A Conversation with Jack Johnson | TIME.Com
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And I Heard 'Em Say: Listening to the Black Prophetic Cameron J
Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2015 And I Heard 'Em Say: Listening to the Black Prophetic Cameron J. Cook Pomona College Recommended Citation Cook, Cameron J., "And I Heard 'Em Say: Listening to the Black Prophetic" (2015). Pomona Senior Theses. Paper 138. http://scholarship.claremont.edu/pomona_theses/138 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 1 And I Heard ‘Em Say: Listening to the Black Prophetic Cameron Cook Senior Thesis Class of 2015 Bachelor of Arts A thesis submitted in partial fulfillment of the Bachelor of Arts degree in Religious Studies Pomona College Spring 2015 2 Table of Contents Acknowledgements Chapter One: Introduction, Can You Hear It? Chapter Two: Nina Simone and the Prophetic Blues Chapter Three: Post-Racial Prophet: Kanye West and the Signs of Liberation Chapter Four: Conclusion, Are You Listening? Bibliography 3 Acknowledgments “In those days it was either live with music or die with noise, and we chose rather desperately to live.” Ralph Ellison, Shadow and Act There are too many people I’d like to thank and acknowledge in this section. I suppose I’ll jump right in. Thank you, Professor Darryl Smith, for being my Religious Studies guide and mentor during my time at Pomona. Your influence in my life is failed by words. Thank you, Professor John Seery, for never rebuking my theories, weird as they may be. -
Flowers for Algernon.Pdf
SHORT STORY FFlowerslowers fforor AAlgernonlgernon by Daniel Keyes When is knowledge power? When is ignorance bliss? QuickWrite Why might a person hesitate to tell a friend something upsetting? Write down your thoughts. 52 Unit 1 • Collection 1 SKILLS FOCUS Literary Skills Understand subplots and Reader/Writer parallel episodes. Reading Skills Track story events. Notebook Use your RWN to complete the activities for this selection. Vocabulary Subplots and Parallel Episodes A long short story, like the misled (mihs LEHD) v.: fooled; led to believe one that follows, sometimes has a complex plot, a plot that con- something wrong. Joe and Frank misled sists of intertwined stories. A complex plot may include Charlie into believing they were his friends. • subplots—less important plots that are part of the larger story regression (rih GREHSH uhn) n.: return to an earlier or less advanced condition. • parallel episodes—deliberately repeated plot events After its regression, the mouse could no As you read “Flowers for Algernon,” watch for new settings, charac- longer fi nd its way through a maze. ters, or confl icts that are introduced into the story. These may sig- obscure (uhb SKYOOR) v.: hide. He wanted nal that a subplot is beginning. To identify parallel episodes, take to obscure the fact that he was losing his note of similar situations or events that occur in the story. intelligence. Literary Perspectives Apply the literary perspective described deterioration (dih tihr ee uh RAY shuhn) on page 55 as you read this story. n. used as an adj: worsening; declining. Charlie could predict mental deterioration syndromes by using his formula. -
NZ Top 40 9 May 2006.Qxd 5/9/06 4:17 PM Page 1
NZ Top 40 9 May 2006.qxd 5/9/06 4:17 PM Page 1 CHART 1511 9 May 2006 www.nztop40.com TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 9852802 3595692 1 82876819912 1 18BEEP THE PUSSYCAT DOLLS FEAT. WILL.I.AM UNIVERSAL 1 18NOW THAT'S WHAT I CALL MUSIC 20 VARIOUS 4 EMI 1 NEW 1 10,000 DAYS TOOL SBME 3572140 9837828 82876714672 2 410BATHE IN THE RIVER MT RASKIL PS FEAT. HOLLIE SMITH EMI 2 27WAITING FOR THE WEEKEND VARIOUS 1 UNIVERSAL 2 NEW 1 PEARL JAM PEARL JAM 1 SBME 82876827172 3466222 RR80882 3 26I'M IN LUV (WIT A STRIPPER) T-PAIN FEAT. MIKE JONES SBME 3 44MEMORIES ARE MADE OF THIS VOL 3 VARIOUS 1 EMI 3 131ALL THE RIGHT REASONS NICKELBACK 3 ROADRUNNER/UNIVERSAL 3648400 5101139972 82876812762 4 NEW 1 DROWN BLINDSPOTT CAPITOL/EMI 4 NEW 1 ACOUSTIC LOVE SONGS VARIOUS 1 WEA/WARNER 4 13 2 THE VERY BEST OF ROY ORBISON 1 SBME 99729 5101139952 9871823 5 73IF IT'S COOL NESIAN MYSTIK BOUNCE/UNIVERSAL 5 34BROKEN DREAMS II VARIOUS 1 WEA/WARNER 5 NEW 1 THE ITALIAN PATRIZIO BUANNE UNIVERSAL 9850564 3641662 7567837525 6 59PUMP IT BLACK EYED PEAS UNIVERSAL 6 72I LOVE MUM VARIOUS 1 EMI 6 241BACK TO BEDLAM JAMES BLUNT 7 WEA/WARNER 3567882 9837819 8602472 7 610PUT YOUR RECORDS ON CORINNE BAILEY RAE CAPITOL/EMI 7 52HIP HOP IV: THE COLLECTION VARIOUS UNIVERSAL 7 313EYE TO THE TELESCOPE KT TUNSTALL 1 VIRGIN/EMI 9852863 828768742012 -
Fraud Risk Management: a Guide to Good Practice
Fraud risk management A guide to good practice Acknowledgements This guide is based on the fi rst edition of Fraud Risk Management: A Guide to Good Practice. The fi rst edition was prepared by a Fraud and Risk Management Working Group, which was established to look at ways of helping management accountants to be more effective in countering fraud and managing risk in their organisations. This second edition of Fraud Risk Management: A Guide to Good Practice has been updated by Helenne Doody, a specialist within CIMA Innovation and Development. Helenne specialises in Fraud Risk Management, having worked in related fi elds for the past nine years, both in the UK and other countries. Helenne also has a graduate certifi cate in Fraud Investigation through La Trobe University in Australia and a graduate certifi cate in Fraud Management through the University of Teeside in the UK. For their contributions in updating the guide to produce this second edition, CIMA would like to thank: Martin Birch FCMA, MBA Director – Finance and Information Management, Christian Aid. Roy Katzenberg Chief Financial Offi cer, RITC Syndicate Management Limited. Judy Finn Senior Lecturer, Southampton Solent University. Dr Stephen Hill E-crime and Fraud Manager, Chantrey Vellacott DFK. Richard Sharp BSc, FCMA, MBA Assistant Finance Director (Governance), Kingston Hospital NHS Trust. Allan McDonagh Managing Director, Hibis Europe Ltd. Martin Robinson and Mia Campbell on behalf of the Fraud Advisory Panel. CIMA would like also to thank those who contributed to the fi rst edition of the guide. About CIMA CIMA, the Chartered Institute of Management Accountants, is the only international accountancy body with a key focus on business. -
Screening Kit
SCREENING KIT Thank you for your interest in screening The Smog of the Sea. Included in your screening kit are approved assets including; a film overview, trailer, approved photos, digital film poster, suggested social media as well as information that explains our screening procedure. Included in this Screening Kit Attached to this Screening Kit you will find: you will find: The Smog of the Sea 1. Sample Press Release Film Overview p. 2 (http://bit.ly/2on48KD) Link to Trailer p. 3 2. Approved Photos Link to Film p. 3 (http://bit.ly/2omYpVm) Promotional Assets p. 4 3. Film Poster (high and low resolution Quotes & Bios p. 7 PDF versions) Web Resources p. 9 a. High Res Film Poster Partners p. 10 (http://bit.ly/2oPruwe) Discussion Questions p. 10 b. Low Res FIlm Poster (http://bit.ly/2pJNOVl) Film Overview The Smog of the Sea chronicles a 1-week journey through the remote waters of the Sargasso Sea. Marine scientist Marcus Eriksen invited onboard an unusual crew to help him study the sea: renowned surfers Keith & Dan Malloy, musician Jack Johnson, spearfisher woman Kimi Werner, and bodysurfer Mark Cunningham become citizen scientists on a mission to assess the fate of plastics in the world’s oceans. After years of hearing about the famous “garbage patches” in the ocean’s gyres, the crew is stunned to learn that the patches are a myth: the waters stretch- ing to the horizon are clear blue, with no islands of trash in sight. But as the crew sieves the water and sorts through their haul, a more disturbing reality sets in: a fog of microplastics permeates the world’s oceans, trillions of nearly invisible plas- tic shards making their way up the marine food chain. -
SWE PIEDMONT Vs TUSCANY BACKGROUNDER
SWE PIEDMONT vs TUSCANY BACKGROUNDER ITALY Italy is a spirited, thriving, ancient enigma that unveils, yet hides, many faces. Invading Phoenicians, Greeks, Cathaginians, as well as native Etruscans and Romans left their imprints as did the Saracens, Visigoths, Normans, Austrian and Germans who succeeded them. As one of the world's top industrial nations, Italy offers a unique marriage of past and present, tradition blended with modern technology -- as exemplified by the Banfi winery and vineyard estate in Montalcino. Italy is 760 miles long and approximately 100 miles wide (150 at its widest point), an area of 116,303 square miles -- the combined area of Georgia and Florida. It is subdivided into 20 regions, and inhabited by more than 60 million people. Italy's climate is temperate, as it is surrounded on three sides by the sea, and protected from icy northern winds by the majestic sweep of alpine ranges. Winters are fairly mild, and summers are pleasant and enjoyable. NORTHWESTERN ITALY The northwest sector of Italy includes the greater part of the arc of the Alps and Apennines, from which the land slopes toward the Po River. The area is divided into five regions: Valle d'Aosta, Piedmont, Liguria, Lombardy and Emilia-Romagna. Like the topography, soil and climate, the types of wine produced in these areas vary considerably from one region to another. This part of Italy is extremely prosperous, since it includes the so-called industrial triangle, made up of the cities of Milan, Turin and Genoa, as well as the rich agricultural lands of the Po River and its tributaries. -
Breath 2013 April 164 曲、11.4 時間、1.20 GB
1 / 6 ページ breath_2013_April 164 曲、11.4 時間、1.20 GB 名前 時間 アルバム アーティスト 1 You Go to My Head 7:07 After Hours Jeanne Lee & マル・ウォルドロン 2 I Could Write a Book 4:03 After Hours Jeanne Lee & マル・ウォルドロン 3 Every Time We Say Goodbye 5:10 After Hours Jeanne Lee & マル・ウォルドロン 4 We're In This Love Together 3:46 Breakin' Away アル・ジャロウ 5 Breakin' Away 4:14 Breakin' Away アル・ジャロウ 6 (Everybody) Get Up 4:38 Bridging the Gap Roger 7 You Should Be Mine 6:02 Bridging the Gap Roger 8 The Woman In You 5:41 Burn to Shine Ben Harper & The Innocent Criminals 9 Less 4:06 Burn to Shine Ben Harper & The Innocent Criminals 10 Two Hands of a Prayer 7:50 Burn to Shine Ben Harper & The Innocent Criminals 11 Please Bleed 4:38 Burn to Shine Ben Harper & The Innocent Criminals 12 Suzie Blue 4:29 Burn to Shine Ben Harper & The Innocent Criminals 13 Steal My Kisses 4:05 Burn to Shine Ben Harper & The Innocent Criminals 14 Burn to Shine 3:35 Burn to Shine Ben Harper & The Innocent Criminals 15 Show Me a Little Shame 3:44 Burn to Shine Ben Harper & The Innocent Criminals 16 Forgiven 5:17 Burn to Shine Ben Harper & The Innocent Criminals 17 Beloved One 4:04 Burn to Shine Ben Harper & The Innocent Criminals 18 In the Lord's Arms 3:06 Burn to Shine Ben Harper & The Innocent Criminals 19 Contort Yourself 4:26 Buy James Chance & the Contortions 20 Tin Tin Deo 2:56 Calypso Blues The Kenny Clarke - Francy Boland Sextet 21 Please Don't Leave 4:11 Calypso Blues The Kenny Clarke - Francy Boland Sextet 22 Lush Life 4:30 Calypso Blues The Kenny Clarke - Francy Boland Sextet 23 The Man From Potter's -
Country Rednex
Country Rednex Cotton eye joe La musique country, ou simplement country, est un mélange de musiques traditionnelles développé principalement dans le Sud-est des États-Unis et dans les provinces maritimes du Canada dans les années 19201. Elle a des millions d'amateurs dans le monde et notamment aux États-Unis, au Canada et en Australie, mais reste assez peu connue en France . Le siège de la country se trouve à Nashville, dans le Tennessee, ville qui doit son surnom "Music-City" au grand nombre de studios d'enregistrement et à la qualité de ses musiciens Blues Ben Harper Walk away Le blues est un style musical vocal et instrumental, dérivé des chants de travail des populations afro-américaines apparues aux États-Unis courant XIXe siècle. C'est un style où le (la) chanteur(euse) exprime sa tristesse et ses déboires. Le blues a eu une influence majeure sur la musique populaire américaine, puisqu'il est à la source du jazz, du rhythm and blues, du rock and roll entre autres. Gospel Whitney houston Oh happy day Le gospel est un chant religieux chrétien, protestant d'origine, qui prend la suite des negro spirituals. Le gospel est incontestablement une révolte musicale contre une Amérique raciste. C'est une expression de la souffrance des noirs récemment émancipés, mais encore sous l'autorité blanche, particulièrement dans les États du Sud. Le gospel comporte des quartets vocaux et des chanteurs de renom. Funk Kool and the gang Celebration Le funk est une forme de musique afro-américaine apparue aux États-Unis à la fin des années 1950, et qui s'est développée au cours des années 1960 et années 1970. -
The College News 1989-9-21 Vol.11 No. 2 (Bryn Mawr, PA: Bryn Mawr College, 1989)
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Bryn Mawr College Publications, Special Bryn Mawr College News Collections, Digitized Books 1989 The olC lege News 1989-9-21 Vol.11 No. 2 Students of Bryn Mawr College Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/bmc_collegenews Custom Citation Students of Bryn Mawr College, The College News 1989-9-21 Vol.11 No. 2 (Bryn Mawr, PA: Bryn Mawr College, 1989). This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/bmc_collegenews/1417 For more information, please contact [email protected]. Choice Articles Want to write for us? Arts and Entertainent See centerspread - pages 6 and 7 Seepage 3 See pages 8 and 9 [ I ^ • ■ • THE COLLEGE NEWS VOLUMEHE XI Numbert- FOUNDEt) 1914 ~T^ BRYN MAWR COLLEGE SEPTEMBER 21,1989 How committed is BMC to campus accessibility? BY GRETCHEN JUDE towards the physical aspects of Bryn Mawr College, this reporter wondered Renovations and improvements of —"what about accessibility for the mobil- several campus buildings—most nota- ity impaired? Why weren't ramps or bly Pembroke East, Merion and Brecon— elevators included in the rather gener- cost the college nearly three million dol- ous construction budgets? Although, lars this summer. The most obvious according to Moshen Malek of physical construction, Pern East, was completed plant, the college is planning a complete . in thirteen weeks at a cost of $2 million; study of campus-wide accessibility Merion's staircases and fourth floor were "within the next couple months", the renovated atapproximatelv$180,(X)0,and college already "feels that there is ade- the first and fourth floor Brecon bath- quateaccess". -
Joey – Song List Little Ray of Sunshine James Arthur
Joey – Song List Yesterday - Beatles Creep - Radiohead Little Ray of Sunshine Stay With Me - Sam Smith James Arthur - Say You Won't Let Go 7 Years - Lukas Graham Mad World - Gary Jules / Tears For Fears Thinking Out Loud - Ed Sheeran Love Yourself - Justin Bieber Do You Remember - Jarryd James Better Be Home Soon - Crowded House Crazy - Gnarles Barkley Drop In The Ocean - Ron Pope Say Something - A Great Big World Beyonce - Halo The Captain - Kasey Chambers Your Body is a Wonderland - John Mayer Sultans of Swing - Dire Straits Crash - YMAS I’ve Seen Fire - Ed Sheeran Fast Car - Tracy Chapman Losing My Religion - REM Here Without You - 3 Doors Down Georgia - Vance Joy Another Brick in the Wall - Pink Floyd Let Her Go - Passenger Khe Sahn - Cold Chisel Under the Bridge - RHCP California Dreamin’ - Mamas and Papas Zombie - The Cranberries Yellow - Coldplay Georgia On My Mind - Ray Charles The Scientist - Coldplay Fire and Rain - James Taylor I’d Rather Be With You - Josh Radin Fields of Gold - Sting Taylor - Jack Johnson Fast Car - Tracy Chapman Sway - Michael Buble` Knocking on Heavens Door - Bob Dylan Three Little Birds - Bob Marley She Will Be Loved - Maroon 5 Gravity - John Mayer Father and Son - Cat Stevens Walking Away - Craig David White Flag - Dido Skinny Love - Bon Iver Lego House - Ed Sheeran Don’t Know Why - Nora Jones Burn - Usher A Team - Ed Sheeran You’re Still The One - Shania Twain Isn’t She Lovely - Stevie Wonder Wake Me Up When September Ends - Green Day Free Fallin' - Tom Petty Hold The Line - Toto No Such Thing - John -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Robbie Williams Another Saturday Night
Classic Pop / Dance A little less conversation - Elvis Angels - Robbie Williams Let's dance - Chris Rea Another Saturday night - Sam Cook Let's groove tonight - Earth wind n fire Baby did a bad bad thing - Chris Isaac Let's stick together - Bryan Ferry Better be home soon - Crowded House Life is a rollercoaster - Ronan Keating Big Yellow Taxi - Counting Crows Lips of an Angel - Hinder Billy Jean - Michael Jackson Love foolosophy - Jamiroquai Black fingernails - Eskimo Joe love is in the air - John Paul Young Blame it the Boogie - Jacksons Love really hurts without you - Billy Ocean Born to be Alive - Patrick Hernandez Love shack - B52's Boys of Summer - The Ataris Love the one you're with - Luther Vandross Brandy - Looking Glass Make Luv - Room 5 Bright side of the road - Van Morrison Makes me wonder - Maroon 5 Breakfast at Tiffanys - Deep blue something Man I feel like a woman - Shania Twain Cable Car - The Fray New York - Eskimo Joe Can't get enough of you baby - smashmouth No such thing - John Mayer Catch my disease - Ben Lee Not in Love - Enrique Iglesius Celebration - Kool and the Gang On the Beach - Chris rea Chain Reaction - John Farnham One more time - Britney Spears Chasing Cars - Snow Patrol Play that funky music - Average white band Cheap Wine - Cold Chisel Pretty Vegas - INXS Cherry cherry - Neil Diamond Rehab - Amy Winehouse Choir Girl - Cold Chisel Save the last dance for me - Michael Buble Clocks - Coldplay Second Chance - Shinedown NEW Closing time - Semisonic September - Earth wind and fire Come undone - Robbie Williams