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Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
View Annual Report
2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes. -
Movie Museum OCTOBER 2012 COMING ATTRACTIONS
Movie Museum OCTOBER 2012 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! Hawaii Premiere! 2 Hawaii Premieres! TRAIN OF LIFE 2 Hawaii Premieres! LA RAFLE OUR HAPPY LIVES BAD FAITH aka Train de vie SECRETS OF STATE (2010-France/Ger/Hung) aka Nos vies heureuses aka Mauvaise foi (1998-Fr/Bel/Neth/Isr/Rom) aka Secret defense French w/Eng subtitles, w.s (1999-France) (2006-Belgium/France) French w/subtitles & w.s. (2008-France) Jean Reno, Mélanie Laurent. French w/subtitles, w.s. French w/subtitles & w.s. with Lionel Abelanski, Rufus. French w/Eng subtitles, w.s 12:00, 2:15 & 9:00pm only Marie Payen, Sami Bouajila. D: Roschdy Zem. 12:00, 1:45 & 8:15pm only Gerard Lanvin, Vahina Giocante ---------------------------------- 12 & 8pm only 12:00, 1:30 & 8:15pm only ---------------------------------- 12:00, 1:45 & 8:30pm only BAD FAITH ---------------------------------- --------------------------------- Hawaii Premiere! ---------------------------------- aka Mauvaise foi TRAIN OF LIFE SUMMER THINGS LA RAFLE OUR HAPPY LIVES (2006-Belgium/France) aka Train de vie Embrassez qui vous voudrez (2010-France/Ger/Hung) aka Nos vies heureuses French w/subtitles & w.s. (1998-Fr/Bel/Neth/Isr/Rom) (2002-France/UK/Italy) French w/Eng subtitles, w.s (1999-France) Cécile De France, Roschdy French w/subtitles & w.s. French w/subtitles & w.s. Jean Reno, Mélanie Laurent, French w/subtitles, w.s. Zem, Jean-Pierre Cassel. with Lionel Abelanski, Rufus. Charlotte Rampling. Gad Elmaleh, Hugo Leverdez. Marie Payen, Sami Bouajila. 4:30, 6:00 & 7:30pm only 2:30, 4:15 & 6:00pm only 3:00, 4:45 & 6:30pm only 3:45 & 6:00pm only 3:30 & 6:00pm only 4 5 6 7 8 Hawaii Premiere! 50th Anniversary CONVERSATIONS SUMMER THINGS Cuban Missile Crisis PROMETHEUS (2012-US/UK) WITH MY GARDENER (2002-France/UK/Italy) X-MEN: FIRST CLASS (2007-France) French w/subtitles & w.s. -
Téléchargez LE CATALOGUE 2021
DU 9 AU 13 JUIN 2021 3 ORGANISATION 5 ÉDITORIAUX 15 COMPÉTITION LONGS MÉTRAGES 33 COMPÉTITION COURTS MÉTRAGES 43 PANORAMA PRIX DU PUBLIC 55 LE MONDE ÉMOIS PRIX DU PUBLIC 63 JEUNESSE 67 PAR AMOUR SALLE DE JEUX DE LA MUSIQUE 71 CATLEYA LOUNGE BAR 75 CINÉ SWANN & PREMIERS RENDEZ-VOUS BRASSERIE VUE MER 83 RENCONTRES PROFESSIONNELLES 89 PROMENADE MARCEL PROUST - 14390 CABOURG INDEX 95 CASINO - ÉVÉNEMENTS REMERCIEMENTS RESTAURANT - BAR Entrée en salle de jeux réservée aux personnes majeures non interdites de jeux, sur présentation d’une pièce d’identité en cours de validité ou d’une carte Players Plus. Casino Partouche Cabourg, 300 000€, promenade Marcel Proust 14390 Cabourg, RCS 409268786 CAEN JOUER COMPORTE DES RISQUES : ISOLEMENT, ENDETTEMENT... APPELEZ LE 09 74 75 13 13 (APPEL NON SURTAXÉ) ORGAnIsATIOn FESTIVAL DU FILM DE CABOURG AssOCIATIOn LOI 1901 HÔTEL DE VILLE, PLACE BRUNO COQUATRIX, 14390 CABOURG PRÉsIDEnT DÉLÉGUÉE GÉnÉRALE RÉGIE AUDIOVIsUELLE Guillaume Laurant Suzel Pietri Hervé Drezen TRÉsORIER DIRECTRICE ARTIsTIQUE PROJECTIOnnIsTEs Olivier Pétré Marielle Pietri Sébastien Aubert Sylvain de Cressac sECRÉTAIRE REsPOnsABLE Sébastien Dumont Christophe Rivière DEs PARTEnARIATs Marco Redjil Sixte de Nanteuil MEMBREs BUREAU DE PRESSE Christine Citti REsPOnsABLE Alexandre Di Carlo Fabienne Henrot DEs JURYs ET TALEnTs Audrey Le Pennec Leslie Ricci Manuela Justine Brigitte Béliveau Jean-Louis Ripamonti REsPOnsABLE COMMUnICATIOn DIGITALE sECTIOn COURT MÉTRAGE Marie Grouin-Rigaux MEMBREs BIEnFAITRICEs COORDInATIOn CATALOGUE Emmanuelle Béart -
Visibility at the Ceremony (Subject to Approval by TV Broadcaster)
ABOUT US A hallmark event on the artistic and cultural scene 2006, the curtain goes up on the 1st Globes de Cristal Ceremony. The only awards determined by the vote of specialised journalists. Up to the minute on all the trends, the Globes de Cristal Ceremony has become a major event on the cultural scene, bringing to the fore those who truly make the artistic scene in France and internationally. For more than ten years now, talented artists and leading personalities have come together for the event, broadcast by multiple nationwide channels since 2007. EDITORIAL We would like to invite you to become a partner to Globes de Cristal, a , and the only ceremony that commends both: With the support of the Ministry of Culture, we made the bold decision unique concept to commend the best in French culture. Combining glamour and , prestige Film: Best Motion Picture / Best Actor & Actress / the event brings together biggest names on the artistic scene, in a magical Best Foreign Film, setting. Theatre: Best Stage Production / Best Stage Actor and Actress, Stage Performance: Best One-Man Show / Best Musical, Every year, talented leading artists, such as Catherine Deneuve, Véronique Literature: Best Novel & Essay, Sanson, Fabrice Luchini and many others, meet for what is an exceptional W Music: Best Male & Female Vocal Artist, evening. Beyond casting the spotlight on what makes French artistic Television: Best Television Series and Made-for-TV Movie / expression and creation so original, the ceremony is also aimed at promoting Best Foreign Television Series. values - solidarity and the willingness to help others - by supporting an association, such as CEKEDUBONHEUR. -
Gilles Lellouche INTERNATIONAL PRODUCTION NOTES
A FILM BY Gilles Lellouche INTERNATIONAL PRODUCTION NOTES CONTACTS INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Lucie MICHAUT Alexandre BOURG [email protected] [email protected] SYNOPSIS A group of 40-something guys, all on the verge of a mid-life crisis, decide to form their local pool’s first ever synchronized swimming team – for men. Braving the skepticism and ridicule of those around them and trained by a fallen champion trying to pull herself together, the group set out on an unlikely adventure, and on the way will rediscover a little self-esteem and a lot about themselves and each other. After Narco and The Players, Sink or Swim is the first film you’ve made as a solo director. Did you have difficulty launching a solo project, or was it just a question of timing? A little of both! Most of all, I needed to find a subject that really spoke to me and would enable me to make a film even more personal than Narco. As for The Players, that was a group project. I really enjoyed making both of those films, but neither was intimately linked to who I am. All of this took some time because after Narco, my “actors’ films” were the center of attention. How long has it taken to bring Sink or Swim to life? Five years. In fact, it was eight years ago that I began writing a script that already contained a few of the ideas in Sink or Swim. I wanted to examine the weariness – or perhaps the somewhat latent depression – that I sensed in people of my generation or even more generally in France. -
PRESS KIT § the Jury President § Presentation § an Exceptional Event § the Jury § the 2017 Nominees § Our Partners
MONDAY JANUARY 30TH, 2017 – PARIS LE LIDO PRESS KIT § The Jury President § Presentation § An exceptional event § The Jury § The 2017 Nominees § Our Partners January 2017 It is a great pleasure for us to have Ms Catherine Deneuve as this year's Jury President "This ceremony highlights the significance of French and international creations. Actors, performers, authors are going to be rewarded. As the President of the 2017 Jury, I'm happy to take part in this prestigious event and let the best ones win!!!” %CVJGTKPG&GPGWXG That France offers another way of experiencing culture in the world is your doing, dear artists. May you be honoured for it! “I used to make short films before photography swept me away. As a musician and film producer, I have only the highest esteem for each artistic universe. Creativity, boldness and excellence are the fruits which our Nation lovingly grows, hearkening back to Voltaire and establishing itself as the nation of freedom and expression of the arts. What a delight it is to revel in passions brought alive – may originality keep indifference forever at bay Celebrating such disciplines as literature, theatre, cinema and fashion, is also a way of acknowledging the power of attraction which France, the Nation of Lights, continues to enjoy. Actors, authors, directors, and many other unofficial ambassadors of all things "made in France", will take to the glittering legendary stage of the Lido, for a single evening dedicated to today's most promising talents and those who have earned the public's regard. Over the years, The Globes du Cristal have become an institution. -
Table of Contents
Table of Contents From the Editors 3 From the President 3 From the Executive Director 4 The Muslim Issue The Islamic Component of Jewish Studies 6 Norman A. Stillman Call Me Ishmael, Then Again, Maybe Not 9 Carol Bakhos The Prophet and the Rabbis 11 Reuven Firestone Why Jewish Studies Scholars Should Care about Christian-Muslim Relations 14 David M. Freidenreich The Moroccan Spring, the Berbers, and the Jews 22 Paul A. Silverstein The Civilized Alternative 24 Mustapha Kamal Moroccan Judaism for Sale: Jewish Culture in the Context of the Palestinian-Israeli Conflict 30 Aomar Boum Muslims as Jews, Jews as Muslims, and Both as the Other in Recent French Cinema 32 Dinah Assouline Stillman Common Culture, Survival Strategy, or Useful Foil? Jews and Muslimness in Modern France 38 Ethan Katz Halal and Kosher: Jews and Muslims as Political and Economic Allies 40 Julia Phillips Cohen The Dönme: Jewish Converts, Muslim Revolutionaries, and Secular Turks 44 Marc David Baer If It Smells Muslim: Lemon Cologne, Hebrew Lessons, and Turkish Identity 46 Marcy Brink-Danan The Issue Between Judaism and Islam 48 Gil Anidjar The Latest Hadag Nahash 6 50 Azzan Yadin-Israel Notes on the Relaunch of Studies in American Jewish Literature 52 Benjamin Schreier The Questionnaire Why did you go into Jewish Studies? 54 AJS Perspectives: The Magazine of the President Please direct correspondence to: Association for Jewish Studies Jeffrey Shandler Association for Jewish Studies Rutgers University Center for Jewish History Editors 15 West 16th Street Matti Bunzl Vice President/Publications New York, NY 10011 University of Illinois at Urbana-Champaign Leslie Morris Rachel Havrelock University of Minnesota Voice: (917) 606-8249 University of Illinois at Chicago Fax: (917) 606-8222 Vice President/Program E-Mail: [email protected] Reuven Firestone Web Site: www.ajsnet.org Editorial Board Allan Arkush HUC-JIR, Los Angeles Binghamton University University of Southern California AJS Perspectives is published bi-annually by the Association for Jewish Studies. -
Quel Avenir Pour Les Films Français À Plus De Dix Millions D'euros De Budget
QUEL AVENIR POUR LES FILMS FRANÇAIS À PLUS DE DIX MILLIONS D’EUROS DE BUDGET ? Mémoire fin d’études Simon Bleuzé Promotion 2020 – Section Production Tutrice : Axelle Boucaï Sous la direction de : Pascal Caucheteux, Christophe Rossignon, Christine Ghazarian 1 SOMMAIRE Remerciements p.3 Introduction p.4-6 A – ETAT DES LIEUX 1- Un monde plus dur p.7-17 2- L’évolution de ces films p.18-36 a) Évolution des budgets b) Évolution des genres 3- Qui font ces films p.37-47 a) Les auteur-e-s b) Les acteurs – actrices c) Les producteurs – productrices d) Les financiers B – SPÉCIFICITÉ DE CES FILMS 1- Quels types de films pour ces budgets ? p.48-57 a) Des films de producteur b) Les films « beauf » c) Les films « chic » 2- Problématiques de fabrication et de financements des films p.58-63 a) La baisse des budgets b) Des gains limités, vers la fin de l’indépendance ? 3- La distribution et l’exploitation p.64-92 a) L’exploitation : un marché concentré qui évolue peu b) Les entrées de ces films et les dates de sorties c) L’international et les plateformes C- PISTES DE SOLUTION - RÉFLEXION 1- Idées sur le financement p.93-96 2- Idées sur la fabrication p.97-99 3- Idées sur l’exploitation et la distribution p.100-101 Conclusion p.102-104 Bibliographie p.105-108 2 REMERCIEMENTS Pour sa patience et son accompagnement de tous les jours Constance le Tarnec Pour leurs conseils Pierre Lagardère, Alexis Genauzeau, Margaux Juvenal, Manon Messiant, Mathieu Fort, Yasmine Braham, Leo Blanchard, Marc Bordure Pour leurs temps et bienveillance Axelle Boucaï, Alain Goldman, -
Gilles Bannier Director
Gilles Bannier Director Award-winning director Gilles Bannier began his TV career directing documentaries for ARTE in his native France, before moving into drama. Notable credits include as Lead Director on Series 2 of the acclaimed French crime drama, SPIRAL (ENGRENAGES), for Canal+. Most recently he directed on the first series of TIN STAR for Sky Atlantic/Kudos, including the finale, which starred Tim Roth and was nominated for a Broadcast Award for Best Drama Series. He was asked back as Lead Director on the second series of the show. Agents Michelle Archer Assistant Grace Baxter [email protected] 020 3214 0991 Credits Film Production Company Notes ARRÊTEZ- MOI LÀ Legato Films Feature film. Writer and Director. Exec Producer: Anne Derré. Starring Reda Kateb, Lea Drucker. Television Production Company Notes United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] TRIGGER POINT Hat Trick/ITV/All 3 Media Lead Director. 2021 Writer: Daniel Brierley Producer: Julia Stannard Executive Producers: Jed Mercurio, Mark Redhead and Jessica Sharkey. Starring Vicky McClure MARCELLA 3 ITV/Netflix/Buccaneer Lead Director. 3 Episodes. 2019 Media Writer: Hans Rosenfeldt Producer: Elliott Swift Executive Producer: Tony Wood Starring: Anna Friel TIN STAR 2 Kudos/Sky 1/Altice Studio Lead Director. 2018 - 2019 3 episodes. Writer: Rowan Joffe. Producer: Liz Trubridge. Executive Producers: Alison Jackson & Deiderick Santer. Starring: Tim Roth and Christina Hendriks. *Shortlisted for Best Long Form Drama, Writers' Guild Awards 2020 THE TUNNEL 3 Sky Atlantic/Kudos 3 episodes, including last ever episode. -
Sophie Marceau Gad Elmaleh James Huth
RICHARD GRANDPIERRE ET JÉRÔME SEYDOUX PRÉSENTENT SOPHIE GAD MARCEAU ELMALEH UN FILM DE JAMES HUTH RICHARD GRANDPIERRE ET JÉRÔME SEYDOUX PRÉSENTENT UN FILM DE JAMES HUTH Avec GAD ELMALEH SOPHIE MARCEAU MAURICE BARTHÉLEMY avec la participation de FRANÇOIS BERLÉAND MICHAËL ABITEBOUL JULIE-ANNE ROTH Durée : 1h50 AU CINÉMA LE 27 JUIN DISTRIBUTION RELATIONS PRESSE Pathé Distribution Laurent Renard – Leslie Ricci 2, rue Lamennais 53, rue du Faubourg Poissonnière 75008 Paris 75009 Paris Tél. : 01 71 72 30 00 Photos et dossier de presse Tél. : 01 40 22 64 64 www.pathefilms.com téléchargeables sur www.pathefilms.com [email protected] Sacha aime ses amis, son piano, la fête. La nuit, il joue dans un club de jazz et séduit des jolies filles. Il vit dans l’instant, pour le plaisir. Sans réveil-matin, sans alliance, sans impôt. Synopsis Charlotte a trois enfants, deux ex-maris et une carrière professionnelle à gérer. Elle n’a aucune place pour une histoire d’amour. Tout les oppose. Ils n’ont rien à faire ensemble… Ils sont faits l’un pour l’autre. interview SOPHIE MARCEAU Quand James Huth vous a parlé de ce projet de Le personnage de Charlotte est celui d’une comédie romantique, quelle a été votre réaction ? femme qui croit en l’amour mais qui s’est J’aime beaucoup James et son cinéma un peu déjanté. trompée... Il a une fantaisie et une très bonne énergie. Son projet Ou qui a été trompée... C’est un personnage très cash. avait de vraies qualités artistiques, ce n’était pas juste Une femme assez aventurière, même si elle s’est laissée une jolie histoire avec de beaux sentiments.