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Th/-Dh and Final -F/-V in Cornish Discussion Paper for the AHG Michael Everson and Nicholas Williams 12 March 2008
Final -th/-dh and final -f/-v in Cornish Discussion paper for the AHG Michael Everson and Nicholas Williams 12 March 2008 During an online meeting between the Linguistic Advisors and Albert Bock and Benjamin Bruch, it was agreed that several discussion papers could be forwarded to the AHG for further discussion and approval. This is one of those papers. In our response to the draft Outline of the SWF document, we noted that the definition of the distribution of these sounds and the graphs to represent them was imprecise. 5. 8. Fricatives: Word-final <-dh>, <-v> vs. <-th>, <-f> It has been agreed that word-final fricatives should be spelt in a way which reflects their status of voicedness/ voicelessness. Thus, the SWF writes bodh ‘will’, klav {clav} ‘sick’, but eth ‘eight’, dalleth ‘begin’, hanaf (~ hanath) ‘cup’, etc. Where evidence from the traditional Cornish corpus is ambiguous, Breton and Welsh cognates will be examined. This is problematic, because the text says two things. On the one hand it says that the graphs dh and v will be used for voiced sounds, and that th and f will be used for voiceless sounds. That’s perfectly fine. On the other hand it says that where the traditional corpus is ambiguous (which it will be because <th> is used for both [ð] and [θ]) then two other languages will be “examined”. But voicing and voicelessness in the other languages is not relevant to Cornish. Voicelessness in unstressed final syllables is common and contrasts with voicing in stressed final syllables throughout the system: mab ‘son’ methewnep ‘drunkenness’ neb ‘some’ hevelep ‘like ness’ wheg ‘sweet’ carrek ‘rock’ mog ‘smoke’ gallosek ‘powerful’ dov ‘tame’ warnaf ‘on me’ nev ‘heaven’ enef ‘soul’ ov ‘I am’ esof ‘I am’ gradh ‘step, grade’ noweth ‘new’ badh ‘boar’ gelwyth ‘you call’ (literary register) Recognition of this facet of Cornish phonology makes spelling easier for learners. -
The Death of Cornish
THE DEATH OF CORNISH P. A. S. POOL Price: 4op THE DEATH OF CORNISH (1600- 1800) by P. A. S. POOL, M.A., F.S.A. President of the Royal Institution of Cornwall Hon. Research Fellow, Institute of Cornish Studies 1975 Obtainable from the Author at 37 Morrab Road, Penzance Peter Dalwood, 5 Chapel Street, Penzance The County Museum, River Street, Truro AUTHOR'S NOTE This booklet contains the text of my Address to the International Congress of Celtic Studies at Penzance in April 1975. Some addi• tions and corrections have been made, and full references given, but the spoken form has been retained. My best thanks are due to Professor Charles Thomas, Director of the Institute of Cornish Studies, for inviting this contribution, and to Mr. Oliver J. Padel, Research Fellow, for his most helpful comments on my text. I am deeply grateful to Lord St. Levan and to the Royal Institution of Cornwall for use of the portraits of Dolly Pentreath and William Gwavas, and to Mr. R. D. Penhallurick for drawing the map. Above all, I am conscious of my debt to the late Robert Morton Nance, so much of whose research is included in these pages, and whose life's work made it possible for me to end a survey of a tragic phase in the history of Cornish on a note of hope rather than despair. Abbreviations used in footnotes: CWBF O.J. Padel, The Cornish Writings of the Boson Family, 1975. JRIC Journal of the Royal Institution of Cornwall (NS, New Series). OC Old Cornwall (Journal of the Federation of Old Cornwall Societies). -
When the Cornish Person Looks Closely Into the Mirror of the Cornish
Historic legacies and modern challenges: the Cornish language If the Cornish person looks closely into the mirror of the Cornish language they might find contemporary Cornwall staring right back out at them. For the Cornish language mirrors the doubts and uncertainties confronting Cornwall at the beginning of the second millennium. The language has a proud history, dating back to Cornwall’s first millennium, a time of shadowy and insubstantial Cornish kings and independent kingdoms. Familiar placenames such as Trewassa, Carnglaze, Rescorla, Creegbrase, Bosullow provide everyday reminders of our Celtic and non-English roots. Yet the texts of the language are heavily suffused with English borrowings even from the earliest miracle play cycle of the 1300s. The reality is that Cornwall, since the ninth century, has been to a greater or lesser degree influenced and structured by its powerful neighbour to the east – England. And so has the Cornish language. For example, words such as pont or nant, which retained that form in Cornish’s sister languages Welsh and Breton, changed to pons and nans in Cornish well before the fourteenth century, an early effect of the influence of English. For centuries the language was marginalised and despised, a thing of no worth, low- status gibberish fit only to call the pigs to their food. However, like Cornwall, the language has been patronised and romanticised in more recent times. Since the 1870s Cornwall has been buffeted by a storm of signifiers as the artistic and literary metropolitan gaze settled on what it perceived as a primitive and simple folk whiling their time away in age-old harmony with the environment on the fringes of ‘civilised’ Europe. -
Cornish for Beginners
CORNISH FOR BEGINNERS P.A.S. POOL, M.A., F.S.A. Third Edition THE HISTORY OF THE TOWN AND BOROUGH OF PENZANCE by P.A.S. Pool A full-scale history of Cornwall's westernmost town, commissioned by the Corporation to mark the end of its existence as a Borough in 1974 after 360 years. A long appendix gives the full or edited texts of the town charters and other important documents. Price £3.00 (hard covers). £1.50 (soft covers). Obtainable from the District Secretary, Penwith District Council, St. Clare, Penzance. THE PLACE NAMES OF WEST PENWITH by P.A.S. Pool A gazetteer of the settlement names of the Land's End Peninsula of Cornwall, with interpretations and a long intro• duction explaining the Cornish words found in the names. This book is the first modern publication of the place- names of any part of Cornwall larger than a parish. Price 75p. Published by the Federation of Old Cornwall Societies and obtainable from Mrs. S. Trenberth, Bronruth, Garkar Road, Trethurgy, St. Austell, Cornwall. A CORNISH FARMER'S DIARY by James Stevens, edited by P.A.S. Pool James Stevens spent his whole life (1847-1918) in West Penwith, first at Zennor and later at Sancreed, and for more than twenty years around the turn of the century kept a daily record of farm and parish life. This is the first Cornish farmer's diary to be published, and a valuable contribution to westcountry social history. Price £2.50. Obtainable from P.A.S. Pool, 37 Morrab Road, Penzance. -
A Brief History of the Cornish Language, Its Revival and Its Current Status Siarl Ferdinand University of Wales Trinity Saint David
e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 2 Cultural Survival Article 6 12-2-2013 A Brief History of the Cornish Language, its Revival and its Current Status Siarl Ferdinand University of Wales Trinity Saint David Follow this and additional works at: https://dc.uwm.edu/ekeltoi Part of the Celtic Studies Commons, English Language and Literature Commons, Folklore Commons, History Commons, History of Art, Architecture, and Archaeology Commons, Linguistics Commons, and the Theatre History Commons Recommended Citation Ferdinand, Siarl (2013) "A Brief History of the Cornish Language, its Revival and its Current Status," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 2 , Article 6. Available at: https://dc.uwm.edu/ekeltoi/vol2/iss1/6 This Article is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open- [email protected]. A Brief History of the Cornish Language, its Revival and its Current Status Siarl Ferdinand, University of Wales Trinity Saint David Abstract Despite being dormant during the nineteenth century, the Cornish language has been recently recognised by the British Government as a living regional language after a long period of revival. The first part of this paper discusses the history of traditional Cornish and the reasons for its decline and dismissal. The second part offers an overview of the revival movement since its beginnings in 1904 and analyses the current situation of the language in all possible domains. -
A Proposed Standard Written Form of Cornish
A PROPOSED STANDARD WRITTEN FORM OF CORNISH This document is a draft which is submitted as part of the Cornish Language Partnership Process This document is Revision 16 14 November 2007 and is as of this date being made available to the Cornish Language Partnership’s Cornish Language Commission for scrutiny and discussion Comments may be made to the editors via the “Kernowak” discussion list. Subscription details can be found at kernowak.com A PROPOSED STANDARD WRITTEN FORM OF CORNISH © 2007 The Authors / An Auctours. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of the authors. Pùb gwyr gwethys. Ny yll radn veth a’n publicyans-ma naneyl bos copies, senjys aberth in system daskefyans na treuscorrys in furv veth oll na dre vayn veth oll, poken electronek, mechanyk, drè fotocopians, drè recordyth bò fordh veth aral, heb cawas kybmyas dherag dorn dheworth an auctours. Typesetting and design by Michael Everson, Evertype, Westport, Co. Mayo, Ireland. Set in Baskerville. Olsettyans ha desynyeth gen Michael Everson, Evertype, Westport, Co. Mayo, Wordhen. Olsettys in Baskerville. ii Revision 16, 14 November 2007 A PROPOSED STANDARD WRITTEN FORM OF CORNISH CONTENTS 0. Preamble. vii 0.1. Introduction . vii 0.2. Guiding principles. vii 0.3. Compromise. ix 0.4. Paradigms . x 0.5. Aims and aspirations . xi 0.6. Signatories . xiii 1. Pronunciation and spelling . 1 1.1. Word stress . 1 1.2. Vowel length . 2 1.3. -
The Celto-Cornish Movement and Folk Tradition in Cornwall
Link to thesis website Chapter 5: Fakelore, revival and survival Chapter 5: Fakelore, revival and survival: The Celto - Cornish movement and folk tradition in Cornwall. Celticity is an inescapable element of contemporary Cornish Studies. This chapter shows that the impact it has had on the canon of musical material described as folk and on the process of oral folk tradition in Cornwall is as varied and debated as the very term Celtic itself. Cornwall has belonged to the Celtic imaginary throughout the evolution of the term since its genesis denoting a linguistic family in Lluyd’s Archaeologica Britannica 1707. Cornwall was represented at the first Celtic conference in St Brieuc, Brittany in 1867.1 Following a campaign by Cowethas Kelto-Kernuak, the Pan Celtic Congress accepted Cornwall as a member in 1904. This campaign culminated in the presentation of a paper by Henry Jenner to the Congress. 2 This paper sought to demonstrate that the Cornish Language was not extinct and therefore Cornwall met the criteria for membership i.e. it had a living Celtic Language. In twenty first century Cornwall, Celticity finds articulation in an increasing variety of forms from the politics of cultural identity, through archaeology to mysticism and spirituality as shown by Hale and Payton.3 This is also illustrated by the programme of papers presented at a symposium entitled “Celticity and Cornwall” held during the Lowender Peran festival in October 2009.4 Critiques of Celticity represented particularly by Hobsbawm et al and Chapman point to its constructed, and by implication, artificial nature. 5 Hale and Payton draw upon Sims-Williams and Colley to show that Celtic is used and understood today to broadly refer to the peoples, languages and cultures of Cornwall, Ireland, Wales, Brittany, the Isle of Man and Scotland. -
BRENDAN Mcmahon Tradition and Cultural Resistance in Cornwall
Tradition and Cultural Resistance in Cornwall BRENDAN McMAHON Before the collapse of Roman rule in the fifth century, what is now Cornwall was part of the canton of Dumnonia, an administrative district which had its centre in Exeter.1 Out of the ruins of Roman Britain Dumnonia, comprising Cornwall, Devon and parts of Somerset, arose as one of several successor states resisting Saxon encroachment, though it was eventually to be absorbed by the kingdom of the West Saxons. Many of the Dumnonian people fled overseas to Brittany where their successors still speak Breton, a Celtic language similar to Cornish. The West Saxon King Ine completed the conquest of Devon in the eighth century and Exeter was taken from the Celts, though resistance continued and the English were checked at the Battle of Kehil in 721 or 722.2 The Cornish King Gereint died in battle and was commemorated by the poet Llywarch Hen.3 Later kings, usually described as “shadowy”, include Huwal, king of the west Welsh, who attended Athelstan’s great court in Exeter in 928 AD, as mentioned in the Anglo-Saxon Chronicle, and “Ricatus”, known only from a single inscription at Penzance, which Philip Payton describes as “a semblance, an echo, an assertion of Cornish kingly independence”.4 Though Athelstan fixed the border at the Tamar he was not able finally to incorporate Cornwall into his new English state, and the “echo” continued to sound up to the eve of the Norman conquest in the far west. Although in ancient times Cornwall had trading links with the Mediterranean, it now ceased to exist as an independent political entity, though it did retain a separate cultural identity. -
Revival and Creation of Cornish Folk Music and Folk Dance Contrary To
In Search of Cornish Identity: Revival and Creation of Cornish Folk Music and Folk Dance Contrary to the well-known folk music and folk dance scenes of major Celtic nations like Ireland, Scotland, Wales and Brittany, the folklore of Cornwall, a region located in the far southwest of Great Britain, has to date not received much international academic attention. Even in the major scientific works on Celtic music (Sawyers 2000; Stokes and Bohlman 2003), Cornwall is usually not mentioned at all, even though it was recognized as one of the six Celtic nations as early as 1904 (Jenner 1905). Until now, only one PhD thesis (Davey 2011), an MA thesis (Toms 2010) and a BA thesis (Trethewey 2011) have been written on Cornish folk music, while Cornish folk dance has only been investigated in a single chapter of Davey’s thesis. This lack of scientific interest in the region’s traditions seems somewhat surprising, however, given that there is indeed a rather lively folk music and folk dance scene observable in Cornwall at present. This movement has its roots in the late 1970s, when local musicians initiated the Cornish Music and Dance Revival – not least because they wanted to give emphasis to their Celtic heritage and celebrate their otherness to English people. It is also a result of the Cornish Language Revival, which was initiated around 1900 by Henry Jenner and Robert Morton Nance, with the aim of reviving the Celto-Cornish langauge that had been extinct by 1800. The Cornish Language Revival heavily influenced the Cornish Music Revival, not only ideologically but also linguistically. -
1 Introduction
Introduction 1.1. Cornish and the Celtic Languages Cornish is a Brythonic language that is most closely related to Breton in the first instance; both languages apparently developed from a south-western dialect of Brythonic.1 It is then nearly as closely related to Welsh and the extinct Cumbrian language that apparently endured until the medieval period in parts of southern Scotland and northern England.2 More distantly, these Brythonic languages are related to the Goidelic branch of Celtic languages, comprising Irish, Scots Gaelic and Manx, as well as to the extinct ancient Continental Celtic languages.3 Of the six Celtic languages that survived until the modern period, Cornish was the first of two to become extinct, around the end of the eighteenth century.4 It has been revived by enthusiasts, with limited but marked success, as a community language and even, in a very few families, as a first language of the home.5 In the absence of audio recordings such as those that exist for Manx, the debate over the sequence of sound changes in the phonological development of the language has profound repercussions for the authenticity of such a revival. With notable exceptions, academic attitudes towards this phase in the history of the language have been perhaps understandably wary, which has only undermined efforts in both academic and revivalist circles to improve understanding of the historical phonology of the language. 1 LHEB, pp. 11-12. 2 LHEB, pp. 9-10, 218-9. 3 The change /kw/ > /p/ separating Brythonic from Goidelic was perhaps a relatively trivial distinction within Continental Celtic. -
Celtic Cornwall … Exploring Identity
Celtic Cornwall (Exploring Identity) By Chris Dunkerley - Cornish Bard (Kevrenor), CyC Associate of the Institute of Cornish Studies, Cornish rep. to Celtic Council Of Australia (in NSW) Hon. Secretary of the Cornish Association of NSW INTRODUCTION CELTIC? CORNWALL? SOME ELEMENTS OF IDENTITY - Popular Consciousness - Constitution - History & Landscape - Mining - Language - Music, Song and Dance - Food - Some Customs - Gorseth KERNOW BYS VYKKEN ______________________________________________________________________________ Introduction Celtic Cornwall? Is this a title than can be given to my little ancestral land by the sea in north west Europe? There have been competing views about what constitutes Celtic Cornwall. As Amy Hale stated in an article; “During the course of the (Cornish) Revival too much time and energy has been spent justifying Cornwall’s Celticity!”…. One asks, why was there any doubt?” To which I am tempted to reply – ‘who cares? .. we know we are the Celtic Cornish so let’s get on with life!’ But given that you have probably come expecting a workshop on the very subject I had better restrain myself. In essence today I will seek to explore with you the dual nature of being Cornish - that of the context in which one exists, and a continuing Celtic identity which largely comes from within. Along the way I will heavily draw heavily on others who are more learned than me, look at some elements such as language, and we may also have some fun. It is worth looking first in depth at the two words that make up the title of this workshop. Celtic? Whenever and wherever the term Celtic is used, it seems to mean something different! There is part of me that says, ‘well that’s very Celtic’! I am sure we all hold a different picture in our minds. -
A Guide to Welsh, Cornish, and Breton Verse Welsh Cynghanedd
A Guide to Welsh, Cornish, and Breton Verse Welsh Cynghanedd The cywydd is perhaps the best-known traditional Welsh verse form, and features heptasyllabic lines grouped in rhyming couplets. In each couplet, a stressed syllable in one line rhymes with an unstressed syllable in the other line. Normally, each line must exhibit one of the four forms of cynghanedd ‘consonance.’ Other types of ornamentation (like cymeriad) are also common. Caru y bûm, cyd curiwyf, I have been loving, though I am languishing, A mwy neu ddeufwy ydd wyf; and I am [now loving] more or twice more [than before]; Cyfragod cariad tradof, watching over a very gentle love, 4 Crupl y cur, croyw epil cof. pain’s cripple, clear offspring of memory. Cadw a orwyf i’m ceudawd I have kept love in my breast, Cariad, twyllwr, cnöwr cnawd. deceiver, gnawer of flesh. Cynyddu, cwyn a wyddiad, It’s increasing (it knew pain) 8 Y mae i’m bron, mam y brad, in my breast (mother of deceit) Cynt no thyfiad, cread craff, quicker than the growth (a powerful creation) Corsen o blanbren blaenbraff. of a rod on a thick-topped planted tree. Ceisio heiniar o garu It was my aim to seek a crop of love 12 Yn briod fyth i’m bryd fu. appropriately and continuously. Cynghanedd Groes : The consonants in the first half of the line repeat in the second half. Consonants at the end of each half-line are often ignored. Y mae i’m bron, mam y brad, Crupl y cur, croyw epil cof. m m br (n) | m m br (d) cr pl (r) | cr p l c(f) Cynghanedd Draws : Like cynghanedd groes, except that one or more consonants at the beginning of the second part of the line do not participate in the cynghanedd.