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Personal Calendar, 1995-2007
i Personal Calendar, 1995-2007 by Professor Darrell M. West Dept. of Political Science Brown University Providence, Rhode Island and Vice President of Governance Studies Brookings Institution Washington, DC 2016 ii Table of Contents Preface 1995 ............................................................................................. 4 1996 ............................................................................................ 31 1997 ........................................................................................... 58 1998 ........................................................................................... 83 1999 .......................................................................................... 110 2000 .......................................................................................... 138 2001 .......................................................................................... 160 2002 ........................................................................................ 186 2003 ........................................................................................ 214 2004 ........................................................................................ 238 2005 ........................................................................................ 259 2006 ........................................................................................ 279 2007 ........................................................................................ 300 Index ........................................................................................ -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
First Steps with the Drum Set a Play Along Approach to Learning the Drums
First Steps With The Drum Set a play along approach to learning the drums JOHN SAYRE www.JohnSayreMusic.com 1 CONTENTS Page 5: Part 1, FIRST STEPS Money Beat, Four on the Floor, Four Rudiments Page 13: Part 2, 8th NOTES WITH ACCENTS Page 18: Part 3, ROCK GROOVES 8th notes, Queen, R.E.M., Stevie Wonder, Nirvana, etc. Page 22: Part 4, 16th NOTES WITH ACCENTS Page 27: Part 5, 16th NOTES ON DRUM SET Page 34: Part 6, PLAYING IN BETWEEN THE HI-HAT David Bowie, Bob Marley, James Brown, Led Zeppelin etc. Page 40: Part 7, RUDIMENTS ON THE DRUM SET Page 46: Part 8, 16th NOTE GROOVES Michael Jackson, Erykah Badu, Imagine Dragons etc. Page 57: Part 9, TRIPLETS Rudiments, Accents Page 66: Part 10, TRIPLET-BASED GROOVES Journey, Taj Mahal, Toto etc. Page 72: Part 11, UNIQUE GROOVES Grateful Dead, Phish, The Beatles etc. Page 76: Part 12, DRUMMERS TO KNOW 2 INTRODUCTION This book focuses on helping you get started playing music that has a backbeat; rock, pop, country, soul, funk, etc. If you are new to the drums I recommend working with a teacher who has a healthy amount of real world professional experience. To get the most out of this book you will need: -Drumsticks -Access to the internet -Device to play music -Good set of headphones—I like the isolation headphones made by Vic Firth -Metronome you can plug headphones into -Music stand -Basic understanding of reading rhythms—quarter, eighth, triplets, and sixteenth notes -Drum set: bass drum, snare drum, hi-hat is a great start -Other musicians to play with Look up any names, bands, and words you do not know. -
1:03-Cv-03578 Document #: 199 Filed: 09/08/06 Page 1 of 136 Pageid
Case: 1:03-cv-03578 Document #: 199 Filed: 09/08/06 Page 1 of 136 PageID #:<pageID> IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF ILLINOIS EASTERN DIVISION FEDERAL TRADE COMMISSION, ) ) Plaintiff, ) Case No. 03 C 3578 ) v. ) Magistrate Judge Morton Denlow ) QT, INC., Q-RAY COMPANY, ) BIO-METAL, INC., QUE TE PARK, ) a.k.a. ANDREW Q. PARK, and ) JUNG JOO PARK, ) ) Defendants. ) MEMORANDUM OPINION AND ORDER “The pain just went away.” “Within seconds the pain was gone.” “You don’t have to live with pain.” The Q-Ray® Ionized Bracelet® (“Q-Ray bracelet”) achieved tremendous commercial success through a series of 30-minute infomercials. The Federal Trade Commission (“FTC”) brings this action claiming Defendants marketed the Q-Ray bracelet in a deceptive and misleading manner by representing that the bracelet provides immediate, significant or complete pain relief and scientific tests prove their pain-relief claims. Defendants deny their advertising was false or misleading. They contend adequate substantiation exists for the advertising claims made in connection with the promotion and sale of the Q-Ray bracelet. Case: 1:03-cv-03578 Document #: 199 Filed: 09/08/06 Page 2 of 136 PageID #:<pageID> The Court conducted a seven-day bench trial between June 6 and July 11, 2006. The Court has carefully considered the testimony of the witnesses who testified in person and by deposition, the Joint Stipulations of Fact for Trial, the exhibits introduced into evidence, the written submissions of the parties, and the oral arguments of counsel. The counsel on both sides presented the case in a highly professional manner. -
Download Music for Free.] in Work, Even Though It Gains Access to It
Vol. 54 No. 3 NIEMAN REPORTS Fall 2000 THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY 4 Narrative Journalism 5 Narrative Journalism Comes of Age BY MARK KRAMER 9 Exploring Relationships Across Racial Lines BY GERALD BOYD 11 The False Dichotomy and Narrative Journalism BY ROY PETER CLARK 13 The Verdict Is in the 112th Paragraph BY THOMAS FRENCH 16 ‘Just Write What Happened.’ BY WILLIAM F. WOO 18 The State of Narrative Nonfiction Writing ROBERT VARE 20 Talking About Narrative Journalism A PANEL OF JOURNALISTS 23 ‘Narrative Writing Looked Easy.’ BY RICHARD READ 25 Narrative Journalism Goes Multimedia BY MARK BOWDEN 29 Weaving Storytelling Into Breaking News BY RICK BRAGG 31 The Perils of Lunch With Sharon Stone BY ANTHONY DECURTIS 33 Lulling Viewers Into a State of Complicity BY TED KOPPEL 34 Sticky Storytelling BY ROBERT KRULWICH 35 Has the Camera’s Eye Replaced the Writer’s Descriptive Hand? MICHAEL KELLY 37 Narrative Storytelling in a Drive-By Medium BY CAROLYN MUNGO 39 Combining Narrative With Analysis BY LAURA SESSIONS STEPP 42 Literary Nonfiction Constructs a Narrative Foundation BY MADELEINE BLAIS 43 Me and the System: The Personal Essay and Health Policy BY FITZHUGH MULLAN 45 Photojournalism 46 Photographs BY JAMES NACHTWEY 48 The Unbearable Weight of Witness BY MICHELE MCDONALD 49 Photographers Can’t Hide Behind Their Cameras BY STEVE NORTHUP 51 Do Images of War Need Justification? BY PHILIP CAPUTO Cover photo: A Muslim man begs for his life as he is taken prisoner by Arkan’s Tigers during the first battle for Bosnia in March 1992. -
Front Matter
Cambridge University Press 978-0-521-71826-4 - Rebel Journalism: The Writings of Wilfred Burchett Edited by George Burchett and Nick Shimmin Frontmatter More information Rebel Journalism The Writings of Wilfred Burchett This book is an anthology of the writings of Wilfred Burchett, perhaps the greatest journalist and war correspondent Australia has ever produced. He was also one of the most controversial figures of the Cold War, both here and overseas. Burchett published more than 30 books, and this volume brings together extracts from most of these, spanning the entire breadth of his career, from World War II, through Hiroshima, Eastern Europe, Korea, Russia, Laos, Cambodia, China, Vietnam, Angola, Rhodesia (Zimbabwe) and other areas from which Burchett reported. The book presents these documents of reportage mostly in chronological order, and thus serves not only as a significant historical overview of the period, but also as a reader in Cold War journalism. George Burchett is an artist and translator. In 2005 he co-edited, with Nick Shimmin, Memoirs of a Rebel Journalist: The Autobiography of Wilfred Burchett. Nick Shimmin completed a doctorate at the University of Lancaster in 1989 on the Manx writers T.E. Brown and Hall Caine. Since that time he has worked in sales and marketing and as a subtitling editor at the Special Broadcasting Service. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-71826-4 - Rebel Journalism: The Writings of Wilfred Burchett Edited by George Burchett and Nick Shimmin Frontmatter -
The Inventory of the Edward Jay Epstein Collection #818
The Inventory of the Edward Jay Epstein Collection #818 Howard Gotlieb Archival Research Center ... , EPSTEIN, EDWARD JAY (1935- ) Deposit May 1979 The Edward Jay Epstein Collection consists primarily of research material for three of Mr. Epstein's more prominent works: LEGEND: THE SECRET WORLD OF LEE HARVEY OSWALD, a study of the activ ities of the assassin of President John F. Kennedy prior to the assas sination; AGENCY OF FEAR: OPIATES AND POLITICAL POWER IN AMERICA, an investigation of the Nixon Admi.nistration's war on drugs in the early 197Os; and NEWS FROM NOWHERE: TELEVISION AND THE NEWS, a report on electronic journalism and the television industry•. The·~_Epstein Col lection also contains galleys and some notes pertaining to BETWEEN FACT AND FICTION: THE PROBLEM OF JOURNALISM as well as drafts of some of Mr. Epstein's articles and reviews. In addition, there are small amounts of personal material including correspondence and syllabi and student papers from college courses taught by Mr. Epstein and bits and pieces of various research projects. The extensive research material for LEGEND includes FBI, CIA, Secret Service and State Department files on Lee Harvey Oswald and Marina.·. Oswald, reports and interviews with Marines who served with Oswald and other persons who knew him and had contact with him prior to the Kennedy assassination. The AGENCY OF FEAR material contains a lengthy transcript of an interview with Egil Krogh, Deputy Assistant to the President for Domestic Affairs in the Nixon White House, and the White House files of Krogh and Jeffrey Donfeld, Staff Assistant to President Nixon, per taining to the Administration's war on drugs. -
Framing 'The Other'. a Critical Review of Vietnam War Movies and Their Representation of Asians and Vietnamese.*
Framing ‘the Other’. A critical review of Vietnam war movies and their representation of Asians and Vietnamese.* John Kleinen W e W ere Soldiers (2002), depicting the first major clash between regular North-Vietnamese troops and U.S. troops at Ia Drang in Southern Vietnam over three days in November 1965, is the Vietnam War version of Saving Private Ryan and The Thin Red Line. Director, writer and producer, Randall Wallace, shows the viewer both American family values and dying soldiers. The movie is based on the book W e were soldiers once ... and young by the U.S. commander in the battle, retired Lieutenant General Harold G. Moore (a John Wayne- like performance by Mel Gibson).1 In the film, the U.S. troops have little idea of what they face, are overrun and suffer heavy casualties. The American GIs are seen fighting for their comrades, not their fatherland. This narrow patriotism is accompanied by a new theme: the respect for the victims ‘on the other side’. For the first time in the Hollywood tradition, we see fading shots of dying ‘VC’ and of their widows reading loved ones’ diaries. This is not because the filmmaker was emphasizing ‘love’ or ‘peace’ instead of ‘war’, but more importantly, Wallace seems to say, that war is noble. Ironically, the popular Vietnamese actor, Don Duong, who plays the communist commander Nguyen Huu An who led the Vietnamese People’s Army to victory, has been criticized at home for tarnishing the image of Vietnamese soldiers. Don Duong has appeared in several foreign films and numerous Vietnamese-made movies about the War. -
Or on Image Above to Download WAR by MEDIA
WAR ME DIA JOHN PILGER Cold Type The Heyman Center for the Humanities at Columbia University in New York brought together John Pilger, Seymour Hersh, Robert Fisk and Charles Glass for a discus - sion entitled “Breaking the Silence: War, Lies and Empire” on 14 April 2006. This is a transcript of John Pilger’s address © John Pilger 2006 PAGE 2 JOHN PILGER: WAR BY MEDIA DURING the Cold War, a group of Russian jour - nalists toured the United States. On the final day of their visit, they were asked by their hosts for their impressions. “I have to tell you,” said their spokesman, “that we were as - tonished to find, after reading all the newspapers and watching TV, that all the opinions on all the vital issues were, by and large, the same. To get that result in our country, we imprison people, we tear out their fingernails. Here, you don’t have that. What’s the secret? How do you do it?” What is the secret? It’s a question now urgently asked of those whose job is to keep the record straight: who in this country have extraordinary constitutional freedom. I refer to journalists, of course, a small group who hold privileged sway over the way we think, even the way we use language. I have been a journalist for more than 40 years. Although I am based in London, I have worked all over the world, including the United States, and I have reported America’s wars. My experience is that what the Russian journalists were referring to is censorship by omis - sion, the product of a parallel world of unspoken truth and public myths and lies: in other words, censorship by journalism, which today has become war by journalism. -
Connotative and Denotative Meaning of Emotion Words
CONNOTATIVE AND DENOTATIVE MEANING OF EMOTION WORDS IN TWENTY ONE PILOTS’ BLURRYFACE ALBUM A THESIS Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirements for Strata One (S1) Degree in English Letters Department REYUNA LARASATIKA 1112026000107 ENGLISH LANGUAGE AND LITERATURE DEPARTMENT FACULTY OF LETTERS AND HUMANITIES SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2017 ABSTRACT REYUNA LARASATIKA, Connotative and Denotative Meaning of Emotion Words in Twenty One Pilots’ Blurryface Album. Thesis. Jakarta: English Language and Literature Department, Letters and Humanities Faculty, State Islamic University (UIN) Syarif Hidayatullah, May 2017. This research is discussing connotative and denotative meaning consisting in emotion words in the lyrics of Twenty One Pilots’ songs in Blurryface album. The songs are Heavydirtysoul, Stressed Out, Ride, Fairly Local, Tear In My Heart, Lane Boy, The Judge, Doubt, Polarize, We Don’t Belive What’s On TV, Message Man, Hometown, Not Today and Goner. The meaning of emotion words in those song imply the songwriter’s background. The emotion words are classified based on Robert Plutchik and Henry Kellerman’s book titled Emotion: Theory, Research, and Experiment. Then, those emotion words are analysed using semantics theory to find the meaning and how the songwriter’s background is implied. The method which is used in this research is qualitative method because the research is describing verbal data which is the words in the song lyrics. Keywords: emotion words, semantics, connotative meaning, denotative meaning, Twenty One Pilots i DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. -
October 1983
VOL. 7, NO. 10 Cover Photo by Rick Malkin FEATURES ALEX VAN HALEN Rock musicians are often accused of being more concerned with the rock 'n' roll lifestyle than with the music. That lifestyle is very much a part of Alex Van Halen's image, but underneath that image is a serious musician who has a lot to say about drums and drumming, and he says it here in this MD exclusive. by Robyn Flans 8 PHILLIP WILSON For a drummer to have played with such diverse groups as The Art Ensemble of Chicago and the Paul Butterfield Blues Band indicates that his musicianship is not limited in any way, and that is certainly true of Phillip Wilson, who has a knack for weaving seemingly contrasting influences together into one unique style. by Chip Stern 16 DRUMS AROUND THE WORLD Japan's Stomu Yamash'ta; England's Ronnie Verrell; Brazil's Ivan Conti; Canada's Steve Negus; Israel's Aron Kaminski; Den- mark's Alex Riel. 20 FRANK BEARD In this revealing interview, Frank Beard, the unpretentious, self-taught drummer for ZZ Top, discusses his career from his early emulations of '60s British rock bands, to his later involvement with a psychedelic group, and his present position as a member of the highly successful, Texas-based rock trio. by Susan Alexander 26 ROCK CHARTS COLUMNS "Lowdown In the Street" PROFILES 74 by James Morton ON THE MOVE Nelson Montana 30 ROCK PERSPECTIVES A Left-Handed Perspective REVIEWS EDUCATION by Robert Doyle 92 ON TRACK 94 CLUB SCENE STRICTLY TECHNIQUE PRINTED PAGE 96 Handling the Ups and Downs Triplets With Buzz Rolls 46 by Joe Morello by Rick Van Horn 100 NEWS COMPLETE PERCUSSIONIST UPDATE Junkanoo EQUIPMENT by Robyn Flans 110 by Neil M. -
Angell, Roger
Master Bibliography (1,000+ Entries) Aamidor, Abe. “Sports: Have We Lost Control of Our Content [to Sports Leagues That Insist on Holding Copyright]?” Quill 89, no. 4 (2001): 16-20. Aamidor, Abraham, ed. Real Sports Reporting. Bloomington, Ind.: University of Indiana Press, 2003. Absher, Frank. “[Baseball on Radio in St. Louis] Before Buck.” St. Louis Journalism Review 30, no. 220 (1999): 1-2. Absher, Frank. “Play-by-Play from Station to Station [and the History of Baseball on Midwest Radio].” St. Louis Journalism Review 35, no. 275 (2005): 14-15. Ackert, Kristie. “Devils Radio Analyst and Former Daily News Sportswriter Sherry Ross Due [New Jersey State] Honor for Historic Broadcast [After Becoming First Woman to Do Play-by-Play of a Full NHL Game in English].” Daily News (New York), 16 March 2010, http://www.nydailynews.com/sports/hockey/devils-radio-analyst-daily- news-sportswriter-sherry-ross-due-honor-historic-broadcast-article-1.176580 Ackert, Kristie. “No More ‘Baby’ Talk. [Column Reflects on Writer’s Encounters with Sexual Harassment Amid ESPN Analyst Ron Franklin Calling Sideline Reporter Jeannine Edwards ‘Sweet Baby’].” Daily News (New York), 9 January 2011, 60. Adams, Terry, and Charles A. Tuggle. “ESPN’s SportsCenter and Coverage of Women’s Athletics: ‘It’s a Boy’s Club.’” Mass Communication & Society 7, no. 2 (2004): 237- 248. Airne, David J. “Silent Sexuality: An Examination of the Role(s) Fans Play in Hiding Athletes’ Sexuality.” Paper presented at the annual conference of the National Communication Association, Chicago, November 2007. Allen, Maury. “White On! Bill [White] Breaks Color Line in [Baseball] Broadcast Booth.