007. http://hdl.handle.net/1880/49340 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com FILMING POLITICS: COMMUNISM AND THE PORTRAYAL OF THE WORKING CLASS AT THE NATIONAL FILM BOARD OF CANADA, 1939–46 by Malek Khouri ISBN 978-1-55238-670-5 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
The Politics of Propaganda
john grierson the politics of propaganda by gary evans Stuart Legg and J o hn Grierson were playing for high stakes again st Naz i propaganda chief Goebbels If Johll Griersun and th e documentary film are nearly svnony operating "in the quiet light of ordinary humanism." mous in th e lexicon of film, few people realize how complex He bel,ieved the task of propaganda was to speak intimately and totalitarian were th e politics of propaganda which were and quietly about real things and real people. For the rest of intertwined in his philosophl'. In this article we shall examine his life he reiterated dogmatically the theme of propaganda, some major aspects of his thought and try to demonstrate how service and community: "We can, by propaganda, widen the his philosoph1' was applied in th e wartime context at the National Film Board of Canada. horizons of the schoolroom and give to every individual, each in his place and work, a living conception of the community When Grierson was a graduate student at the University of which he has the privilege to serve." Grierson's propaganda Chicago from 1924-27, the core of his philosophy crystallized crusade though secular, had its roots at least partly in his as he rejected Walter Lippmann's pessimistic belief that in this Calvinist upbringing. " [ derive my authority from Moses" century the few had to do the thinking for the many. he would say late in life . This attitude also allowed him to Lippmann's pessimism stemmed from a belief that there was avoid partisan politics and to protect the documentary move neither time nor adequate information for the citizens to make ment from partisan attack. -
The Canadian Army Film Unit in the Second World War
Canadian Military History Volume 14 Issue 3 Article 3 2005 Shooting the War: The Canadian Army Film Unit in the Second World War Sarah Klotz Library and Archives Canada Follow this and additional works at: https://scholars.wlu.ca/cmh Part of the Military History Commons Recommended Citation Klotz, Sarah "Shooting the War: The Canadian Army Film Unit in the Second World War." Canadian Military History 14, 3 (2005) This Article is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Canadian Military History by an authorized editor of Scholars Commons @ Laurier. For more information, please contact [email protected]. Klotz: Shooting the War Shooting the War The Canadian Army Film Unit in the Second World War Sarah Klotz “The exploits and adventures of these tripod toters, both in and out of actual combat, will no doubt enliven the pages of more than one book which will be written some day about World War II.”1 Jon Farrell, Canadian Geographic Journal, June 1945 ery little has been written about the Canadian Most of the existing scholarship exploring VArmy Film Unit (CAFU) since the end of Canadian film and the Second World War focuses the Second World War, despite Jon Farrell’s on the NFB and John Grierson, the father of the postulation. There have been a few short documentary in Canada and the NFB’s first film newspaper articles related to the Film Unit and commissioner.4 The historiography suggests the D-Day footage that made it famous, but there that the NFB was, for all practical purposes, the has been no scholarly study by either military main film institution creating Canadian motion or film historians.2 The purpose of the CAFU pictures. -
British Columbia School Children and the Second World War
"THE WAR WAS A VERY VIVID PART OF MY LIFE": BRITISH COLUMBIA SCHOOL CHILDREN AND THE SECOND WORLD WAR. By EMILIE L. MONTGOMERY B.Ed., The University of British Columbia, 1984 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Centre for the Study of Curriculum and Instruction) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 1991 ©Emilie L. Montgomery In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of tducdrar\ CtAvy!r,A luw $ ImW The University of British Columbia Vancouver, Canada DE-6 (2/88) ABSTRACT This thesis examines the influence of the Second World War on the lives of British,Columbia school children. It employs a variety of primary and secondary sources, including interviews with adults who, during 1939-1945, attended school in British Columbia. War time news and propaganda through such means as newspaper, movies, newsreels and radio broadcasts permeated children's lives. War influenced the whole school curriculum and especially led to changes in Social Studies, Physical Education and Industrial Arts. -
MOTION PICTURE PRODUCTION in BRITISH COLUMBIA, 1941-1965 by Dennis J
MOTION PICTURE PRODUCTION IN BRITISH COLUMBIA, 1941-1965 by Dennis J. Duffy Present-day film production in British Columbia has attracted a lot of attention. Local filmmaking is not a new phenomenon, however, but the continuation of an activity which has gone on in the province since the early part of this century. The west coast has had an eventful filmmaking heritage -- perhaps more so than any other English-speaking region in Canada. This heritage has been largely ignored until recent years, when the revitalization of the Canadian film industry has sparked interest in our new cinema and in its historical precedents. The early development of filmmaking in British Columbia took place largely in isolation from the rest of Canada. Cameramen first came to film the province for the sake of its novel and photogenic landscapes, and to promote immigration and tourism.1 The first incursion of Hollywood film crews, in the 1920s, was also drawn primarily by the varied scenery available for outdoor adventure pictures. In the 1930s, they set up a branch plant here and made features of dubious quality, taking advantage of Canada's membership in the British Empire to exploit the British quota restriction on imported films. Meanwhile, domestic film production developed separately, usually growing from existing photographic or advertising concerns. British Columbia's first locally- based commercial cinematographer was A.D. "Cowboy" Kean, who got his start in movies filming the Vancouver Exhibition and the departure of troops for Europe during Copyright © 1986 by Dennis J. Duffy. This essay originally appeared in Camera West: British Columbia on Film, 1941-1965 (Victoria: Provincial Archives of British Columbia, 1986). -
El Documental Com a Eina Educativa
EL DOCUMENTAL COM A EINA EDUCATIVA Ramon Breu 1 ÍNDEX - PRESENTACIÓ 2 - INTRODUCCIÓ 4 - 1.- PERSPECTIVA HISTÒRICA DEL DOCUMENTAL 11 - 2.- MOSTRA: LA PERCEPCIÓ DEL DOCUMENTAL ENTRE ELS JOVES 45 - 3.- ESQUEMA D’ANÀLISI DE DOCUMENTALS 56 - 4.- DEU PROPOSTES PER A L’AULA 62 - 5.- ALTRES VEUS, ALTRES MIRADES 162 - REFERÈNCIES BIBLIOGRÀFIQUES 179 - FILMOTECA DE DOCUMENTAL 184 - ÀREA WEB 186 EL DOCUMENTAL COM A EINA EDUCATIVA 1 PRESENTACIÓ Els documentals són una disciplina que ensenya humilitat. Agnès Varda Presentar una obra és sempre una alegria per al seu autor. Finalitzar un projecte, que com aquest ha suposat un considerable esforç, comporta una gran satisfacció. Una satisfacció que es veurà augmentada si s’aconsegueix l’objectiu perseguit: que aquestes pàgines siguin útils a tots aquells professors i professores que emprenen diàriament projectes d’educació en comunicació, que entenen que l’educació en mitjans és un dels grans reptes socials d’aquests primers anys del segle. L’objectiu principal d’aquesta obra ha estat el d’investigar la percepció que, des de les aules, es té del cinema documental ⎯ aules de secundària obligatòria, de batxillerat, d’educació d’adults, d’educació no formal...⎯ per bastir, a continuació, una proposta de model de treball, d’anàlisi i d’aprofitament d’aquesta modalitat cinematogràfica i televisiva que tants ponts de contacte pot establir amb el dia a dia dels centres d’ensenyament. La gran motivació que m’ha esperonat per emprendre aquesta aventura de recerca ha estat la constatació que, en els darrers temps, els projectes d’aula d’educació en comunicació basats en l’aprofundiment i en l’anàlisi dels productes mediàtics tenen un nivell d’eficàcia educativa i d’atractiu per l’alumnat absolutament insòlit. -
Translation Quality Assessment
Voices and Silences: Exploring English and French Versions at the National Film Board of Canada, 1939-1974 Christine York Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate of Philosophy degree in Translation Studies School of Translation and Interpretation University of Ottawa © Christine York, Ottawa, Canada, 2014 Table of Contents Chapter One: Understanding NFB versions as a site of competing voices ................................................... 1 1.1 Interwoven threads of English and French production ........................................................................ 3 1.2 Defining a corpus ................................................................................................................................ 6 1.3 Defining concepts: Beyond source and target text ............................................................................ 11 1.4 Literature review: NFB ..................................................................................................................... 19 1.5 Literature review: Translation studies ............................................................................................... 25 1.6 Considering multiple voices .............................................................................................................. 32 1.6.1 Voice-over in film studies and audiovisual translation .................................................................. 33 1.6.2 Voice of the text ............................................................................................................................ -
Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-1946
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2007 Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946 Khouri, Malek University of Calgary Press Khouri, M. "Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946". Series: Cinemas off centre series; 1912-3094: No. 1. University of Calgary Press, Calgary, Alberta, 2007. http://hdl.handle.net/1880/49340 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com FILMING POLITICS: COMMUNISM AND THE PORTRAYAL OF THE WORKING CLASS AT THE NATIONAL FILM BOARD OF CANADA, 1939–46 by Malek Khouri ISBN 978-1-55238-670-5 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
New E-Items Added 7 7 to 7 12 2015 1 Title Author Publisher Published Location Call Number Heroes of the Enlightenment. Episode
New E-items added 7 7 to 7 12 2015 Title Author Publisher Published Location Call Number Heroes of the Enlightenment. Episode 1, British Broadcasting 2011 E-Video rec-LU B 802 H 47 Power of knowledge [electronic resource] / Corporation (BBC), users only 2011 EV directed by Sheila Hayman. Heroes of the Enlightenment. Episode 2, British Broadcasting 2011 E-Video rec-LU B 802 H 47 Changing society [electronic resource] / Corporation (BBC), users only 2011 EV directed by Sheila Hayman. Exploring psychology and christian faith Tellinghuisen, Baker Academic, 2014 Ebooks - LU users BL 53 M 647 [electronic resource] : an introductory Donald J. only 2014 EB guide / Donald J. Tellinghuisen and Paul Moes. World religions [electronic resource] : a Baker Academic, 2014 Ebooks - LU users BL 803 W 645 guide to the essentials / Thomas A. only 2014 EB Robinson & Hillary Rodrigues, editors. Myths and legends : mirrors of mankind / Guidance Associates, 1974 E-Video rec-LU BL 313 M 9 produced by Center for Humanities, Inc. users only 1974 EV Mythology lives! : ancient stories and Guidance Associates, 1982 E-Video rec-LU BL 313 M 9 modern literature / video director : Susan users only 1982 EV Anderson ; video production : Eve Cotton, John G. Danza, Holly Faison, Jim Maguire, Leslie Ann Nathan, Susan Anderson. Britain A.D. [electronic resource] : King Digital Rights Group, 2004 E-Video rec-LU BL 325 K 5 B Arthur's Britain. Episode 1 / produced and users only 75 2004 EV directed by Timothy Copestake. Britain A.D. [electronic resource] : King Digital Rights Group, 2004 E-Video rec-LU BL 325 K 5 B Arthur's Britain.