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Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
(The Jean-Michel Pilc Interview)
JEAN-MICHEL PILC PRESS KIT INDEX P.1 jazzblog.ca (interview by Peter Hum) P.7 NYC Jazz Record (review of DVD "Jean-Michel Pilc - A Portrait") P.8 Jazz Reviews (review of Mads Vinding Trio "Open Minds") P.9 NYC Jazz Record (review of Mads Vinding Trio "Open Minds") P.10 Cadence (review of Mads Vinding Trio "Open Minds") P.12 Chicago Tribune (review of concert with Moutin Reunion Quartet) P.14 Jazz Magazine (French review of Mads Vinding Trio "Open Minds") P.15 Politiken.dk (Danish review of Mads Vinding Trio "Open Minds") "I fell in love with the sound" (the Jean-Michel Pilc interview) -... file:///Users/jeanmichelpilc/Prou/Press 2011/jean-michel-pilc-in... CitizenCycle Royal Visit: William & Kate Weather Watch Top Reader Photo Videos Reader Galleries This Week's Flyers Style Magazine »RSS MAIN CONTACT EDITOR SUBSCRIBE RSS Today is Monday June 27, 2011 "I fell in love with the sound" (the Jean-Michel Pilc interview) By phum Mon, Jun 27 2011 COMMENTS(0) Jazzblog.ca Filed under: Jean-Michel Pilc, Ari Hoenig, Interview, 2011 TD Ottawa International Jazz Festival, Francois Moutin Of the interviews I've done with jazz players in recent memory, this one with pianist Jean-Michel Pilc, who plays in the delightfully unrestrained Pilc/Moutin/Hoenig trio on Tuesday at the NAC Fourth Stage, is my favourite: If I could begin with just the absolute basics: How old are you? I'm 50 years old. I was born in 1960. I consider that young because we're almost the same age. Well that's very nice of you, even if though it's not true. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof. -
The Jazz Rag
THE JAZZ RAG ISSUE 140 SPRING 2016 EARL HINES UK £3.25 CONTENTS EARL HINES A HIGHLY IMPRESSIVE NEW COLLECTION OF THE MUSIC OF THE GREAT JAZZ PIANIST - 7 CDS AND A DVD - ON STORYVILLE RECORDS IS REVIEWED ON PAGE 30. 4 NEWS 7 UPCOMING EVENTS 8 JAZZ RAG CHARTS NEW! CDS AND BOOKS SALES CHARTS 10 BIRMINGHAM-SOLIHULL JAZZ FESTIVALS LINK UP 11 BRINGING JAZZ TO THE MILLIONS JAZZ PHOTOGRAPHS AT BIRMINGHAM'S SUPER-STATION 12 26 AND COUNTING SUBSCRIBE TO THE JAZZ RAG A NEW RECORDING OF AN ESTABLISHED SHOW THE NEXT SIX EDITIONS MAILED 14 NEW BRANCH OF THE JAZZ ARCHIVE DIRECT TO YOUR DOOR FOR ONLY NJA SOUTHEND OPENS £17.50* 16 THE 50 TOP JAZZ SINGERS? Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. SCOTT YANOW COURTS CONTROVERSY OTHER SUBSCRIPTION RATES: EU £20.50 USA, CANADA, AUSTRALIA £24.50 18 JAZZ FESTIVALS Cheques / Postal orders payable to BIG BEAR MUSIC 21 REVIEW SECTION Please send to: LIVE AT SOUTHPORT, CDS AND FILM JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 FESTIVALS IN PERIL Fax: 0121 454 9996 Email: [email protected] In his latest Newsletter Chris Hodgkins, former head of Jazz Services, heads one item, ‘Ealing Jazz Festival under Threat’. He explains that the festival previously ran for eight Web: www.jazzrag.com days with 34 main stage concerts, then goes on: ‘Since outsourcing the management of the festival to a private contractor the Publisher / editor: Jim Simpson sponsorships have ended, admission charges have been introduced and now it is News / features: Ron Simpson proposed to cut the Festival to just two days. -
Alice Ricciardi
ALICE RICCIARDI bio Italian jazz singer and composer Alice Ricciardi, born in Milan now living between Rome and New York, approached music at seven, attending the Giuseppe Verdi Conservatory in Milan where she studied violin and piano. In 1998 she started studying jazz singing at "Accademia Internazionale della Musica" in Milan directed by Enrico Intra and Franco Cerri. In 2002 she achieved European diploma "F.N.E.I.J." (Fèdèration Nationale des Ecoles d' Influence Jazz et des Musiques Actuelles) in France, valid for the instruction of jazz and modern music in all Europe. She also studied with Rachel Gould in Italy, and with Jazz Legend Ran Blake in Boston. Award Winning 2nd prize at 2005 International Montreux Jazz Festival Voice Competition - Performer at 2006 IAJE Conference in New York and at Jazz at the Lincoln Center Dizzys Club. Collaborations include some of the most renowned Italian and international musicians such as: Fabrizio Bosso, Nicola Conte, Flavio Boltro, Pietro Lussu, Giovanni Amato, Gaetano Partipilo, Dario Deidda, Enrico Bracco, Marco Valeri, Enrico Intra, Franco Cerri, Civica Jazz Band directed by Enrico Intra, Till Bronner, Magnus Lindgren, Olivier Hutman, Darryl Hall, Gregory Hutchinson, Olivier Temime, James Cammack, Joseph Lepore, Adam Pache, Anthony Pinciotti, Will Terrill, Neal Miner, Jesper Lundgaard, Morten Lund, Darrell Green, Ameen Saleem, Dezron Douglas, Saul Rubin, Josè James, Ville Herrala, Teppo Mäkynen. She performed at: Teatro Morlacchi Umbria Jazz, Jazzhus Montmartre Copenhagen, Blue Note Tokyo, Cotton -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
INSIDE PURCELL: LET's TALK MUSIC TECH Discussing
CrescendoThe Official Magazine of The Purcell School for Young Musicians May 2019 INSIDE PURCELL: SITTING DOWN WITH SIMON GOING DIGITAL: LET’S TALK MUSIC TECH ALLEN, HEAD OF JAZZ LIVE AT LUNCHTIME Discussing everything from Renowned within and outside Thank you to all staff the benefits of going digital to the School, we dive into the and students involved in the importance of teaching Jazz department launching our live concerts! INSIDE PURCELL: LET’S TALK MUSIC TECHNOLOGY We sat down with our Music Technology department to discuss everything from the benefits of going digital to the importance of teaching at Purcell The Music Technology Tom Bell (Music Technician) composition, scoring film department is passionate studied Music Production music, arranging and an about the latest recording and at Newcastle University understanding of studio computer technology being and Leeds College of Music technology and acoustics. used creatively. whilst also being an avid musician. Originally playing A big change came in 2017 Aidan Goetzee (Head of Music the trombone, he moved when, due to pressure from Technology), who has been to percussion along with the music industry and with Purcell since 2001, worked playing guitar and bass. As universities, the subject was as a freelance flautist and an electronic producer, Tom relaunched as a separate teacher before moving into full has achieved releases on course of study to music; time teaching 25 years ago. commercial labels, one of a timely recognition of the Before this, he studied at the which gained airtime on BBC particular skills and knowledge RCM, Guildhall and in Paris on Radio 1Xtra and Rinse FM. -
Fusion Mastering System
F U S I O N hitney Balliett, one of America’s most distin- perfect touch and highly creative use of all the piano’s guished jazz writers, produced a fine apprecia- resources – walking left-hand tenths, rippling runs, trills tion of Teddy Wilson in one of his New York Times and octaves. One of his most characteristic devices is that Wcolumns in 1972 when he wrote: “Teddy Wilson is a marvel tripping, ascending run that leads into the bass solos on and we must not take him for granted”. He went on to des- “Don’t Be That Way” “I’ve Got A Feeling” and “You’re Blasé”. cribe Wilson’s “feathery arpeggios, the easy, floating left Throughout Wilson gives generous solo space to his hand, the impeccable rhythmic sense, the intense clusters colleagues and they make the most of it. NHOP needs no of notes that believe the cool mask he wear when he plays”. recommendation, but Lundgaard is also extremely impres- All the prodigious pianistic artistry of Teddy Wilson is sive. He has good time and intonation and is an inventive in evidence on this album which features the pianist with and harmonically accurate soloist. two excellent rhythm sections. The 1968 sides, originally On the opening track, a tune whose chord sequence released on Storyville SLP 1005, were produced by Timme has been voraciously appropriated by beboppers over the Rosenkranz. They team Wilson with Denmark’s most years, Wilson makes only sporadic reference to the origi- famous jazz export, Niels Henning Ørsted Pedersen and nal melody (which certainly wears less well than its chord his very accomplished compatriot, Bjarne Rostvold. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.