This is a repository copy of “Of the Making of Magazines there is no End”: W.T. Stead, Newness, and the Archival Imagination. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/88203/ Version: Accepted Version Article: Mussell, J orcid.org/0000-0002-5697-1557 (2015) “Of the Making of Magazines there is no End”: W.T. Stead, Newness, and the Archival Imagination. ESC: English Studies in Canada, 41 (1). pp. 69-91. ISSN 0317-0802 https://doi.org/10.1353/esc.2015.0002 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ 1 “Of the Making of Magazines there is no End”: W.T. Stead, Newness, and the Archival Imagination When the British journalist W.T. Stead (1849-1912) launched the Review of Reviews in 1890, he excused his new monthly on the basis of its bibliographic function: Of the making of magazines there is no end.