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Claudio Ambrosini Tromper L’Oreille

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Claudio Ambrosini Tromper L’Oreille STR 37098 Claudio Ambrosini Tromper l’oreille Divertimento Ensemble flute music DANIELE RUGGIERI flute DAVIDE TEODORO clarinet Claudio Ambrosini © Christian Ganet DARIO SAVRON vibraphone ALDO ORVIETO piano ALVISE VIDOLIN live electronics CIRS PMS PMS 000 000 4 Daniele Ruggieri completed his studies in Ensemble of Venice of which he is a founding Claudio Ambrosini Venice where he graduated with the highest member; with the Ensemble and as a soloist he marks under Guido Novello and subsequently in has recorded more than thirty CDs for ASV, Geneva where he was awarded the first Prix de Black Box, Brilliant Classics, Resonance, Denon, (1948) Virtuosité in the class of Maxence Larrieu. Dynamic, Kairos, Naxos, Stradivarius, Tactus, 1. A GUISA DI UN ARCIER PRESTO SORIANO (1981) 06:04 He has been awarded several prizes including Ricordi and other labels. He has also recorded per flauto international competitions for chamber music in concerts and programmes for all the principal Stresa, Trapani, Caltanissetta and Casale European Radio stations: BBC, RAI, Radio Monferrato. France, Westdeutscher Rundfunk (WDR), 2. CADENZA ESTESA E CODA (1981) 15:32 He has been intensely active on the concert cir- Belgian Radios (RBFT and Klara), the Swiss per flauto e suoni elettronici (*) (**) cuit for several years taking part in major German language Radio (DRS) and Swedish European festivals. These have included: Radio. Commissione La Biennale di Venezia Settembre Musica, Turin; Settimane della Scarlatti, Naples; Musica ‘88, Strasbourg; Eco & ... Rarely will you hear the flute flutter around a ERBARIO ALPINO (CON DUE IBRIDI IMMAGINARI) (2012) Narciso, Milan; MiTo, Turin; Nuove Musiche, concert hall in such a beautiful and playful dis- per flauto e pianoforte Teatro Massimo, Palermo; Mittelfest, Cividale; play of virtuosity. Concerts Ville de Genève; Gulbenkian, Lisbon; (M. Connolly, The Times, London) LIBRO PRIMO The Venice Music Biennale; HCMF, 3. BOSCO PRIMO 01:24 Huddersfield, RomaEuropa, Villa Medici; “…Daniele Ruggieri displays a warm tone with Warsaw Autumn Festival; Akademie der Künste, impressive breath support, easy virtuosity, and 4. ERBA VIPERINA 01:10 Berlin; Gaudeamus Foundation, Amsterdam; most importantly, a real feel for the often delicate 5. BOSCO SECONDO 00:50 Italia-España, Madrid; Festival d’Avignon; Ars charm of this repertoire.” Musica and Klara Festival, Brussels, Time for (Ronald E. Grames, Fanfare) 6. RAPONZOLO DI ROCCIA 02:48 music, Vitasaari, Finland; Suså Festival, 7. BOSCO TERZO 00:49 Denmark, and the chamber music season of the ... magnificent performance of flautist Daniele 8. ASTRANZIA MAGGIORE E SOLDANELLA ALPINA 03:23 Munich Philharmonic Orchestra, the Salzburg Ruggieri…” (L. Hontañon, ABC, Madrid). Mozarteum, La Scala, Milan, the Teatro S. Carlo 9. BOSCO QUARTO 00:19 in Naples, the Hamburg Musikhalle, the ...here we must again mention the flautist 10. SCACCIALUPI (IBRIDO IMMAGINARIO) 00:57 Kaufmann Concert Hall, New York and the Daniele Ruggieri for his sheer musicality... 11. BOSCO QUINTO 00:21 Chicago Cultural Center. Moreover he premiered (R. Zecchini, Musica) Salvatore Sciarrino’s Adagio accompanied by the 12. CRESTA DI GALLO PELOSA E RANUNCOLO PIGMEO 02:08 La Fenice Orchestra and made his Japanese debut at the Denki Bunka Kaikan in Nagoya 13. CLASSIFYING THE THOUSAND SHORTEST SOUNDS IN THE WORLD (2012) 09:48 accompanied by the Central Symphony Orchestra. per flauto He actively collaborates with the Ex Novo 2 23 PMS PMS 000 000 1 Claudio Ambrosini Claudio Ambrosini, venetian composer. among the others, by R. Abbado, F. Luisi, D. Besides studying at Venice Conservatory and Masson, R. Muti, G. Nowak, S.-A. Reck, E. 14. TROMPE-L’OREILLE (1981) 05:49 graduating at Venice (Music) and Milan Spanjaard, J. Störgards, P.-A. Valade. (Linguistics) Universities, Ambrosini often In 1977 Ambrosini began to take an interest in per vibrafono e flauto enjoyed significant Venetian encounters with computer music at the Padua Center for Bruno Maderna and Luigi Nono, who included Computational Sonology (CSC). 15. UN ALTRO INSOPPORTABILE PEZZO PER FLAUTO (2016) 08:58 him among his favourite composers. Ambrosini Since 1979 Ambrosini has led the Ex Novo per flauto has composed vocal, instrumental, electronic Ensemble, and since 1983 also the CIRS, works, oratorios, operas and ballets, all charac- International Center for Instrumental Research, terized by his extensive instrumental research both of which he founded in Venice. In 2007 he 16. NEGLI SGUARDI DI EURIALO E NISO (1980) 18:29 and by his personal style. In the Seventies he founded the vocal ensemble Vox Secreta. per flauto, clarinetto, piante immerse nell'acqua e elettronica (*) also had many experiences in multimedia (video, In 1985 Ambrosini was the first Italian composer photography, installations) in museums or art gal- to receive the Prix de Rome from France and to leries. stay at Villa Medici, the French Academy in Ambrosini has received various prizes and has Rome. In 1986 he was chosen to represent Italy taken part in international festivals such as the at the UNESCO Paris Rostrum. Festival of Contemporary Music of the Venice Daniele Ruggieri flauto Biennale; of that of Avignon, Strasbourg, Davide Teodoro clarinetto Brussels, Helsinki, Huddersfield, Stockholm, Recent awards: Vancouver, Montreal, Chicago, Los Angeles, 2006: his own libretto for his opera Il canto della Dario Savron vibrafono Sidney; as well as series of concerts at the pelle - Sex Unlimited was awarded by the IRCAM in Paris, at La Scala in Milan, at the Association Beaumarchais. Aldo Orvieto pianoforte Gulbenkian Foundation in Lisbon and the 2007: he was awarded the Golden Lion for Daniele Torresan realizzazione informatica (*) Gaudeamus in Amsterdam, at the Mozarteum in Contemporary Music by the Venice Biennale. Salzburg, the Akademie der Künste in Berlin, the 2008: Music Theatre Now Prize (Berlin) for his Alvise Vidolin spazializzazione e regia sonora (**) Carnegie Hall in New York, the Musical Autumn opera Il Canto della pelle - Sex Unlimited. in Warsaw, the Maggio Musicale in Florence, the 2010: Italian Critics Award (Premio Abbiati) for season of the Munich Philharmonic, Radio his opera Il killer di parole (The Wordkiller) pre- World premiere recording France’s series “Perspectives du XX siècle”. miered at Teatro La Fenice, in Venice. This work Edizioni Ricordi (Classifying) Ambrosini has received several commissions, closes an operatic cycle also including Big Bang principally from the Venice Biennale, the Italian Circus (2002), Il Canto della Pelle (Sex Unlimited Registrazione/Recording: 6-8 settembre 2017 Radio (RAI), the West German Radio (WDR), the (2005), Apocalypsis cum figuris (2012) and Il Auditorium Pollini, Padova French Ministry of Culture, the Festival of Giudizio Universale (1996). Tenico del suono/Sound engineer: Matteo Costa Nations, L’Itineraire, Grame, Milano Musica and 2015: Play.it! Award, for his lifetime contribution Postproduzione/Editing: Andrea Dandolo several other institutions and theatres, like Teatro to music. Traduzioni/Translations: Liam Mac Gabhann La Fenice. His music has been conducted, E-mail: [email protected] Cover/Artwork: Ambrosio Claudini 22 3 PMS PMS 000 000 1 Claudio Ambrosini ha compiuto gli studi musicali Brilliant Classics, Denon, Dynamic, Kairos, Questo disco costituisce l’occasione per scoprire un insieme di lavori innovativi dedicati al flau- Daniele Ruggieri a Venezia, diplomandosi con il massimo dei voti Naxos, Resonance, Stradivarius, Tactus, Ricordi to, solo o accompagnato, composti da Claudio Ambrosini nell’arco di circa quarant’anni e finora con Guido Novello e poi a Ginevra, dove ha otte- e altre etichette privilegiando i principali compo- rimasto poco accessibile: pezzi fin qui ripetutamente eseguiti in pubblico ma mai registrati, né pub- nuto il I° Prix de Virtuosité nella classe di sitori del Novecento Italiano: Busoni, Respighi, blicati. L’ascolto di questi lavori, per la prima volta qui presentati in modo organico, permette final- Maxence Larrieu. Wolf Ferrari, Malipiero, Casella, Rota, mente di apprezzare con chiarezza l’importanza del contributo che Ambrosini ha dato allo svilup- Da diversi anni svolge una intensa attività con- Castelnuovo Tedesco, Maderna, Togni e Berio, certistica, partecipando ai maggiori Festival euro- senza dimenticare però pagine importanti della po della letteratura del flauto e del linguaggio allargato caratteristico di questo strumento dalla fine pei. Tra questi ricordiamo: Settembre Musica, letteratura flautistica del secolo precedente. Ha degli anni ‘70 dello scorso secolo. Torino; Settimane della Scarlatti, Napoli; Musica registrato inoltre concerti e produzioni per tutte le ‘88, Strasbourg; Eco & Narciso, Milano; MiTo, principali Radio europee: BBC, RAI, Radio All’ascoltatore apparirà chiaro come già il primo lavoro – Negli sguardi di Eurialo e Niso, del Torino, Nuove Musiche, Teatro Massimo, France, Westdeutscher Rundfunk (WDR), Radio 1980 – contenga gran parte delle innovazioni tecniche che, tra l’altro, nell’immaginario del mondo Palermo; Concerts Ville de Genève; Gulbenkian, Belga (KlARA e RBFT), Radio Svizzera Tedesca del flauto sono spesso state attribuite ad altri autori. Tra queste, assolute novità per l’epoca come Lisbona; Biennale di Venezia; HCMF, (DRS), Radio Svedese. Huddersfield, RomaEuropa, Villa Medici; Ha tenuto lectures, concerti e masterclasses per certi trilli doppi (tra cui uno oggi ormai diffusissimo, o altri che arrivano a usare due dita su uno stes- Autunno di Varsavia;
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