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Finn Ballard: No Trespassing: the Post-Millennial
Page 15 No Trespassing: The postmillennial roadhorror movie Finn Ballard Since the turn of the century, there has been released throughout America and Europe a spate of films unified by the same basic plotline: a group of teenagers go roadtripping into the wilderness, and are summarily slaughtered by locals. These films may collectively be termed ‘roadhorror’, due to their blurring of the aesthetic of the road movie with the tension and gore of horror cinema. The thematic of this subgenre has long been established in fiction; from the earliest oral lore, there has been evident a preoccupation with the potential terror of inadvertently trespassing into a hostile environment. This was a particular concern of the folkloric Warnmärchen or ‘warning tale’ of medieval Europe, which educated both children and adults of the dangers of straying into the wilderness. Pioneers carried such tales to the fledging United States, but in a nation conceptualised by progress, by the shining of light upon darkness and the pushing back of frontiers, the fear of the wilderness was diminished in impact. In more recent history, the development of the automobile consolidated the joint American traditions of mobility and discovery, as the leisure activity of the road trip became popular. The wilderness therefore became a source of fascination rather than fear, and the road trip became a transcendental voyage of discovery and of escape from the urban, made fashionable by writers such as Jack Kerouac and by those filmmakers such as Dennis Hopper ( Easy Rider, 1969) who influenced the evolution of the American road movie. -
Monstrous Nature: Environment and Horror on the Big Screen / Robin L
monstrous nature Monstrous Nature environment and horror on the big screen Robin L. Murray and Joseph K. Heumann university of nebraska press | lincoln and london © 2016 by the Board of Regents of the University of Nebraska Acknowledgments for the use of copyrighted material appear on pages ix– x, which constitute an extension of the copyright page. All rights reserved Manufactured in the United States of America Library of Congress Cataloging- in- Publication Data Names: Murray, Robin L., author. | Heumann, Joseph K., author. Title: Monstrous nature: environment and horror on the big screen / Robin L. Murray and Joseph K. Heumann. Description: Lincoln: University of Nebraska Press, [2016] | Includes bibliographical references and index. Identifiers: lccn 2015044552 (print) lccn 2015046477 (ebook) isbn 9780803285699 (cloth: alk. paper) isbn 9780803294905 (epub) isbn 9780803294912 (mobi) isbn 9780803294929 (pdf) Subjects: lcsh: Horror films— History and criticism. | Environmental protection and motion pictures. | Nature in motion pictures. Classification: lcc pn1995.9.h6 m875 2016 (print) | lcc pn1995.9.h6 (ebook) | ddc 791.43/6164— dc23 lc record available at http://lccn.loc.gov/2015044552 Set in Sabon Next by John Klopping. Designed by N. Putens. contents List of Illustrations vii Acknowledgments ix Introduction: Film, Environment, Horror xi part 1: anthropomorphism and the “big bug” movie 1. The Hellstrom Chronicle and Beetle Queen Conquers Tokyo: Anthropomorphizing Nature for Humans 3 2. “As Beautiful as a Butterfly”? Monstrous Cockroach Nature and the Horror Film 19 part 2: human ecology and the horror film 3. The Earth Bites Back: Vampires and the Ecological Roots of Home 41 4. Through an Eco- lens of Childhood: Roberto Rossellini’s Germany Year Zero and Guillermo del Toro’s The Devil’s Backbone 57 part 3: evolution and monstrous nature 5. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Classified by Genre: Rhetorical Genrefication in Cinema by © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St
Classified by Genre: Rhetorical Genrefication in Cinema By © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St. Louis, 2010 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Catherine Preston Co-Chair: Joshua Miner Michael Baskett Ron Wilson Amy Devitt Date Defended: 26 April 2019 ii The dissertation committee for Carl Joseph Swanson certifies that this is the approved version of the following dissertation: Classified by Genre: Rhetorical Genrefication in Cinema Chair: Catherine Preston Co-Chair: Joshua Miner Date Approved: 26 April 2019 iii Abstract This dissertation argues for a rethinking and expansion of film genre theory. As the variety of media exhibition platforms expands and as discourse about films permeates a greater number of communication media, the use of generic terms has never been more multiform or observable. Fundamental problems in the very conception of film genre have yet to be addressed adequately, and film genre study has carried on despite its untenable theoretical footing. Synthesizing pragmatic genre theory, constructivist film theory, Bourdieusian fan studies, and rhetorical genre studies, the dissertation aims to work through the radical implications of pragmatic genre theory and account for genres role in interpretation, evaluation, and rhetorical framing as part of broader, recurring social activities. This model rejects textualist and realist foundations for film genre; only pragmatic genre use can serve as a foundation for understanding film genres. From this perspective, the concept of genre is reconstructed according to its interpretive and rhetorical functions rather than a priori assumptions about the text or transtextual structures. -
PRODUCTION BIOS ROBERT HALMI JR. (Executive Producer)
“IT’S MURDER, MADAM” PRODUCTION BIOS ROBERT HALMI JR. (Executive Producer) – Emmy® Award winner Robert Halmi Jr. currently serves as President of RHI Entertainment, LLC (formerly Hallmark Entertainment, LLC). His career as a film producer began in 1980 with “Wilson's Reward,” which garnered numerous awards, including a gold medal at the Houston Film Festival. He has produced more than 100 movies and miniseries for television, including “Dreamkeeper,” “Dinotopia,” “Arabian Nights,” “The 10th Kingdom,” “Cleopatra,” “Alice in Wonderland,” “The Baby Dance” and “Lonesome Dove,” which earned seven Emmy® Awards and a Golden Globe for Best Miniseries. Recent Halmi, Jr. “event” productions include “Earthsea,” “Mitch Albom’s The Five People You Meet in Heaven,” “King Solomon’s Mines,” “La Femme Musketeer,” “Frankenstein,” “Frederick Forsyth’s Icon,” “Supernova,” “Mysterious Island” and “The Poseidon Adventure.” In 1984, at age 26, Halmi Jr. became President of RHI Entertainment Inc. (RHI) a publicly traded entertainment company founded by his father. In 1994, RHI was sold to Hallmark Cards Inc. and Halmi Jr. became President and CEO of Hallmark Entertainment, the successor to RHI. For over the past decade, Hallmark Entertainment has remained the largest supplier of movies and miniseries in the television industry, garnering more Emmy nominations for television movies than any other production company in the history of television. Under Halmi Jr’s guidance, Hallmark Entertainment produced over 2,000 hours of television programming. These shows received 448 Emmy® nominations and garnered 103 Emmy® Awards. From 1994-2005, Hallmark Entertainment provided four of the top five highest rated US miniseries and movies made for television, including 2004’s highest rated original movie, “Mitch Albom’s The Five People You Meet in Heaven.” Hallmark Entertainment productions have also topped the ratings charts of the major basic cable networks, “Earthsea” for SciFi Channel (their highest rated miniseries in 2005), “Single Santa Seeks Mrs. -
Proquest Dissertations
RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY UMI Number: 3430304 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3430304 Copyright 2010 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Approved as to style and content by: ^aJftLtfv^ *3 tu.^r TrsAAO^p P, M&^< David Lavery Martha Hixon Chair of Committee Reader Cyt^-jCc^ C. U*-<?LC<^7 Wt^vA AJ^-i Linda Badley Tom Strawman Reader Department Chair (^odfrCtau/ Dr. Michael D. Allen Dean of Graduate Studies August 2010 Major Subject: English RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Major Subject: English DEDICATION Completing this journey would not be possible without the love and support of my family and friends. -
Forbidden Planet Catalogue
Forbidden Planet Catalogue Generated 28th Sep 2021 TS04305 Batman Rebirth Logo T-Shirt $20.00 Apparel TS04301 Batman Rebirth Logo T-Shirt $20.00 TS04303 Batman Rebirth Logo T-Shirt $20.00 Anime/Manga T-Shirts TS04304 Batman Rebirth Logo T-Shirt $20.00 TS04302 Batman Rebirth Logo T-Shirt $20.00 TS19202 Hulk Transforming Shirt $20.00 TS21001 Black Panther Shadow T Shirt $20.00 TS06305 HXH Gon Hi T-Shirt $20.00 TS10801 Black Spider-punk T-Shirt $20.00 TS11003 Marvel Zombies T-Shirt $20.00 TS10804 Black Spider-punk T-Shirt $20.00 TS11004 Marvel Zombies T-Shirt $20.00 TS10803 Black Spider-punk T-Shirt $20.00 TS11002 Marvel Zombies T-Shirt $20.00 TS01403 BPRD T-Shirt $20.00 TS11001 Marvel Zombies T-Shirt $20.00 TS01401 BPRD T-Shirt $20.00 TS15702 Mega Man Chibi T-Shirt $20.00 TS01402 BPRD T-Shirt $20.00 TS15704 Mega Man Chibi T-Shirt $20.00 TS01405 BPRD T-Shirt $20.00 TS15705 Mega Man Chibi T-Shirt $20.00 TS01404 BPRD T-Shirt $20.00 TS15703 Mega Man Chibi T-Shirt $20.00 TS15904 Cable T-Shirt $20.00 TS15701 Mega Man Chibi T-Shirt $20.00 TS15901 Cable T-Shirt $20.00 TS13505 Captain Marvel Asteroid T-Shirt $20.00 Comic T-Shirts TS13504 Captain Marvel Asteroid T-Shirt $20.00 TS03205 Carnage Climbing T-Shirt $20.00 TS05202 Alex Ross Spider-Man T-Shirt $20.00 TS03204 Carnage Climbing T-Shirt $20.00 TS05203 Alex Ross Spider-Man T-Shirt $20.00 TS03202 Carnage Climbing T-Shirt $20.00 TS05201 Alex Ross Spider-Man T-Shirt $20.00 TS03201 Carnage Climbing T-Shirt $20.00 TS05204 Alex Ross Spider-Man T-Shirt $20.00 TS03904 Carnage Webhead T-shirt Extra Large -
PRODUCTION BIOS ROBERT HALMI, JR. (Executive Producer)
PRODUCTION BIOS ROBERT HALMI, JR. (Executive Producer) - Emmy® Award winner Robert Halmi Jr. currently serves as President of RHI Entertainment, LLC (formerly Hallmark Entertainment, LLC). His career as a film producer began in 1980 with “Wilson's Reward,” which garnered numerous awards, including a gold medal at the Houston Film Festival. He has produced more than 100 movies and miniseries for television, including “Dreamkeeper,” “Dinotopia,” “Arabian Nights,” “The 10th Kingdom,” “Cleopatra,” “Alice in Wonderland,” “The Baby Dance” and “Lonesome Dove,: which earned seven Emmy® Awards and a Golden Globe for Best Miniseries. Recent Halmi, Jr. “event” productions include “Earthsea,” “Mitch Albom’s The Five People You Meet in Heaven,” “King Solomon’s Mines,” “La Femme Musketeer,” “Frankenstein,” “Frederick Forsyth’s Icon,” “Supernova,” “Mysterious Island” and “The Poseidon Adventure.” In 1984, at age 26, Halmi Jr. became President of RHI Entertainment Inc. (RHI) a publicly traded entertainment company founded by his father. In 1994, RHI was sold to Hallmark Cards Inc. and Halmi Jr. became President and CEO of Hallmark Entertainment, the successor to RHI. For over the past decade, Hallmark Entertainment has remained the largest supplier of movies and miniseries in the television industry, garnering more Emmy nominations for television movies than any other production company in the history of television. Under Halmi Jr’s guidance, Hallmark Entertainment produced over 2,000 hours of television programming. These shows received 448 Emmy® nominations -
Kevin Connor (Director) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Kevin Connor (director) 电影 串行 (大全) Arabian https://zh.listvote.com/lists/film/movies/arabian-adventure-1659336/actors Adventure North and South: https://zh.listvote.com/lists/film/movies/north-and-south%3A-book-ii-7775139/actors Book II The People That https://zh.listvote.com/lists/film/movies/the-people-that-time-forgot-1034978/actors Time Forgot The Land That https://zh.listvote.com/lists/film/movies/the-land-that-time-forgot-1034984/actors Time Forgot Mother Teresa: In the Name of https://zh.listvote.com/lists/film/movies/mother-teresa%3A-in-the-name-of-god%27s-poor-12126282/actors God's Poor Just Desserts https://zh.listvote.com/lists/film/movies/just-desserts-1422909/actors Strawberry https://zh.listvote.com/lists/film/movies/strawberry-summer-15270677/actors Summer Goliath Awaits https://zh.listvote.com/lists/film/movies/goliath-awaits-1536518/actors Annie Claus is https://zh.listvote.com/lists/film/movies/annie-claus-is-coming-to-town-16661938/actors Coming to Town The Wish List https://zh.listvote.com/lists/film/movies/the-wish-list-16681689/actors Fielder's Choice https://zh.listvote.com/lists/film/movies/fielder%27s-choice-16681732/actors Mistral's https://zh.listvote.com/lists/film/movies/mistral%27s-daughter-175915/actors Daughter Hart to Hart: Secrets of the https://zh.listvote.com/lists/film/movies/hart-to-hart%3A-secrets-of-the-hart-18172271/actors Hart Sweet Surrender https://zh.listvote.com/lists/film/movies/sweet-surrender-18384793/actors Always and https://zh.listvote.com/lists/film/movies/always-and-forever-2293306/actors -
Revised Osborne Looking at Frankenstein Final Submission
Looking at Frankenstein: Ten Film Visions of Mary Shelley's Novel, 1990-2015 Item Type text; Electronic Dissertation Authors Osborne, James Elliott Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 02:55:22 Link to Item http://hdl.handle.net/10150/627722 LOOKING AT FRANKENSTEIN: TEN FILM VISIONS OF MARY SHELLEY’S NOVEL, 1990-2015 by James Elliott Osborne __________________________ Copyright © James Elliott Osborne 2018 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2018 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of the requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. -
Motion Picture Lobby Cards, 1913-1999
http://oac.cdlib.org/findaid/ark:/13030/kt700021m7 No online items Motion Picture Lobby Cards, 1913-1999 Finding aid prepared by UCLA Library Special Collections Staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2004 The Regents of the University of California. All rights reserved. Motion Picture Lobby Cards, PASC 65 1 1913-1999 Title: Motion picture lobby cards Collection number: PASC 65 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 55.5 linear ft.(111 boxes) Date (inclusive): 1913-1999 Abstract: The collection consists of primarily of American motion picture lobby cards dating from 1913 to ca 1980s. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Motion Picture Lobby Cards (Collection PASC 65). -
Film Remakes.Pdf
FILM REMAKES FILM REMAKES CONSTANTINE VEREVIS ‘A fi ne work of scholarship, Film Remakes promises to change the way we think about the phenomenon of the remake, and indeed about fi lms, culture and intertextuality. This is the most authoritative, subtle and complex work on the cinematic remake that I have encountered.’ Lesley Stern, Professor of Film and Media, Visual Arts Department, University of California, San Diego This is the fi rst book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the fi rst, remaking as industrial category, deals with issues of VEREVIS CONSTANTINE production, including commerce and authors; the second, remaking as textual category, considers genre, plots and structures; and the third, remaking as critical category, investigates issues of reception, including FILM REMAKES audiences and institutions. The fi lm remake emerges as a particular case of repetition, a function CONSTANTINE VEREVIS of cinematic and discursive fi elds that is maintained by historically specifi c practices, such as copyright law and authorship, canon formation and media literacy, fi lm criticism and re-viewing. These points are made through the lively discussion of numerous historical and contemporary examples, including the remaking of classics (Double Indemnity, All That Heaven Allows, Psycho), foreign art-fi lms (Yojimbo, Solaris, Le Samouraï), cult movies (Gun Crazy, Planet of the Apes, Dawn of the Dead), and television properties (Batman, The Addams Family, Charlie’s Angels).