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Tesis Completa Alvaro Cantos FACULTAD DE ARTES Y HUMANIDADES CARRERA DE MUSICA TEMA: CREACIÓN DE TRES TEMAS INÉDITOS APLICANDO LOS RECURSOS ARMÓNICOS DE LA MÚSICA CONTEMPORÁNEA Y LOS RECURSOS MUSICALES Y NARRATIVOS DEL ÁLBUM BLURRYFACE DE LA AGRUPACIÓN TWENTY ONE PILOTS. AUTOR: Cantos Medina Álvaro Josué Trabajo de titulación previo a la obtención del título de LICENCIADO EN MÚSICA TUTOR: Valdiviezo Dávila, Liana Gardenia Mgs. Guayaquil, Ecuador 02 de marzo del 2020 FACULTAD DE ARTES Y HUMANIDADES CARRERA DE MUSICA CERTIFICACIÓN Certificamos que el presente trabajo de titulación, fue realizado en su totalidad por Cantos Medina Alvaro Josué, como requerimiento para la obtención del título de Licenciatura en Música TUTOR (A) f. Valdiviezo Dávila Liana Gardenia DIRECTOR DE LA CARRERA f. Vargas Prias Gustavo Guayaquil, a los 02 del mes de marzo del año 2020 FACULTAD DE ARTES Y HUMANIDADES CARRERA DE MUSICA DECLARACIÓN DE RESPONSABILIDAD Yo, Cantos Medina Alvaro Josué DECLARO QUE: El Trabajo de Titulación, Creación de tres temas inéditos aplicando los recursos armónicos de la música contemporánea y los recursos musicales y narrativos del álbum Blurryface de la agrupación Twenty One Pilots previo a la obtención del título de Licenciatura en Música, ha sido desarrollado respetando derechos intelectuales de terceros conforme las citas que constan en el documento, cuyas fuentes se incorporan en las referencias o bibliografías. Consecuentemente este trabajo es de mi total autoría. En virtud de esta declaración, me responsabilizo del contenido, veracidad y alcance del Trabajo de Titulación referido. Guayaquil, a los 02 del mes de marzo del año 2020 EL AUTOR (A) f. Cantos Medina Alvaro Josué FACULTAD DE ARTES Y HUMANIDADES CARRERA DE MUSICA AUTORIZACIÓN Yo, Cantos Medina Alvaro Josué Autorizo a la Universidad Católica de Santiago de Guayaquil a la publicación en la biblioteca de la institución del Trabajo de Titulación, Creación de tres temas inéditos aplicando los recursos armónicos de la música contemporánea y los recursos musicales y narrativos del álbum Blurryface de la agrupación Twenty One Pilots, cuyo contenido, ideas y criterios son de mi exclusiva responsabilidad y total autoría. Guayaquil, a los 02 del mes de marzo del año 2020 EL (LA) AUTOR(A): f. Cantos Medina Alvaro Josué U R K U N D Urkund Analysis Result Analysed Document: Tesis completa Alvaro Cantos (12-02-2020).doc (D63807205) Submitted: 2/12/2020 7:13:00 PM Submitted By: ${Xml.Encode(Model.Document.Submitter.Email)} Significance: 0 % Sources included in the report: Instances where selected sources appear: 0 UNIVERSIDAD CATÓLICA DE SANTIAGO DE GUAYAQUIL FACULTAD DE ARTES Y HUMANIDADES CARRERA DE MUSICA TRIBUNAL DE SUSTENTACIÓN f. Valdiviezo Dávila Liana Gardenia TUTOR f. Vargas Prias Gustavo DECANO O DIRECTOR DE CARRERA f. Yaselga Rojas Yasmine COORDINADOR DEL ÁREA O DOCENTE DE LA CARRERA VI ÍNDICE ÍNDICE ............................................................................................................................................................................. VII RESUMEN ...................................................................................................................................................................... XVI ABSTRACT ...................................................................................................................................................................XVII INTRODUCCIÓN ................................................................................................................................................................ 2 DESARROLLO .................................................................................................................................................................... 3 CAPITULO 1: EL PROBLEMA .......................................................................................................................................... 3 1.2 Problema de investigación ................................................................................................................................................... 6 1.3 Justificación .................................................................................................................................................................... 6 1.4 Objetivos ......................................................................................................................................................................... 7 1.4.2 Objetivos Específicos: ............................................................................................................................................... 7 1.5 Preguntas de investigación ................................................................................................................................................. 8 1.6 Marco conceptual ......................................................................................................................................................... 8 1.6.1 Música contemporánea principios del Siglo XX Música. .......................................................................................... 8 contemporánea ...................................................................................................................................................................... 8 1.6.2 Música Popular a finales del XX ................................................................................................................................ 10 1.6.3 Twenty One Pilots ...................................................................................................................................................... 11 1.6.4 Narrativa del álbum Blurryface de Twenty One Pilots............................................................................................... 13 1.6.5 Elementos armónicos de la música contemporánea ................................................................................................... 13 CAPÍTULO II ..................................................................................................................................................................... 21 DISEÑO DE LA INVESTIGACIÓN ................................................................................................................................. 21 2.1 Metodología .................................................................................................................................................................. 21 2.2 Enfoque ......................................................................................................................................................................... 21 VII 2.3 Alcance .......................................................................................................................................................................... 22 2.4 Instrumentos de investigación ....................................................................................................................................... 22 2.5 Análisis y Resultados .................................................................................................................................................... 23 2.5.1 Análisis de Documentos .................................................................................................................................... 23 2.5.2 Análisis musical y narrativo del álbum Blurryface ............................................................................................ 24 CAPÍTULO III LA PROPUESTA ..................................................................................................................................... 43 3.1 Título de la propuesta .................................................................................................................................................... 43 3.2 Justificación de la propuesta ......................................................................................................................................... 43 3.3 Objetivos ....................................................................................................................................................................... 44 3.4 Descripción ................................................................................................................................................................... 44 CONCLUSIONES .............................................................................................................................................................. 81 RECOMENDACIONES ..................................................................................................................................................... 82 REFERENCIAS.................................................................................................................................................................. 83 ANEXOS ............................................................................................................................................................................ 85 Anexo 1: Transcripciones ........................................................................................................................................................ 85 Anexo 2: Producto ............................................................................................................................................................ 144 VIII INDICE DE TABLAS Tabla 1: Análisis de dominantes de función especial
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