Alice Ricciardi
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
Upcoming Events in Denmark Last Updated: January 25, 2019
Upcoming events in Denmark Last updated: January 25, 2019 JAN 29.01 -01.02 Copenhagen Fashion Week Copenhagen More info 31.01-06.02 DIIS Docs & Talks film and research festival Cinemateket, Copenhagen More info FEB 01-24.02 Winter in Tivoli Copenhagen More info 01-24.02 Winter Jazz Copenhagen More info 01-24.02 Copenhagen Light Festival Copenhagen More info 02-03.02 Cyclo Cross World Championship Bogense, Fyn More info 12-13.02 Test run at CopenHill (artificial ski slope) Copenhagen More info 10-17.02 Dining Week and Cocktail Week Nationwide More info MAR 14.03 The Danish Government hosts Digitalt Topmøde 2019 Copenhagen More info 18-20.03 Danish State Visit to Argentina Argentina More info APR SCHEDULED - Arrival of two pandas in Copenhagen Zoo's new panda enclosure DATE TBC Zoologisk Have, Copenhagen More info MAY 10-12.05 Elle Style Award 2019 Copenhagen More info 23.05-01.06 CPH Stage Copenhagen More info 26.05 Election for European Parliament Nationwide More info 29.05-02.06 Distortion Copenhagen More info JUN 01.06 HRH Crown Prince Frederik in Faroe Islands to kick off Royal Run Klaksvík, Faroe Islands More info 06-16.06 Copenhagen Photo Festival Copenhagen More info 10.06 Royal Run Aarhus, Aalborg, Copenhagen, Rønne More info 19-22.06 Copenhell (heavy metal music festival) Copenhagen More info 29.06-06.07 Roskilde Festival Roskilde Dyreskueplads More info JUL 07-16.07 Copenhagen Jazz Festival Copenhagen More info SCHEDULED - Opening of Metro Cityringen DATE TBC Copenhagen More info AUG 13-18.08 Copenhagen Pride Copenhagen More info 23.08-01.09 Copenhagen Cooking and Food Festival Copenhagen More info SEP 04-06.09 MAST Northern Coasts Cooperation (maritime conference) Copenhagen More info OCT SCHEDULED - C40 Summit in Copenhagen DATE TBC Copenhagen More info NOV No November events listed DEC No December events listed The list upcoming events from the International Press Centre in Copenhagen is aimed at foreign editors, correspondents and photographers covering Denmark, highlighting some of the events that might be of interest. -
2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT for the ARTS
2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT FOR THE ARTS 2015 Fellows Carla Bley George Coleman Charles Lloyd Joe Segal NEA Jazz Masters 2015 Contents Introduction ..............................................................................1 A Brief History of the Program ................................................2 Program Overview ...................................................................5 2015 NEA Jazz Masters............................................................7 Carla Bley .......................................................................................8 George Coleman............................................................................9 Charles Lloyd ...............................................................................10 Joe Segal ......................................................................................11 NEA Jazz Masters, 1982–2015..............................................12 NEA Jazz Masters Awards Ceremony ...................................14 Pianist Jason Moran and guitarist Bill Frisell perform 2014 NEA Jazz Master Keith Jarrett’s “Memories of Tomorrow” at the 2014 awards concert. Photo by Michael G. Stewart The NEA is committed to preserving the legacy of jazz not just for this ”generation, but for future generations as well. ” IV NEA Jazz Masters 2015 IT IS MY PLEASURE to introduce the 2015 class of NEA Jazz Masters. The NEA Jazz Masters awards—the nation’s highest recognition of jazz in America—are given to those who have reached the pinnacle of their art: musicians -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
Danish Yearbook of Musicology 36 • 2008 / Dansk Årbog For
102 Danish Yearbook of Musicology • 2008 Still, bringing this much needed research project to fruition is in itself an impressive achievement that lays a solid and valuable foundation on which future research can build and draw inspiration for the telling of further and different stories, and thus keep ‘sounding the horn’ for a past culture that has all but succumbed to silence. Steen Kaargaard Nielsen Christian Munch-Hansen (ed.) By af jazz. Copenhagen Jazz Festival i 30 år. Copenhagen: Thaning & Appel, 2008 257 pp., illus. isbn 978-87-413-0975-0 dkk 299 Frank Büchmann-Møller and Henrik Wolsgaard-Iversen Montmartre. Jazzhuset i St. Regnegade 19, Kbhvn K Odense: Jazzsign & University Press of Southern Denmark, 2008 300 pp., illus. isbn 978-87-7674-297-3 dkk 299 Ole Izard Høyer and Anders H.U. Nielsen Da den moderne jazz kom til byen. En musikkulturel undersøgelse af det danske moderne jazzmiljø 1946–1961. Aalborg: Aalborg Universitetsforlag, 2007 157 pp., illus. isbn 978-87-7307-927-0 dkk 199 With Erik Wiedemann’s extensive work on Danish jazz in the form of his doctoral disser- tation Jazz i Danmark (Jazz in Denmark),1 the formative years of Danish jazz from the twenties until 1950 is well covered. But from that point on, there is no inclusive research material on Danish jazz. However, a great variety of literature on Danish jazz has been pub- lished dealing with this period of time, mostly biographies, coffee table books, and other books written by journalists, musicians, etc. Two of the publications under review here, By af jazz and Montmartre, fall into this category of literature. -
Azzschool at C ALIFORNI a J a Z Z CON SERVATORY
the azzschool at C ALIFORNI A J A Z Z CON SERVATORY 2019 FALL CATALOG CLASSES • WORKSHOPS • CONCERTS “The California Jazz Conservatory Contents is an exceptional institution, fostering the next generation of artists and educators, INTRODUCTION ADULT VOCAL CLASSES (continued) many on the cutting edge, CJC Concert Series 2 Composition 28 performing, composing, The California Jazz Conservatory 4 Young Singers 28 teaching and touring The Jazzschool at CJC 6 Vocal Mentor Program 29 throughout the world.” ADULT VOCAL WORKSHOPS Dr. Jeff Denson ADULT PERFORMANCE ENSEMBLES Dean of Instruction, CJC Vocal Workshops 30 Jazz 8 Funk 12 Brazilian 12 YOUNG MUSICIANS PROGRAM World 13 Introduction 35 Latin 13 Program Requirements 35 Blues 13 Placement and Audition Requirements 36 ADULT INSTRUMENTAL CLASSES Large Performance Ensembles 37 Small Performance Ensembles 40 Piano and Keyboards 14 Voice 41 Guitar 17 Bass 1 9 Drums and Percussion 20 WORKSHOPS Saxophone 20 For all instruments and voice 4 2 THEORY, IMPROVISATION AND INFORMATION COMPOSITION CLASSES Monterey Jazz Festival Partnership Theory 21 for Excellence in Jazz Improvisation 21 Performance and Education 38 Composition 21 Jazzschool Faculty 53 Board and Staff 60 ADULT VOCAL CLASSES Instructions and Technique and Musicianship 22 Application Form 62 Performance 23 Map 63 Ensemble Singing 26 Support 64 Blues 27 Latin 27 IMPORTANT INFORMATION Dr. Jeff Denson is just • Fall Performance Series takes place 12/9 – 12/15. one of the reasons the California Jazz Conservatory Many opportunities fill early, so sign up now! Visit cjc.edu for current information, as schedules are subject to change. For the latest news from CJC, sign up for succeeds in transforming In a Musician, Out an Artist! our monthly mailed Postcard Calendar and our E-Newsletter at cjc.edu! musicians into artists. -
Summer 2019 Summer Favourites
SUMMER 2019 14 JUN. 05 JUL. 11 JUL. 13 JUL. PETRI POP UP WITH LILLET COPENHAGEN JAZZ FESTIVAL LET’S MAKE IT FRENCH LET’S MAKE IT FRENCH Does sipping Lillet Rosé Tonic’s in the For a week in July, Copenhagen is Introducing your new jazz spot, our Introducing your new jazz spot, our summer sun while a DJ spins tunes turned into one big jazz club. This courtyard aka the French rivera. courtyard aka the French rivera. sound tempting to you? Then join us evening we have the great honour of Throughout Copenhagen Jazz Festival Throughout Copenhagen Jazz Festival when we turn our courtyard into a introducing Danish jazz singer, Sinne we’re celebrating some of Denmark’s we’re celebrating some of Denmark’s southern French oasis for PETRI POP Eeg feat. Coco Zhao. new young jazz talents. Join us when new young jazz talents. This afternoon UP feat. Lillet. Open for all. Buy ticket on billetlugen.dk Pelle von Bülow takes the stage. we have the honour of presenting From 15.00-19.00 Buy ticket on billetlugen.dk Mathias Heise. 06 JUL. Buy ticket on billetlugen.dk 15 JUN. COPENHAGEN JAZZ FESTIVAL 12 JUL. PETRI JAZZ CLUB For a week in July, Copenhagen STREET PARTY WITH HAVANA 27-30 AUG. We’re kicking off the summer with is turned into one big jazz club. Together with Havana Club we’re DADA IN THE STREETS PETRI JAZZ CLUB. Join us when the Experience Carsten Dahl and Claus turning DADA into a street party Together with Crafted By we’re moving one and only Camille Jones takes the Waidtløw Quartet when they take heaven. -
Fusion Mastering System
F U S I O N hitney Balliett, one of America’s most distin- perfect touch and highly creative use of all the piano’s guished jazz writers, produced a fine apprecia- resources – walking left-hand tenths, rippling runs, trills tion of Teddy Wilson in one of his New York Times and octaves. One of his most characteristic devices is that Wcolumns in 1972 when he wrote: “Teddy Wilson is a marvel tripping, ascending run that leads into the bass solos on and we must not take him for granted”. He went on to des- “Don’t Be That Way” “I’ve Got A Feeling” and “You’re Blasé”. cribe Wilson’s “feathery arpeggios, the easy, floating left Throughout Wilson gives generous solo space to his hand, the impeccable rhythmic sense, the intense clusters colleagues and they make the most of it. NHOP needs no of notes that believe the cool mask he wear when he plays”. recommendation, but Lundgaard is also extremely impres- All the prodigious pianistic artistry of Teddy Wilson is sive. He has good time and intonation and is an inventive in evidence on this album which features the pianist with and harmonically accurate soloist. two excellent rhythm sections. The 1968 sides, originally On the opening track, a tune whose chord sequence released on Storyville SLP 1005, were produced by Timme has been voraciously appropriated by beboppers over the Rosenkranz. They team Wilson with Denmark’s most years, Wilson makes only sporadic reference to the origi- famous jazz export, Niels Henning Ørsted Pedersen and nal melody (which certainly wears less well than its chord his very accomplished compatriot, Bjarne Rostvold. -
Jazz in Modern Liturgical Music
JAZZ IN MODERN LITURGICAL MUSIC You wouldn’t normally expect to find modern jazz music performed at Mass, yet this is exactly what is happening at Copenhagen Cathedral. Is this a pioneering new direction for Mass? We explore the development of jazz in liturgy. When the Copenhagen Jazz Festival added the city’s cathedral, The Church Of Our Lady, to its venues list, it may have simply been a move to use whatever spaces were available to expand its programme. After all, there are many other ‘urban festivals’ around the world that use churches as venues to great effect. However, they may not have envisaged how this would develop into an annual ‘July Jazz Masses’ at the cathedral, now a regular part of the Jazz Festival programme. Completed in 1829, the cathedral is an unpretentious building in the neo-classicist style, with a bright interior, remarkable statues and seating for over 1100 people. The Jazz July Masses are traditional worship services led by the Dean, Anders Gadegaard, infused with live music led by acclaimed bassist Chris Minh Doky, drawing on Scandinavian as well as Catholic traditions. To Dean Gadegaard, it is all about enhancement of the experience, as he commented in an interview on Danish broadcaster PBS: “When you add this jazz tone, it becomes much more vital for people, and it becomes easier for us to proclaim the gospel.” The Cathedral has gone further and now also includes jazz in special 'Night Church' events on Thursdays, Fridays and Sundays. These are services offering prayer, electronica, poetry, jazz, gospel workshop and other contemporary forms in a candle- lit setting. -
Annotated Bibliography of the Impact of Jazz Festivals Research Review, AHRC Connected Communities Programme
Annotated Bibliography of The Impact of Jazz Festivals Research Review, AHRC Connected Communities Programme This research review, consisting of a 110-entry annotated bibliography, was produced as part of an AHRC Connected Communities programme project entitled ‘The Impact of Festivals’. It supports a journal article, ‘The Impact of Jazz Festivals’, accepted by Jazz Research Journal in July 2016. Authors: Dr Emma Webster and Professor George McKay University of East Anglia July 2016 Author: Abreu-Novais, Margarida and Charles Arcodia Year: 2013 Title: Music festival motivators for attendance - Developing an agenda for research Reference Type: Journal article Publisher: International Journal of Event Management Research Journal: International Journal of Event Management Research Volume/Issue: Volume 8, Number 1, Page numbers: 34-48 Keywords: Motivation; Event Attendance; Music Festivals URL: http://www.ijemr.org/wp-content/uploads/2014/10/AbreuNovaisArcodia.pdf Date accessed: 17-Dec-15 Abstract: This article analyses existing research with reference to motivations for attending special events with specific reference to musical performances. Its purpose is to identify emerging themes, detect similarities and contradictions, and uncover gaps in knowledge that need to be addressed by further research. While the overall aim is to understand the motivations to attend music festivals, the lack of specific studies in this area requires the analysis of motivations to be conducted within the broader context of special events. The first two sections of the article therefore identify, describe and analyse the main motivational theories and frameworks utilised in the special event context and subsequently critically examines these theories. It is suggested that the most relevant issues are motivational dimensions, the relationship between motivation and socio-demographic variables and the generalisability of motivators. -
Full Program Ready for Copenhagen Jazz Festival 2012
Full program ready for Copenhagen Jazz Festival 2012 On a press meeting at Hofteatret earlier this afternoon Copenhagen Jazz Festival announced the final lineup for this summer’s festival. With a record breaking number of concerts the respected festival is bigger and more diverse than ever. This year’s headliners include jazz greats like Brad Mehldau, Wayne Shorter, Jim Hall, Joe Lovano and John Scofield as well as world music stars like Anoushka Shankar, Tony Allen og Concha Buika. True to tradition the festival also features artists one wouldn’t normally label jazz – among them Neneh Cherry, Nosaj Thing, Mikael Simpson and Choir of Young Believers. The latter will perform a special expanded version of their critically acclaimed record “Rhine Gold” at The Royal Theater’s Old Stage – this year’s most used concert hall venue with a total of five concerts. Koncerthuset will host two concerts during the festival, inviting people in for musical treats by Anoushka Shankar and Caroline Henderson. Like previous years the festival will feature a handful of themes, each representing entrance points to the expansive programme. One of these – titled 21st Century Jazz – will take the pulse of modern jazz in the newly reopened Jazzhouse and present new American names like trumpeter Ambrose Akinmusire and pianist Gerald Clayton as well as Nordic forces like trumpeter Goran Kajfes and avant-garde trio The Thing (with Neneh Cherry). Jazzhouse will also house concerts with British Portico Quartet and James Blackshaw, Australian trio The Necks and the Japanese vocal phenomenon Koichi Makigami besides the main attraction: A two night tribute to Wayne Shorter by a superb quintet lead by Joe Lovano and Dave Douglas. -
About the Band Gábor Bolla, Tenor
About the band Gábor Bolla, tenor sax (Hungary) Born in Budapest in 1988. At the age of ten he started playing the clarinet, at twelve he won first prize in the National Music Schools' Competition in Hungary. Then he took up the saxophone and in 2003 made it to the semi-finals of the World Saxophone Competition at the Montreux Jazz Festival. In 2004 he received the Hans Koller Prize as the Talent of the Year, followed by Hans Koller Prize – New York Stipendium in 2006. Gábor became a leading jazz musician in his own country, performed at festivals around the world with such artists as Kirk Lightsey, Johnny Griffin, Jimmy Wormworth, Alvin Queen, Jeff „Tain” Watts, Gregory Hutchinson, Robert Lakatos, Dave Young, Ira Coleman, Alex Riel, Jesper Lundgaard, Vienna Art Orchestra, Modern Art Orchestra, Danish Radio BigBand and many more. Artur Tuzńik, piano (Poland) Classicaly trained at OSM music-school in Lublin (Poland), Artur graduated from the Rhythmic Music Conservatory in Copenhagen. Currently a member of its ''solo-class” postgraduate program where he studies with Carsten Dahl. As a bandleader, Tuzńik has been awarded solo and main prizes on a number of international jazz competitions, such as Burghausen (DE), Getxo (ES), Hoeilaart (BE), Jazz-Nad-Odra (PL), Bielska Zadymka Jazzowa (PL). During last few years Artur has toured in Europe with his projects (Quintet, HÅT, Tuzńik/Kądziela 4-tet and Outbreak Quartet). In different projects, he shared the stage with artists like Jeremy Pelt, Tomas Franck, Alex Riel, Anders Mogensen, Jesper Lundgaard, Kresten Osgood, Andreas Lang, Richard Andersson, Claus Waidtløv, Per-Oscar Nilsson, Johny Åman, Tomasz Dąbrowski.