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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Kitchen Kitchen Come to Our Blues Kitchen and Taste the Blues! Comeheigh to Our Blues CHIEF
Konzerthaus Solingen Konzerthaus Solingen Konzerthaus Solingen Konzertfoyer Konzertfoyer Konzertfoyer Einlass: 19:00 Uhr Einlass: 19:00 Uhr Einlass: 19:00 Uhr Beginn: 20:00 Uhr Beginn: 20:00 Uhr Beginn: 20:00 Uhr Liebe Blues-Freude, Liebe Blues-Freude, Liebe Blues-Freude, Eintritt: 18,00 € Eintritt: 18,00 € Eintritt: 18,00 € Eintritt am 23.09.2020: 12,00 € Eintritt am 23.09.2020: 12,00 € erneut freuen wir uns auf unsere erfolgreiche Musikreihe erneutEintritt freuen am 23.09.2020: wir uns auf 12,00 unsere € erfolgreiche Musikreihe erneut freuen wir uns auf unsere erfolgreiche Musikreihe Blues Kitchen. Hier stellen wir Ihnen hochklassige Live-Acts Blues Kitchen. Hier stellen wir Ihnen hochklassige Live-Acts Blues Kitchen. Hier stellen wir Ihnen hochklassige Live-Acts aus aller Welt vor. Mal laut, mal leise – aber immer bewe- aus aller Welt vor. Mal laut, mal leise – aber immer bewe- aus aller Welt vor. Mal laut, mal leise – aber immer bewe- www.theater-solingen.de www.theater-solingen.de gend und einzigartig. gendwww.theater-solingen.de und einzigartig. gend und einzigartig. /KulturmanagementSG /KulturmanagementSG /KulturmanagementSGKitchen SPIELZEIT Kitchen SPIELZEIT Kitchen SPIELZEIT /theaterundkonzerthaussolingen /theaterundkonzerthaussolingen Hier treffen Rhythm und Blues auf Jazz, Funk oder rockige Hier /theaterundkonzerthaussolingentreffen Rhythm und Blues auf Jazz, Funk oder rockige Hier treffen Rhythm und Blues auf Jazz, Funk oder rockige Mit freundlicher Unterstützung: Mit freundlicher Unterstützung: Töne. Lassen Sie sich mitreißen! -
Makuterveisiä Välimereltä: Saarten Viinit Kuopiossa 2.-10.7.2010
Kuopio Wine Festival / Osuuskauppa PeeÄssä 18.1.2010 Lehdistötiedote 2: Ohjelma Välimeren makuja SISILIA • KREETA • MALLORCA • KORSIKA Makuterveisiä Välimereltä: Saarten viinit Kuopiossa 2.-10.7.2010 Kuopio Wine Festival uudistuu! Viinikylässä matkataan nyt yhden teemamaan sijaan neljän Välimeren saaren makumaisemiin. Aurinkomaiden helmiä lasissa, lautasella ja lavalla tarjoilevat perinteikkäät viinisaaret Sisilia, Kreeta, Mallorca ja Korsika. Musiikkimenun kotimainen kattaus sisältää perinteisen popin, rokin ja iskelmän lisäksi jazzia, bluesia ja swingiä. Kuopio Wine Festival on tutustuttanut suomalaisia Festivaalin ruokalista kumpuaa vuosisatoja vuosittain vaihtuvan teemamaan viini-, ruoka- ja vanhasta välimerellisestä ruokailuperinteestä. musiikkikulttuureihin jo 13 vuotta. Kuopion matkus- Saarille on tyypillistä, että ruoan ympärillä tapah- tajasataman viinikylässä ovat tähän mennessä esit- tuvaan kiireettömään seurusteluun kootaan niin täytyneet Itävalta, Unkari, Italia, Kalifornia, Espanja, suku kuin ystävätkin, ja ruokaa on tarjolla enemmän Kreikka, Etelä-Afrikka, Ranska, Chile, Australia, kuin tarpeeksi. Viinikylän makulautasella on mm. Portugali, Argentiina ja Saksa. Festivaalin vakiintu- antipastoja, gaspachoa, tsatsikia, korsikanmakkaraa, nut noin 40 000 kävijän yleisö tekee tapahtumasta monipuolisia juustoja, parasta oliiviöljyä, oliiveja yhden Suomen kesän suurimmista. sekä tuoretta leipää. Ruokalistalla on myös lam- masta, saarille tyypillistä kalaa sekä suussa sulavia Kaikki viinikylässä tarjoiltavat viinit tulevat suoraan -
WISHBONE ASH: Review and Pictures P.8 Ursaries: Arch from Uad Wed
Volume 49. Issue 4. Tues. Mar. 25, 1974. WISHBONE ASH: review and pictures p.8 ursaries: arch from uad wed. 26 1pm Page 2 do very well in the exams at the end of moral reasons. But it was all a joke, the year, unless he has in some way made wasn’t it? the knowledge contained in those essays Peter Keeble. his own. It is, after all, one of the fun Yes Peter, it was a joke. Your comments ctions of exams to provide a forum for ^CRACCUM Volume 49, Issue 4 however, only lead me to conclude that students to show what they know or perhaps those broadcasting officials were T( T uesday March 25, 1974 believe without the marker having to justified a few years back in deciding that worry about the probability that what he New Zealanders weren’t quite ready for is reading has been copied from someone satire. The author of this “anonymous am else. In many departments questions scurrilous article” was Bill Ralston who, ne differ .sufficiently from year to year to like you and me, is a Masters’ student in expose answers that are mere regurgit the Political Studies Dept. His ‘anonymity ation of someone else’s work with no 0 0 0 was neither requested nor intended - and Whether by real appreciation of the facts or argu Articles for CRACCUM are cunningly results from a “ technical error”. Ed imperialist de< ments involved. As for swopping essays squeezed out of their contributors by trade, aid, anc l with friends who have covered different Mike Rann, who is also the editor. -
Uriah Heep – 70S Music for Today
8/24/2017 Uriah Heep - 70s Music For Today The Latest News NEWS ENTERTAINMENT HEALTH SCIENCE POLITICS FOOD TECH Search Home / Entertainment / Uriah Heep – 70s Music For Today Uriah Heep – 70s Music For Today RECENT POSTS ENTERTAINMENT FEATURED NEWS 7 Steps to Writing an Awesome By Alexander Baron Business School Essay Bacteria Powered Solar Cell Makes Clean Energy Zika Virus Associated With New Type Of Brain Disease Pertussis (Whooping Cough) Immunisation Prole Raised Using Mice To Predict Zika Infection In People 2 0 1 0 1 0 0 0 6 2 0 SHARES a d y n f h k m The greatest music ever written, performed, improvised and recorded can be dated from 1963 – the breakthrough of The Beatles – until about the mid-1990s. Three hundred years from now, if Man still exists, our descendants will look back on the stars of that Golden Age with the same reverence reserved for Beethoven and Mozart today. https://www.infotextmanuscripts.org/tln/Uriah%20Heep%20-%2070s%20Music%20For%20Today-.html 1/3 8/24/2017 Uriah Heep - 70s Music For Today Uriah Heep were never in the same class as Barclay James Harvest, Deep Purple, Pink Floyd, UFO, or others in that genre, but nobody can fault their work ethic. From their formation in 1969 until 1980 they released 13 studio albums, the rst in June 1970. And they are still performing today. The band’s origins actually date back to 1967 when teenage guitarist Mick Box formed The Stalkers. Box is the only founder member in the current line-up. -
Mon Baby Blues Festival – Dossier De Presse 2018 –
_________________________________________________________________________________________________________ 1 – Mon Baby Blues Festival – Dossier de presse 2018 – www.monbabybluesfestival.com Sommaire – Mon Baby Blues Festival Participation au développement d’un Territoire p 3 Des bénévoles au service de la musique p 3 PROGRAMMATION CONCERTS 2018, de l’artiste international au talent local p 4 Vendredi 7 septembre 2018 p 4 Wille & the Bandits p 4 Gaëlle Buswel p 5 Samedi 8 septembre 2018 p 6 Aaron Keylock p 6 Erja Lyytinen p 7 Dimanche 9 septembre p 8 MyBodyHorse p 8 Bob Log III p 9 Rétrospective 2015-2017 p 10 PROGRAMMATION ANIMATIONS 2018, découvrir le Blues autrement p 11 Jeudi 6 septembre 2018 : pré-soirée en tête-à-tête avec Fat Jeff à la Clé de Sol p 11 Samedi 8 septembre 2018 : Master Class au Moloco, « Jouer dans le style de Rory Gallagher » p 12 Rétrospective 2015-2017 p 13 CONTACTS / LIENS p 14 _________________________________________________________________________________________________________ 2 – Mon Baby Blues Festival – Dossier de presse 2018 – www.monbabybluesfestival.com L’APCRPM (Association pour la Promotion de la Culture Rock dans le Pays de Montbéliard) a lancé en 2015 une dynamique autour de la musique Blues. La 4ème édition de Mon Baby Blues Festival aura lieu les 6, 7, 8 et 9 septembre 2018, 4 jours consacrés à la musique blues et ses différentes tendances bien Rock'n Roll. Mon Baby Blues, participation au développement d’un Territoire C’est un festival que nous souhaitons pérenne. 4 ans c'est jeune, il faut encore quelques années pour installer durablement ce rendez-vous dans le paysage urbain. Dans cet optique, les bénévoles de l’Atelier des Môles assurent une dynamique tout au long de sa saison musicale grâce à des groupes de blues afin de fidéliser le public et d’en séduire toujours un nouveau. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Luftpost 03/2018
PROGRAMM Highlights: 07.04.2018 LETZ-ZEP UK´S MOST AUTHENTIC LED ZEPPELIN TRIBUTE BAND 20.04.2018 Luftpost 03/2018 Floyd Division The Austrian Pink Floyd Show | Support: Sensifer So erreichen Sie uns: Übrigens, wussten Sie schon? Auto: A4-Abfahrt Hellerau --> Zentrum, Rent A Club! Höhe Aral Tankstelle nach links in die Planen Sie gerade ein Livekonzert, Dance- Kilminister Stauffenbergallee, nach 1,5 km nach Party oder Großevent, Ihre Firmenfeier oder links in die Königsbrücker Str., gerade Geburtstagsparty, Ihr Klassentreffen oder aus, an der 3. Ampel Höhe Fußgänger- eine sonstige Veranstaltung, dann ist die brücke rechts, weiter gerade aus, Tante JU mit ihrem Liveclub und dem groß- siehe Ausschilderung. zügigen Festivalgelände die ideale Adresse Bahn: Straßenbahn Linien 7 oder 8, für Ihre ganz induviduelle Veranstaltung. Auf Wunsch bekommen Sie dafür ein ganz auf S-Bahn Nummer 2 bis Erja Lyytinen Haltestelle Industriegelände, Ihre Bedürfnisse abgestimmtes Catering. Von über Fußgängerbrücke deftigen Speisen bis hin zu delikatem Finger- gerade aus, siehe Ausschilderung. food erfüllen wir Ihre kulinarischen Träume, und das alles zu ganz moderaten Preisen. Das ANFAHRTSSKIZZE gemütliche Ambiente des Clubs erinnert durch Hellersiedlung Weg K zahlreiche Details an die bunte Welt der Flie- gerei. Das schöne Openair-Festivalgelände Weg I mit der großen Bühne ist voll erschlossen und Weg H An der Schleife sehr großzügig ausgestattet. Für Sie und Ihre Gäste steht das Gästehaus mit seinen gemüt- An der Eisenbahn Weg G Königsbrücker Straße lichen Zimmern ganzjährig zur Verfügung. Am alten Flughafen An der Schleife Weg F Tante Ju Auch das Puschkin ist mit seinen 2 Floors als Party- und Live-Location für fast jedes An der Eisenbahn Magazinstraße Event bestens geeignet. -
Slack Shack Album in Typical Ash Fashion, Mood Is Immediately Changed by with a Medium-Paced Song About "Hometown," a Light-Hearted, a Movie Star Grown Old
Sidelines, Jan. 21, 1975-9 European trip offers fun, credit ASB resurrects library bill How can you pick up six hours along with about 25 Eastern said. "What better way to study of history credit while spending Michigan students and one pro- the Renaissance than from a fun-filled weeks in Europe? fessor, will spend two weeks in centuries-old villa." Members of the ASB Legisla- ture resurrected a dormant re- History professor Ronald Mes- Vienna, two weeks in Munich, Cost of the program will be sier has the answer in a joint Germany, and two weeks in $1,000 plus MTSU's registration solution Thursday that would program with Eastern Michigan Florence, Italy, with weekends in for six semester hours. That clear the way for an extension of University. Salzburg, Austria, the Austrian payment covers round-trip library hours on Friday and Sun- day. "It's not simply a guided tour Alps and a tentatively scheduled transportation from Nashville, stop in Prague, Czechoslovakia. all rail fares in Europe, admis- Passage of the bill had been of Europe, but it is an academic blocked last fall by the Senate due program," Messier stressed. In addition to daily morning sion at each site, rooms and breakfast and lunch meals, Mes- to a disagreement as to whether About 15 MTSU students will classes, the group will visit sier said. the Friday extension should be leave Nashville June 26 bound for museums, monasteries, concerts added. Rep. Jeff Combos op- Vienna, Austria, and other Euro- and operas, Messier pointed out. If students already have credit in Western Civilization, Messier posed the extension at that time pean capitals to study the Re- saying that a Friday extension naissance period. -
Georgie Fame
Georgie Fame Born on 26th June 1943 in the industrial town of Leigh, Lancashire, his interest in music grew from family entertainment “sessions” at home and musical evenings in the church hall across the street, where his father played in an amateur dance band. Although he took piano lessons for a short time at the age of seven, it wasn’t until the advent of rock’n’roll on radio during the mid-fifties that young Georgie began to take the family piano seriously. Fats Domino, Jerry Lee Lewis and Little Richard were among his catalysts. Upon leaving school, shortly after his fifteenth birthday, he followed the family tradition and took a job as an apprentice cotton weaver in one of the many local mills. Leisure time, however, was spent playing piano in various pubs and with a local group, “The Dominoes”. In July 1959, at a summer holiday camp, Georgie was spotted by Rory Blackwell, the resident rock’n’roll bandleader, who offered the young singer/pianist a full time job. Goodbye, weaving shed. Rory and the Blackjacks departed for London, their hometown, when the summer season ended prematurely and Georgie went with them. The promised glamorous work did not materialise and the band broke up, but the determined young man from Leigh eventually took up a solo residency at The Essex Arms pub in London’s Dockland, where the kindly landlord provided a room to sleep in. In October of that year, the Marty Wilde Show was performing at the Lewisham Gaumont and Rory Blackwell arranged for Georgie to audition “live” for impressario Larry Parnes. -
ウィークエンド サンシャイン Playlist Archive Dj:ピーター・バラカン
ウィークエンド サンシャイン PLAYLIST ARCHIVE DJ:ピーター・バラカン 2014 年 9 月 6 日放送 01. I Say A Little Prayer / Aretha Franklin // Love Songs 02. Love The One You’re With / Crosby, Stills, Nash & Young // CSNY 1974 03. Only Love Can Break Your Heart / Crosby, Stills, Nash & Young // CSNY 1974 04. Johnny's Garden / Crosby, Stills, Nash & Young // CSNY 1974 05. Blackbird / Crosby, Stills, Nash & Young // CSNY 1974 06. Deja Vu / Crosby, Stills, Nash & Young // CSNY 1974 07. From Galway to Graceland / Richard Thompson // Acoustic Classics 08. Beeswing / Richard Thompson // Acoustic Classics 09. Dimming of the Day / Richard Thompson // Acoustic Classics 10. Magnolia / Eric Clapton Feat. John Mayer // The Breeze (An Appreciation Of JJ Cale) 11. Don’t Wait / Eric Clapton Feat. John Mayer // The Breeze (An Appreciation Of JJ Cale) 12. The Old Man And Me / Eric Clapton Feat. Tom Petty // The Breeze (An Appreciation Of JJ Cale) 13. Burnt Out Town / Tom Petty & The Heartbreakers // Hypnotic Eye 14. Red River / Tom Petty & The Heartbreakers // Hypnotic Eye 15. Unchain My Heart / Johnny Winter Feat. Blues Brothers Horns // Step Back 16. Don't Want No Woman / Johnny Winter Feat. Eric Clapton // Step Back 17. Killing Floor / Johnny Winter Feat. Paul Nelson // Step Back 18. Okie Dokie Stomp / Johnny Winter Feat. Brian Setzer // Step Back ウィークエンド サンシャイン PLAYLIST ARCHIVE DJ:ピーター・バラカン 2014 年 9 月 13 日放送 01. I'm Walkin' / Fats Domino // Live From Austin TX 02. Dance On / Andy Fairweather Low // Zone-O-Tone 03. Please Call Home / Sam Moore // All My Friends: Celebrating the Songs & Voice of Gregg Allman 04. -
Color Awards/Acceptedname Country Title
Color Awards/AcceptedName Country Title NFFF Gold Merja Martikainen SKsLM, EFIAP, NSMiF/b Finland Loneliness NFFF Silver Soren Skov MSDF/G EFIAP/P Denmark Frosty mist NFFF Bronze Mats Grimfoot EFIAP, ARSF Sweden Mountain cabins NFFF HM Benny Rytter EFIAP PPSA ESDF Denmark Purgatory or Salvation NFFF HM Bjarte Haugland Norway Curves NFFF HM Dorthe Jakobsen Denmark Den Gamle By NFFF HM Jorgen Skaug EFIAP PPSA Norway Hadeland Winter Wonderland NFFF HM Jussi HELIMAKI EFIAP/b Finland Early misty morning 2 NFFF HM Kis Boel Guldmann Denmark Moving youngsters NFFF HM Krista Nurmi Finland Fallen angel NFFF HM Lill Gullhav Norway Waiting NFFF HM marc sabat Finland My art gallery NFFF HM Marion Klette Norway Dance with me NFFF HM Marjukka Vähä-Ettala SKsLSM, EFIAP/s, PPSA,BPSA,NSMiF/b Finland The End NFFF HM Pekka Leppala SKsLM EFIAP Finland Fieldfare NFFF HM Petri Damstén EPSA, BPSA, EFIAP/b, NSMiF/b, SKsLSM Finland Finger Puppets NFFF HM Roald Synnevåg MFIAP EFIAP-P MPSA GPSA Norway Atlantic tern 4 NFFF HM Roland Jensen ESDF, FIAP/b Denmark Wonder 1 NSFF Gold Håkon Grønning EFIAP/B Norway Raindrops and reflections NSFF Silver Trond M. Skaret EFIAP/G Norway Duo Square NSFF Bronze Jon Knutsen Norway Smooth landing RSF Gold Danne Johansen EFIAPg - ESDF Denmark Natalia on the stairs I RSF Silver Geir Jartveit Norway POPCORN TIME RSF Bronze Bjarne Hyldgaard EFIAP/p, MSDF/b, NMiFM2017, NSMiF/b Denmark Jasmine 7336CVT SDF Gold Gilboa Levi Levi EFIAP-ESDF Denmark QUARREL SDF Silver Henning Bossen Denmark Low Hanging Mist SDF Bronze Gaute Frøystein Norway