Billys Holiday Music Credits
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Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion. -
Biografia Di Elvis Presley
NonSoloBiografie - Tutte le biografie nel web... NonSoloBiografie: Elvis Presley La leggenda del rock Elvis Aron Presley nasce a Tupelo, Mississipi, l'8 gennaio 1935 da Gladys Love Smith e Vernon Elvis Presley, in una casa di due sole stanze, costruita dallo stesso Vernon. Il fratello gemello di Elvis, Jessie Garon, nato morto solo poche ore prima, lascia Elvis unico figlio della famiglia Presley. Elvis cresce in una famiglia molto unita, costituita dai suoi genitori, i suoi nonni, zie, zii e cugini, che vivono tutti l'uno vicino all'altro. Il concetto di "famiglia" è qualcosa che resterà radicato in lui sempre, come fondamento dell'esistenza dell'essere umano. All'età di 10 anni il piccolo Elvis, in piedi su una sedia, con un microfono in mano, canta "Old Shep" ad un concorso per giovani talenti al "Mississipi - Alabama Fair and Dairy Show" di Tupelo. Il concorso è trasmesso alla WELO Radio, ed Elvis si aggiudica il secondo premio di 5.00$. Nel 1946, per il suo 12° compleanno, non potendo comprare la bicicletta che Elvis tanto desidera, la madre Gladys decide di regalare al figlio una chitarra... La prima chitarra di Elvis! Nel 1948, quando la crisi economica a Tupelo toglie ogni risorsa lavorativa e Vernon non riesce più a trovare lavoro, la famiglia Presley decide di spostarsi a nord, e precisamente a Memphis, nello stato del Tennessee. Vernon e Gladys Presley passano da un lavoro all'altro...mente Elvis frequenta la L.C. Humes High School e nello stesso tempo fa vari lavori per portare aiuto al mantenimento della famiglia. -
Elvis for Dummies‰
spine=.76” Music ™ The ultimate introduction to the Making Everything Easier! life and works of the King Want to understand Elvis Presley? This friendly guide covers Open the book and find: all phases of Elvis’s career, from his musical influences as a • The significance of the major teenager in Memphis and his first recordings to his days at events in Elvis’s career Graceland and the mystery surrounding his death. You’ll discover little-known details about his life, appreciate his • Meanings behind Elvis’s music contributions to music and film, and understand why his • The controversy over his musical Elvis work still resonates with so many people today. performing style Elvis • Explore Elvis’s musical roots — see how Elvis’s childhood and his • Career highlights that no other Southern background influenced the development of his sound performer has accomplished • Trace the beginnings of his storied career — be there as Elvis • A typical Elvis concert — what it makes his first recordings for Sun Records was like and what it meant • Relive the magic — experience the frenzy and excitement that • Details on Elvis’s television surrounded Elvis’s entrance to the national music scene appearances • Take a fresh look at Elvis’s films — understand the • The many ways fans keep Elvis’s misconceptions surrounding Elvis’s Hollywood career memory alive • Watch as Elvis reinvents himself — witness his comeback to live • An appendix of the important performances, culminating with an historic act in Las Vegas people in Elvis’s life Learn to: Go to dummies.com® • Look objectively at Elvis’s major life events, for more! both on and offstage • Identify Elvis’s influence on music, society, and popular culture • Explain to your friends why Elvis is the undisputed King of Rock ’n’ Roll $21.99 US / $25.99 CN / £15.99 UK • Appreciate Elvis’s enduring legacy and his place as an American cultural icon Susan Doll, PhD, is the author of numerous books on Elvis Presley. -
THE ROCK and ROLL DIARY of a JAZZ FAN by John Clare ______
WITNESSES OF THE THIRD COMING: THE ROCK AND ROLL DIARY OF A JAZZ FAN by John Clare _______________________________________________________ [This article appeared in the first edition of the magazine Extempore, November, 2008, where Miriam Zolin was managing editor.] 1. Antebellum Here is some contrary motion. Before rock and roll became rock—before the advent of the intellectual rock writer—this was the music of working class youth. It was soon the universal teenage music, as swing had been the universal youth music in another era; but it had that rebel cachet, and of course it carne directly from black and hillbilly minorities. Barely in advance of the rock and roll era, my family moved from Sydney to a company house in a leafy Essendon street replete with box hedges, and we became middle class overnight. My father, after much hard post war grind, had been sent to manage a cardboard carton factory in North Melbourne. John Clare: No sooner did his family become middle class, after a move to Melbourne, than he became a juvenile delinquent… I never really adjusted to this southward but upward movement. No sooner did we become middle class than I became a juvenile delinquent. By 1955 I had run away from home, stolen three cars in a hungry race to places where there might be work—unlikely as it was that a 14-year-old appearing down the road from nowhere would be employed—and finally rolled an FJ Holden ute down a hillside near Queenbeyan, where I went to jail, awaiting the juvenile court. 1 This shook me up, and I was desperate to atone for the distress visited on my parents. -
2017 Program
Honoring the Class of 2017 UNIVERSITY OF MICHIGAN Spring Commencement April 29, 2017 | Michigan Stadium Honoring the Class of 2017 SPRING COMMENCEMENT UNIVERSITY OF MICHIGAN April 29, 2017 10:00 a.m. This program includes a list of the candidates for degrees to be granted upon completion of formal requirements. Candidates for graduate degrees are recommended jointly by the Executive Board of the Horace H. Rackham School of Graduate Studies and the faculty of the school or college awarding the degree. Following the School of Graduate Studies, schools are listed in order of their founding. Candidates within those schools are listed by degree then by specialization, if applicable. Horace H. Rackham School of Graduate Studies .....................................................................................................26 College of Literature, Science, and the Arts ..............................................................................................................36 Medical School .........................................................................................................................................................55 Law School ..............................................................................................................................................................57 School of Dentistry ..................................................................................................................................................59 College of Pharmacy ................................................................................................................................................60 -
* • Most Played Juke Box Folk F Radio Station; Grant Taking (Country & Western) Records 3W 5 / Jocks, Jukes and Disks Based on Reports Received May 30, 31 and June 1
DAILY) 46 ORCHESTRAS- MUSIC Crosby Set to Buy Monterey * • Most Played Juke Box Folk f Radio Station; Grant Taking (Country & Western) Records 3w 5 / Jocks, Jukes and Disks Based on reports received May 30, 31 and June 1 By MIKE CONNOLLY Entertainers to Texas GIs .By HERM SCHOENFELD. Records listed are Country and Western records most played in juke boxes according to The , DOWN THE HATCH: Four masked members of Alcoholics Anony- ^~ t^*S , BY WALTER AMES tS~" 3"~ >S~f Andrews Siste s- Gordon Jenkins chances, Fontane Sisters joining Billboard's special weefcly Mrvay among a selected group of juke bc> operators whose locations require Country and Western records. £J.us are slated to make sobriety pitches on KLAC- TV's "Freedom Orch: "I'm in Love Again"- "It Como for a bouncy side. Mitchell It looks as If Bing Crosby is about to add another radio Never Entered My Mind" (Decca). Ayres orch backs up. POSITION jjkrum some Sunday soon. Sunday, by coincidence, is Hangover station to his two- station chain. Over the week end he filed an A click double- decker of standards Nat "King" Cole: "My Brother"- Weeks | Last I this Ay for some of our best friends . Jack Schwarz Productions to date| WeekiWeek application with the Federal Communications Commission for by the same team which hit last "Early American" (Capitol). A I •« been refinanced to the tune of 250 G's . Local seven- cent year with "I Wanna Be Loved." coupling of dubious tunes for the 6 3 1. 1 WANT TO BE WITH YOU permission to purchase KMBY at Monterey, Cal. -
The Perth Sound in the 1960S—
(This is a combined version of two articles: ‘‘Do You Want To Know A Secret?’: Popular Music in Perth in the Early 1960s’ online in Illumina: An Academic Journal for Performance, Visual Arts, Communication & Interactive Multimedia, 2007, available at: http://illumina.scca.ecu.edu.au/data/tmp/stratton%20j%20%20illumina%20p roof%20final.pdf and ‘Brian Poole and the Tremeloes or the Yardbirds: Comparing Popular Music in Perth and Adelaide in the Early 1960s’ in Perfect Beat: The Pacific Journal for Research into Contemporary Music and Popular Culture, vol 9, no 1, 2008, pp. 60-77). Brian Poole and the Tremeloes or the Yardbirds: Comparing Popular Music in Perth and Adelaide in the Early 1960s In this article I want to think about the differences in the popular music preferred in Perth and Adelaide in the early 1960s—that is, the years before and after the Beatles’ tour of Australia and New Zealand, in June 1964. The Beatles played in Sydney, Melbourne, Brisbane and Adelaide but not in Perth. In spite of this, the Beatles’ songs were just as popular in Perth as in the other major cities. Through late 1963 and 1964 ‘I Want to Hold Your Hand,’ ‘I Saw Her Standing There,’ ‘Roll Over Beethoven’ and the ‘All My Loving’ EP all reached the number one position in the Perth chart as they did nationally.1 In this article, though, I am not so much interested in the Beatles per se but rather in their indexical signalling of a transformation in popular music tastes. As Lawrence Zion writes in an important and surprisingly neglected article on ‘The impact of the Beatles on pop music in Australia: 1963-1966:’ ‘For young Australians in the early 1960s America was the icon of pop music and fashion.’2 One of the reasons Zion gives for this is the series of Big Shows put on by American entrepreneur Lee Gordon through the second half of the 1950s. -
'All Rock and Rhythm and Jazz': Rock'n'roll Origin Stories and Race In
(A shorter version of this article, with the same title, appeared in Continuum: Journal of Media and Cultural Studies , vol 21, no 3, 2007, pp. 379-392) ‘All Rock and Rhythm and Jazz’ : Rock’n’Roll Origin Stories and Race in Australia They had a high-fi phono Boy, did they let it blast 700 little records All rock and rhythm and jazz (Chuck Berry ‘C’est La Vie (You Never Can Tell)’ (1964)) Rock’n’Roll Stories Where did rock’n’roll come from? The Australian narrative was, and to some extent still is, that rock’n’roll was the debased progeny of jazz, as was rhythm and blues to the extent that Australians made a generic distinction. This answer suggests two further questions. First, how do Australians think about jazz? Second, what were the conditions that enabled jazz to occupy such a central position in Australian popular music that the next major, popular music form could be narrativised as having a heritage in jazz? These questions need to be set into a more general, overarching question: how did Australia’s attitudes towards race affect people’s understandings of jazz and of rock’n’roll? The difficulty in writing about the discursive connections between what is constructed as ‘jazz’ in and as ‘rock’n’roll’ in Australia is that here, as elsewhere, and most importantly in the United States, the critical discourses relating to jazz and rock’n’roll are divergent in significant ways. As Matt Brennan writes: ‘In the first half of the twentieth century, conservative critics notoriously dismissed jazz on the grounds that it was primitive, vulgar and achieved popularity by appealing to the lowest common denominator of public taste.’ Behind the claims was a racial argument: white critics attacking an African-American musical form and, by implication, African-Americans. -
Yours Jerry Lee Lewis.Pdf
ROCKIN’ AT THE CITY HALL, HOBART 1959 - 1960 **** 23 January 2018 March 1959. The Big Show- the Lee Gordon Big Show, at the City Hall. Other teenagers were crowding the entrance, most arriving by the green and yellow Metropolitan trams and buses, or walking. Some parents dropped their teenagers off. Boys smelling of ‘Brylcream’ and ‘California Poppy’, hair slicked back. My school mate Dave Wilson and I are wearing our suits and ties which we wore to Hobart High School that day so we could go to the concert well-dressed. We line up for tickets, two middle class 14 year olds with stars in our eyes. We’re going to the early evening show at 6.15pm. In through the doors. A moment in time - in our town, our own place. Over there was The Mainland – Melbourne - Sydney- that’s was where ships went - an epic journey away. Somewhere there was Memphis, Tennessee. During the day, the crinkly-haired State Premier, Eric Reece, gave a reception for the first Big Show stars, the first performance of their Australian tour with Mr Reece, Johnny O’Keefe and Frankie Avalon in suits and ties. I was enthralled with entertainers ever since my Aunt & Uncle had taken me, aged 9, to see a relative play the organ for the Follies at the Theatre Royal, Hobart. It was Vaudeville – a variety show, with Max & Stella Reddy, comedians, magicians, jugglers. Afterwards we met Uncle Geoff Robertson and some of the performers. I later heard Australian country singers, the LeGarde Twins and Smoky Dawson in their tent shows at the Hobart Regatta, The music, mostly from the USA shook my life in suburban Hobart, as much as any other city in the world, spread by radio stations with Top Ten and Top 40s. -
![Doyle, Peter. Signs and Wonders [Online]. Meanjin, Vol. 65, No. 3](https://docslib.b-cdn.net/cover/4545/doyle-peter-signs-and-wonders-online-meanjin-vol-65-no-3-5364545.webp)
Doyle, Peter. Signs and Wonders [Online]. Meanjin, Vol. 65, No. 3
[ESSAY] SIGNS AND WONDERS PETER DOYLE REFLECTS ON THE PORTENT-FILLED TOUR OF LITTLE RICHARD IN AUSTRALIA DURING 19S7 'I had never been so far on a plane before. It worked on my mind.' —Little Richard Penniman, speaking in 1984 of his 1957 Australian tour IN late September 1957 Little Richard, Gene Vincent, Eddie Cochran and a now forgotten female singer named Alis Leslie, along with their various backing bands, touched down in a Pan-Am Constellation at Sydney airport. They were accom panied by two of the hardest-playing, hardest-living groups of musicians in the business—Richard by his road band the Upsetters, Vincent by the Blue Caps. The ragtag bunch of pompadour-sporting, tiger-stripe-jacket, black-jeans-and-satin pants-wearing delinquent lookalikes were scheduled to perform an extended circuit of stadium shows around Australia for high-flying promoter Lee Gordon. It was the height of the rock'n'roll craze. Rock'n'roll wasn't the biggest news that week, however. A few days earlier the Soviets had launched Sputnik 1 from a remote cosmodrome in Kazakhstan, comprehensively trumping the USA in the space race, and edging forwards in the Cold War. 'Satellite' became an instant buzzword, and its sinister, hyper-modern [15]' PETER DOYLE shape—like a Second World War ocean mine with antennae—became a trade mark of the decade. Even the most dispassionate commentators in the West were freaked by the launch of Sputnik. To people of already overheated fundamental ist religious conviction, the new light in the sky was a clear and unmistakable sign of the imminent end of worldly existence. -
Feature Pitch Memo 4.26.19
WGA Weekly Feature Memo – April 26, 2019 We are excited to send you this inaugural edition of the WGA Weekly Feature Memo for your consideration. Each Friday's memo will present log lines for available specs and pitches submitted by WGA writers. If you'd like to read a spec, hear a pitch or set a general meeting, click the link to a writer’s profile. There you will find their authorized representatives and a link to “contact the writer” directly. We are thrilled to be off to a great start, with hundreds of submissions and hundreds of subscribers. Since our first edition is longer than we expect the typical Memo to be, for one time only we’ll also be doing a bonus edition this coming Tuesday! Starting next Friday, we’ll settle into our weekly routine. You can also check out features writers on Twitter under the hashtags #WGAWeeklyMemo and #WGAFeatureBoost Please forward this email to other feature producers and development executives who may want to receive the Memo. They can subscribe here. Concepts remain the property of the writers submitting them FEATURE SPECS 21st C. Sci-Fi/Gothic Horror Writer: Seth Lochhead (Profile) Title: SOMNIUM Targets: A24, Focus Features, Fox Searchlight Logline: Set in an isolated mining facility in the far north of Alaska, SOMNIUM is the story of Karin Anderrson whose dream to become an astronaut slowly turns into a nightmare. Ex Machina/The Thing meets Frankenstein. Action Writer: Don Perez (Profile) Title: The Invincibles Logline: A team of four superheroes from around the globe (America, China, Africa, India) unite to combat a supervillian and his army of shapeshifting warrior monks who seek a weapon that will grant immortality.