3. Meanwhile, in the Pacific…Where Did the Polynesians Come From?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
(1974) Isles of the Pacific
ISLES OF THE PACIFIC- I The Coming of the Polynesians By KENNETH P. EMORY, Ph.D. HE ISLES of the South Seas bathed in warm sunlight in the midst of the vast Pacific-were Tsurprise enough to their European discoverers. But more astonishingly, they were inhabited! And the tall, soft featured, lightly clad people who greet ed the Europeans possessed graces they could only admire, and skills at which they could but wonder. How had these brown-skinned peo ple reached the many far-flung islands of Polynesia? When? And whence had they come? The mystery lingered for centuries. Not until 1920-the year I joined the staff of the Bernice P. Bishop Museum in Honolulu-was a concerted search for answers launched, with the First Pan-Pacific Scientific Conference, held in the Hawaiian capital. In subsequent years scientists fanned out over the Pacific to salvage whatever knowledge of their past the Polynesians retained. The field was vast, for Polynesia sprawls in a huge triangle, from Hawaii in the north to Easter Island in the southeast to New Zealand in the southwest. I have taken part in many of these expe Nomads of the wind, shipmates drop sail ditions from Mangareva to outlying Ka as they approach Satawal in the central pingamarangi, some 5,000 miles away Carolines. The past of their seafaring and beyond the Polynesian Triangle. ancestors, long clouded by mystery and After the Tenth Pacific Science Con gress in 1961, scientists from New 732 NICHOLAS DEVORE Ill legend, now comes dramatically to light author, dean of Polynesian archeologists, after more than half a century of research. -
The Conflict Between Traditional Knowledge and Modernity in the Navigation of Polynesia
Journal of World Anthropology: Occasional Papers: Volume III, Number 2 48 “When earth and sky almost meet”: The Conflict between Traditional Knowledge and Modernity in Polynesian Navigation. Luke Strongman1 Abstract This paper provides an account of the differing ontologies of Polynesian and European navigation techniques in the Pacific. The subject of conflict between traditional knowledge and modernity is examined from nine points of view: The cultural problematics of textual representation, historical differences between European and Polynesian navigation; voyages of re-discovery and re-creation: Lewis and Finney; How the Polynesians navigated in the Pacific; a European history of Polynesian navigation accounts from early encounters; “Earth and Sky almost meet”: Polynesian literary views of recovered knowledge; lost knowledge in cultural exchanges – the parallax view; contemporary views and lost complexities. Introduction Polynesians descended from kinship groups in south-east Asia discovered new islands in the Pacific in the Holocene period, up to 5000 calendar years before the present day. The European voyages of discovery in the Pacific from the eighteenth century, in the Anthropocene era, brought Polynesian and European cultures together, resulting in exchanges that threw their cross-cultural differences into relief. As Bernard Smith suggests: “The scientific examination of the Pacific, by its very nature, depended on the level reached by the art of navigation” (Smith 1985:2). Two very different cultural systems, with different navigational practices, began to interact. 1 The Open Polytechnic of New Zealand Journal of World Anthropology: Occasional Papers: Volume III, Number 2 49 Their varied cultural ontologies were based on different views of society, science, religion, history, narrative, and beliefs about the world. -
Polynesian Voyaging Society COPYRIGHT APPROVALS
OFFICE OF HAWAIIAN AFFAIRS DRAFT AND PENDING ANY OFFICE OF HAWAIIAN AFFAIRS PHOTO Polynesian Voyaging Society COPYRIGHT APPROVALS. Paia Kāne Program Improvement Section Office of Hawaiian Affairs 560 North Nimitz Highway, Suite 200 Honolulu, HI 96817 www.oha.org OFFICE OF HAWAIIAN AFFAIRS DRAFT AND EXECUTIVE SUMMARY PENDING ANY Contents Over 40 years ago, a small group of visionaries, Herb Kane, Tommy Holmes, and Ben Finney, founded the Polynesian Voyaging Society (PVS), thus putting their dreams PHOTOinto motion begin- Executive Summary 2 ning with the Höküle`a , a double-hull canoe which eventually evolved into an internationally recognized symbol of Hawaiian culture and a reconnection to ancestral landsCOPYRIGHT via sailing voyages Introduction 4 to Polynesia. Purpose 4 The Polynesian Voyaging Society reintroduced the lost art of wayfinding byAPPROVALS. embarking on a series of long distance voyages starting with the construction of double hull ocean voyaging Scope 4 canoes. In 1975, the Höküle`a was built followed a few years later by the Hawai`iloa, and the Hikianalia in 2012. Polynesian Voyaging Society 5 Höküle`a as drawn worldwide attention since its voyage of rediscovery in 1976, retracing the routes of settlement used by Polynesian ancestors. Today, Höküle`a and its sister ship, Hikiana- OHA Sponsorship 5 lia, have chosen to not only promote Hawaiian culture, but to draw attention to the modern day problems that plague our Island Earth. Prelude to WWV 6 Their 2013 worldwide voyage is named Mälama Honua (Care for the Earth) and will cover a Funding 7 four-year span beginning with a training voyage around the Hawaiian Islands called Mälama Hawai`i with scheduled stops at 32 locations. -
June Program Guide
PROGRAM GUIDE | JUNE 2021 | VOL. 40 NO. 6 Two new films on traditional Polynesian navigation on PBS Hawai‘i Presents Wade Fairley, copyright Vaka Taumako Project Taumako copyright Vaka Fairley, Wade A Long Story That Informed, Influenced STATEWIDE BOARD OF DIRECTORS and Inspired Chair The show’s eloquent description Joanne Lo Grimes nearly says it all… Vice Chair Long Story Short with Leslie Wilcox Jason Haruki features engaging conversations with Secretary some of the most intriguing people in Joy Miura Koerte Hawai‘i and across the world. Guests Treasurer share personal stories, experiences Kent Tsukamoto and values that have helped shape who they are. Muriel Anderson What it does not express is the As we continue to tell stories of Susan Bendon magical presence Leslie brought to Hawai‘i’s rich history, our content Jodi Endo Chai will mirror and reflect our diverse James E. Duffy Jr. each conversation and the priceless communities, past, present and Matthew Emerson collection of diverse voices and Jason Fujimoto untold stories she captured over the future. We are in the process of AJ Halagao years. Former guest Hoala Greevy, redefining some of our current Ian Kitajima Founder and CEO of Paubox, Inc., programs like Nā Mele: Traditions in Noelani Kalipi may have said it best, “Leslie was Hawaiian Song and INSIGHTS ON PBS Kamani Kuala‘au HAWAI‘I, and soon we will announce Theresia McMurdo brilliant to bring all of these pieces Bettina Mehnert of Hawai‘i history together to live the name and concept of a new series. Ryan Kaipo Nobriga forever in one amazing library. -
2011 October
‘Okakopa (October) 2011 | Vol. 28, No. 10 THE LIVING WATER OF OHA www.oha.org/kwo Hu’s ‘Almost Perfect’ A new film starring Kelly Hu will debut in the Islands at the Hawai‘i International Film Festival page 16 The story of two successes. - MALAMA LOAN - Fixed for 7 Years % - Loan up to $100,000 4.00 apr - Quick and Easy Application With the OHA M¯alama Loan, you can start-up or improve your business, make home improvements or fulfi ll educational and vocational needs for you and your children. It is exclusively for Native Hawaiians and is administered by Hawaii’s oldest and largest bank. “ Legacy Villa, our adult care home, is built on our koi farm. My goal was to integrate the two so the residents would have a ✽ ✽ ✽ lot to look at. Our fi rst Ma-lama Loan enabled us to start Nikkei Koi, and we used the second loan to buy equipment for the care KAHUA WAIWAI (FOUNDATION FOR WEALTH) home. I wanted the residents to have a more intimate level of In order to have choices and a sustainable future, Native Hawaiians care, and the Ma-lama Loan made that possible.” must progress toward greater economic self-sufficiency. —Gary Hironaka, Owner nikkei koi & legacy villa LEARN MORE. Call 643-LOAN or visit any branch. Service. Solutions. Security. Yes, We Care. fhb.com Member FDIC All applicants must be of Native Hawaiian ancestry, whether applying individually or collectively, as a group of people organized for economic development purposes. Partnerships, LLC’s and Corporations that apply must also be 100% Native Hawaiian owned. -
The Vaeakau-Taumako Wind Compass: a Cognitive Construct for Navigation in the Pacific
THE VAEAKAU-TAUMAKO WIND COMPASS: A COGNITIVE CONSTRUCT FOR NAVIGATION IN THE PACIFIC A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Cathleen Conboy Pyrek May 2011 Thesis written by Cathleen Conboy Pyrek B.S., The University of Texas at El Paso, 1982 M.B.A., The University of Colorado, 1995 M.A., Kent State University, 2011 Approved by , Advisor Richard Feinberg, Ph.D. , Chair, Department of Anthropology Richard Meindl, Ph.D. , Dean, College of Arts and Sciences Timothy Moerland, Ph.D. ii TABLE OF CONTENTS LIST OF FIGURES .............................................................................................................v ACKNOWLEDGEMENTS ............................................................................................... vi CHAPTER I. Introduction ........................................................................................................1 Statement of Purpose .........................................................................................1 Cognitive Constructs ..........................................................................................3 Non Instrument Navigation................................................................................7 Voyaging Communities ...................................................................................11 Taumako ..........................................................................................................15 Environmental Factors .....................................................................................17 -
Polynesian Civilization and the Future Colonization of Space John Grayzel
Masthead Logo Comparative Civilizations Review Volume 80 Article 3 Number 80 Spring 2019 4-2019 Polynesian Civilization and the Future Colonization of Space John Grayzel Follow this and additional works at: https://scholarsarchive.byu.edu/ccr Part of the Comparative Literature Commons, History Commons, International and Area Studies Commons, Political Science Commons, and the Sociology Commons Recommended Citation Grayzel, John (2019) "Polynesian Civilization and the Future Colonization of Space," Comparative Civilizations Review: Vol. 80 : No. 80 , Article 3. Available at: https://scholarsarchive.byu.edu/ccr/vol80/iss80/3 This Article is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Comparative Civilizations Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Grayzel: Polynesian Civilization and the Future Colonization of Space Comparative Civilizations Review 7 Polynesian Civilization and the Future Colonization of Space John Grayzel Abstract Polynesian civilization was configured — prior to Western colonization — in ways similar to that sometimes described as necessary for humanity's interstellar migration into space. Over thousands of years and miles, across open ocean, a core population expanded to settle on hundreds of scattered islands, while maintaining shared identity, continued awareness and repetitive contact with each other. Key to their expansion was their development of robust ocean-going vessels and their extraordinary abilities to navigate across vast expanses of open water. The first half of the 1800s saw a surge in contacts between Polynesia and western missionaries and whalers, followed by significant depopulation due to disease and, after 1850, the imposition of Western political control. -
Nautical Cartography and Traditional Navigation in Oceania
13 · Nautical Cartography and Traditional Navigation in Oceania BEN FINNEY MENTAL CARTOGRAPHY formal images and their own sense perceptions to guide their canoes over the ocean. The navigational practices of Oceanians present some The idea of physically portraying their mental images what of a puzzle to the student of the history of carto was not alien to these specialists, however. Early Western graphy. Here were superb navigators who sailed their ca explorers and missionaries recorded instances of how in noes from island to island, spending days or sometimes digenous navigators, when questioned about the islands many weeks out of sight of land, and who found their surrounding their own, readily produced maps by tracing way without consulting any instruments or charts at sea. lines in the sand or arranging pieces of coral. Some of Instead, they carried in their head images of the spread of these early visitors drew up charts based on such ephem islands over the ocean and envisioned in the mind's eye eral maps or from information their informants supplied the bearings from one to the other in terms of a con by word and gesture on the bearing and distance to the ceptual compass whose points were typically delineated islands they knew. according to the rising and setting of key stars and con Furthermore, on some islands master navigators taught stellations or the directions from which named winds their pupils a conceptual "star compass" by laying out blow. Within this mental framework of islands and bear coral fragments to signify the rising and setting points of ings, to guide their canoes to destinations lying over the key stars and constellations. -
January 1-4, 2020 January 5-8, 2020
TENTH ANNUAL January 1-4, 2020 Waimea, Mauna Kea Resort + Fairmont Orchid, Hawai‘i January 5-8, 2020 Four Seasons Resort Hualālai Sponsors Contents + About Our Area INNER CIRCLE SPONSORS Contents 4 About the Festival 5 Letter from the Director 8 Host Venues and Map 10 Films 38 Waimea Schedule 42 Waimea Breakfast Talks 46 Four Seasons Schedule 48 Four Seasons Breakfast Talks 50 Guest Speakers and Presentations 84 Artwork and Exhibits MEDIA AND LOCAL SPONSORS Artwork by Christian Enns 90 Thank You to Our Contributors BIG ISLAND About Our Area TRAVELER The Island of Hawai‘i, known as The the world, inhabit these reefs, along Big Island to avoid confusion with the with Hawaiian Hawksbill turtles, state, was formed by five volcanoes to octopus, eel and smaller reef sharks. became one land mass. The still active Spinner dolphins come to rest in Kīlauea sits at the heart of Hawai‘i shallow bays during the day, before Volcanoes National Park, while Mauna returning to deeper water to hunt at Kea, Mauna Loa and Hualālai rise about night. Humpback whales can be seen the Kohala and Kona coastline, where along the coast during winter, when stark lava fields meet turquoise waters the ocean fills with the sound of their and multihued sand beaches. The beautiful song. gentle slopes of the Kohala Mountains, The town of Waimea, also known as now volcanically extinct, provide the Kamuela, sits in the saddle between FOOD AND BEVERAGE SPONSORS backdrop to the town of Waimea and to the dry and green sides of the island, northern Hawi and Kapa‛au. -
Polynesian Origins and Migrations
46 POLYNESIAN CULTURE HISTORY From what continent they originally emigrated, and by what steps they have spread through so vast a space, those who are curious in disquisitions of this nature, may perhaps not find it very difficult to conjecture. It has been already observed, that they bear strong marks of affinity to some of the Indian tribes, that inhabit the Ladrones and Caroline Islands: and the same affinity may again be traced amongst the Battas and the Malays. When these events happened, is not so easy to ascertain; it was probably not very lately, as they are extremely populous, and have no tradition of their own origin, but what is perfectly fabulous; whilst, on the other hand, the unadulterated state of their general language, and the simplicity which still prevails in their customs and manners, seem to indicate, that it could not have been at any very distant period (Vol, 3, p. 125). Also considered in the journals is the possibility of multiple sources for the vast Polynesian culture complex, but the conclusion is offered that a common origin was more likely. The discussion of this point fore shadows later anthropological arguments of diffusion versus independent invention to account for similar culture traits: Possibly, however, the presumption, arising from this resemblance, that all these islands were peopled by the same nation, or tribe, may be resisted, under the plausible pretence, that customs very similar prevail amongst very distant people, without inferring any other common source, besides the general principles of human nature, the same in all ages, and every part of the globe. -
Herb Kane Dies at Age 82"
https://en.wikipedia.org/wiki/Herb_Kawainui_Kane Herb Kawainui Kāne Herbert "Herb" Kawainui Kāne (June 21, 1928 – March 8, 2011), considered one of the principal figures in the renaissance of Hawaiian culture in the 1970s, was a celebrated artist-historian and author with a special interest in the seafaring traditions of the ancestral peoples of Hawaiʻi. Kāne played a key role in demonstrating that Hawaiian culture arose not from some accidental seeding of Polynesia, but that Hawaiʻi was reachable by voyaging canoes from Tahiti able to make the journey and return. This offered a far more complex notion of the cultures of the Pacific Islands than had previously been accepted.1 Furthermore, he created vivid imagery of Hawaiian culture prior to contact with Europeans, and especially the period of early European influence, that sparked appreciation of a nearly forgotten traditional life. He painted dramatic views of war, exemplified by The Battle at Nuʻuanu Pali, the potential of conflicts between cultures such as in Cook Entering Kealakekua Bay, where British ships are dwarfed and surrounded by Hawaiian canoes, as well as bucolic quotidian scenes and lush images of a robust ceremonial and spiritual life, that helped arouse a latent pride among Hawaiians during a time of general cultural awakening.2 Early life and education as an artist Kāne (kɑh-nay) was born in the community of Paynesville, Minnesota in the United States.3 His father, who was also named, Herbert, worked in family poi business, and became a paniolo (Hawaiian cowboy), then traveled the US in a Hawaiian Band. He 1 Emory, Kenneth P. -
“Moana” Educator's Guide
Created in partnership with the Educational Team GRADES 2–6 hree thousand years ago, the greatest sailors in the world voyaged across the vast Pacific, discovering the many islands of Oceania. But then, for a millennium, Ttheir voyages stopped – and no one knows why. From Walt Disney Animation Studios comes “Moana,” a sweeping, CG-animated feature film about an adventurous teenager who sails out on a daring mission to save her people. During her journey, Moana (voice of Auli’i Cravalho) meets the once mighty demigod Maui (voice of Dwayne Johnson), who guides her in her quest to become a master wayfinder. Together, they sail across the open ocean on an action-packed voyage, encountering enormous monsters and impossible odds, and along the way, Moana fulfills the ancient quest of her ancestors and discovers the one thing she’s always sought: her own identity. Directed by the renowned filmmaking team of John Musker and Ron Clements (“The Little Mermaid,” “Aladdin,” “The Princess & the Frog”), produced by Osnat Shurer (“Lifted,” “One Man Band”), and featuring music by Lin-Manuel Miranda, Mark Mancina and Opetaia Foa’i, “Moana” sails into U.S. theaters on November 23, 2016. CONTENTS Standards Alignment Chart.....................3 Teacher’s Background Information.....................4 Resources................................................................11 What You Can Do........................................................12 Lesson 1: The Hero’s Journey.........................................13 Lesson 2: Music and Rhythm of the Ocean......................19 Lesson 3: Wayfinding using Earth’s Natural Elements..........................................24 Lesson 4: Caring for Sea Turtles.........................31 Glossary.........................................40 ACKNOWLEDGEMENTS The Walt Disney Studios would like to take this opportunity to thank Further Explore Moana’s World the amazing teams that came together to develop the “Moana” Educator’s Guide.