Hireling and the Slave, Chicora, and Other Poems
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Andrea Abbate Annie Abbott Rose Abdoo Louisa
CHARACTERS and COMEDIENNES ACADEMY PLAYERS DIRECTORY #196 BOOK PAGE: 1 Agency(310)Personal 273-0744(213)Jo for Anne theN11571500 466-5170ManagementInc.96 Performing Astrow (212) 582- Arts, RussianImprovisation,SusanMid-EastGerman5Accent,DANCETerryCOUNSELLOR-AT-LAW,THESEVENTHMAD ft.Accent,LEGALINTOCommercialAccent,FEATURED 3(818)(213)ROSEANNE Accent,NatheYOUNG LichtmanRESTLESSSpecial in.LA ABOUT Accent,New THEWITHAccent,M8530CreditsER EAGLESC.P.C. FrenchLAW 120783-3003653-7573Irish91 HEAVEN & Singer, WOODS,TVYork Italian Skills Associates/AND MEAgency YOUlbs.Company StageAccent, TV Southern- TVMidwest- Accent TV Accent, Film Stage THEBritish-AdultAccent, TV (213)NewFencing,Accent, 878-1155YorkGeddesSpecial Firearms, SpanishL9984Accent,833396 Agency Skills (312) Russian- Accent Singer, 787- 5C.L.Inc.Personal ft.CHICAGOCommercialGABRIEL'S 4(213)SEINFELDSpecial in.HenryCreditsH6173Singer Talent 200461-3971461-5699Management96 HOPE Ong SkillsFIRE Agencylbs. Agency TV TV AdultTV ANDREA ANNIE ROSE LOUISA ABBATE ABBOTT ABDOO ABERNATHY MOTHERBritishTHOMPSONSAccent,Ice(714) Skating,ONEFEATUREDSpecial Accent,Messages & SouthernM6668Credits INCHCHILD, 751-500796 Swimming, Skills New EXPRESS, FilmDIE, STAR Accent York- TV 5 ft.Cavaleri 8(818) in.L8722 122Adult 955-9300&96 Associates lbs. Mature (310)Cycling,5Sailing, ft.Commercial 274-93565GillaSpecial in.Swimming Equestrian,N0179 Scuba7820 Roos,13596 Skills Agencylbs. (212) Diving,Ltd. Guitar, Adult 727- IT'SMURDER,TALES APersonal MAD,(818)HenriWORLD OFM2916Credits SHE MAD, 784-0534Management96 BollingerTHE -
Virginian Writers Fugitive Verse
VIRGIN IAN WRITERS OF FUGITIVE VERSE VIRGINIAN WRITERS FUGITIVE VERSE we with ARMISTEAD C. GORDON, JR., M. A., PH. D, Assistant Proiesso-r of English Literature. University of Virginia I“ .‘ '. , - IV ' . \ ,- w \ . e. < ~\ ,' ’/I , . xx \ ‘1 ‘ 5:" /« .t {my | ; NC“ ‘.- ‘ '\ ’ 1 I Nor, \‘ /" . -. \\ ' ~. I -. Gil-T 'J 1’: II. D' VI. Doctor: .. _ ‘i 8 » $9793 Copyrighted 1923 by JAMES '1‘. WHITE & C0. :To MY FATHER ARMISTEAD CHURCHILL GORDON, A VIRGINIAN WRITER OF FUGITIVE VERSE. ACKNOWLEDGMENTS. The thanks of the author are due to the following publishers, editors, and individuals for their kind permission to reprint the following selections for which they hold copyright: To Dodd, Mead and Company for “Hold Me Not False” by Katherine Pearson Woods. To The Neale Publishing Company for “1861-1865” by W. Cabell Bruce. To The Times-Dispatch Publishing Company for “The Land of Heart‘s Desire” by Thomas Lomax Hunter. To The Curtis Publishing Company for “The Lane” by Thomas Lomax Hunter (published in The Saturday Eve- ning Post, and copyrighted, 1923, by the Curtis Publishing 00.). To the Johnson Publishing Company for “Desolate” by Fanny Murdaugh Downing (cited from F. V. N. Painter’s Poets of Virginia). To Harper & Brothers for “A Mood” and “A Reed Call” by Charles Washington Coleman. To The Independent for “Life’s Silent Third”: by Charles Washington Coleman. To the Boston Evening Transcript for “Sister Mary Veronica” by Nancy Byrd Turner. To The Century for “Leaves from the Anthology” by Lewis Parke Chamberlayne and “Over the Sea Lies Spain” by Charles Washington Coleman. To Henry Holt and Company for “Mary‘s Dream” by John Lowe and “To Pocahontas” by John Rolfe. -
World on Fire
Biographical Notes World on Fire Peter Bowker Writer, World on Fire MASTERPIECE fans remember Peter Bowker’s impassioned adaptation of Wuthering Heights from 2009, which captured Emily Brontë’s masterpiece in all its complexity. With World on Fire he has created a plot with even more twists, turns, and memorable characters, centered on the chaotic events at the outset of World War II. Bowker has been an established screenwriter in the U.K since penning scripts for Casualty in the early 1990s. Since then, he has written for many long-running series such as Where the Heart Is and Clocking Off. His original work has included Undercover Heart; Flesh and Blood, for which he won Best Writer at the RTS Awards; Blackpool, which was awarded BANFF Film Festival Best Mini-Series and Global Television Grand Prize; and Occupation, which was awarded Best Drama Serial at the BAFTA Awards, in addition to Best Short-Form Drama at the WGGB Awards and another RTS Best Writer Award. He has since written Eric and Ernie and Marvellous. Both productions have won prestigious awards, including a Best Drama BAFTA for Marvellous, which became the most popular BBC2 single drama of the last 20 years. Most recently he has written an adaptation of John Lanchester’s novel Capital and two series of the acclaimed The A Word. Julia Brown Lois Bennett, World on Fire Driven to escape her cheating lover and dysfunctional family, Julia Brown’s character in World on Fire finds a wartime role that exploits her remarkable singing talent. Luckily, Brown herself is a gifted vocalist and sang much of the soundtrack that accompanies the episodes. -
This Research Aims to Explore Schoolboy Fandom
Introduction This research aims to explore schoolboy fandom and identity politics in relation to the television text, ‘X-Men: The Animated Series’, which aired in South Africa during the early post-apartheid years (circa 1995). The text dealt with the oppression of and struggle by a band of ‘mutants’ for ‘mutant’ rights. The action took place in a fictional world where the ‘others’ were envisaged as ‘freaks’, ‘muties’ and ‘mutant terrorists’, where societal fear engulfed so-called ‘normal’ people, resulting in anti-mutant violence and persecution. The texts centred around this band of mutants as they learnt to control and master their powers whilst coming to accept their unique mutant abilities. This animated mutant world, with its forced detention camps, motifs of segregation, militant retaliation and forewarnings of ‘Apocalyptic’1 proportions must surely have rung bells globally for audiences able to relate to the themes of oppression and social marginalisation, not least those of the South African experience. Following the writings of De Certeau, Fiske, Jenkins and others about textual poaching and audience rewritings of texts, this research, using focus groups and interviews, will seek to establish how schoolboy audiences in Johannesburg in the mid to late 1990s understood societal ills through the text, and constructed ‘imagined communities’ as Benedict Anderson would describe (1983), through their rewritings of the texts. This analysis seeks to investigate such ‘fan culture’, and the ideology underpinning it. Audience perceptions, inscribed meanings and the activation of these audiences are themes that will be examined. Various narratives and characters will be identified through this ‘X-Men’ text, as examples of such icons that ‘imagined audience communities’ then create, 1 ‘Apocalypse’ is a nefarious character in the ‘X-Men’ and his sole intention is to cleanse the world of mankind, who he deems unworthy. -
At 35, Composer Joseph Williams Has Already Made a Significant Mark On
JOSEPH STANLEY WILLIAMS AWARDS / NOMINATIONS EMMY AWARD NOMINATION “Miracles” Outstanding Main Title Theme Music (2003) SONGS FOR FILM (source & featured) A.I. Artificial Intelligence Steven Spielberg, dir. WB *3 cues (source and featured) STAR WARS: EPISODE 1 George Lucas, dir. The Phantom Menace * 1 cue (featured) “Café Sequence” 20th Century Fox STAR WARS: EPISODE 2 George Lucas, dir. Attack Of The Clones *1 cue (featured) “Café Sequence” 20th Century Fox RETURN OF THE JEDI Richard Marquand, dir. 20th Century Fox *2 Songs (featured) “Lapti nek” & “Ewok Celebration” THE FURY Brian DePalma, dir. 20th Century Fox *2 Songs (source) THE GOONIES Richard Donner, dir. Amblin *1 Song (featured) “Save the Night” SPACE CAMP *1 Song (featured) “American Girl” Universal ACCIDENTAL TOURIST Lawrence Kasden, dir. *1 Song (source) TELEVISION WINDFALL (series) Fred Keller, Stan Salfas, Nancy Oliver, prods. Regency Television Fred Keller, Tawnia Cannell McKiernan, Steven Robman, dirs. CATEGORY 7 Robert Sertner, Frank von Zerneck, exec. prods. Von Zerneck Sertner Films Dick Lowry, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 JOSEPH STANLEY WILLIAMS MIRACLES (1 hr series) David Greenwalt, prod. ABC Matt Reeves, dir. *Main Title ROSWELL (1 hr. series – underscore) Kevin Brown, Jonathan Frakes, Jason Katims, WB/UPN Lisa Olin, prods. FELICITY (1 hr series) Mychelle Deschamps, Andrew Newman, WB Anthony Santa Croce, Lawrence Trillling, Gerrit van der Meer, prods. L.A. DOCTORS (1 hr series) Elizabeth Cantillon, prod. CBS EARLY EDITION (series) Kyle Chandler, John Romano, prods. CBS SLEEPWALKERS (series) David Goyer, Stephen Kronish, exec. prods. NBC Lee Bonner, David Nutter, Kristoffer Tabori, dirs. THE STREET (1/2 season – underscore) Darren Star, Jeff Rake, prods. -
In This Issue
wwwhe Miam, hurricane.miami.edui Hurricane/ Volume 74T, Number 5 University of Miami Tuesday September 17, 1996 Compliments outweigh complaints By CRISTINA ORTEGA Staff Writer It has been eight months since the George A. Smathers Wellness Center opened its doors and already it is evolving and changing. For one thing, the influence ofthe Wellness Center caused Campus Sports and Recreation, the center's administrative body, to change its name to the Department of Wellness and Recreation. The word "wellness" better describes the func tions sponsored by the center, said Patty Swift, the Wellness Center's assistant director of business and marketing. "But the name-change was just a technical change. Most of the concrete changes have been done in response to the complaints and suggestions of the people who use the facil ity," Swift said. "We are constantly trying to make the cen ter better." Patty Pujals, who works at the Wellness Center's front desk and pro shop, said she hears people compliment the facility all the time. "The alumni are always asking 'why didn't they have this when I was here?' Most people are very impressed when they first see the center," Pujals said. "People say it's like no other fitness facility they've ever seen." PUMPING UP: Dave Celfman, senior, obviously thinks the Wellness Center's worth it, as he lifts weights on Sunday night. SUN* WOODS/Photo Editor But, Pujals also hears plenty of complaints. "People don't like the music selection, they don't want to p«> VJn« entra. fees for aerobiCS Classes and tot \«sNe>.\ ser vice," Pujals said. -
A Complete Television Shows List Europe & Asia North America
A Complete Television Shows List Europe & Asia Alpha 0.7 - Der Feind in dir Liebe und Wahn Dangerous Liaisons Lüthi und Blanc Der Bestatter Polizeiruf 110 Die Snobs Stunthero Dr. Klein Stuttgart Homicide Eine für alle - Frauen können's besser Supermodel Geld oder Leben Tanzalarm! Lasko - The Fist of God Tatort North America 24 Banshee Burn Notice 90210 Barnaby Jones Californication $#*! My Dad Says Baywatch Carpoolers 10 Things I Hate About You Baywatch Nights Castle 12 Miles of Bad Road Beauty and the Beast Chaos 24: Redemption Beverly Hills, 90210 Charlie's Angels A to Z Big Time Rush Charmed Agents of S.H.I.E.L.D. Black Scorpion Chicago Hope Airwolf Body of Proof Chiefs Alias Bones Chop Shop Amen Boomtown Chuck American Horror Story Bosch Cleopatra 2525 Angel Brooklyn Bridge Cold Case Awake Brother's Keeper CollegeHumor Originals B.J. and the Bear Brothers & Sisters Cover Up Bad Judge Buffy the Vampire Slayer Crime Story Bad Teacher Bunheads Criminal Minds Crossing Jordan Hardball Last Resort Crumbs Hardcastle and McCormick Lauren CSI: Crime Scene Investigation Harry O LAX CSI: Miami Hart of Dixie Legends CSI: NY Hart to Hart Leo & Liz in Beverly Hills Curb Your Enthusiasm Hawaii Level 9 Dark Skies Hawaii Five-0 Leverage Day Break Hawaiian Heat Life Days of Our Lives Heroes Limestreet Designing Women Highway to Heaven Logan's Run Desperate Housewives Hit the Floor Longmire Dexter Hollywood Beat Lost Downtown House MacGruder and Loud Dynasty Houston Knights Magic City E-Ring How to Get Away with Murder Major Crimes Eagleheart Hunter -
Vol.41 N.17 November 21St 2013
California State University, San Bernardino CSUSB ScholarWorks Black Voice News Special Collections & University Archives 11-21-2013 Vol.41 n.17 November 21st 2013 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/blackvoice Recommended Citation CSUSB, "Vol.41 n.17 November 21st 2013" (2013). Black Voice News. 26. https://scholarworks.lib.csusb.edu/blackvoice/26 This Article is brought to you for free and open access by the Special Collections & University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Black Voice News by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. November 21, 2013 Volume 41 | Issue 17 Planes...Trains... Is Logistics Inland So Cal’s Future? Inland Southern California’s News Weekly theievoice.com | NOVEMBER theievoice.com21, 2013 | VOICE 1 VOICEPATRONS &PARTNERS Please join our growing list of concerned citizens who help us continue to provide a vital service ...keeping our community engaged, educated & informed. Join our growing list.... Ola Faye Stephens Arthur Levias Dr. Sterling Stuckey Webb Engineering Sandy Close Charlotte Hall Robin De-Ivy Allen TASIN (Tribal Alliance of Sovereign Indian Nations) Dr. Rod Parker Linda Jackson Hilda J Kennedy Acquanetta Warren Ronald Loveridge James Lee Pete Labahn Christine Ward Gailey Rose Mayes Zelma Willett Carole Nagengast Dolores Armstead Charles & Elaine Katie Greene Walter Allen Bibbs Don Griggs Jim King Dexter Minter As a VOICE Patron & Partner you can designate -
The Renaissance Tragic Interior and Its Classical Substructure
The Renaissance Tragic Interior and Its Classical Substructure A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature of the College of Arts and Sciences by Andrew Alexander MAT Miami University June 2005 MA (Hons) University of Glasgow June 1988 Committee Chair: J. Z. Kamholtz PhD Committee Members: J. Carlson PhD, M. Griffith MFA Abstract How similar is the Classical private interior which birthed the public archetype of the vir bonus to the idea of identity which we now label “modern’ and to which Shakespearean characters lay claim when they assert selfhood by name: “always I am Caesar”; “I am Antony yet”? Over the last 15 years or so, the emergent field of Classical scholarship which has followed the cultural materialist and New Historicist turn in English studies has led to a reconsideration of such questions. Taking advantage of these new lines of inquiry, this discussion examines the extent to which Early Modern identity, as revealed in the works of sixteenth and seventeenth-century tragedians, takes its psychological scaffolding from Classical models, originating with the archaic Greek heroes of Homer and modified by the rhetorical and theatrical tropes of writers and statesmen from the Roman Republic and Imperiate, such as Cicero, Seneca, and Quintilian. Each strand of the argument considers how Classical writers understood their own identities, both idealized and actual. Given that the influence of the Graeco-Roman psychological interior on its Renaissance successor is mediated by intervening centuries of Catholic ideology and Mediaeval appropriation, the avenues of reception for Classical thought in the Renaissance are considered as part of the argument. -
Sanibel Jacaranda
Mock evacuation Infinity Reeling 'n' rocking page 3A page 1B 1£!»*LCCC13486 1 q0 HR 1 123197 JANUARY 31, 1997 SAMBEL LIBRARY VOLUME 24 ! NUMBER 12 7 7C CLNLCP RD [SECTIONS, 44 PAGES anc S t M P E L F L 33957 REPORTER Plan calls for causeway to be replaced Planners OK single-span *skyf bridge to island By Mark S. Krzos News Editor As we know it, the Sanibel Causeway's days are numbered, at least according to the Sanibel Plan. Two weeks ago, the Sanibel Planning Commission adopted the Sanibel Plan, setting into motion plans to scrap the causeway's existing budges in favor of a fixed span bridge fiom the mainland to Sanibel. Planning Commissioners and city staff feel that doing away with the cur- rent bridges and islands is "the single most important improvement project which would improve hurricane evacu- ation safety." The Sanibel Plan, in two separate sections, states that the current bridges i are impractical for traffic flow and hur- ncane safety. Over the past five years traffic congestion on Sanibel roads has become a primary concern among Sanibel planning commissioners OK'd a plan to lar to the bridge to Fort Myers Beach — connecting islanders, businesses and tourists. replace the Sanibel Causeway, spoil islands and the island with the mainland. Commissioners say •please see page 2A vdrawbridge with a single-span "sky" bridge — simi- this option is best for traffic flow and evacuation. Juried art show winners Jacaranda fighting noise charges By Ron Hefner Sanibel's noise ordinance to acting On Jan. -
American Animated Action Teams and the Token Female
THE MODELS OF EMPOWERED FEMININITY WE OFFER YOUNG BOYS: AMERICAN ANIMATED ACTION TEAMS AND THE TOKEN FEMALE Matthew Diebler A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTERS OF ARTS May 2007 Committee: Jeffrey Brown, Advisor Becca Cragin ii ABSTRACT Jeffrey Brown, Advisor The very nature of a hero is to stand as a cultural ideal. The heroes we produce for our children are meant to function as their idealized cultural models, teaching them the positive value of specific embodied traits. This extends to gender: the gendered ideological statements made by these heroic characters promote a gendered cultural ideal. Traditionally, academics interested in female gender representation and children’s television have focused on shows targeting young girls. However, it is just as important to examine the representation of the heroic women in television shows aimed at young boys. Young boys grow into adult men and, in our patriarchal society, male expectations of women play largely into their expectations of themselves. Therefore, the heroines of series marketed at young boys represent the ideal cultural models of empowered femininity, influencing the expectations and criteria these boys will have for “strong” women as they grow into politically powerful men. With all this in mind, it then becomes important to examine these models of ideal empowered femininity. By examining the token females in American animated action/adventure team-based television series marketed toward young boys over the past 30 years (starting with Super Friends in the late 70s, He-Man and the Masters of the Universe, ThunderCats, and G.I. -
PDF EPUB} Beating Level Nine by Sahara Kelly Beating Level Nine by Sahara Kelly
Read Ebook {PDF EPUB} Beating Level Nine by Sahara Kelly Beating Level Nine by Sahara Kelly. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660a4f7d88132b71 • Your IP : 116.202.236.252 • Performance & security by Cloudflare. Level 9 (TV series) Level 9 is an American science-fiction television series created by Michael Connelly and John Sacret Young, that was broadcast on UPN from October 27, 2000 until January 26, 2001. Contents. Plot Cast Production Episodes Broadcast and syndication DVD release References External links. The series revolved around a secret agency within the government, staffed by government agents, tech-savvy geeks, and former criminal hackers, which is tasked with solving or preventing cyber crimes. Fabrizio Filippo as Roland Travis, a former criminal hacker given a choice between prison and joining Level 9. Kate Hodge as Annie Price, the Level 9 team leader and a former FBI agent. Michael Joseph Kelly as Wilbert "Tibbs" Thibodeaux Romany Malco as Jerry Hooten, formerly with the United States Postal Inspection Service.