"Open Borders" Myth Led to Repeated Patterns in State and Local Immigration Control
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Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
Prädikate 1993-2002
Filmprädikate (1993 - 2002) 1993 BESONDERS WERTVOLL 1993-01-18 WIEDERSEHEN IN HOWARDS END 1993-02-10 GESTOHLENE KINDER 1993-02-15 EHEMÄNNER UND EHEFRAUEN 1993-02-15 EIN GANZ NORMALER HELD 1993-03-24 EHEMÄNNER UND EHEFRAUEN 1993-03-24 EIN GANZ NORMALER HELD 1993-05-13 FALLING DOWN - EIN GANZ NORMALER TAG 1993-06-02 DIE REISE - DAS ABENTEUER, JUNG ZU SEIN 1993-07-07 BENNY & JOON 1993-07-26 THE PIANO 1993-07-29 BENNY & JOON 1993-08-17 VIEL LÄRM UM NICHTS 1993-09-29 FIORILE 1993-10-29 ZEIT DER UNSCHULD 1993-11-03 DREI FARBEN BLAU 1993-11-16 DAS PIANO 1993-11-25 ZEIT DER UNSCHULD 1993-12-21 SHORT CUTS WERTVOLL 1993-01-11 GLENGARRY GLEN ROSS 1993-01-11 STALINGRAD 1993-01-19 DER REPORTER 1993-01-27 VERHÄNGNIS 1993-02-05 SOMMERSBY 1993-02-08 DER DUFT DER FRAUEN 1993-02-08 WATERLAND 1993-02-11 GLENGARRY GLEN ROSS 1993-03-08 ORLANDO 1993-03-10 VERZAUBERTER APRIL 1993-03-11 LORENZOS ÖL 1993-03-11 DER DUFT DER FRAUEN 1993-03-26 SOMMERSBY 1993-04-21 AUS DER MITTE ENTSPINGT EIN FLUSS 1993-04-28 LORENZOS ÖL 1993-05-13 DER REPORTER 1993-07-05 BITTERSÜSSE SCHOKOLADE 1993-07-14 DAVE - BESSER ALS DAS ORIGINAL ERLAUBT 1993-07-26 BORN YESTERDAY - BLONDINEN KÜSST MAN NICHT 1993-07-26 DIE KRISE 1993-08-17 IN WEITER FERNE, SO NAH! 1993-08-17 SCHLAFLOS IN SEATTLE 1993-09-22 INDIEN 1993-09-29 DAS GEISTERHAUS 1993-09-30 KINDERSPIELE PDF created with pdfFactory trial version www.pdffactory.com 1993-10-05 SCHLAFLOS IN SEATTLE 1993-10-13 JUSTIZ 1993-11-03 DER MANN OHNE GESICHT 1993-11-18 PASSION FISH SEHENSWERT 1993-01-11 BRAM STOKER'S DRACULA 1993-01-14 SNEAKERS -
Les Américains Et Les Autres André Roy
Document généré le 2 oct. 2021 04:49 24 images Les américains et les autres André Roy Numéro 66, avril–mai 1993 URI : https://id.erudit.org/iderudit/22745ac Aller au sommaire du numéro Éditeur(s) 24/30 I/S ISSN 0707-9389 (imprimé) 1923-5097 (numérique) Découvrir la revue Citer cet article Roy, A. (1993). Les américains et les autres. 24 images, (66), 50–51. Tous droits réservés © 24 images inc., 1993 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 43e festival de Berlin sélection officielle, qui a croulé sous l'académisme, avec Le té légraphiste, du Norvégien Erik Gustavson et Chagrin damour, du Suédois Nils Malmros, pour donner deux exemples extrêmes. LES AMÉRICAINS ET LES AUTRES On a surtout eu comme impres sion que les cinéastes avaient par André Roy envie de présenter un travail propre, convenu, sans aucune audace. Les deux films qui ont eu conjointement l'Ours d'or le n n'a cessé, au fil des ans, Vito, Love Field, de Jonathan quentée et les cinéastes ont pro prouvent amplement. O d'accuser le Festival de Kaplan, Malcolm X, de Spike testé contre cette ghettoïsation La noce, du Taïwanais Ang Berlin, surtout avec sa compé Lee, Toys, de Barry Levinson et de leur cinéma. -
Aging out of Foster Care: a Solution for Northern Arizona Dream Center
Cool 1 Aging Out of Foster Care: A Solution for Northern Arizona Dream Center Macy Cool Northwest University College of Social and Behavioral Sciences Masters in International Community Development 5 May 2020 Author’s Note: This document was submitted as part of the requirements for the thesis project in the Master of Arts program in International Community Development at Northwest University. Portions of this paper were written for the following classes: Research for Social Change GLST 5153, Community Development GLST 5313 Thesis Practicum I GLST 5962, Thesis Practicum II GLST 5972 Project Management GLST 5932, Spirituality Culture & Social Justice GLST 5203 Cultural Studies GLST 5503, Fieldwork GLST 5333, Leadership GLST 5923 Social & Environmental Development GLST 6423, Globalization & Development GLST 5673, Social Entrepreneurship & Design Thinking GLST 6343, Practicum III GLST 5952 Cool 2 Table of Contents Introduction ..................................................................................................................................... 3 Reflexive Section ............................................................................................................................ 5 The Program.................................................................................................................................... 6 My Involvement.. ........................................................................................................................ 8 Current State of the Foster Care System ........................................................................................ -
BOV-History-Booklet.Pdf
2 The Board of Visitors 100 Years 1908-2008 Generations of women … Serving the health care needs of the Phoenix community 3 Introduction What an appropriate time to research and write our history! Little did our 16 charter members know, as they visited the isolated tuberculosis patients at St. Luke’s Home, that one hundred years later a group of 180 women bearing the same name, The Board of Visitors, would still be helping those in need. With the sale of St. Luke’s hospital in 1994, The Board of Visitors closed an important chapter of its history. A new chapter began with the members’ continuing commitment to raise and provide funds to support health care needs in the community, true to the mission of The Board of Visi- tors. As we celebrate the 100-year tradition of The Board of Visitors, let us all reflect on what an honor it is to be members of the oldest charitable organization in Metro- politan Phoenix. Co-Chairman, 100th Anniversary Committee Co-Chairman, 100th Anniversary Committee 4 Table of Contents Chapter One page 7 The Board of Visitors’ Early Years 1908-1929 Chapter Two page 14 The Board of Visitors Weathers the Depression and War Years 1930-1969 Chapter Three page 21 The Board of Visitors Grows as Phoenix Booms 1950-1990 Chapter Four page 29 The Board of Visitors Excels during Years of Growth and Change 1970-1994 Chapter Five page 35 The Board of Visitors Establishes a New Identity 1995-2008 100th Anniversary Celebration Photographs page 45 The Board of Visitors Grant Recipients page 50 5 Thank you to: Mary Melcher, PhD for historical research and writing Robin Vitols for writing Our readers: Carolyn Diamond Susan Palmer-Hunter Patty Simmons Marge Suggs Source Material: Arizona Historical Foundation Arizona State Archives Arizona State Historical Society Phoenix Museum of History 6 Chapter One The Board of Friendly Visitors’ Early Years 1908-1929 In 1908, when Arizona was still a territory, and Phoenix was a small desert town, The Board of Friendly Visitors began providing assistance to those suffering from tuberculosis. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Yugoslav Cinema
Egemia, 2018; 3: 31-49 31 TRANSFORMATION OF TRAUMATIC CHARACTERS IN POST- YUGOSLAV CINEMA Ahmet Ender UYSAL* ABSTRACT This study examines the changes Yugoslav cinema realized from the 1980s to the 2000s, and seeks to see the contributions of three important post-Yugoslav directors to the transformation of the cinema characters. The post-Yugoslav states emerged after the disintegration of Yugoslavia, and they underwent political and cultural changes as a result of the collapse of the former Yugoslav socialism and the post-civil war. Post- Yugoslav cinema, which took its share from these changes, experienced crises of national identity and modernization. Examining these changes in cinema with cinematic characters is also very important in terms of visualizing cultural and economic changes in a cinematic sense. The real problem here is where the boundary of this change will be drawn. This is because, although the characters in post-Yugoslavian cinema have been transformed, there is still some cinematic tradition that continues today. Post-Yugoslav cinema will therefore be considered within the period of 1980s. Keywords: Post-Yugoslav cinema, trauma, cinematic characters * Arş. Gör., Yüzüncü Yıl Üniversitesi Güzel Sanatlar Fakültesi, Sinema-Televizyon Bölümü / VAN E-posta: [email protected] Makale Gönderim Tarihi: 14.06.2018 – Makale Kabul Tarihi: 16.10.2018 32 Egemia, 2018; 3: 31-49 INTRODUCTION Often, the concept of post-Yugoslavian cinema offers curative effects on rejection of failure and the search for hope, and becomes a common stake of new countries emerging after the dissolution of the former Yugoslavia, which is increasingly adopted in the field of film studies (Šprah, 2015: 184). -
WARNER ARCHIVE DVD COLLECTION – Informal Collection List As of Winter 2013
WARNER ARCHIVE DVD COLLECTION – informal collection list as of Winter 2013. For updated information or to arrange viewing, please e-mail [email protected]. Item # Title DVD8925 2 WEEKS IN ANOTHER TOWN [1962] DVD7519 20,000 YEARS IN SING SING [1933] DVD9691 24 HOURS TO KILL [1965] DVD7301 3 SAILORS AND A GIRL [1953] DVD8754 -30- [1959] DVD10749 5 TIME CHAMPION [2012] DVD9877 7 FACES OF DR. LAO [1963] DVD9174 ABBOTT AND COSTELLO MEET CAPTAIN KIDD [1952] DVD7192 ABDICATION, THE [1974] DVD7206 ABE LINCOLN IN ILLINOIS [1940] DVD7171 ABOVE AND BEYOND [1952] DVD7934 ABOVE SUSPICION [1943] DVD9781 ACROSS THE WIDE MISSOURI [1951] DVD7520 ACROSS TO SINGAPORE [1928] DVD7201 ACTRESS, THE [1953] DVD10743 ADA [1961] DVD8764 ADAM’S WOMAN [1969] DVD9634 ADVANCE TO THE REAR [1963] DVD9780 ADVENTURE [1945] DVD7191 ADVENTURES OF HUCKLEBERRY FINN, THE [1939] DVD7216 ADVENTURES OF MARK TWAIN, THE [1944] DVD7743 ADVENTURES OF ONE ESKIMO, THE [2009] DVD9976 AFFAIRS OF DOBIE GILLIS, THE [1953] DVD8554 AGATHA [1978] DVD10336 AGE OF CONSENT, THE [1932] DVD9136 AGE OF INNOCENCE, THE [1934] DVD7195 AH, WILDERNESS! [1935] DVD7669 AIRBORNE [1993] DVD9800 AKIRA KUROSAWA’S DREAMS [1990] DVD7226 AL CAPONE [1959] DVD9807 ALEX IN WONDERLAND [1970] DVD8845 ALIAS THE DOCTOR [1932] DVD8118 ALIBI IKE [1935] DVD10532 ALICE [THE COMPLETE FIRST SEASON] [DISC 1 OF 3] DVD10533 ALICE [THE COMPLETE FIRST SEASON] [DISC 2 OF 3] DVD10534 ALICE [THE COMPLETE FIRST SEASON] [DISC 3 OF 3] DVD10772 ALICE [THE COMPLETE SECOND SEASON] [DISC 1 OF 3] DVD10773 ALICE [THE COMPLETE SECOND SEASON] -
Films Cinématographiques (Sans Les Films D'animation)
Collège de Candolle – Médiathèque Liste des DVD en langue anglaise mise à jour du 4 mars 2021 Films cinématographiques (sans les films d'animation) ABU-ASSAD Hany Paradise now (2005) ACKER Shane Numéro 9 (2009) ADLON Percy (Pseud.) Bagdad Café (1987) AGRESTI Alejandro The lake house (2006) ALDRICH Robert Kiss me deadly (1955) ALFREDSON Tomas Tinker tailor soldier spy (2011) ALLEN Woody (Pseud.) Bananas (1971) Sleeper (1973) Love and death (1975) Annie Hall (1977) Interiors (1978) Manhattan (1979) Stardust memories (1980) Manhattan murder mystery (1983) Zelig (1983) Broadway Danny Rose (1984) La rose pourpre du Caire (1984) Hannah and her sisters (1986) September (1987) Radio days (1987) Une autre femme (1988) Crimes et délits (1989) New York stories : Le complot d’Oedipe (1989) Alice (1990) Shadows and fog (1992) Don’t drink the water (1994) Escrocs mais pas trop (2000) The curse of the jade scorpion (2001) Anything else (2003) Match point (2005) Scoop (2006) Cassandra's dream (2007) 1 Whatever works (2009) Vous allez rencontrer un bel et sombre inconnu (2010) Midnight in Paris (2011) Blue Jasmine (2013) Magic in moonlight (2014) Irrational man (2015) Café Society (2016) Wonder wheel (2017) ALMODOVAR Pedro Femmes au bord de la crise de nerfs (1988) ALTMAN Robert M.A.S.H (1969) Buffalo Bill and the Indians, or, Sitting Bull's history lesson (1976) Trois femmes (1977) Un mariage (1978) Streamers (1983) Beyond therapy (1987) The player (1992) Dr T. & the women (2000) Gosford Park (2001) AMALRIC Mathieu Tournée (2010) AMIEL Jon Entrapment = Haute voltige (1999) AMYES Julian Jane Eyre (1983) ANDERSON Paul T. -
SAN CRISTOBAL Northwest Hall (NEW YORK & MARYLAND ELIGIBLE) Row a 2 (EMBRYO TRANSFER) Stall 1 BAY COLT Foaled May 8, 2018 Tattoo No
Consigned by and Raised at WINBAK FARM, Chesapeake City, MD SAN CRISTOBAL Northwest Hall (NEW YORK & MARYLAND ELIGIBLE) Row A 2 (EMBRYO TRANSFER) Stall 1 BAY COLT Foaled May 8, 2018 Tattoo No. 1S108 Conway Hall 3,1:53.4 Windsong's Legacy 3,1:53 -------------- Yankee Windsong 3,Q2:02.1f Chapter Seven 4,1:50.1 ----------- Dream Vacation 4,1:52 La Riviera Lindy 3,2:01.1f --------------- Royal Lindy SAN CRISTOBAL Conway Hall 3,1:53.4 Broadway Hall 2,1:56.4 ------------------ B Cor Tamgo 4,1:56.3 Hall Of Wishes 4,1:56.3f ---------- Baltic Speed 3,1:56 Crystana's Wish --------------------------- Crystana Hanover 1st Dam HALL OF WISHES 2,Q1:59.3f; 3,1:58.2f; 4,1:56.3f; BT1:55.1 ($207,627) by Broadway Hall. 5 wins at 3 and 4. At 2, second in leg Pennsylvania Sires S. at Pocono; third in Keystone Classic, leg Pennsylvania Sires S. at The Meadows, Reynolds Mem., Arden Downs S. At 3, second in elim. and Final Hudson Filly T., Lady Suffolk T., Keystone Classic, Reynolds Mem.; third in leg Pennsylvania Sires S. at Pocono, The Meadows. From 4 previous foals, dam of 2 winners, 1 in 1:53, 2 in 1:57, including: NEW JERSEY VIKING 2,1:55.1f; 3,1:53.4f; 4,1:52.4; BT1:52.3 ($220,048) (Muscle Hill). 11 wins, 2 thru 4. At 2, winner Bluegrass S., Reynolds Mem., Harold R. Dancer Mem., leg New Jersey Sires S. at Meadowlands, leg Kindergarten Classic Ser. -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
Magical Realism in Transnational Cinema
MAGICAL REALISM IN TRANSNATIONAL CINEMA CODY LANG A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN CINEMA AND MEDIA STUDIES YORK UNIVERSITY TORONTO, ONTARIO August 2020 © Cody Lang, 2020 ii Abstract This project is an analysis of the magical realist genre in cinema, specifically its multiple forms found in transnational cinema. The status of magical realism in film as a genre will be questioned and this project argues that the concept is best understand as a transgeneric critical category rather than a genre in the conventional understanding of the term. Magical realism as academic concept has been discussed in-depth in literary theory and this project extends those discussions into the field of cinema. The history of criticism of magical realism is summarized as it applies to studying film with special attention given towards the semiotic differences between literature and cinema. Furthermore, this project explicates the distinct ways that magical realism operates in cinema in contrast to literature while also noting the shared aesthetic strategies between each media. Each section covers a thematic topic observed in transnational magical realist cinema: metafiction in overt and covert forms; the representation of historicity; and the representation of marginalized subjectivities, specifically looking at how magical realist cinema presents issues of class, gender, race, and sexual identity. The final thematic discussion discusses the possibility of utopian discourses in magical realist cinema, the attempts to envision a less exploitative social collective according to a variety of cultural and national contexts in late-capitalism.