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Ka Wai Ola OOHA
Page 16 ('Ao'ao 'Umikumaono) Iune (June) 1987 OFFICE OF HAWADAN AFFAIRS from the Chairman's Desk By Moses K. Keale Sr., OHA Chairman Trustee, Ni'ihau and Kaua'i OHA and H-3 Federal Judge Samuel King's recent ruling to lift the Historic Preservation Council, the State Historic • Vol. 4, No.6 "The Living Water o/OHA" lune (June) 1987 injunction against the H-3 project holds a special mean- Preservation Office and state and federal highway of· ing to the Office of Hawaiian Affairs and our benefici- ficers. As a result, they have now: aries. Like the rest of the community, Hawaiians are 1. Formally acknowledged that Luluku is subject to divided in their support or opposition's to the proposed the National Historic Places Preservation Act and held trans-Ko'olau highway. the public hearings required by law. This controversy over whether or not the H-3 should 2. Actively included OHA in this process with the be built led to a general misunderstanding about the role recognition that the Hawaiian people have a unique in- Hula, Chant Na Mele 0 Maui OHA played. Too many people believed OHA's part in terest in the Luluku sites and we anticipate that we will Competition Gets New Chairman; the suit was anti-H-3. be a signatory to the final "Memorandum of Agree- That confusion needs to be cleared up. ment" outlining plans for the future of this area. June 26, 27 ... Changes Format . .. Our sole purpose in going to court was to force state 3. Agreed in principle to change the design of the pale 3 page 8 and federal highway officials to obey federal law and to Kane'ohe interchange to avoid destroying Luluku, and recognize the mandates of the National Historic Preser- to consult with OHA whenever burial areas are in· vation Act. -
Jake Shimabukuro 9:30 Am & 11 Am
TUESDAY NOVEMBER 27 2018 9:30 AM & 11 AM JAKE SHIMABUKURO 2018 > 2019 FIELD TRIP SERIES BROADEN THE HORIZONS LEARNING LINKS OF YOUR CLASSROOM. EXPERIENCE THE VIBRANT WORLD OF THE ARTS AT THE McCALLUM! McCALLUM THEATRE EDUCATION PRESENTS JAKE “Music was my passion, SHIMABUKURO but I had no idea that I could TUESDAY make it as a musician.” NOVEMBER 27 2018 > JAKE SHIMABUKURO 9:30 AM & 11 AM Connecting to Curriculum and Students’ Lives! HISTORY & GEOGRAPHY > Hawaii, Japan ARTS > Music, musical instruments EXPANDING THE CONCEPT OF LITERACY What is a “text”? We invite you to consider the performances on McCallum’s Field Trip Series as non-print texts available for study and investigation by your students. Anyone who has shown a filmed version of a play in their classroom, used a website as companion to a textbook, or asked students to do online research already knows that “texts” don’t begin and end with textbooks, novels, and reading packets. They extend to videos, websites, games, plays, concerts, dances, radio programs, and a number of other non-print texts that students and teachers engage with on a regular basis. We know that when we expand our definition of texts to the variety of media that we use in our everyday lives, we broaden the materials and concepts we have at our disposal in the classroom, increase student engagement, and enrich learning experiences. Please consider how utilizing your McCallum performance as a text might align to standards established for reading, writing, speaking, listening, and language. How do we help students to use these texts as a way of shaping ideas and understanding the world? Please use this material to help you on this journey. -
So Much More
so much more ACTIVITIES AND ATTRACTIONS | WINTER 2012 - kaua‘i • o‘ahu • moloka‘i • lana‘i • maui • hawai‘i island Waialua Falls, Maui Welcome to the Hawaiian Islands. HAWAI‘I IS HOME TO A MULTITUDE of historic and cultural sites, attractions, cultural festivals, concerts, craft fairs, athletic events, and farmers’ markets. While some are enjoyed primarily by residents, we think they can also provide excitement for visitors. Others are among the islands’ best kept secrets, unknown not only to travelers but even to many who live here. This guide is a brief introduction to Hawai‘i’s endless variety of special events and off-the-beaten path attractions, offered to our visitor stakeholders for informational purposes only. It should not be interpreted as a recommendation of any specifi c activity or attraction or be seen an endorsement of any organization. There’s so much more to Hawai‘i than one can imagine! INSIDE 06 HAWAI‘I 51 MOLOKA‘I 20 KAUA‘I 54 O‘AHU 32 LANA‘I- 76 STATEWIDE 36 MAUI TABLE OF HAWAI‘I ISLAND 23 Festival of Lights 23 08 ‘Imiloa Astronomy Center of Hawai‘i Hanapēpē - Friday Art Night 24 08 15th Annual Big Island International Marathon Heiva I Kaua‘i Ia Orana Tahiti 2012 24 09 Kahilu Th eatre's 2012 Presenting Season Kaua‘i Historical Society’s Kapa‘a History Tour-Kapa‘a Town 25 09 Aloha Saturdays Kaua‘i Music Festival 25 10 Amy B.H. Greenwell Ethnobotanical Garden Kōloa Heritage Trail 26 10 Anna Ranch Heritage Center Kōloa Plantation Days Festival 26 11 Big Island Abalone Corporation Lāwa'i International Center 27 11 Bike -
Statement of JOHN DE FRIES Hawai'i Tourism Authority Before the SENATE COMMITTEE on ENERGY, ECONOMIC DEVELOPMENT, and TOURISM
Statement of JOHN DE FRIES Hawai‘i Tourism Authority before the SENATE COMMITTEE ON ENERGY, ECONOMIC DEVELOPMENT, AND TOURISM Monday, February 8, 2021 3:00 PM State Capitol, Conference Room #224 In consideration of SENATE BILL NO. 916 RELATING TO TAXATION Chair Wakai, Vice Chair Misalucha, and members of the Committee on Energy, Economic Development, and Tourism: the Hawai‘i Tourism Authority (HTA) supports Senate Bill 916, which specifies that the $1,000,000 of Transient Accommodations Tax revenues currently allocated to operate a Hawaiian center and the Museum of Hawaiian Music and Dance may also be used to plan, design, and construct these facilities at an unspecified location. SB 916 is needed as we move forward to create the new Museum of Hawaiian Music and Dance. This measure will allow the funds to be utilized both for operations and development of the center. Currently, the law does not provide clear guidance as to how the funds may be utilized. The term “operations,” as found in the current statute, appears to restrict the use of the funds to the day-to- day activities of a center. Since this will be a new endeavor, we believe that allowing the funds to also be used for the planning, design, and construction will encourage more interest as we move forward in the Request for Proposal (RFP) process. It is for these reasons that HTA supports SB 916. We appreciate this opportunity to provide testimony. Managed by the Festival Companies 2201 Kalākaua Avenue, Suite A500 Honolulu, Hawaiʽi 96815 • (808) 931-3100 • RoyalHawaiianCenter.com TO: Hon. -
HE MAKANA the Gertrude Mary Joan Damon Haig Collection of Hawaiian Art, Paintings and Prints Opens First Friday, Dec. 6, 2013
December 2013 HE MAKANA DECEMBER The Gertrude Mary Joan Damon FREE EVENTS Haig Collection Of Hawaiian Art, AT HISAM The public is invited to these free Paintings and Prints Opens First events for December 2013 to be held at the Hawai‘i State Art Mu- Friday, Dec. 6, 2013 seum in the No.1 Capitol District Building at 250 South Hotel Street he Gertrude Mary Joan Damon ing lands, an interest her children in downtown Honolulu. See feature Haig Collection of Hawaiian inherited. stories and photos of these events TArt, Paintings, and Prints is a Forty-three works of art-small in this enewsletter. Not subscribed distinguished collection of traditional objects, paintings, and prints collected to eNews? Join here for monthly arts of Hawai’i, over thirty years updates. paintings of by a keen-eyed First Friday Hawai’i, and single donor He Makana exhibit opening prints of Hawai’i comprise this Friday, December 6, 2013 presented to the important exhibi- 6-9 p.m. state of Hawaii in tion that opens to Celebrate the unveiling of the honor of the life the public at the Gertrude Mary Joan Damon Haig of Gertrude Mary Hawai’i State Art Collection of Hawaiian Art, Paintings, Joan Damon Museum on First and Prints. Haig. Friday, December First Friday In the Hawai- 6, 2013 from Holiday Harp ian language, He Waimea Canyon, Kauai by D. Howard Hitchcock 6:00 to 9:00 p.m. Friday, December 6, 2013 Makana means 1909, oil on canvas Perceptive and 6-9 p.m. A Gift, referring knowledgeable, HiSAM favorite Ruth Freedman to the generous the donor focused returns to weave holiday magic with gifting of the the core of the classic Christmas tunes and harp collection to the collection on the standards. -
The Fijian Frescoes of Jean Charlot Caroline Klarr
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Painting Paradise for a Post-Colonial Pacific: The Fijian Frescoes of Jean Charlot Caroline Klarr Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PAINTING PARADISE FOR A POST-COLONIAL PACIFIC: THE FIJIAN FRESCOES OF JEAN CHARLOT By CAROLINE KLARR A Dissertation submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester 2005 Copyright 2005 Caroline Klarr All Rights Reserved The members of the Committee approve the dissertation of Caroline Klarr defended on April 22, 2002 Jehanne Teilhet-Fisk Professor Directing Dissertation (deceased) J. Kathryn Josserand Outside Committee Member Tatiana Flores Committee Member Robert Neuman Committee Member ______________________ Daniel Pullen Committee Member Approved: ________________________________________ Paula Gerson, Chair, Department of Art History ________________________________________ Sally E.McRorie, Dean, School of Visual Arts and Dance The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to Dr. Jehanne Teilhet-Fisk Ka waihona o ka na’auao The repository of learning iii PREFACE AND ACKNOWLEDGMENTS Jean Charlot’s fresco murals in the Pacific Islands of Hawai’i and Fiji represent the work of a mature artist, one who brought to the creation of art a multicultural heritage, an international background, and a lifetime of work spanning the first seven decades of the twentieth century. The investigation into any of Charlot’s Pacific artworks requires consideration of his earlier artistic “periods” in France, Mexico, and the United States. -
DOCUMENT RESUME ED 262 131 UD 024 468 TITLE Hawaiian
DOCUMENT RESUME ED 262 131 UD 024 468 TITLE Hawaiian Studies Curriculum Guide. Grade 3. INSTITUTION Hawaii State Dept. of Education, Honolulu. Office of Instructional Services. PUB DATE Jan 85 NOTE 517p.; For the Curriculum Guides for Grades K-1, 2, and 4, see UD 024 466-467, and ED 255 597. PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF02/PC21 Plus Postage. DESCRIPTORS *Cultural Awareness; *Cultural Education; Elementary Education; *Environmental Education; Geography; *Grade 3; *Hawaiian; Hawaiians; Instructional Materials; *Learning Activities; Pacific Americans IDENTIFIERS *Hawaii ABSTRACT This curriculum guide suggests activities and educational experiences within a Hawaiian cultural context for Grade 3 students in Hawaiian schools. First, an introduction discussesthe contents of the guide; the relationship of classroom teacher and the kupuna (Hawaiian-speaking elder); the identification and scheduling of Kupunas; and how to use the guide. The remainder of thetext is divided into two major units. Each is preceded byan overview which outlines the subject areas into which Hawaiian Studies instructionis integrated; the emphases or major lesson topics takenup within each subject area; the learning objectives addressed by the instructional activities; and a key to the unit's appendices, which provide cultural information to supplement the activities. Unit I focuseson the location of Hawaii as one of the many groups of islands in the Pacific Ocean. The learning activities suggestedare intended to teach children about place names, flora and fauna,songs, and historical facts about their community, so that they learnto formulate generalizations about location, adaptation, utilization, and conservation of their Hawaiian environment. Unit II presents activities which immerse children in the study of diverse urban and rural communities in Hawaii. -
Annual Report for 2014
ANNUAL REPORT Hawaii Public Radio FOR 2014 Radio with vision. Listen and see. page 1 TABLE OF CONTENTS ANNUAL REPORT FOR 2014 Letter from President & General Manager . page 3 Where to Listen to HPR . 3 Charts of Income and Expenses FY2014 . 3 By the Numbers . 3 Tradewinds Across Hawai‘i: Building a Statewide Service . 4 Aerodynamic: Managing Our Unique Business Model . 5 Lively Air: Programming Updates . 5 A Buzz in the Air: Saving Energy Costs with Wefficiency . 6 Airing Out: HPR’s Outreach Initiatives . 6 First-Class Folk: Our Members, Volunteers, and Workplace . 6 HPR-1 Program Guide . 8 HPR-2 Program Guide . 9 Mission Statement . 10 Board of Directors . 10 Staff, Program Hosts, and Content Contributors . 10 KAHU 91.7 Charter Members . 10 Program Underwriting and Corporate Support . 12 Foundations and Trusts . 13 HPR Legacy Society and Endowment Gifts . 13 Leadership Circle Giving . 13 Memorial Gifts and Gifts in Honor . 16 Sustaining Members . 16 Pledge Drive Thank You Gift and Food Donors, Volunteer Groups (2014) . 27 Law Firm Sponsors for “Say-a-Nice-Thing-About-a-Lawyer Day” . 28 Contact Information . 28 Hawaii Public Radio Radio with vision. Listen and see. ANNUAL REPORT FOR 2014 HPR-1 ALOHA! NEWS MAGAZINES AND FINE ARTS When looking for an adjective to describe Hawai‘i Public Radio, the one that scampers into my mind the quickest is “unlikely.” There’s a lot about HPR that’s unlikely, including the fact that it exists at all. KHPR 88.1 Two member-supported networks, spanning a sub-tropical island chain three thousand miles from the Honolulu (O‘ahu and Kaua‘i) next service station, providing high-quality radio for grown-ups 48 hours a day, more than a quarter of it homemade, operating largely out of a basement? K203EL 88.5 (serving parts of East O‘ahu) Unlikely. -
Paradisepost.Com the Paradise Post February• 1
WWW.THEPARADISEPOST.COM THE PARADISE POST FEBRUARY• 1 THE PARADISE VOL. VII FEBRUARY 2015 NO. 78 Cover artist John Kelly Cards and prints available from www.islandartstore.com 2 •FEBRUARY THE PARADISE POST WWW.THEPARADISEPOST.COM Big Island Quilt POSTDATES Shop Hop Starts February 1 2015 Big Island Quilt Shop Hop Shops West Hawaii *Topstitch Waimea Center 65-1158 Mamalahoa Highway, Kamuela, HI. (808) 885-4482 www.facebook.com/TopstitchHawaii *Fabric & Quilting Delights 74-5599 Luhia St., Unit D-5, Kailua Kona HI 96740 (808) 329-8177 www.FabricandQuiltingdelights.com *Quilt Passions 75-5626 Kuakini Hwy., Kailua-Kona, HI 96740. (808) 329-7475 www.QuiltPassions.net H. Kimura Store, Inc. 79-7408 Mamalahoa Hwy., Kealakekua, HI 96750 (808) 322-3771 East Hawai‘i *Pahala Quilting and Creative Sewing Center 96-3196 Maile St., Pahala, HI 96777. (808) 238-0505 www.PahalaQuilting.com *Kilauea Kreations 19-3972 Volcano Rd., Volcano, HI 96785 (808) 967-8090 www.KilaueaKreations.com *Kilauea Kreations II 680 Manono St., Hilo, Hi 96720. (808) 961-1100 www.KilaueaKreations.com *Fabric Impressions 206 Kamehameha Avenue, Hilo, HI 96720-2835 (808) 961-4468 www.FabricImpressionsHiloHi.com road trip for quil- and more—with special in- Island Quilt Shop Hop ters and fabric store prizes at individual launches February 1, lead- fanatics, the 7th shops. ing into the 22nd Annual Annual Big Island The eight shops will also Waimea Cherry Blossom AQuilt Shop Hop revs up Feb- have exclusive quilt block Heritage Festival and the ruary 1- 28, 2015, featuring patterns, one from each store, Hawaiian Quilt Show pre- eight different shops from plus a custom quilt “center,” sented by Ka Hui Kapa Ap- Kona to Hilo and points in for the 2015 Shop Hop quilt. -
Turtlephilia in the Pacific: an Integrated Comparative
TURTLEPHILIA IN THE PACIFIC: AN INTEGRATED COMPARATIVE ANALYSIS FROM THE PERSPECTIVES OF BIOLOGICAL, CULTURAL, AND SPIRITUAL ECOLOGY IN A PARTICULAR CASE OF BIOPHILIA A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ANTHROPOLOGY MAY 2013 By Regina Woodrom Luna Dissertation Committee: Leslie Sponsel, Chairperson Charles Birkeland Alice Dewey Sherwood Maynard Heather Young-Leslie Keywords: Sea Turtle, Traditional Laws, Cultural Take, Consumption, Tapu, Tabu, Kapu, Taboo, Oceania, Polynesia, Myth, Legend, Ritual, Creation Story Acknowledgments First and foremost, I would like to thank my wonderful husband, Jason Rudrud, without whose support -- both physically by picking up sea turtles with all their weight, and mentally by picking me up when it seemed as if my health issues would not allow me to finish – this dissertation would never have been completed. He is my hero and this is his accomplishment as much as it is mine. Next, I would be remiss without acknowledging the tremendous and never-ending support of my mother and chief editor, Mary Anne Woodrom; my dad and step-mother, Harold and Marilyn Woodrom; and my sister and assistant editor, Rebecca Reid and my brother-in-law, Lynn. My brother Roy Woodrom, whose generosity with his frequent flier miles sent me to ECOnference 2000, which set me on my path to study sea turtles as an undergraduate at Texas A&M. The rest of my extended family, especially my aunt Dr. Sandra Luna McCune for her editing assistance, also deserve acknowledgement for always being there for me regardless of the paths I choose to take. -
Hawaii Stories of Change Kokua Hawaii Oral History Project
Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project by Gary T. Kubota Copyright © 2018, Stories of Change – Kokua Hawaii Oral History Project The Kokua Hawaii Oral History interviews are the property of the Kokua Hawaii Oral History Project, and are published with the permission of the interviewees for scholarly and educational purposes as determined by Kokua Hawaii Oral History Project. This material shall not be used for commercial purposes without the express written consent of the Kokua Hawaii Oral History Project. With brief quotations and proper attribution, and other uses as permitted under U.S. copyright law are allowed. Otherwise, all rights are reserved. For permission to reproduce any content, please contact Gary T. Kubota at [email protected] or Lawrence Kamakawiwoole at [email protected]. Cover photo: The cover photograph was taken by Ed Greevy at the Hawaii State Capitol in 1971. ISBN 978-0-9799467-2-1 Table of Contents Foreword by Larry Kamakawiwoole ................................... 3 George Cooper. 5 Gov. John Waihee. 9 Edwina Moanikeala Akaka ......................................... 18 Raymond Catania ................................................ 29 Lori Treschuk. 46 Mary Whang Choy ............................................... 52 Clyde Maurice Kalani Ohelo ........................................ 67 Wallace Fukunaga .............................................. -
Artist: Period/Style: Patron: Material/Technique: Form
TITLE:The Ambum Stone LOCATION: Papua New Guinea DATE: 1500 BCE ARTIST: PERIOD/STYLE: Prehistoric Oceanic Art PATRON: MATERIAL/TECHNIQUE:Greywacke FORM: A composite human/animal figure, perhaps an anteater head and a human body. It has a pleasing shape and smooth surface, and the slightly shiny patina on some of its raised details suggest it has been well handled. It was made from greywacke stone, and its finished shape may suggest the original shape the stone it was carved from. Carved in the form of some kind of animal, its features are rounded and include a freestanding neck, elegantly curved head and long nose, and upper limbs that hug its torso and appear to enclose a cupped space above its belly. FUNCTION: The Ambum Stone is a decorative pestle. Sculpted stones uncovered in Papua New Guinea fall into three different categories: figurines, mortars, and pestles. These objects take the form of both land- and air-dwelling animals, anthropomorphic creatures, and human figures. The Ambum Stone is one of the earliest stone objects, hailing from way back in 3500 B.C.E., and would have been created as a pestle. It's likely that the Ambum Stone was used for fertility or burial rituals. The discovery of the Ambum Stone sheds light on the supernatural and religious beliefs of the ancient New Guinea peoples. The early stone sculptures have supernatural significance. These special mortars and pestles were used in religious rituals. New Guinea peoples believed the supernatural powers of these sculptures and the animals they depicted helped with fertility, hunting, and burial rites.