The Cambridge History of American Theatre Edited by Don B

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Cambridge University Press 978-0-521-67985-5 — The Cambridge History of American Theatre Edited by Don B. Wilmeth , Christopher Bigsby Index More Information

Index

Abady, Josephine, 484 325, 328, 331–332, 335–342, 358, 363, 396, ABBA, 458 399, 407, 410, 469, 483–484 Abbott, George, 125, 171, 426, 430, 431, 433, Albee, Reed, 318 434, 437, 439, 441, 469, 472 Alcestis, 278, 285 ABC-Paramount, 174 Aldredge, Theoni V., 530 Abdoh, Reza, 274–275, 485 Alexander, Jane, 176 Abstract Expressionism, 93, 119 Alice, Mary, 388 Absurdism, 95, 97, 111, 113, 120, 134, 135, 141, Alice (R. Wilson), 278–279 151, 209, 212, 308, 332, 344, 396, 469 Alice in Wonderland, 211, 278–279 Abundance (Henley), 382 All About Eve, 437 Acconci, Vito, 148, 289 All-American, 437 Achebe, Chinua, 358 All in the Timing (Ives), 218 Act, The, 183 All My Sons (A. Miller), 97, 295, 296, 298, 299, Acting Company, the, 219–220 331, 406, 407, 414 Action (Shepard), 344 All Over (Albee), 337, 339, 340–341, 342 Actions, 268 All-Star Revue, 168 Actors’ Equity, 107, 172, 175, 188, 197, 244 Allegro, 421–422, 424, 425, 467 (+ n. 2) Actors Studio, The, 97, 112, 166, 468, 492–498, Allen, Woody, 525 500, 501–502, 503–504, 505 Alley Theatre, 126, 210, 231–232, 233 Actors Theatre of Louisville, 239, 241, 382, Alliance Theatre Company, 239 474 Allyson, June, 132 Actor’s Workshop, The, 176, 233–234 Altman, Robert, 315 ActUp, 154 Alton, Robert, 431 Adams, Lee, 436–437, 454 Am I Blue (Henley), 382 Adler, Richard, 433, 434, 436 Amadeus, 184 Adler, Stella, 96, 492, 496–498, 499, 500, 502, Amant militaire, L’ (Goldoni), 257 503 Ambrosio (Linney), 219 Adventures of Huckleberry Finn, The (Twain), Ambush, Benny Sato, 484 185 America Hurrah! (Van Itallie), 135, 207, 256, advertising, 101, 171 276, 314 Afro-American Studio, 260 America Play, The (Parks), 152 After the Fall (A. Miller), 10, 15–16, 176, American Academy of Dramatic Arts, 491 322–323, 406, 414, 468 American Archeology #1 (Monk), 282 Ahrens, Lynn, 460, 461, 462 American Buffalo (Mamet), 208, 366, 367, 368, AIDS, 154, 155 369 Ain’t Misbehavin’, 184, 451 American Clock, The (A. Miller), 415 Ain’t Supposed to Die a Natural Death, 182, 450 American Conservatory Theatre, 127, 239, Akalaitis, JoAnne, 127, 146, 189, 200, 211, 216, 240–241 288, 289, 481, 482, 526 American Daughter, An (Wasserstein), 381 Akins, Zoë, 321 American Dream, The (Albee), 9, 113, 309–310, Alabama Shakespeare Festival, 240 311, 316, 336, 337 Albee, Edward, 9, 15, 113–114, 152–153, 172, American Indian Community House, 263 173, 196, 203, 204, 219, 309–311, 316–318, American Laboratory Theatre, 490, 491

554

© in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-67985-5 — The Cambridge History of American Theatre Edited by Don B. Wilmeth , Christopher Bigsby Index More Information

Index 555

American National Theatre, 487 Applause, 437 American National Theatre and Academy Apple, The (Gelber), 310 (ANTA), 220, 226, 227, 322 Apple Tree, The, 438 American Negro Theatre, 130 Approaching Simone (Terry), 322 American Pastoral (Roth), 2, 4–5 Approaching Zanzibar (Howe), 151 American Place Theatre, 216 Arcenas, Loy, 529 American Playground, 266 Archbishop’s Ceiling, The (A. Miller), 414–415 American Repertory Theatre, 127, 240, 242, Arden, Eve, 308 245, 250, 278, 288, 458, 481 Arena Stage, 16, 126, 127, 175, 228, 229, American Shakespeare Festival, 240 232–233 American Shakespeare Theatre, 470 Aristophanes, 121 American Tragedy, An (Dreiser), 504 Aristotle, 116, 159 Anderson, Laurie, 17, 158, 280, 284–285, 378 Arkin, Alan, 208 Anderson, Maxwell, 3, 89, 105, 294, 301, 302, Arlen, Harold, 422, 429, 449 422 Arnone, John, 213, 529 Anderson, Robert, 164, 167, 302, 333 Aronson, Boris, 125, 451–452, 515, 516 Anderson, Sherwood, 3 Aronson, Frances, 530 Andersson, Benny, 458 Aronstein, Martin, 530 Andrews, Julie, 190, 428, 435–436, 507 Arrabal, Fernando, 201 Andrews, Raymond, 277 ART (American Repertory Theatre), 127, 240, Andrews Sisters, 451 242, 245, 250, 278, 288, 458, 481 Andy Warhol’s Last Love, 274 Art (Reza), xvii, 191–192, 193 Angel City (Shepard), 344 Art of Loving, The (Fromm), 7, 9 Angelface (Foreman), 280 Artaud, Antonin, 10, 15, 18, 119, 120, 138, Angels Fall (L. Wilson), 399 175, 198, 211, 253, 254–255, 271, 338, 344, Angels in America: A Gay Fantasia on National 476 (+ n. 8), 477, 509, 510, 511 Themes (Kushner), 19, 115, 126, 154–155, Artifical Jungle (Ludlam), 261 189–190, 332, 403–405, 484–485 As Is (Hoffman), 154, 212 Angels of Light, 262 Ashbery, John, 119 Angels of Swedenborg, The (Chong), 283 Ashman, Howard, 213, 458 Animation (Breuer), 211, 289 Asolo Center for the Performing Arts, 240 Ann-Margret, 301 Aspects of Love, 459 Anna Christie (O’Neill), 434, 501 Assassins, 213, 460 Anna Lucasta (Yordan), 130 Assistant, The (Malamud), 6 Anne of the Thousand Days (M. Anderson), Association of Producing Artists (APA), 301 176–177, 205, 250 Annex, the, 201 At the Chelsea, 273–274 Annie, 182, 454, 458, 459, 461 At The Foot of the Mountain, 262 Annie Get Your Gun, 425, 507 Atkinson, Brooks, 103, 110, 172, 178, 220, 238 Annie Warbucks, 459–460 Atlantic Theatre, 208 Anniversary Waltz, 168 ATLAS: an opera in three parts (Monk), 283 Anniversary Waltz (Shaw/Weaver), 263 Auden, W.H., 119, 252 Another Part of the Forest (Hellman), 301 audience figures, 102, 110 Another Person Is a Foreign Country (Mee), audience participation, 12, 136, 158, 177, 318, 275, 486 338–339 Anouilh, Jean, 170, 396 Auslisi, Joseph G., 530 ANTA (American National Theatre and Austin, Lyn, 216 Academy), 220, 226, 227, 322 Auto, 273 Antenna, 273 Autumn Garden, The (Hellman), 302 Anthony, Joseph, 467 Awake and Sing (Odets), 491, 500 Antigone, 269, 318 Axelrod, George, 166 Antin, Eleanor, 291 Ayckbourn, Alan, 213 Any Woman Can’t (Wasserstein), 381 Anyone Can Whistle, 441 B. Beaver Animation (Breuer), 288 Anything Goes, 189, 440, 461, 515 Babbitt, Milton, 91 APA (Association of Producing Artists), Babe, Thomas, 199 176–177, 205, 250 Bacall, Lauren, 455 Apocalypse cum figuris, 319 Bacchae, The (Euripides), 136, 272, 319, 477 Apollo Theatre, 191 Bachelor Girls (Wasserstein), 381 Appia, Adolphe, 514 Back Bog Beast Bait (Shepard), 343–344

556 Index

Bad Habits (McNally), 212–213 Beauty Queen of Leenane, The (McDonagh), Bad Penny (Wellman), 217 xvii, 193 Bad Seed, The (M. Anderson), 302 Beck, Julian, 11, 12, 118–119, 142, 203–204, Baile de los Gigantes, El, 258 251–252, 254–255, 269–270, 318, 333, 334, Bailey, Pearl, 449 338, 467, 477, 509, 510 Baitz, Jon Robin, 213 Beckett, Samuel, 108, 113, 132, 134, 166, 201, Baker, Carroll, 505 204, 211, 214, 221, 234, 260, 288, 304, 308, Baker, Word, 446 309, 315, 332, 334, 336, 339, 344, 469, 481 Baker’s Wife, The, 447 Beggar’s Theatre, the, 273 Balanchine, George, 94, 430 Begley, Ed, 296 Balcony, The (Genet), 204, 211, 272, 316 Behrman, S.N., 105 Bald Soprano, The (Ionesco), 204 Bel Geddes, Norman, 89, 515 Baldwin, Alec, 365, 508 Belafonte, Harry, 429 Baldwin, James, 6, 13, 321, 393 Belasco, David, 89, 514, 518 Ball, Lucille, 437 Bell, Daniel, 4, 12 Ball, William, 240–241, 475 Bell, John, 485 Ballad of the Sad Café, The (Albee), 316 Belle Reprieve, 264 Ballad of the Sad Café, The (McCullers), 316 Bellow, Saul, 6, 7, 341 Ballard, Lucinda, 518 Bells Are Ringing, 426, 431, 434 Ballroom, 448 Belmondo, Jean-Paul, 112 Balm in Gilead (L. Wilson), 208, 315–316, 397 Bennett, Michael, 125, 145, 179, 180–181, 188, Baltimore Waltz, The (Vogel), 154, 380 200, 443, 444, 448, 456, 457, 482 BAM Theatre Company, 218 Benthall, Michael, 471 Bancroft, Anne, 97, 168 Bentley, Eric, 95 Bankhead, Tallulah, 402 Berad, Mark, 529 Baptism, The (Baraka), 130–131, 320, 363 Berezin, Tanya, 208, 212 Baraka, Amiri (LeRoi Jones), 14, 129–131, 140, Berghof, Herbert, 499 204, 214, 260, 320–321, 336, 363–365, 386, Bergman, Ingmar, 179, 218, 286, 452 393, 394 Berkeley, Busby, 450 Baranski, Christine, 213 Berkeley Repertory Theatre, 240 Barba, Eugenio, 139–140, 271 Berky, Bob, 215 Barefoot in Athens (M. Anderson), 302 Berlin, Irving, 122, 425, 426, 436 Barefoot in the Park (Simon), 133, 326, 402, Berlin, Pamela, 484 473 Berlin Stories (Isherwood), 439 Barnum, 455, 460 Berliner Ensemble, 471 Barr, Richard, 173, 204 Bernhardt, Elise, 282 Barrault, Jean-Louis, 13 Bernstein, Aline, 517, 518 Barreca, Chris, 529 Bernstein, Elmer, 436 Barry, Philip, 3 Bernstein, Leonard, 91, 124–125, 171, 180, 430, Barrymore, John, 514 431–432, 435, 454 Bart, Lionel, 441 Berrigan, Daniel, 10 Bartenieff, George, 219 Berry, Brenda, 530 Barter Theatre, 228 Berry, Chuck, 121 Barth, John, 10 Besoyan, Rick, 440 Barthelme, Donald, 10 Best Little Whorehouse Goes Public, The, 459 Basic Training of Pavlo Hummel, The (Rabe), Best Little Whorehouse in Texas, The, 456 199, 400–401 Best Man, The (Vidal), 168 Battle of Angels (T. Williams), 305 Betti, Ugo, 271 Baumol, William, 242, 243 Beyond the Mountains (Rexroth), 252 Bay, Howard, 442 Big, 461 Beard, The (McClure), 116, 314 Big Knife, The (Odets), 301 Beast’s Story, A (Kennedy), 360, 362–363 Big River: The Adventures of Huckleberry Finn, Beat movement, 114–116, 119, 130, 343, 344, 126, 185, 458 363 “Big Spender,” 437 Beatlemania, 451 Bigsby, Christopher, 332 Beatles, the, 123, 134, 137, 138, 141 Bijou Theatre, 186 Beatty, John Lee, 529–530 Billington, Ken, 530 Beauty and the Beast (Disney), 157, 191, 213, Billy Rose Theatre, 310, 316, 317, 340 459 Biloxi Blues (Simon), 184, 402 Beauty and the Beast (Split Britches), 263 Birkenhead, Susan, 460

Index 557

Bishop, André, 189, 213, 461 Bovasso, Julie, 139 Bjorson, Maria, 530 Bowen, William, 242, 243 Black, Don, 459 Bowie, David, 19, 143, 182, 525 Black Arts Repertory Theatre/School, 260, Box (Albee), 15, 316, 317, 336, 338, 340, 341 320, 364 Boy & Tarzan Appear in a Clearing (Baraka), Black Bart and the Sacred Hills (A. Wilson), 365 384 Boyd, Julianne, 480 Black Children’s Day (Kennedy), 362–363 Boys from Syracuse, The, 440 Black Crook, The, 158 Boys in the Band, The (Crowley), 153, 204, 404 Black-Eyed Susan (Susan Carlson), 209 Brace Up!, 148, 286–287 Black Horizons Theatre Company, 384 Bradley, Scott, 530 Black Maria (Jesurun), 215 Branch, William, 130 Black Mass, A (Baraka), 365 Brando, Marlon, 97, 111–112, 114, 121, 301, Black Mountain College, 253, 271 502–504, 505, 506 Black Rider, The (Burroughs), 278 Brautigan, Richard, 10 Black Theatre Alliance, 260 Bread and Puppet Theatre, 13, 134–135, 215, Black Water Echo (Finneran), 282 265, 273, 319 Blackboard Jungle, The, 121 Breakfast at Tiffany’s (Albee), 316, 340 Blackmer, Sidney, 307 Breakfast at Tiffany’s (Capote), 316 Blacks, The (Genet), 204 Brecht, Bertolt, 95, 119, 120, 124, 135, 138, Blau, Herbert, 176 146, 152, 204, 205, 234, 271, 272, 396, Blausen, Whitney, 530 439–440, 479, 484, 487, 510, 511 Blessing, Lee, 219 Brecht, Stefan, 277 Blitzstein, Marc, 439–440 Breen, Robert, 225–226 Blood Brothers, 459 Breuer, Lee, 146, 210, 211, 215, 287–289, 483 Bloolips, 264 Bricusse, Leslie, 441, 461 Bloomer Girl, 419, 422, 449 Brig, The (K. Brown), 138, 203, 255, 318, 509 Bloomgarden, Kermit, 166 Brigadoon, 295, 424, 425, 458 Blossom Time, 429 Bright Room Called Day, A (Kushner), 403 Blue, Herbert, 233, 234 Brightman, Sarah, 188 Blue Man Group, 290 Brightness (Chong), 283 Bluebeard (Ludlam), 209, 261 Brighton Beach Memoirs (Simon), 184, 402 Blues for Mister Charlie (Baldwin), 321, 393 Bring Back Birdie, 454 BMI Musical Theatre Workshop, 458 Bring in da Noise, Bring in da Funk, 190, 460, Boal, Augusto, 265–266 461 Bock, Jerry, 435, 437–438 Brisson, Frederick, 171 Boesche, John, 530 Broadway, 1–2, 15, 16, 99 Bogart, Anne, 127, 216, 220, 275, 484, 485–486 Broadway Alliance, 190 Bogeyman, 275 Broadway Bound (Simon), 184, 402 Bogosian, Eric, 216 Broadway Jamboree, 168 Bohème, La, 219, 461 Broadway Musical, A, 454 Boleslavski, Richard, 490, 491 Broadway Open House, 168 Bolger, Ray, 430, 437 Brockmeyer, John D., 209 Bolt, Robert, 138, 172 Broderick, Matthew, 190 Bolton, Guy, 94 Broken Glass (A. Miller), 331, 406, 407, Bond, Edward, 138 411–414 Bone-the-Fish (Kopit), 352 Brook, Peter, 138–139, 170, 175, 198, 201, 215, Bonﬁre of the Vanities, The (Wolfe), 408 218, 284, 319, 440, 467, 475, 476, 528 Book of Splendours, Part Two (Foreman), 210, Brooklyn Academy of Music, 180, 210, 218, 280 269, 277, 278, 288, 289 Boom, 324 Brooks, Mel, 437 Booth, Shirley, 307 Brooks Atkinson Theatre, 315, 326 Booth Theatre, 180 “Brother, Can You Spare a Dime?,” 199, 422 Bordman, Gerald, 442 Brothers Karamazov, The (Dostoevsky), 274 Borodin, Alexander, 429 Brown, Arvin, 474 Bosoms and Neglect, 184 Brown, Charles, 214 Botticelli (McNally), 401 Brown, Harry, 232 Boublil, Alain, 458, 459, 461 Brown, Kenneth, 119, 138, 203, 255 Boulez, Pierre, 119 Brown, Norman O., 4, 135, 141 Bourne, Bette, 264 Brown, Pat, 484

558 Index

Brown, Trisha, 278 Camus, Albert, 111, 141 Brown, Zack, 530 Can-Can, 167, 426, 433, 434 Brownsville Raid, The (Fuller), 393 Candidate (Fuller), 394 Bruce, Lenny, 148, 286 Candide, 123, 136, 180, 430, 461, 476, 516 Brustein, Robert, 19, 120, 224, 225, 241–242, Capitol, 174 245 Capote, Truman, 6, 10, 316, 422 Brynner, Yul, 182, 451 Caravan Theatre, 262 Bubbling Brown Sugar, 451 Carlson, Susan (Black-Eyed Susan), 209 Buch, René, 214, 475 Carmelina, 454 Büchner, Georg, 279, 288 Carmines, Al, 206 Buckley, William F., Jr., 241 Carnival, 172, 437 Buddy, 459 Carousel, 295, 327, 420–421, 424, 427, 431–432, Buddy Systems (T. Miller), 292 461, 507 Buffalo Bill and the Indians (Kopit), 315 Carrey, Jim, 508 Bullins, Ed, 129–130, 131, 140, 201, 214, 260, Carroll, Lewis, 210 321, 384, 393, 399 Carroll, Vinette, 182, 450, 475 Bullock, Sandra, 508 Cascando (Beckett), 288 Burden, Chris, 148, 289 cast recordings, 98, 123, 167 Buried Child (Shepard), 142, 143, 207, 343, Castaneda, Carlos, 137 348–350, 351, 352 casting, 475, 479, 506 Burlin, Paul, 93 Casualties of War, 401 Burn This (L. Wilson), 399 Cat o’ Nine Tails (Hughes), 264 Burner’s Frolic (Fuller), 394 Cat on a Hot Tin Roof (T. Williams), 164, 302, Burnham, Linda, 290 305, 335, 468–469 Burning City Theatre, 266 Cats, 2, 144, 187, 188, 191, 402, 446, 457, 507 Burroughs, William, 10, 114 CBS, 180, 190 Burrows, Abe, 430, 467 Center Stage, 239 Burstyn, Ellen, 181, 505 Center Theatre Group, 239 Burton, Richard, 182, 311, 324, 340, 436 Ceremonies in Dark Old Men (Elder), 129, 214, Bus Stop (Inge), 110, 111, 164, 307, 505 321, 393 Butler, Michael, 143, 443 Chagall, Marc, 125, 438, 516 Butley, 180 Chaikin, Joseph, 135, 207, 255–256, 257, 262, Button, Jeanne, 530 289, 319, 344, 360, 477, 510 Bye Bye Birdie, 122, 436–437, 472 Chambers, Jane, 262 Byrd Hoffman Foundation, 146 Champion, Gower, 185, 437, 439, 441, 442, 445, Byrd Hoffman School of Byrds, 276 454, 471, 472 Byrne, David, 145 Chance Theatre, 138 Chang, Tisa, 214, 480–481 Cabaret, xvii, 125, 174–175, 439, 447, 448, 455, Changing Room, The, 180 516 Channing, Carol, 426, 442, 507 Caesar, Sid, 133, 168, 402, 437 Chapman, David, 525, 530 Caesar and Cleopatra (Shaw), 174 Chapman, John, 103 Caffe Cino, 139, 153, 198, 206, 313, 315 Charley’s Aunt (Thomas), 430 Cage, John, 117, 119, 120, 253–254, 271, 278, Charnin, Martin, 444, 454 313 Chavez, Cesar, 258, 259 Cage aux Folles, La, 184, 455, 526 Chayevsky, Paddy, 168 Cahn, Sammy, 426 Che!, 12 Caird, John, 185 Cheever, John, 10 Cal Arts, 291 Chekhov, Anton, 204, 211, 249, 263, 286, 367, Caldwell, Zoe, 506–507 381, 481, 490 California Suite (Simon), 402 Chelsea Theatre Center, 218, 473 Call Me Madam, 425, 431, 507 Chereau, Patrice, 526 Call Me Mister, 422 Cherry Lane Theatre, 107, 119, 252 Calm Down Mother (Terry), 322 Cherry Orchard, The (Chekhov), 180, 367, 481 Camel (Mamet), 366 Chess, 456, 458 Camelot, 168, 172, 435–436, 519 Chiang, Dawn, 530 Camille (Ludlam), 153, 209, 261 Chicago, Judy, 291 Camino Real (T. Williams), 164, 302, 305, 335 Chicago (musical), 125, 182, 448–449, 472 Campbell, Joseph, 135 Chicago (Shepard), 313 Campbell, Patton, 530 Children of a Lesser God (Medoff), 184, 245

Index 559

Childress, Alice, 129–130, 321 Coleridge, Samuel Taylor, 116 Childs, Lucinda, 145, 278, 282 Collins, Pat, 530 Chilton, Nola, 135, 256 Colón, Miriam, 214, 259, 475 Chinoiserie (Chong), 210, 283 Color Purple, The (Walker), 375 Chomsky, Noam, 13 Colored Museum, The (Wolfe), 200 Chong, Ping, 17, 139, 210, 215, 218, 283, 284, Colt, Alvin, 518 483 Comden, Betty, 167, 431, 436, 449, 454, 455, Chorus Line, A, 2, 125, 145, 180–181, 182, 191, 460 200, 205, 446, 448, 458, 482, 507, 515, 520 Come Back, Little Sheba (Inge), 110, 164, 307 Chronicle of a Death Foretold, 461 Come Blow Your Horn (Simon), 133, 325–326, Churchill, Caryl, 199, 220, 334 402 Chute, B.J., 436 Come Home (Bullins), 321 Cincinnati Kid, The, 366 commedia dell’arte, 257, 261 Cincinnati Playhouse in the Park, 240 Commune, 272 Cinderella, 427 Company, 125, 145, 179, 192, 451–452, 507, 516 Cino, Joe, 139, 198, 206, 315 Compass Players, 208, 256 Circle in the Square, 108, 178, 198, 202–203, conferences, 245–246, 258 220, 470 Confessions of a Black Working Class Woman Circle Repertory Company, 198, 208, 212, 220, (McCauley), 292 315, 473 Congeries on Edges for 20 Obliques (Childs), circus, 158 278 Circus Valentine (Norman), 376 Conklin, John, 127, 517, 530 Cirque du Soleil, 158 Connection, The (Gelber), 119–120, 138, 203, City of Angels, 455 252–253, 254, 309, 315, 318, 477, 509 Ciulei, Liviu, 127, 481 Constant State of Desire, The (Finley), 291, 380 Civic Repertory Theatre, 106, 197, 250 Constructivism, 145 Civil Rights Movement, 128, 134, 150, 267 Control Freaks (Henley), 382 CIVIL warS, the (R. Wilson), 210, 278 Cook, Barbara, 429 Clara (A. Miller), 415 Cook, Ralph, 206–207 Clara’s Ole Man (Bullins), 321 Cooper, Alice, 19, 143 Clark, Peggy, 519, 530 Cooper, Gary, 504 Clarke, Martha, 210, 216, 217, 218, 284, 484, Cooper, Giles, 316, 340 485 Coover, Robert, 10 Classic Stage Company, 205 Copeau, Jacques, 89 Classics in Context, 241 Copland, Aaron, 124 Clayburgh, Jim, 286, 530 Coriolanus (Shakespeare), 205, 471 Cleveland Play House, 125, 227–228 Cornell, Katharine, 506 Clift, Montgomery, 97, 205, 502–505 Corrigan, Robert, 120, 271 “Climb Every Mountain,” 421 Corso, Gregory, 6 Clinton, Bill, 19 Così fan tutte, 284 Clit Notes (Hughes), 264 Costner, Kevin, 508 Close, Glenn, 188, 190, 507 Count of Monte Cristo, The, 487 Clothes for a Summer Hotel (T. Williams), 325, counterculture, 10–12, 134 335 Counting the Ways (Albee), 331–332, 342 Cloud Nine (Churchill), 220 Country Girl, The (Odets), 301, 500 Clurman, Harold, 214, 220, 468 (n. 3), 490, 491, Coward, Noël, 467 492 Cowboy Mouth (Shepard), 207, 344 Coastal Disturbances (Howe), 151 Cowboys (Shepard), 313, 344 Coates, George, 158 Cowboys #2 (Shepard), 313 Cobb, Lee J., 296 Craig, Edward Gordon, 514 Cockayne, David, 529 Crane, Stephen, 397 Cocktail Party, The (Eliot), 286 Crawford, Cheryl, 97, 171, 250, 490, 492 Cocteau, Jean, 119, 252, 477 Crazy for You, 459 Cohn, Ruby, 335 Creation of the World and Other Business, The Coigney, Martha, 220 (A. Miller), 414 Cold Harbor, 211, 289 Crève Coeur (T. Williams), 325 Cold War, the, 92–93 Crimes of the Heart (Henley), 151, 184, 212, Cole, Jack, 433 382–383 Cole, Tom, 401 critics, 12, 16, 19, 171, 172, 220–221, 376 Coleman, Cy, 437, 444, 454, 455, 460, 461–462 Cronyn, Hume, 205, 239, 317, 467

560 Index

Cross, Clare, 262 Day in Hollywood/A Night in the Ukraine, A, Crowbar (Wellman), 217 456 Crowley, Mart, 153, 204, 404 Day of Absence (Ward), 321 Crucible, The (A. Miller), 105, 148, 164–165, Day the Whores Came Out to Play Tennis, The 166, 286, 302, 303–304, 406, 409, 414, 415, (Kopit), 314–315 483 De Kooning, Willem, 253 Cruise, Tom, 508 de Mille, Agnes, 94, 420, 421, 422, 424, 425, Cruse, Harold, 260 431, 433, 441, 467 (+ n. 2), 516 Cry of the People for Meat, The, 265 De Niro, Robert, 97, 196, 201, 505 Cry, The Beloved Country (Paton), 422 de Paul, Gene, 433 Cryer, Gretchen, 446–447 Dead End Kids, 211, 288, 481 Cryptogram, The (Mamet), 332, 366, 372 Deafman Glance (R. Wilson), 210, 277, 285, 319 Crystal Quilt, The, 291 Dean, James, 8–9, 97, 111, 112, 502–504, 505, Cuban Thing, The (Gelber), 310 506 Cue for Passion (Rice), 302 Dean, Philip Hayes, 129–130 Cunningham, Merce, 117, 253, 254, 278 Dear World, 442 Curchack, Fred, 210, 218 Dearing, Judy, 530 Curiel, Tony, 484 Death of Bessie Smith, The (Albee), 113, 316, Curious George (R. Wilson), 278 341 Curse of the Starving Class (Shepard), 207, 343, Death of Malcolm X, The (Baraka), 365 347–348, 349 Death of a Salesman (A. Miller), 7, 96, 111, curtain times, 101, 169, 178 113, 166, 294, 295, 296–298, 299, 303, 323, cyberspace, 158 331, 388, 406–408, 414, 415, 468, 515, 516 Cymbeline (Shakespeare), 288 Death Show, The (Rosenthal), 291 Deathwatch (Genet), 204 D. Boone, 376 Debutante Ball, The (Henley), 382, 383 Da (Leonard), 218 Deep Sleep (Jesurun), 215 DaCosta, Morton, 467 Deeter, Jasper, 228 Dada, 10, 11, 113, 116, 120, 148, 149, 261 Delacorte Theatre, 198 Dafoe, Willem, 211, 286, 511 (+ n. 4) Delicate Balance, A (Albee), 15, 173, 316, 317, Dale, Jim, 455 336, 338, 339, 340, 410 Dallas Theater Center, 240, 474 Demolition Downtown (T. Williams), 325 Dames at Sea, 206, 443 Dempster, Curt, 213 Damn Yankees, 167, 171, 434 Dennis, Sandy, 505 Dance a Little Closer, 455 Denver Post, 19 Dancin’, 449 Derrida, Jacques, 148 Dancing in the Streets, 282 Deshima (Chong), 210, 283 Danger: Memory! (A. Miller), 415 Desire Circus (Finneran), 282 Dangling Man (Bellow), 6 Destiny of Me, The (Kramer), 220 Daniele, Graciela, 461, 484 Detective Story (Kingsley), 301 Daniels, Jeff, 212 Devil’s Garden, The, 514 Dante, Nicholas, 448 Dewhurst, Colleen, 180, 182, 196, 199, 203, 481 Dante (Baraka), 363 Dexter, John, 475 Danton’s Death (Büchner), 279 Dialogue (R. Wilson), 278 Dar A Luz, 275, 485 Diamond, Liz, 484, 487 Darion, Joe, 441–442 Diary of Anne Frank, The, 165, 166, 174–175, Dark at the Top of the Stairs, The (Inge), 110, 302 164, 229, 307–308 Dickens, Charles, 185 Dark Rapture (Overmyer), 218 Diderot, Denis, 12 Darkness at Noon (Kingsley), 302 Dillon, Melinda, 173 Daughters, 262 DiMaggio, Joe, 302 Daughters Cycle, The, 262 Dionysus in ’69, 136, 211, 272, 319, 477, 510 David, Michael, 192, 218 DiPrima, Diane, 115 David Merrick Arts Foundation, 171 Discovery in America (Kopit), 396 Davidson, Gordon, 474 Disney Company, 156–157, 186, 191, 192, 193, Davis, Bette, 508 215, 459, 462, 526 Davis, Ossie, 393, 450 Dr. Faustus Lights the Lights (Stein), 279 Davis, R.G., 135, 257, 258 Doctorow, E.L., 10, 191 Davis, Sammy, Jr., 437 Dodger Productions, 192 Day Before Spring, The, 424 Dolan, Judith, 530

Index 561

Doliner, Michael, 266 Eh? (Livings), 202 $ Value of Man, The (R. Wilson), 278 Eichelberger, Ethyl, 209 1 Doll’s House, A (Ibsen), 455 8 ⁄2, 457 Doll’s Life, A, 455 18 Happenings in 6 Parts (Kaprow), 117–118, Domestic Resurrection Circus, 265 254 Domino, Fats, 121 Eighth Ditch, The (Baraka), 363 Don’t Bother Me, I Can’t Cope, 182, 450 Eigsti, Karl, 530 Dostoevsky, Fyodor, 274 Einhorn, Susan, 480 Double Gothic, 281 Einstein, Albert, 210 Dowling, Eddie, 299 Einstein on the Beach, 145, 210, 278, 285, 478 Drabinsky, Garth, 157, 191, 192 Eisenhauser, Peggy, 530 Drake, Alfred, 182, 507 Eisenhower, Dwight David, 104 Drake, Ervin, 174, 436 Ekster, Aleksandra, 516 Drama Review, The/Tulane Drama Review, Elder, Eldon, 530 120–121, 258, 271 Elder, Lonne, III, 129–130, 214, 321, 393 Dramatic Workshop (New School for Social Eldridge, Florence, 166 Research), 95 Electra Speaks, 262 Dramatists Guild, 200 Electronic Nigger, The (Bullins), 321 Dream, 461 Elegy for a Lady (A. Miller), 415 Dream Girl (Rice), 301 Elephant Man, The, 184 Dream on Monkey Mountain, The, 129 Eliot, T.S., 119, 217, 252, 286, 457 Dreamgirls, 125, 456, 526 Ellington, Duke, 461 Dreiser, Theodore, 3, 332, 504 Ellison, Ralph, 6, 7, 364 Dress Suits to Hire, 263, 264 Emerson, Ralph Waldo, 13 Dressed Like an Egg, 211, 288 Emmons, Beverly, 530 Drexler, Rosalyn, 140, 151 Emonts, Ann, 530 Dryden, Deborah, 530 Emperor Jones, The (O’Neill), 287 Du Bois, Raoul Pene, 518 Empty Space, The (Brook), 138 Du Bois, W.E.B., 128 Empty Spaces (L. Anderson), 285 Duberman, Martin, 10, 207, 260 En Garde Arts, 217, 273–275 Duchamp, Marcel, 145, 148 End of the World (Kopit), 332, 397 Duck Variations, The (Mamet), 367, 371 Endangered Species (Clarke), 216, 284 Dude, 445 Endgame (Beckett), 221, 288, 481 Dumas, Alexandre ﬁls, 153 Enemy of the People, An (Ibsen), 303 Dumb Waiter, The (Pinter), 134 Enemy of the People, An (A. Miller), 302, 303 Duncan, Todd, 422 Eno, Brian, 145 Dunham, Clarke, 530 Ensemble Studio Theatre, 213–214 Durang, Christopher, 213, 214, 334, 398 ensemble theatre, 134–136, 145 Dürrenmatt, Friedrich, 120 environmental staging, 136 Dutchman, The (Baraka), 130–131, 204, 320, environmental theatre, 270–275, 282, 283, 363–364 473–474 (+ n. 6) Duvall, Robert, 196, 367 Epidog, 289 Dylan, Bob, 112 Equity, Actors’, 107, 172, 175, 188, 197, 244 Equity Library Theatre, 218 East of Eden, 502–503 Equus, 181, 182 East West Players, 474 ER, 501 (n. 3) Ebb, Fred, 438–439, 444, 448, 455, 459, 461 Erman, John, 301 Eccentricities of a Nightingale (T. Williams), Estes, Allan, 262 305 Estrin, Marc, 266 economics, 2, 99, 100–102, 108–109, 126, Ettinger, Heidi, 530 225–226, 242–244, 378 Eugene O’Neill Theater, 326 Ed Sullivan Show, 103, 121, 123 Euripides, 136, 272, 275, 319 Eddy Goes to Poetry City (Foreman), 281 Evening with Dead Essex (Kennedy), 360 Edge, The, 365, 367 Everyday Use (Walker), 385 Edmond (Mamet), 370, 372 Everything in the Garden (Albee), 316, 340 Education of a Girl-Child (Monk), 283, 285 Everything in the Garden (Cooper), 316, 340 Edwards, Ben, 530 Everything That Rises Must Converge Edwards, Dex, 530 (Jesurun), 215 Edwards, Gus, 214 Evita, 182, 184, 187, 457, 508 Edwards, Sherman, 443 Existentialism, 111, 114, 134

562 Index

Ex-Miss Copper Queen on a Set of Pills (Terry), Fish Story 1 and 2, 287 322 Fisher, Jules, 530 Experimental Death Unit #1 (Baraka), 320–321, Fitch, Clyde, 142 364–365 Fitzgerald, F. Scott, 3 Expressionism, 93, 119, 249 Fitzgerald, Geraldine, 481 Eyen, Tom, 139, 201, 206, 456 Five Lesbian Brothers, 152 Flaherty, Stephen, 460, 461, 462 F O B (Hwang), 380 Flahooley, 429 Fadiman, Clifton, 91 Flanagan, Hallie, 227 Fain, Sammy, 429 Flanagan, Neil, 206 Faison, George, 450 Flaubert, Gustave, 286 Fall River Legend, 516 Fleck, John, 216 Falls, Robert, 482 Fletcher, Allen, 471 Falsettoland, 458 Flora, the Red Menace, 439 Fam and Yam (Albee), 316 Flower Drum Song, 427 Fame (A. Miller), 414 Flowering Peach, The (Odets), 302 Family, The, 261 Flying Karamazov Brothers, 215, 290 Fancy Free, 431 Focus (A. Miller), 7 Fanny, 170 Follies, 125, 145, 178, 179, 452, 457 Fantasticks, The, 205, 440, 456 Follow the Girls, 419 Farabough, Laura, 273 Fonda, Jane, 505 Farewell to Arms, A (Hemingway), 13 Fontanne, Lynn, 490, 506 Farther Off From Heaven (Inge), 229 Fool for Love (Shepard), 207, 343, 347, Father Was a Peculiar Man, 274, 275 353–354, 357 Faulkner, William, 3, 383, 410 Foote, Horton, 214, 219 Faustina (Goodman), 252 For Colored Girls Who Have Considered Suicide Fay, Frank, 163 When the Rainbow Is Enuf (Shange), 131, Feder, Abe, 96, 519 360 Federal Theatre Project, 94, 106, 128, 130, 226, For Instances (L. Anderson), 285 227, 250, 295, 519 Ford, Harrison, 508 Fefu and Her Friends (Fornés), 402 Ford, John, 288 Feiffer, Jules, 212 Ford, Nancy, 446–447 Feingold, Michael, 221 Ford Center for the Performing Arts, 462 Feldman, Peter, 256, 319 Ford Foundation, 126, 217, 234, 236, 243 Fellini, Federico, 457 Foreman, Richard, 17, 120, 127, 139, 146–147, Feminine Mystique, The (Friedan), 150 148, 180, 196, 208, 209–210, 216, 217, 220, feminism, 149–150, 152, 262, 291, 321 221, 277, 279–281, 282, 285, 289, 319, Fences (A. Wilson), 155, 245, 384, 386–388 478–479, 510, 530 Ferlinghetti, Lawrence, 344 Forensic & the Navigators (Shepard), 313 Fichandler, Thomas, 232 Forest, The (R. Wilson), 278 Fichandler, Zelda, 228–229, 232–233, 234, 236, Forever Plaid, 459 237, 468, 469 Formalism, 145–146 Fiddler on the Roof, 123, 125, 173, 174, 182, Fornés, Maria Irene, 140, 151, 216, 256, 314, 327, 438, 439, 443, 447–448, 451, 507, 516 399, 402, 481 Field, Crystal, 219 Forrest, George, 429–430, 457 Field, Joseph, 426 Forti, Simone, 278, 291 Field, Sally, 505 Fortune Teller, The (Norman), 376 Fields, Dorothy, 437, 444 Forty Carats, 132 Fierstein, Harvey, 154, 197, 201, 455 42nd Street, 185, 454, 472 5th of July (L. Wilson), 184, 399 Foss, Lukas, 91 Fiji Theatre Company, 283, 483 Fosse, Bob, 125, 167, 182, 188, 433–434, 437, Fin del Mundo, El, 259 447, 448–449, 471, 472 (+ n. 5) Finding the Sun (Albee), 342 Foster, Frances, 214 Fingerhut, Arden, 530 Foster, Paul, 139, 201 Finian’s Rainbow, 423, 424, 429, 433, 449 Foucault, Michel, 4 Finley, Karen, 216, 291, 292, 378, 380 Four Saints in Three Acts (Stein), 279 Finn, William, 213, 458, 460 Fragments - A Concerto Grosso (Albee), 338, Finneran, Alan, 282 342 Fiorello!, 171, 435, 437–438 Fragments of a Trilogy, 212 Fires in the Mirrors (Smith), 334 Francis, Juliana, 275

Index 563

Frank, Anne, 165 Geiogamah, Hanay, 333 Frank Dell’s The Temptation of St. Antony, 286 Gelbart, Larry, 441, 455 Frankenstein, 269, 318, 509 Gelber, Jack, 119–120, 203, 252–253, 309, 310, Freak (Leguizamo), 192, 193 315, 318, 477 Free Southern Theatre, 259–260, 270 Geld, Gary, 444, 450 Free Speech Movement, 134 Gemini (Innaurato), 212 Freed, Alan, 121 Gemini (Kopit), 396 Freedman, Gerald, 199, 443, 475, 479 Generation, 139 Freedman, Jonathan, 405 Genet, Jean, 108, 113, 204, 211, 218, 271, 272, Freie Bühne, 106 288, 308, 316, 334, 336 Freischütz, Der, 278 Gentlemen Prefer Blondes, 426 Freud on Broadway (Sievers), 105 Gershwin, George, 124, 455 Freud, Sigmund, 13, 210 Gershwin, Ira, 455 Freudianism, 94, 104, 105 Gershwin Theatre, 178, 445 Friedan, Betty, 150 Gerstein, Bernard, 189 Friel, Brian, 213 Gerstenberg, Alice, 331 Frogs, The (Aristophanes), 121 Gestation, 263 From Here to Eternity, 505 “Get a Job,” 122 Fromm, Erich, 7, 9, 141 Getting Out (Norman), 373–376, 377 Front Page, The, 189 Ghelderode, Michel de, 120, 271 Frost, Robert, 342 Ghosts (Ibsen), 296 Fuchs, George, 514 Gianfrancesco, Edward T., 213, 530 Fuchs, Theodore, 519 Giannini, Christina, 530 Fuller, Buckminster, 253 Gibson, William, 168, 302, 311, 444 Fuller, Charles, 214, 384, 392–396 Gielgud, John, 316 Fullerton Street (A. Wilson), 384 Gigi, 427 Funicello, Ralph, 530 Gilder, Rosamond, 220 Funny Face, 455 Gilroy, Frank D., 214 Funny Girl, 436, 507 Gingerbread Lady, The (Simon), 325, 402 Funny Thing Happened on the Way to the Gingham Dog, The (L. Wilson), 315, 397 Forum, A, 172, 441, 507 Ginsberg, Allen, 6, 92, 114, 115, 117, 121, 344 Funnyhouse of a Negro (Kennedy), 321–322, Giraudoux, Jean, 396, 442 358–360 Glaspell, Susan, 3, 321, 331, 333 Furman, Roger, 260 Glass, Philip, 145, 210, 211, 278, 285, 288, 478 Furth, George, 192, 451, 455 Glass Menagerie, The (T. Williams), 95–96, 111, Fusco, Coco, 292 294, 295, 298, 299–300, 331, 335 Futurism, 116, 120, 249, 253 Glazer, Benjamin, 420 Futz (Owens), 314 Gleason, Jackie, 168, 402 Gleason, John, 530 Galas (Ludlam), 261 Glengarry Glen Ross (Mamet), 184, 245, 332, Galbraith, John Kenneth, 89 366, 367, 368–370 Gallagher, Helen, 426 Glenville, Peter, 467 Gallo, Paul, 530 Go Go Go, 275 Games, The (Monk/Chong), 283 Godfather, The, Part II, 500–501 Garbo, Fred, 215 Godspell, 205, 447 García Lorca, Federico, 119, 252, 477 Goffman, Erving, 14, 141 Garden District, The (T. Williams), 302 Goldberg, Whoopi, 182, 216, 507 Garden of Earthly Delights, The (Clarke), 216, Golden Apple, The, 439 284, 485 Golden Boy, 437, 449 Gardner, Ava, 324 Golden Years, The (A. Miller), 406 Garﬁeld, John, 502 Goldenthal, Elliot, 215 Garson, Barbara, 207, 314 Goldilocks, 435 Gasman, Ira, 462 Goldman, William, 175, 452 Gass, William, 10 Goldoni, Carlo, 215, 257 Gates, Henry Louis, Jr., 155 Goldsmith, Oliver, 232 Gates, Michael, 480 Goldstein, Jess, 530 Gay Sweatshop, 264 Gómez-Peña, Guillermo, 292 Gayhem, a Happening, 262 Good Girl is Hard to Find, A (Baraka), 363 Gazzara, Ben, 505 Good Woman of Setzuan, The, 205 Geffen, David, 186 Goodbye, Charlie, 166

564 Index

Goodbye Columbus (Roth), 6 Guernsey, Otis L., Jr., 2 Goodbye Girl, The, 459 Guerrilla Theater-Ensemble, 266 Goodman, Paul, 4, 10, 11, 119, 134, 252 Gurney, A.R., 205, 213, 241 Goodman Theatre, 125, 240, 245, 482 Gussow, Mel, 173, 220 Goodrich, Frances, 165, 302 Gut Theatre, 268 Goodspeed Opera House, 458 Guthrie, Tyrone, 237, 238, 240, 430, 467, 471 Goose and Tomtom (Rabe), 401 Guys and Dolls, 123, 421, 430, 433, 436, 451, Gordon, Ain, 219 516 Gordon, David, 145, 278 Gypsy, 123, 124, 435, 440, 441, 456, 507, 516 Gordon, Ruth, 165, 182 Gordone, Charles, 129–130, 199, 214, 321, 393 Hackett, Albert, 165, 302 Gore, Christopher, 445 Hagen, Uta, 173, 205, 311, 499–500 Gospel at Colonus, The, 211, 289, 483 Haight-Ashbury Vietnam Committee, 267 Gottfried, Martin, 122–123, 236, 245 Haij, 211 Gottlieb, Ron, 192 (n. 4) Hair, 12, 115, 143, 153, 175, 178, 199, 205, 327, Gottlieb, Saul, 258 443, 444–446, 448, 458, 479, 507 Graber, Lary, 273 Hairy Ape, The (O’Neill), 287, 294, 331, Graham, Martha, 519 510–511 (+ n. 4) Grand Hotel, 188, 457, 482 Haley, Bill, 121 Grand Tour, The, 454 Hall, Adrian, 473–474, 482 Grant, Micki, 450, 475 Hall, Carol, 456, 459 Granville-Barker, Harley, 514 Hall, Peter, 445, 467 Grapes of Wrath, The (Steinbeck), 13 Hall, Tom, 244 Gray, Amlin, 401 Hallelujah, Baby!, 449–450 Gray, Spalding, 17, 147–148, 211, 272, 285–286, Halprin, Ann, 253, 276 287, 288, 483 Hambleton, T. Edward, 205 Grease, 205, 451 Hamburger, Anne, 217, 273 Great God Brown, The (O’Neill), 294 Hamlet (Shakespeare), 471 Great Warrior, The, 265 Hamlet (R. Wilson), 279 Great White Hope, The (Sackler), 10, 175–176, Hamletmachine (Müller), 220, 278 233, 321 Hamlette (Eichelberger), 209 Green, Adolph, 167, 431, 436, 449, 454, 455, Hamlisch, Marvin, 448, 454, 459 460 Hammerstein, Oscar, II, 94, 97–98, 123, 167, Green, Paul, 270 172, 295, 419–422, 423–424, 426–427, 435, Green Grow the Lilacs (Riggs), 94, 420 459, 467 (n. 2), 469 Greenberg, Clement, 91, 92 Handke, Peter, 336, 344 Greenberg, Richard, 212 Handman, Wynn, 216 Greenwich Mews Theatre, 130 Haney, Carol, 433 Greenwillow, 436 Hanks, Nancy, 217 Greenwood, Jane, 530 Hansberry, Lorraine, 129–130, 150, 175, 302, Gregory, André, 135, 211–212, 477 320, 331, 383, 385, 393, 467 Grieg, Edvard, 429 Happenings, 10, 17, 117–118, 119, 120, Grifﬁth, Robert, 171 137–138, 148, 176, 217, 253, 271, 278, Grill, David, 530 318–319, 476 Grin and Bare It!, 12 Happenings (Kirby), 118 Grind, 455 Happy Birthday, Montpelier Pizz-zazz Grizzard, George, 173, 205 (Wasserstein), 381 Grodin, Charles, 181 Happy Time, The, 439 Gropman, David, 530 Harburg, E.Y. (“Yip”), 422–423, 429 Grosbard, Ulu, 473 Hard Day’s Night, A (Beatles), 123 Grossman, Larry, 454, 455 Hardman, Christopher, 215, 272–273 Grotowski, Jerzy, 10, 14, 15, 120, 136, 138, Hare, David, 199 177, 198, 201, 211, 212, 262, 271, 272, 319, Harnick, Sheldon, 435, 437–438, 454 473 (n. 6), 477 (+ n. 10), 483, 510, 511 Harper, Wally, 457 Group Theatre, the, 88–89, 94, 96, 97, 106, 226, Harrington, Wendall, 530 227, 468, 490–493, 496, 499, 500, 502, 511 Harris, Barbara, 203, 208, 396 Grove, Barry, 212 Harris, Ed, 357 Growing Up Absurd (Goodman), 11 Harris, Julie, 505 Guare, John, 189, 196, 219, 315, 334, 402, 445 Harris, Niles, 399 guerilla theatre, 132–133, 266, 267–268 Harris, Rosemary, 177, 205

Index 565

Harrison, Rex, 167, 185, 428, 451, 507 Holden, William, 307 Harry, Noon and Night (Ribman), 216 Holder, Geoffrey, 450 Hart, Kitty Carlisle, 217 Holdup, The (Norman), 376 Hart, Lorenz, 3, 94, 420, 430–431 Holland, Anthony, 208 Hart, Moss, 94, 167, 428, 436, 455 Holliday, Judy, 426 Hartford Stage Company, 127, 239, 482 Holloway, Stanley, 428 Hartmann, Louis, 518 Holm, Celeste, 422 Havel, Vaclav, 199 Holmes, Ralph, 530 Hawkes, John, 6 Holy Cow, 262 Hawkins, Trish, 208 Home, 180 Hayes, Helen, 177, 186, 506 Home (S.-A. Williams), 214 Hays, Havid, 530 Home Free! (L. Wilson), 397 Hazel Flagg, 426 Homicide, 367 HB Studio, 499 Honors at Dawn (A. Miller), 407 Headly, Glenne, 208 Hooks, Robert, 260, 321 “Heartbreak Hotel,” 121 Hopkins, Anthony, 365 Hebbel, Friedrich, 294 Hopkins, Arthur, 514 Hedgerow Theatre, 228 Horne, Lena, 185 Heeley, Desmond, 530 Horovitz, Israel, 140, 141, 314 Heide, Robert, 206 Hospital (Hellmuth/Reynolds), 282 Heidi Chronicles, The (Wasserstein), 151, 189, Hot Peaches, 264 213, 379 Hot l Baltimore, The (L. Wilson), 208, 397, 398 Helen Hayes Theatre, 186 Hotel China (Foreman), 280 Heller, Joseph, 6 Houghton, James, 219 Hellman, Lillian, 3, 105, 150, 301, 302, 321, 331, Houghton, Norris, 205 333, 430 Hould-Ward, Ann, 530 Hellmuth, Suzanne, 282 “Hound Dog,” 121 Hello Again, 461 House, The, 282 Hello, Dolly!, 98, 123, 174, 442, 449, 507, 516 House Not Meant to Stand, A (T. Williams), 325 Hemingway, Ernest, 3, 13 House of Blue Leaves, The (Guare), 315, 402 Henderson, Luther, 449, 450, 460 House of Flowers, 422 Henley, Beth, 151, 212, 241, 381–383 House of Games, 367 Henning, Doug, 447 House Un-American Activities Committee, 12, Henry IV (Shakespeare), 288 105, 303 Hepburn, Katharine, 182, 299, 317 Houseman, John, 470, 471, 519 Her First Roman, 174 Houston Community Players, 231 Hercules, 191 How I Got That Story (Gray), 401 Here’s Love, 436 How I Learned to Drive (Vogel), 380 Herman, Jerry, 184, 442, 444, 454, 455 How Now, Dow Jones, 436 Hernandez, Riccardo, 530 How to Succeed in Business Without Really Hero Pony, The (Mamet), 365 Trying, 172, 436 Hersey, David, 530 Howard, Sidney, 3, 430, 467 (n. 1) Hewes, Henry, 220 Howe, Tina, 151, 219 Hey John, Did You Take the Camino Far? Howells, William Dean, 398 (Hixon), 273 Howes, Libby, 286 High Button Shoes, 426, 431 Howl (Ginsberg), 92, 121 Hilferty, Susan, 530 Hoyle, Geoff, 215 Hill, Abram, 130 Huddle, Elizabeth, 484 Hill, Arthur, 173, 311 Hudson Guild, 218 Hines, Gregory, 460 Huerta, Jorge, 258 Hip-Hop Waltz of Eurydice, The, 275 Hughes, Allen Lee, 530 hippie culture, 134, 137, 143 Hughes, Barnard, 218 Hirsch, Judd, 208, 212 Hughes, Holly, 152, 216, 263–264, 292, 333 Hirson, Roger, 447 Hughes, Langston, 128, 422 Hixon, Lin, 273 Hull, Josephine, 166 Hochuth, Rolf, 10 Humana Festival of New American Plays, 241 Hoffman, Abbie, 154, 268 Hume, Samuel, 514, 515 Hoffman, Dustin, 97, 185, 196, 202, 216, 296, Huncke, Herbert, 114 365–366, 505 110 in the Shade, 441 Hoffman, William M., 153, 154, 212 Hunger Artist, The (Clarke), 216, 284

566 Index

Hunter, Kim, 301, 505 Ionesco, Eugène, 113, 132, 204, 270, 271, 308, Hurlyburly (Rabe), 401 336, 339, 396 Hurston, Zora Neale, 484 Irene, 450–451 Hurt, William, 212 Irigaray, Luce, 376 Hwang, David Henry, 196, 380 Irma La Douce, 440 Hyacinth Macaw, The (Wellman), 217 Irving, Jules, 176, 233, 234 Irwin, Bill, 215, 217, 290–291 I Can Get It for You Wholesale, 436 Isherwood, Christopher, 439 I Can’t Remember Anything (A. Miller), 415 Isn’t It Romantic (Wasserstein), 379, 380 I Do! I Do!, 441 Israel, Robert, 127, 530 I Love My Wife, 454 It’s All Right to be a Woman Theatre, 262 I Ought to Be in Pictures (Simon), 402 It’s a Bird, It’s a Plane - It’s SUPERMAN, 437 I Remember Mama, 454 It’s Only a Play (McNally), 212–213 I Was Sitting on My Patio This Guy Appeared I It’s the Willingness (Norman), 376 Thought I Was Hallucinatin, 278 Ives, Burl, 305 Ibsen, Henrik, 105, 204, 249, 278, 296, 303, Ives, David, 218 455 Ives, Irving, 226 Icarus’s Mother (Shepard), 313, 342 Izenour, George C., 519 Iceman Cometh, The (O’Neill), 202, 295, 302, 407, 470 J-E-L-L-O (Baraka), 320, 321, 365 Ida-Eyed (Foreman), 280 Jackness, Andrew, 530 “If My Friends Could See Me Now,” 437 Jackson, Glenda, 185 I’m Getting My Act Together and Taking It on Jackson, Michael, 19, 525 the Road, 447 Jacobs, Bernard B., 181 “I’m Gonna Wash That Man Right Outa My Jacques Brel Is Alive and Well and Living in Hair,” 98 Paris, 443 Impossible Years, The, 139 Jagger, Mick, 525 improvisation, 256, 257 Jamaica, 429, 433 In the Bar of a Tokyo Hotel (T. Williams), 324, Jameson, Fredric, 148 335 Jampolis, Neil Peter, 530 In the Boom Boom Room (Rabe), 400, 401 Jarry, Alfred, 252 In the Deepest Part of Sleep (Fuller), 394 Javits, Jacob K., 226 In Dubious Battle (Steinbeck), 13 jazz, 343, 344 In the Matter of J. Robert Oppenheimer Jean Cocteau, 205 (Kipphardt), 10 Jekyll and Hyde, 461 In My Many Names and Days (Fuller), 394 Jellicoe, Ann, 138 In Splendid Error (Branch), 130 Jelly’s Last Jam, 189, 460 In Trouble at Fifteen (Norman), 376 Jenkin, Len, 218 In Trousers, 458 Jenkins, David, 530 In White America (Duberman), 10, 207, 260 Jerome Robbins’ Broadway, 455 In the Wine Time (Bullins), 321 Jerry’s Girls, 455 Incident at Vichy (A. Miller), 10, 16, 323, 409, Jesurun, John, 209, 215, 217 414 Jesus Christ Superstar, 187, 445–446, 447, 457, Indian Wants the Bronx, The (Horovitz), 314 479 Indians (Kopit), 16, 315, 396–397 Jitney (A. Wilson), 384 Ingalls, James I., 530 Joan of Lorraine (M. Anderson), 301 Inge, William, 89, 110–111, 114, 142, 151, Joe Turner’s Come and Gone (A. Wilson), 384, 152–153, 164, 166, 229, 307–308, 328, 333, 388–389 503 John Simon Guggenheim Foundation, 217 Inherit the Wind (Lawrence/Lee), 165, 302 Johnson, James Weldon, 392 Innaurato, Albert, 212 Johnson, Lyndon, 8 Inner City Repertory Theatre, 268 Jones, Cliff, 445 Interart Theatre, 216 Jones, James Earl, 176, 199, 203, 388 Interior Scroll (Schneemann), 291 Jones, LeRoi (Amiri Baraka), 14, 129–131, 140, International Theatre Institute, 220 204, 214, 260, 320–321, 336, 363–365, 386, Interview (Van Itallie), 314 393, 394 Into the Woods, 456 Jones, Margo, 125, 224, 225, 229–231, 246, 299, Investigation, The (Hochuth), 10 467–468, 469 Invisible Man (Ellison), 6, 364 Jones, Robert Edmond, 89, 514, 515, 517 invisible theatre, 265–266 Jones, Tom, 205, 440, 441

Index 567

Jory, Jon, 241, 373, 474 Kipphardt, Heinar, 10 Joseph Papp Public Theater, 201 Kirby, Michael, 116, 118, 120, 271, 272, 281 journals, 120–121, 526, 529 Kirche, Kuchen und Kinder (T. Williams), 335 Journey of the Fifth Horse, The (Ribman), 216 Kirkwood, James, 448 Joyce, James, 115 Kismet, 429–430, 433, 451, 507 Juan Darién, 215, 485 Kiss, 143, 525 Judgment at Nuremberg, 505 Kiss Me, Kate, 105, 295, 425, 427, 507 Judson Dance Theatre, 282 Kiss of the Spider Woman, 459 Judson Memorial Church, 206, 278 Kitchen, The, 285 Juice (Monk), 282 Kleban, Edward, 448 Juilliard Drama Center, 219 Klein, Kevin, 196 Jujamacyn Theatres, 183 Kleist, Heinrich von, 218 Julia, Raul, 180, 182, 199, 445 Kline, Franz, 91 Jungian psychology, 105 Kline, Kevin, 199, 220, 484 Klotz, Florence, 530 KA MOUNTAIN AND GUARDenia TERRACE (R. Knack, The, 473 Wilson), 146, 277 Knock Knock (Feiffer), 212 Kaczorowski, Peter, 530 Knowles, Christopher, 277–278 Kafka, Franz, 284, 359 Ko, Tei, 252 Kahn, Michael, 475 Koch, Kenneth, 115 Kahn, Richardo, 484 Kook, Ed, 96 Kalﬁn, Robert, 218, 473 Kopit, Arthur, 16, 114, 203, 314–315, 332, 352, Kander, John, 438–439, 444, 448, 455, 459, 461 396–397, 402, 457 Kanin, Garson, 165 Kornfeld, Larry, 206 Kantor, Tadeusz, 139–140, 201, 284 Kostelanetz, Richard, 271 Kaprow, Allan, 116–118, 254, 271, 318 Koutoukas, H.M., 153, 206 Karamu Theatre, 125 Kowalski, Stanley, 121 Kaufman, George S., 166, 455 Kraft Television Theater, 168 Kaye, Danny, 444 Kramer, Larry, 154, 220 Kazan, Elia, 96–97, 164, 166, 176, 250, 296, 301, Krapp’s Last Tape (Beckett), 204, 309 303, 305, 332, 468–469, 492–494, 502–503 Krause, Allison, 132 Keach, Stacy, 199, 315 Krieger, Henry, 456 Keel, Howard, 441 Kristeva, Julia, 399 Kellogg, Marjorie Bradley, 517, 530 Kroetz, Franz Xavar, 288, 481 Kelly, John, 210, 218 Krone, Gerald S., 260, 321 Kelly, Walt, 104 Krutch, Joseph Wood, 294–295, 312 Keniston, Kenneth, 4, 6–7, 9 Kübler-Ross, Elisabeth, 341 Kennedy, Adrienne, 129–130, 139, 151, 219, Kushner, Tony, 19, 154–155, 156, 189–190, 219, 321–322, 334, 336, 358–363 332, 333, 402–405, 484–485 Kennedy, John F., 8, 127, 436 Kwamina, 436, 449 Kern, Jerome, 3, 94, 122, 420 Kwong, Dan, 292 Kerouac, Jack, 4, 6, 114, 344 Kerr, Deborah, 324 L.O.W. in Gaia (Rosenthal), 291 Kerr, Jean, 172 L.S.D. (...Just the High Points...), 148, 286, 483 Kerr, Walter, 12, 176, 177, 178 La Jolla Playhouse, 126, 127, 240, 482 Kesey, Ken, 10 La MaMa Experimental Theatre Club, 139–140, Ketron, Larry, 213 143, 201–202, 208, 210, 214, 283, 313, 315 Khlebnikov, Velimer, 288 Labowitz, Leslie, 291 Kidd, Michael, 433, 434, 471 LaChiusa, Michael John, 461 Kiley, Richard, 507 Lacy, Suzanne, 291 Killer’s Head (Shepard), 344 Lady Chatterley’s Lover (Lawrence), 115 Killing Fields, The, 286 Lady Dick, The (Hughes), 263–264 Kim, Willa, 530 Lady from Dubuque, The (Albee), 339, 341, King, Martin Luther, 128 342 King, Woodie, Jr., 474–475 Lady in the Dark, 94, 124 King and I, The, 167, 182, 427, 431, 451 Lady of the Camellias, The (Dumas), 153 King Con, 265 Lahr, John, 133 King Lear, 211, 289 Laing, R.D., 4, 137, 141 King of Spain, The (R. Wilson), 276, 277 Lakeboat (Mamet), 366, 369 Kingsley, Sidney, 301, 302 Lamos, Mark, 127, 482

568 Index

Lamotte, Kevin, 530 Lesbians Who Kill (Shaw/Weaver/Margolin), Lancaster, Burt, 305, 307 263 Land Beyond the River (Mitchell), 130 Lesnick, Harry, 267 Landau, Jack, 471 Lesson in Dead Language, A (Kennedy), 360 Landau, Tina, 275, 484 Let My People Come, 446 Landesman, Heidi, 530 Letter for Queen Victoria, A (R. Wilson), 277 landscape drama, 146 Lévi-Strauss, Claude, 141 Landscape of the Body (Guare), 219 Levin, Herman, 176 Landwehr, Hugh, 530 Levitt, Saul, 10 Lane, Burton, 422, 454 Levy, Jacques, 446 Lane, Diane, 201 Lewis, Evelyn, 273 Lane, Nathan, 507 Lewis, Robert, 97, 468 (n. 3), 492–494 Langham, Michael, 475 Lichtenstein, Harvey, 218 Lansbury, Angela, 307–308, 441, 442 Lie of the Mind, A (Shepard), 207, 332, 347, Lapine, James, 188, 456, 460, 484 354–356 Largely New York (Irwin), 291 Life, The, 192, 462 Larkin, Peter, 530 Life Against Death (N. Brown), 135 Larson, Jonathan, 191, 219, 461 Life & Adventures of Nicholas Nickleby, The, Last of the Red Hot Lovers (Simon), 133, 185 326–327, 402 Life and Times of Joseph Stalin, The (R. Last Sweet Days of Isaac, The, 446–447 Wilson), 146, 210, 277 Last Yankee, The (A. Miller), 406, 407, 409–411 Life and Times of Sigmund Freud, The (R. Laundromat, 265–266 Wilson), 277 Laundromat, The (Norman), 376 Life in the Theatre, A (Mamet), 220, 371, 372 Laurents, Arthur, 431, 441, 449, 460 Li’l Abner, 433 Law of Remains, The, 275, 485 Liliom (Molnár), 420 Lawrence, Carol, 441 Lincoln Center, 176, 180, 189, 200, 220, 234, Lawrence, D.H., 115 250–251, 313, 322, 344, 461, 468, 480 (n. 11), Lawrence, Jerome, 165, 302, 442 481 Layton, Joe, 441, 455 Lincoln Center Serious Fun Festival, 279 Lazarus (Chong), 283 Lindsay, John V., 177, 179 Le Gallienne, Eva, 182, 197, 205, 250 Line (Horovitz), 314 Leach, Wilford, 199 Linklater, Kristin, 256 Leaf People, The, 180 Linney, Romulus, 219, 483–484 League of Resident Theatres, 244 Lion King, The, 157, 191, 192, 193, 215, Lear, 211, 289 462 (n. 1), 485 Leary, Timothy, 9 Lips Together, Teeth Apart (McNally), 402 LeCompte, Elizabeth, 147, 148, 211, 217, 272, Listening (Albee), 338, 342 285, 480, 482, 483, 510–511 (+ n. 4) Little, Stuart W., 108 Lee, Eugene, 125, 127, 136, 525, 530 Little Foxes, The, 185 Lee, Franne, 530 Little House on the Prairie, The, 274 Lee, Leslie, 214 Little Mary Sunshine, 205, 440 Lee, Maryat, 268 Little Me, 437 Lee, Ming Cho, 220, 516–517, 530 Little Night Music, A, 179, 452, 516 Lee, Robert E., 165, 302, 442 Little Shop of Horrors, The, 205, 213, 458 Leguizamo, John, 192, 193 Little Theatre movement, 226–227, 249, 251, Leiber, Mike, 459 515 Leigh, Carolyn, 437 Little Women (Shaw/Weaver/Margolin), 263 Leigh, Mitch, 441–442 Littlewood, Joan, 441 Leigh, Vivien, 301 Livent, 157, 191, 192, 462 LeMaire, Charles, 518 Living Theatre, the, 10, 11, 12, 13, 118–120, Lemon Sky (L. Wilson), 397 135, 136–137, 138, 140, 143, 148, 149, 175, Lennon, John, 362 177, 203–204, 217, 251–256, 268–270, 275, Lennon Play, The: In His Own Write, 362–363 309, 318, 333, 338, 467, 477, 509–51 Leon, Kenny, 484 Livings, Henry, 202 Leon and Lena (Büchner), 288 Lloyd Webber, Andrew, 2, 18, 144, 158, Leonard, Hugh, 218 187–188, 191, 445–446, 457–458, 459, 461, Lepage, Robert, 218 476 Lerner, Alan Jay, 124, 167, 168, 172, 424–425, Lobel, Adrianne, 530 427–429, 435–436, 441, 454, 455 Locus (T. Brown), 278

Index 569

Loesser, Frank, 122, 430, 436, 437 MacKaye, Steele, 491 Loewe, Frederick, 167, 168, 172, 424, 425, Mackintosh, Cameron, 144, 187–188 427–429, 435–436 MacLaine, Shirley, 182 Logan, Joshua, 424, 426, 469 MacLow, Jackson, 115, 119, 254 Lolita (Albee), 342 Mad Dog Blues, The (Shepard), 345 Lolita (Nabokov), 342 Madam, Will You Walk?, 205 London Suite (Simon), 190 Madame Butterﬂy, 459, 518 Long, Wiliam Ivey, 530 Madheart (Baraka), 365 Long Day’s Journey into Night (O’Neill), 105, Madness of Lady Bright, The (L. Wilson), 153, 166, 172, 202, 298, 302, 411, 470 206, 397 Long Wharf Theatre, 239, 474 Madonna, 19, 332, 525 Look at the Fifties, A (Carmines), 206 Madwoman of Chaillot, The (Giraudoux), 442 Look Back in Anger (Osborne), 311 Magic Flute, The, 284 Look Ma, I’m Dancing, 431 Magic Show, The, 447 Loquasto, Santo, 127, 517, 525, 530 Magic Theatre, 348, 350, 353 Lorca, Federico García, 119, 252, 477 Magnani, Anna, 305 Lorelei, or Gentlemen Still Prefer Blondes, 451 Magnum, Edward, 232, 233 LORT (League of Resident Theatres), 244 MahabharANTa, 289 Lortel, Lucille, 220 Maids, The (Genet), 204, 316 Los Angeles Music Center, 239 Mailer, Norman, 6, 10, 13, 97 Los Angeles Theatre Center, 275 Mairowitz, David, 267–268 Loss of Roses, A (Inge), 308 Makbeth, 272 Lost Colony, The (Green), 270 Make Mine Manhattan, 168 Lost in the Stars, 422, 449 Malamud, Bernard, 6 Lost in Yonkers (Simon), 332, 402 Malcolm (Albee), 316 Love Life, 424–425 Malcolm (Purdy), 316 “Love Me Tender,” 121 Malden, Karl, 301, 505 Love! Valor! Compassion! (McNally), 190, 213 Maleczech, Ruth, 146, 211, 287–288, 289 Lowell, Robert, 8, 13, 103–104, 216 Malina, Judith, 11, 95, 118, 119, 142, 203–204, Lowell, Sandra, 266 251–253, 254–255, 269–270, 309, 318, 333, Lowry, W. McNeil, 234, 235 334, 338, 467, 477, 509, 510 L.S.D. (...Just the High Points...), 148, 286, 483 Malkovich, John, 207, 208 Lucas, Craig, 212 Malle, Louis, 212 Luce, Clare Booth, 486 Malone, Kirby, 530 Luce, Henry, 90, 91 Malraux, André, 13 Lucille Lortel Award, 220 Maltby, Richard, 460 Lucky Spot, The (Henley), 382 Maltby, Richard, Jr., 461 Lucky Stiff, 460 Mame, 442 Ludlam, Charles, 153, 196, 208–209, 261, 319, Mamet, David, 184, 196, 208, 214, 220, 245, 479 332, 352, 365–373, 407, 483–484 Luiken, Carol, 530 Mamoulian, Rouben, 420, 422 Lumet, Sidney, 304 Man for All Seasons, A (Bolt), 172 Lunatics and Lovers (Kingsley), 302 Man in a Case, The (Wasserstein), 381 Lunt, Alfred, 490, 506 Man in the Nile at Night, The (Finneran), 282 LuPone, Patti, 188, 220, 507 Man of La Mancha, 441–442, 458, 507 Lust and Comfort, 264 Man Says Goodbye to His Mother, A, 265 Lyceum Theatre School, 491 Man Who Had All the Luck, The (A. Miller), Lynch, Thomas, 530 295–296, 407 Lynne, Gillian, 457 Man Who Had Three Arms, The (Albee), 340, Lyotard, Jean-François, 148 342 Lyric Theatre, 191 Man Who Married a Dumb Wife, The (France), 514 Ma Rainey’s Black Bottom (A. Wilson), 155, Manchurian Candidate, The, 104 189, 383, 384–386 Mancini, Henry, 459 Mabou Mines, 146, 200, 211, 280, 284, 287–289 Manhattan Project, 135, 477 Macbeth, Robert, 131, 260 Manhattan Theatre Club, 198, 212–213, 480 MacBird! (Garson), 207, 314 Manheim, Kate, 209–210, 280 MacDermot, Galt, 199, 327, 443, 445 Mann, Daniel, 467 MacDonald, Dwight, 92 Mann, Emily, 401, 484 Machado, Eduardo, 241 Mann, Theodore, 108, 198, 202, 203

570 Index

Mantle, Burns, 106 Meadow, Lynne, 212, 213, 480 Many Loves (W.C. Williams), 252, 253, 254, 256 Medal of Honor Rag (Cole), 401 Marat/Sade (Weiss), 138–139, 170, 175, 185, Mednick, Murray, 140 319, 476 Medoff, Mark, 212, 245 Marathon Dancing (Bogart), 275 Mee, Charles L., 275 March, Fredric, 166, 296 Mee, Charles L., Jr., 275, 486 March of the Falsettos, 213, 458 Meeber, Carrie, 332 Marchand, Nancy, 205 Meet Me in St. Louis, 454 Marcuse, Herbert, 13, 134, 141 Meisner, Sanford, 496, 498–499, 500, 501 (n. 3), Margolin, Deborah, 152, 263 502 Margulies, Donald, 241 Melﬁ, Leonard, 139, 141, 201 Maria Magdalena (Hebbel), 294 Melodrama Play (Shepard), 313 Mark Taper Forum, 126, 127, 239, 245, 474 Member of the Wedding, The (McCullers), 302, Marlowe, Alan, 115 505 Marranca, Bonnie, 146, 221 Memory of Two Mondays, A (A. Miller), 302, Marre, Albert, 442 304 Marriage-Go-Round, The, 166 Menken, Alan, 213, 458 Marriage Play (Albee), 332, 339, 342 Mercer, Johnny, 168, 422, 433, 461 Marrying Maiden, The (MacLow), 254 Meredith, Burgess, 467 Martin Beck Theatre, 304, 305, 317 Meredith, James, 320 Martin, Christopher, 205 Meredith Monk and Vocal Ensemble, 283 Martin, Mary, 424, 427, 441, 506, 507 Merman, Ethel, 124, 425, 435, 442, 506, 507 Martin, Steve, 332 Merrick, David, 169, 170–171, 174, 175, 183, Marx, Karl, 13 185, 192, 440–441, 442, 449, 454 Mary, Mary (Kerr), 172 Merrill, Bob, 434, 436, 437, 444 Mary Stuart, 205 Merrily We Roll Along, 455 Mason, Marshall W., 208, 212, 315, 473, 484 Merry Widow, The, 419 Mass Transit Street Theatre, 266 Metamorphosis in Miniature, A (Clarke), 284 Master Class (McNally), 190 Metcalfe, Steve, 401 Masteroff, Joe, 438, 439 Method, the, 97, 468, 494–496, 501, 502, Matchmaker, The (Wilder), 302, 442 504–506 Matisse, Henri, 92 Mexican Hayride, 419 May, Elaine, 208 Meyerhold, Vsevolod, 198, 482, 510, 511 Mayakovsky, Vladimir, 148, 198 Meyers, Marlane, 216 Mayleas, Ruth, 243–244 Michener, James, 423–424 Mayo, Lisa, 263 Middle of the Night, The (Chayevsky), 168 MCA, 174 Midler, Bette, 201 McAnuff, Des, 482 Midsummer Night’s Dream, A (Shakespeare), McCandless, Stanley R., 519 319 McCarter Theatre Center for the Performing Mielziner, Jo, 96, 468, 515, 516, 517 Arts, 240 Miguel, Gloria, 263 McCarthy, Joseph, 104–105, 304 Miguel, Muriel, 262–263 McCauley, Robbie, 292 Miles, Julia, 216 McClennahan, Charles, 530 Militello, Anne, 530 McClintock, Ernie, 260 Milk and Honey, 442 McClure, Michael, 116, 314 Milk Train Doesn’t Stop Here Any More, The (T. McConnell, Frederic, 228 Williams), 324, 335 McCullers, Carson, 6, 302, 316 Millennium Approaches (Kushner), 189–190, McDonagh, Martin, 193 332, 403, 404–405 McDonald, Heather, 216 Miller, Arthur, 3, 7, 8, 10, 15–16, 96, 97, 105, McGarty, Michael, 530 111, 113, 164–165, 166, 176, 192–193, 196, McGourty, Patricia, 530 211, 214, 286, 294, 295–299, 301, 302–305, McGuire, Dorothy, 307 308, 322–323, 325, 328, 331, 333, 336, 339, McKayle, Donald, 437, 450 342, 346, 400, 406–415, 468, 483, 503 McLane, Derek, 530 Miller, Craig, 530 McLuhan, Marshall, 141 Miller, Henry, 115 McNally, Terrence, 140, 190, 196, 212–213, 401, Miller, Jason, 180 402, 459, 462 Miller, John C., 259 Me and Juliet, 427 Miller, Jonathan, 475 Me Nobody Knows, The, 448 Miller, Mary Grace Slattery, 301, 302

Index 571

Miller, Roger, 458 Morris, Robert, 278 Miller, Tim, 216, 292 Morton, Jelly Roll, 189, 460 Mills, C. Wright, 104 Moschen, Michael, 215, 217 Milner, Ron, 129–130, 214 Moscow Art Theatre, 88–89, 106, 490 Milwaukee Repertory Theater, 126, 240 Moses, Gilbert, 259, 450 Minamata, 274 Moses, Robert, 198 Mingus, Charlie, 313 Mosher, Gregory, 189 Minimalism, 145 Most Happy Fella, The, 123, 166, 430, 436 Minnelli, Liza, 182, 183, 439, 455 Mostel, Zero, 174, 205, 451, 507 Minnesota Theatre Company/Tyrone Guthrie Motel (Van Itallie), 314 Theater, 127, 237–239, 243, 288, 471, 482 Mother Courage (Brecht), 272 Minskoff Theatre, 178 Motherwell, Robert, 91 Minstrel Show or Civil Rights in a Cracker Motion of History, The (Baraka), 365 Barrel, 258 Motown, 138 Miracle on 34th St., 436 Movie Star Has to Star in Black and White, A Miracle Worker, The (Gibson), 168, 302 (Kennedy), 360, 361–362 Miracolo d’Amore (Clarke), 284 Moving Men, 266 Misérables, Les, 187–188, 458, 459, 507 MTV, 526 “Misﬁts, The” (A. Miller), 305 Mueller, Lavonne, 216 Miss Firecracker Contest, The (Henley), 382 Müller, Heiner, 220, 278 Miss Liberty, 425 Muni, Paul, 165 Miss Saigon, 18, 144, 187–188, 459, 507–508 Murder of Crows, A (Wellman), 217 Miss Universal Happiness (Foreman), 280–281 Murin, David, 530 Mr. Happiness (Mamet), 369 Murray, Brian, 218 Mr. Peters’ Connections (A. Miller), 415 Murray, Don, 307 Mr. President, 436 Murray, Michael, 235, 237 Mitchell, David, 517, 526, 530 Music Man, The, 166, 435, 436, 507 Mitchell, Loften, 129–130 Music-Theatre Group, 216 Mnouchkine, Ariane, 218, 528 Musser, Tharon, 530 Mod Donna, 445 Mussman, Linda, 481 Modernism, 10–11, 17, 294, 396 Mutation Show, The, 257 Moffat, Donald, 177 Muzio, Gloria, 484 Moiseiwitsch, Tanya, 239, 471 My Blue Heaven (Chambers), 262 Molière, 239, 257, 261 My Fair Lady, 123, 167, 169, 172, 327, 427–429, Molnár, Ferenc, 241, 420 435, 451, 507, 516, 519 Money (Baraka), 365 My Favorite Year, 461 Money Tower, The, 270 My Head Was a Sledgehammer (Foreman), 210 Monk, Meredith, 120, 139, 210, 282–283, 285, My One and Only, 186, 455 483 Mysteries – and Smaller Pieces, 258, 269, 318 Monk, Robby, 530 Mystery of Irma Vep, The (Ludlam), 261 Monkshood’s Farewell (Clarke), 284 Myth of Sisyphus, The (Camus), 111 Monroe, Marilyn, 97, 111, 301, 302, 305, 307, 501 NAACP (National Association for the Monster in a Box (Gray), 286 Advancement of Colored People), 127 Montalban, Ricardo, 429 Nabokov, Vladimir, 342 Montano, Linda, 17, 148 Naked and the Dead, The (Mailer), 6, 97 Moody, Howard, 206 Napier, John, 457, 530 Moon for the Misbegotten, A (O’Neill), 105, 166, Nash, N. Richard, 441 180, 302 National Actors Theatre, 250 Moore, Demi, 212 National Endowment for the Arts, 8, 126, Moore, Edward J., 212 216–217, 234–236, 242–243, 264, 292 Moore, Mary Tyler, 182 National Endowment for the Humanities, 242 Moore, Melba, 450 National Organization for Women, 150 Morath, Inge, 301 National Playwrights Conference, 475 Mordden, Ethan, 471 National Theatre of the Deaf, 261 More Stately Mansions (O’Neill), 10 Native Speech (Overmyer), 218 Morgan, Robert, 530 Naturalism, 120 Morgan, Roger, 530 Navigation (Hellmuth/Reynolds), 282 Morley, Ruth, 530 Nayatt School (Gray), 285–286 Morosco Theatre, 186, 305, 323 Neal, Larry, 393

572 Index

Neale-Kennedy, James, 264 Notebooks of Trigorin, The (T. Williams), 335 Nederlander Organization, 183 Novak, Kim, 307 Negro Ensemble Company, 131, 214, 260, 321, Novick, Julius, 221 393, 394, 474 Now Is the Time for All Good Men, 446 Neighborhood Playhouse, 106 nudity, 12, 141, 143, 153, 446 Neighborhood Playhouse School for the Nunn, Trevor, 185, 187, 457, 481 Theatre, 496 Nuyorican Poets’ Cafe, 214 Nelson, Richard, 530 Nerve Bible, The (L. Anderson), 285 “O Superman,” 285 Neumann, Fred, 288, 289 Oates, Joyce Carol, 241 Never Too Late, 166 Obie Awards, 221 New Americana, 422 O’Brien, Jack, 475 New Amsterdam Theater, 191, 193 O’Casey, Sean, 205 New Federal Theatre, 474–475 O’Connor, Flannery, 381 New Georges, 216 Odd Couple, The (Simon), 133–134, 326, 402 New Girl in Town, 434 Odets, Clifford, 89, 105, 301, 302, 333, 491, 500 New Heritage Players, 260 Oditz, Carol, 530 New Lafayette Theatre, 131, 260 O’Donnell, Rosie, 190 New Orleans Group, 270–271 Oedipus at Colonus, 483 New School for Social Research, 95, 117, Oenslager, Donald, 471, 515–516 253–254 Of Mice, Bugs, and Women, 263 New Stagecraft movement, 514–515 Off-Broadway, 11, 107–110, 251, 521 (+ n. 1) New Victory Theatre, 211 Off-Broadway Theatre League, 107 New York Free Theatre, 268 Off-Off Broadway, 11, 139–142, 521 (+ n. 2) New York Poets Theatre, 115 Oh! Calcutta!, 12, 446 New York Shakespeare Festival, 127, 198, 200, Oh Dad, Poor Dad, Mamma’s Hung You in the 203, 212, 321, 470, 481 Closet and I’m Feelin’ So Sad (Kopit), 114, New York State Council on the Arts, 217 203, 314, 396 New York Theatre Workshop, 219, 461 Oh, What a Lovely War!, 441 Newley, Anthony, 441 Oh Wholly Night, 263 Newman, Barnett, 91 O’Hara, Frank, 115 Newman, David, 462 Ohio State Murders, The (Kennedy), 362–363 Newman, Paul, 97, 305, 505 O’Horgan, Tom, 139, 143, 201, 443, 445, 479 Newman Theatre, 181 Oklahoma!, 94, 419, 420, 421, 422, 429, 430, Next Wave Festival, 218 431, 441 Nicholas Nickleby, 481 Old Globe Theatre, 240 Nichols, Mike, 208, 473, 487 Old Glory, The (Lowell), 216 Nicholson, Jack, 505 Old Neighborhood, The (Mamet), 366 Nick and Nora, 460 Old Religion, The (Mamet), 365 ’night, Mother (Norman), 151, 245, 348, 375, Oleanna (Mamet), 208, 366, 370–371, 372 376–378 Oliver, Edith, 221 Night of the Iguana, The (T. Williams), 323–324, Oliver!, 441 335, 410 Olivier, Laurence, 506 Night Sky (Yankowitz), 334, 355 OM-Theatre Workshop, 266–267 Nightﬁre, 273 Omaha Magic Theatre, 152, 240, 262 Nightwalk, 257 On a Clear Day You Can See Forever, 139 Nine, 456–457 On Death and Dying (Kübler-Ross), 341 Nixon, Richard, 15 On the Road (Kerouac), 114, 344 No, No, Nanette, 179, 450 On the Town, 125, 419, 431, 447–448 “No Other Love,” 427 On the Twentieth Century, 18, 454 No Place to Be Somebody (Gordone), 129, 321, On the Verge (Overmyer), 218 393 On the Waterfront, 166, 502–503 No Strings, 441 On Your Toes, 94, 430 No Villain (A. Miller), 407 Once and Future King, The (White), 435 Nobody Knows My Name (Baldwin), 6 Once on this Island, 460 Non-Traditional Casting Project, 19 Once Upon a Mattress, 439 Noonan, John Ford, 141 One Dimensional Man (Marcuse), 134 Normal Heart, The (Kramer), 154 One Touch of Venus, 431 Norman, Marsha, 151, 241, 245, 348, 373–378, O’Neal, Frederick, 130, 175 382, 459, 460 O’Neal, John, 259

Index 573

O’Neill, Carlotta Monterey, 470 Parsons, Estelle, 484, 501, 505 O’Neill, Eugene, 3, 10, 89, 95, 105, 106, 108, Pashilinski, Lola, 196, 209 142, 155, 166, 180, 197, 202, 287, 294, 295, Pasos en la Obscuridad, 275 298, 301–302, 331, 333, 336, 342, 397, 407, Pass the Blutwurst, Bitte (Kelly), 210 411, 434, 470, 510–511, 514 Passion, 460 Ontological-Hysteric Theatre, 146, 209–210, Patel, Neil, 530 279–280, 478 Paton, Alan, 422 Open Theatre, the, 120, 134–136, 138, 143, 177, Patrick, John, 302 207, 212, 256–257, 319, 344, 477 (+ n. 9), 510 Patrick, Robert, 140, 153, 206 Operation Sidewinder (Shepard), 313, 344 Pausch, Pina, 528 Oregon Shakespeare Festival, 240 Paved Paradise (Kelly), 210 Oresteia, 252 Paxton, Steve, 278 Orestes (Mee), 275 Pearl Theatre Company, 205 Orphan, The (Rabe), 400 Peaslee, Richard, 284 Orpheus Descending (T. Williams), 302, Pendleton, Austin, 212 305–306 Penguin Touquet (Foreman), 280 Osborne, John, 138, 170, 311 Penn, Arthur, 467 Ostrow, Stuart, 438 Penn and Teller, 215 Other People’s Money, 205 Penumbra Theatre, 384 Ott, Sharon, 484 Perestroika (Kushner), 189–190, 332, 403, 405 Our Late Night (Shawn), 211 performance art, 17–18, 147, 148–149, 158, Our Town (Wilder), 112, 148, 273, 294 192, 216, 253, 289–292 Ouspenskaya, Maria, 490 Performance Group, the, 10, 12, 120, 135, 136, Out Cry (T. Williams), 325, 335 138, 147, 211, 272, 285, 319, 477 Out of This World, 426 Performing Garage, the, 211, 272, 510 Over Here, 451 Period of Adjustment (T. Williams), 302, 323 Overmyer, Eric, 218, 219 Perloff, Carey, 484 Ovitz, Michael, 192 Perls, Fritz, 137 Owens, Rochelle, 10, 139, 314 Perry, Antoinette, 163 Owl Answers, The (Kennedy), 322, 360, 361 Perry, Shauneille, 480 Persecution and Assassination of Marat as Paciﬁc Overtures, 182, 452–453, 516 Performed ... under the Direction of the Pacino, Al, 97, 184, 196, 366, 367, 505 Marquis de Sade (Weiss), 138–139, 170, 175, Packard, Vance, 104 185, 319, 476 Packer, Tina, 484 Peter and Wendy (Breuer), 211 Page, Geraldine, 97, 108, 196, 202, 220, 305, Peter Pan, 431, 472 470, 502, 505 Peters, Bernadette, 507 Pageant Players, 265–266 Peters, Michael, 456 Pagnol, Marcel, 170 Peterson, Louis, 393 Pain(t) (Foreman), 285 Petriﬁed Prince, The, 461 Paint Your Wagon, 425, 427 Phaedra, 261 Painted Women Ritual Theatre, 266 Phantom of the Opera, The, 144, 158, 187–188, Painting Churches (Howe), 151 457–458, 507–508 Pajama Game, The, 167, 171, 431, 433, 507 Philco/Goodyear TV Playhouse, 168 Pakledinaz, Martin, 530 Phoenix Theatre, 176–177, 205, 250, 439 Pal Joey, 94, 124, 431, 435 Photoanalysis, 281 Palazzo, Paul, 530 Photographer, The, 288 Pan Asian Repertory Theatre, 214, 480–481 Piano Lesson, The (A. Wilson), 155, 245, 384, Pandering to the Masses: A Misrepresentation 389–391 (Foreman), 210, 280 Picasso, Pablo, 119, 252 Paper Tiger Pageant, The, 265 Picnic (Inge), 110, 164, 307 Papp, Joseph, 127, 143, 169, 171–172, 180–181, Pilbrow, Richard, 530 189, 198–201, 211, 212, 213, 219, 234, 280, Pilobolus Dance Theatre, 216, 284 288, 321, 443, 470, 471 Pinero, Arthur Wing, 199 Paradise Lost (Odets), 491, 500 Piñero, Miguel, 199 Paradise Now, 12, 137, 204, 269, 318, 477, 509 Ping Chong Company, 283, 483 Parichy, Dennis, 530 Pinter, Harold, 134, 138, 201, 204, 234, 336, Parker, Charlie, 114 344, 368, 469 Parkman, Russell, 530 Pintilié, Lucien, 481 Parks, Suzan-Lori, 152, 218 Pinza, Ezio, 424

574 Index

Pipe Dream, 427 Provincetown Playhouse, 107, 309 Pippin, 125, 182, 447–448 Pryce, Jonathan, 188 Pirandello, Luigi, 119, 205, 252, 309, 344, 396 Public Theater, 143, 175, 180, 189, 199, 200, Pirates of Penzance, The, 199 201, 211, 219, 280, 288, 327, 443, 448, 458, Piscator, Erwin, 95, 96 460, 461 Place in the Sun, A, 502–503, 504–505 publicity, 171, 182, 183 Plage Concerte (Chong), 283 Puerto Rican Traveling Theatre, 214, 259, 475 Plague, The (Camus), 111 puppets, 214–215, 288, 289 Platt, Livingston, 514 Purdy, Claude, 480 Plautus, 441 Purdy, James, 6, 316 Play On!, 461 Purlie, 450 Playhouse in the Park, 240 Purlie Victorious (Davis), 393, 450 Playhouse 90, 168 Pygmalion (Shaw), 167, 428 Play-House of the Ridiculous, 153, 209, 261, Pynchon, Thomas, 10 479 PlayMakers Repertory Company, 240 Quarry (Monk), 283 Plays for Bleecker Street (Wilder), 202 Quartett (Müller), 278 Playwrights Horizons, 189, 213, 220, 458, Queen, 525 460–461 Questioning of Nick, The (Kopit), 396 Playwrights Unit, 204 Quinn, Anthony, 185, 335 Plaza Suite (Simon), 133, 326 Quintero, José, 108, 166, 198, 202, 203, 205, Point Judith, 286 305, 332, 469, 470 Poirier, Richard, 14 Quinton, Everett, 209, 261 Polakov, Lester, 522 Quotations from Chairman Mao Tse-Tung Polish Laboratory Theatre, 138, 212 (Albee), 15, 316, 317, 336, 338, 340, 341 Politics of Quiet, The, 283 Quotations from a Ruined City, 275 Pollock, Jackson, 91, 114, 116–117, 140 Pool Hall, The (Norman), 376 Rabb, Ellis, 176, 177, 205, 475 Porgy and Bess, 422 Rabe, David, 180, 196, 199, 399–402 Porter, Cole, 105, 419, 420, 425, 426, 436 race issues, 127–132, 156, 175–176, 423, 483, Porter, Stephen, 475 484 Porterﬁeld, Robert, 225–226, 228 Rachel’s Brain (Rosenthal), 291 Portman, John, 185–186 Radical Arts Troupe, 267 Portman, Julie, 266–267 Radical Theatre Festival, 265, 268 Postman Always Rings Twice, The, 367 radio, 100, 123 Poston, Tom, 132 Rado, James, 199, 327, 443, 445 Potts, Nancy, 530 Ragni, Gerome, 199, 327, 443, 445 Pound, Ezra, 119 Rags, 455 Power Elite, The (Mills), 104 Ragtime (Doctorow), 191 Prager, Stanley, 326 Ragtime (musical), xvii, 191, 192, 462 (+ n. 1) Presley, Elvis, 121, 122, 123 Rainbow, 445 Preston, Robert, 307, 435, 441, 507 Rainer, Yvonne, 145, 278, 291 Price, The (A. Miller), 15, 323, 407, 414 Rainey, Gertrude (Ma), 384–385 Prince, Harold, 125, 136, 167, 169, 171, Rainmaker, The, 441 174–175, 176, 178, 179, 180, 182, 183, 187, Raisin, 450 188, 438, 439, 451, 452, 453, 455, 457, 459, Raisin in the Sun, A (Hansberry), 129, 175, 475–476, 516 302, 320, 383, 393, 467 Prince (Fuller), 393 Raitt, John, 507 Prisoner of Love (Genet), 288 Rake, The (Mamet), 366 Prodigal, The (Richardson), 203 Ramicova, Dunya, 530 production costs, 109, 174, 186, 328, 440, Randall, Tony, 250 442–443, 454, 458 Rapson, Ralph, 239 production ﬁgures, 99–100, 101–102, 109–110, Rat’s Mass, A (Kennedy), 360 172, 178 Rauschenberg, Robert, 117, 253, 278 Prologue to Death in Venice, 288 Ravel, Maurice, 458 Promenade (Fornés), 314 Ray, Nicholas, 112 Promenade Theater, 354 Raymond, Bill, 211, 288, 289 Prometheus (Beck/Malina), 270 Razzmatazz, 262 Promises, Promises (Simon), 133, 443 RCA Victor, 174 Provincetown Players, 11, 106, 197, 249, 514 Rea, Oliver, 237–238

Index 575

Reagan, Ronald, 16 Ringling Brothers Clown College, 215 Real Thing, The (Stoppard), 184 Rink, The, 455 Reason Why, The (A. Miller), 414 Riot, 267 Rebel, The (Camus), 111 Rise, The (Fuller), 393 Rebel Without a Cause (Ray), 111, 112 Ritchard, Cyril, 467 Red Cross (Shepard), 313 Ritt, Martin, 467 (+ n. 1) Red Devil Battery Sign, The (T. Williams), 325, River Meetings, 291 335 River Niger, The (Walker), 129, 214 Red Horse Animation, The (Breuer), 288 Rivera, Chita, 436, 455 Red Shoes, The, 459 Road, the, 99, 226 Redgrave, Vanessa, 182 Road to Immortality, The, 286 Redhead, 434, 472 Road to Nirvana (Kopit), 352 Reeve, Christopher, 212 Roar of the Greasepaint, The Smell of the Regard of Flight, The (Irwin), 215, 291 Crowd, The, 441 Reich, Charles, 4 Robards, Jason, 166, 180, 185, 196, 202 Reich, Steve, 145 Robbe-Grillet, Alain, 6 Reich, Wilhelm, 135, 137 Robbins, Carrie, 530 Reiner, Carol, 402 Robbins, Jerome, 125, 171, 174, 210, 431–433, Reinhardt, Max, 514 434, 438, 441, 447–448, 455, 471, 472, 482 Renﬁeld, Elinor, 481 Roberts, Julia, 508 Rent, 190–191, 219, 402, 461, 507 Robin, Leo, 426 Repertorio Español, 214, 475 Robinson, Edward G., 296 Request Concert (Kroetz), 481 Rochaix, François, 127 Return to the Forbidden Planet, 459 “Rock Around the Clock,” 121 Reunion (Mamet), 369, 371, 372 Rock Garden, The (Shepard), 313–314, Reverb-ber-ber-ations, 263 343–344 Revolt of the Moonﬂowers (Baraka), 363 rock music and concerts, 19, 121–123, 138, Rex, 454 143–144, 345, 525 Rexroth, Kenneth, 119, 252 Rockabye Hamlet, 445 Reynolds, Debbie, 182, 451 Rockefeller Foundation, 126, 217 Reynolds, Jock, 282 Rodeo, 516 Reynolds, Jonathan, 213 Rodgers, Richard, 94, 97–98, 122, 123, 167, Reza, Yasmina, xvii 172, 295, 419–422, 423–424, 426–427, Reznikov, Hanon, 204, 270 430–431, 436, 441, 444, 454, 459, 467 (n. 2), Rhinoceros, 262 469 Rhoda in Potatoland (Her Fall-Starts) Rojo, Jerry, 272, 510 (Foreman), 209–210, 280 Roker, Roxie, 214 Rhode Island Feminist Theatre, 262 Rolling Stones, the, 138, 143, 158, 313, 525 Ribman, Ronald, 216 Romberg, Sigmund, 429 Rice, Elmer, 89, 105, 301, 302, 422 Rome, Harold, 422, 426, 436 Rice, Tim, 445, 457, 458 Romeo and Juliet (Shakespeare), 125, 171, 431, Rich, Frank, 184, 191 472 Richard III, 184 Root, Melina, 530 Richard, Little, 121 Roots and Branches, 261 Richards, Lloyd, 129, 189, 246, 383, 467, 475 Rose, Billy, 173 Richards, Mary Caroline, 119 Rose Tattoo, The (T. Williams), 164, 302, 305 Richardson, Jack, 203 Rosenberg, Joe, 258 Richardson, Tony, 467 Rosenthal, Jean, 96, 519 Riddell, Richard, 530 Rosenthal, Rachel, 291, 292 Ride Down Mt. Morgan, The (A. Miller), 331, Ross, David, 204, 205 407–409, 410 Ross, Diana, 182 Ridiculous Theatrical Company, the, 153, 209, Ross, Jerry, 433, 434, 436 261, 479 Rostand, Edmond, 440 Riesman, David, 104 Roszak, Theodore, 4 Rigdon, Kevin, 530 Roth, Ann, 530 Riggs, Lynn, 94 Roth, Philip, 2, 4–5, 6, 10 Rimers of Eldritch, The (L. Wilson), 315, 397 Rothko, Mark, 91 Ring des Nibelungen, Der (Wagner), 526 Rothman, Carole, 484 Ring Gott Farblonjet, Der (Ludlam), 261 Rothschilds, The, 438 Ringling Bros. and Barnum & Bailey, 158 Roundabout Theatre Company, 205

576 Index

Rousseau, Jean-Jacques, 141 Schneider, Alan, 173, 311, 316, 467, 469–470 Route 1 & 9, 148, 286, 483 Schneider, Anne Kaufman, 192 (n. 5) Roy Cohn/Jack Smith (Vawter), 287 Schoenfeld, Gerald, 181 Royal Shakespeare Company, 138, 175, 185 Schonberg, Claude-Michel, 458, 459, 461 Rubin, Jerry, 268 Schubert, Franz, 429 Rudin, Scott, 186 Schulman, Susan H., 484 Rumstick Road, 147, 285 Schumann, Peter, 135, 215, 265, 272–273, 319, Runaways, 212, 448 478 Runyon, Damon, 430 Schwartz, Bruce D., 214, 217 Ruse of the Medusa, The (Satie), 253 Schwartz, Stephen, 447, 448, 455 Russell, Ken, 459 Schwendinger, Leni, 530 Russell, Rosalind, 167, 307 Scofield, Paul, 172, 317 Russell, Willy, 459 Scott, George C., 182, 196, 199, 200, 203, 296 Ryack, Rita, 530 Scott, Harold, 480 Ryan, Robert, 205 Scott, James, 530 Scott, Oz, 480 S–1 (Baraka), 365 Screens, The (Genet), 288 Sack, Leeny, 380 Sea Horse, The (Moore), 212 Sackler, Howard, 10, 175–176, 321 Seagull, The (Chekhov), 205 Saidy, Fred, 422, 429 Seale, Douglas, 471 Saint, Eva Marie, 505 Seascape (Albee), 336, 339, 341–342 Saint-Denis, Michel, 89 Seattle Repertory Theatre, 239 St. Louis Woman, 422 Second City, 208, 256 Sakonnet Point, 147, 285 Second Stage, 219 Saks, Gene, 472 Secret Garden, The, 376, 460 Salinger, J.D., 6 Secrets of a Samuai Centerfielder (Kwong), 292 Sally (Fuller), 392–393 Seduced (Shepard), 343, 346–347 Saltz, Amy, 484 Seesaw, 178, 444 Sam S. Shubert Theatre, 341 Segal, Sondra, 262 Sambo, 445 Seitz, William C., 92 Same Time, Next Year (Slade), 181 Sellars, Peter, 275, 486–487, 526 Samuel’s Major Problems (Foreman), 281 “Send in the Clowns,” 179 San Francisco Cockettes, 261–262 Sennett, Mack, 431 San Francisco Mime Troupe, 13, 134–135, Serban, Andrei, 127, 139–140, 180, 201, 212, 257–258, 287 215, 481 San Francisco Red Theatre, 267 Serenading Louie (L. Wilson), 219, 397 San Quentin Drama Workshop, 234 Sergeant Bilko, 402 Sand, Paul, 208 Serpent, The, 135–136, 207, 256–257, 319 Sandbox, The (Albee), 113, 316, 339 Seven Arts Productions, 174 Sappington, Margo, 446 Seven Brides for Seven Brothers, 454 Sarafina!, 189 Seven Descents of Myrtle (T. Williams), 325 Sarah and Abraham (Norman), 376 Seven Year Itch, The (Axelrod), 166 Saratoga Theatre Institute, 485 1776, 443 Sargent, Franklin, 491 SEX/LOVE/STORIES (T. Miller), 292 Saroyan, William, 89, 96, 105 Sexual Perversity in Chicago (Mamet), 208, Sartre, Jean-Paul, 108, 120, 141 366, 367, 372 Satie, Erik, 253 Shadow Box, The, 184 Saturday Night Live, 115 Shaffer, Peter, 138 Savage/Love (Shepard), 207, 354 Shaggy Dog Animation, The (Breuer), 288 Schary, Dore, 221 Shakespeare, William, 125, 171, 198–199, 215, Schechner, Richard, 120, 132, 135, 136, 139, 272, 288, 315, 319, 445, 470–471, 475, 484, 147, 211, 259, 270–271, 272, 319, 473, 477, 497, 514, 528 510 Shakespeare Theatre, The, 240 Schickele, Peter, 446 Shaliko Company, 477 Schiele, Egon, 210 Shange, Ntozake, 131, 199, 214, 360 Schlichter, Joseph, 256 Shapiro, Leonardo, 477 Schmidman, Jo Ann, 152 Shapiro, Mel, 315, 445 Schmidt, Douglas W., 517, 530 Sharaff, Irene, 518 Schmidt, Harvey, 205, 440, 441 Shaw, Fiona, 217 Schneemann, Carolee, 148, 216, 291 Shaw, George Bernard, 167, 174, 249, 428

Index 577

Shaw, Peggy, 152, 263–264 16 Millimeter Earrings (Monk), 283 Shawl, The (Mamet), 369, 371 1600 Pennsylvania Avenue, 454 Shawn, Wallace, 196, 199, 211, 212 Sixth Street Theatre, 267 Shay, Michele, 214 Skelton, Red, 402 She Loves Me, 438, 476 Skelton, Thomas, 530 She Stoops to Conquer (Goldsmith), 232 Skin of Our Teeth, The (Wilder), 94–95, 294 Sheffield, Ann, 530 Sking: A State of Being (Chong), 283 Shelter, 447 Skipitares, Theodora, 214–215 Shenandoah, 184, 444, 458 Sklar, Roberta, 262, 477 (n. 9) Shepard, Sam, 10, 17, 139, 140, 142–143, 152, Slade, Bernard, 181 177, 196, 201, 204, 206, 207, 208, 211, 219, Slattery, Mary Grace, 301, 302 257, 272, 311, 312–314, 328, 332, 336, Slave, The (Baraka), 320, 363, 364, 386 342–358, 483–484 Slave Ship (Baraka), 260, 321, 365 Sherin, Edwin, 335 Sleuth, 180 Sherman, Loren, 530 Small Craft Warnings (T. Williams), 325, 332, Sherman, Stuart, 215, 285, 290 335 Sherwood, Robert, 3, 105 Smalls, Charlie, 450 Shevelove, Bert, 441, 450 Smith, Anna Deavere, 334 Shewey, Don, 482 Smith, Craig, 196, 205 Shiomi, R.A., 214 Smith, Jack, 148 Shire, David, 461 Smith, Michael, 142, 220–221, 314 Shoot (Burden), 289 Smith, Oliver, 515, 516, 519 Short Eyes (Piñero), 199 Smokey Joe’s Café, 459 Show Boat, 94, 420, 421, 456, 459 Snake Theatre, 273 Shubert family, 181 SNCC (Student Non-Violent Coordinating Shubert Organization, 156, 181, 183 Committee), 259 Shubert Theatre (Boston), 335 Snoopy, 454 Shubert Theatre (Broadway), 181, 200 Society of Stage Directors and Shutta, Ethel, 452 Choreographers, 244 Side by Side by Sondheim, 184 Soldier’s Play, A (Fuller), 129, 214, 394–396 Sievers, W. David, 105 (n. 2) Solid Gold Cadillac, The Sign in Sidney Brustein’s Window, The (Kaufman/Teichmann), 166 (Hansberry), 302 Solomon, Alisa, 221 Signature Theatre Company, 218–219, 362 “Some Enchanted Evening,” 98 Silhouettes, the, 122 Some Kind of Love Story (A. Miller), 415 Silk Stockings, 426 Some Like It Hot, 444 Sills, Paul, 208, 256, 474 Something Cloudy, Something Clear (T. Silvers, Phil, 168, 402, 426 Williams), 325, 331, 335 Simon, Danny, 325, 402 Somewhere in the Pacific, 273 Simon, Lucy, 460 Son, A (Bullins), 321 Simon, Neil, 7, 133–134, 139, 142, 151, 184, 190, Sondheim, Stephen, 125, 145, 171, 178, 179, 325–327, 328, 332, 402, 437, 443, 454, 459, 182, 184, 188, 213, 431, 441, 451–454, 472, 473 455–456, 460, 476 Simonson, Lee, 89, 515 Song and Dance, 457 Simpatico (Shepard), 343, 347, 356–357 Song of Norway, 419, 429 Sincerity Forever (Wellman), 217 Sontag, Susan, 153 Sinclair, Upton, 104 Soon 3, 282 Sing to Me Through Open Windows (Kopit), Sophia=Wisdom (Foreman), 280 396 Sorrows of Frederick, The (Linney), 219 Singin’ in the Rain, 89, 454 Soul and Latin, 268 Sinise, Gary, 207, 208, 484 Sound of Hunting, A (H. Brown), 232 Sirlin, Jerome, 530 Sound of Music, The, 327, 421, 427, 435, 507, Sister Carrie (Dreiser), 332 519 Sister/Sister, 262 South Coast Repertory, 239 Sisters Rosensweig, The (Wasserstein), 189, South Pacific, 97–98, 123, 295, 327, 422, 379, 380 423–424, 427, 469, 485–486, 507 site-specific theatre, 270–275, 282, 283, Soyinka, Wole, 358 473–474 (+ n. 6) Sparrow in Flight (Fuller), 394 Six Degrees of Separation (Guare), 189, 334 Speciman Days (Monk), 283 Six Public Acts, 270 Speed-the-Plow (Mamet), 332, 352, 370

578 Index

Spiderwoman, 152, 263 Streep, Meryl, 182, 196, 199, 506 Spinetti, Victor, 362 Street Scene, 295, 422, 516 Spirit House, 260 Streetcar Named Desire, A (T. Williams), 97, Splendor in the Grass (Inge), 308 111, 166, 264, 295, 298–299, 300–301, 305, Split Britches, 152, 263–264 331, 335, 468, 500, 502–503, 515, 516 Split Britches, 263 Strehler, Giorgio, 218, 528 Spock, Benjamin, 5, 9 Streisand, Barbra, 436, 507 Spolin, Viola, 135, 256 strikes, 172, 182 Sprague, Sharon, 530 Strimling, Arthur, 261 Spunk, 484 Strindberg, August, 119, 249, 252 Square in the Eye (Gelber), 310 String (Childress), 321 Squat Theatre, 274 Strnad, Oskar, 514 Stage Show, 168 Strouse, Charles, 436–437, 454, 455, 460 Stanislavsky, Konstantin, 88, 96, 120, 271, 468, Struck Dumb (Chaikin/Van Itallie), 257 469, 482, 490, 491, 492, 511 Structuralist Workshop, The, 281 Stanley, Kim, 505 Student Non-Violent Coordinating Committee, Stapleton, Maureen, 501, 505 259 Starlight Express, 187–188, 457 Student Prince, The, 419 Star-Spangled Girl, The (Simon), 402 Students for a Democratic Society, 267 State Fair, 459 Styne, Jule, 425–426, 431, 435, 436, 444, 449, States of Shock (Shepard), 343, 344, 347 459 “Steam Heat,” 433 Styron, William, 10 Steel Pier, 461 subsidy, 2, 225–226, 242–243, 244, 378 Stein, Douglas, 530 Subways Are For Sleeping, 171 Stein, Gertrude, 3, 17, 119, 146–147, 206, 210, Suddenly Last Summer (T. Williams), 305, 306 252, 279, 333, 477 Suenos (Maleczech), 289 Stein, Joseph, 438, 455 Sugar, 444 Steinbeck, John, 3, 13, 427 Sugar Babies, 184 Steppenwolf Theatre Company, 207, 208, 240 Sullivan, Ed, 103, 121, 123, 168, 190 Stern, Marcus, 127 Sumac, Yma, 429 Stevens, George, 502 Summer and Smoke (T. Williams), 108, 202, Stewart, Anita, 530 220, 302, 305, 470, 505 Stewart, Ellen, 139–140, 198, 201–202, 212, summer theatre, 226, 227 217, 221 Summers, Louis Jeriel, Jr., 467 (n. 2) Stewart, James, 504 Sun (Kennedy), 360 Stewart, Michael, 436, 437, 442, 454, 455 Sun Flowers (Fuller), 393 Stewart, Patrick, 190 Sun, Moon, Feather, 263 Sticks and Bones (Rabe), 180, 199, 400 Sunday in the Park with George, 184, 456, 458 Still Life (Mann), 401 Sunrise at Campobello (Schary), 221 Stoller, Jerry, 459 Sunset Boulevard, 158, 187–188, 459, 507 Stomp, 445 Sunshine Boys, The (Simon), 402 Stone, Peter, 110, 455, 462 Surrealism, 10, 11, 17, 96, 146 Stonewall (Landau), 275 Survivor and the Translator, The (Sack), 380 Stonewall Riot, 154 Suzuki, Tadashi, 485 Stop the World, I Want to Get Off, 441 Swados, Elizabeth, 201, 212, 215, 448, 480 Stoppard, Tom, 138, 170, 184 Sweeney Todd, the Demon Barber of Fleet Story of My Life, The (Montano), 17 Street, 184, 453 Story Theatre, 474 Sweet Bird of Youth (T. Williams), 164, 302, Straiges, Tony, 456, 530 305, 306 Strange Snow (Metcalfe), 401 Sweet Charity, 437 Stranger, The (Camus), 111 Swimming to Cambodia (Gray), 17, 286 Strasberg, Lee, 96, 97, 468 (n. 3), 490, 491–492, Sylvia (Gurney), 205 493–502, 503–504, 506 Symbolism, 96, 120, 249 Strasberg, Paula, 501 Syndicate, the, 156 Stratford Shakespearean Festival/Stratford Synthaxis Theatre, 262 National Theatre of Canada, 240 Syracuse Stage, 240 Straube, Shepard, 468 System of Dante’s Hell, The (Baraka), 363 Stravinsky, Igor, 124 Strawbridge, Stephen, 530 Take a Giant Step (Peterson), 393 Streamers (Rabe), 199, 399–400 Take Her She’s Mine, 166

Index 579

Take Me Along, 435 Theatre-in-the-Round (Jones), 224, 225, Tale of Two Cities, A, 261 229–231 Tale Spinners, 261 Théâtre Libre, 106 Talking Band, the, 207 Theatre of Chance, The, 253, 254 Talley’s Folly (L. Wilson), 184, 208, 398–399 Theatre of Cruelty, 338, 476 Tallmer, Jerry, 139, 220–221 Theatre of Images/Theatre of Visions, 17, 210, Taming of the Shrew, The (Shakespeare), 425 478 Tandy, Jessica, 185, 205, 239, 301, 317, 500 Theatre of the Ridiculous, The, 292, 319 Tango Palace (Fornés), 314 Theatre of the Sphere, 258 Tap Dance Kid, The, 456 Theatre Piece, 117 Taubman, Harold, 172 Theatre X, 286 Tavel, Ronald, 10, 140, 153, 209, 261 Theory of the Leisure Class (Veblen), 368 Taylor, Elizabeth, 185, 305, 311, 340, 504 “There Is Nothing Like a Dame,” 98 Taylor, Laurette, 299 They Knew What They Wanted (Howard), 430 Taylor, Samuel, 441 They’re Playing Our Song, 184, 454 Taymor, Julie, 193, 215, 216, 217, 462 (n. 1), Thies, Howard, 530 484, 485 Things Change, 367 TCG (Theatre Communications Group), 220, Third and Oak (Norman), 376 226, 243, 245–246 Thirkield, Rob, 208 TDR, 120–121, 258, 271 This Is (an Entertainment) (T. Williams), 325 Tea and Sympathy (R. Anderson), 164, 302 Thompson, Tazewell, 484 Teahouse of the August Moon (Patrick), 302 Thoreau, Henry David, 128, 341 Teatro Bilingüe, 258 Those the River Keeps (Rabe), 401 Teatro Campesino, El, 13–14, 109, 258–259, Three Places in Rhode Island, 147 475 Three Sisters, The (Chekhov), 148, 286, 367 Teatro de la Esperanza, 258 Three Sisters from Here to There, The, 263 Teatro Nacional de Aztlán, El (TENAZ), 258 Three Tall Women (Albee), 332, 336–337, 341, Tebelak, John-Michael, 447 342 Teichmann, Howard, 166 3 Up, 3 Down, 263 television, 102–103, 123 Threepenny Opera, The, 123, 124, 180, 205, Telson, Bob, 211, 288, 289, 461 220, 439–440 Tempest, The (Shakespeare), 528 Through the Leaves (Kroetz), 288 Templeton, Fiona, 378 ticket prices and purchase options, 99, 102, TENAZ (El Teatro Nacional de Aztlán), 258 169, 172, 178, 179, 183, 451, 454, 458 Tender Offer (Wasserstein), 381 ticket sales, 102, 182–183, 191, 192 Tenderloin, 437–438 Tight, Right, White, 275 Tenth Man, The (Chayevsky), 168 Tilton, James, 530 Ter-Arutunian, Rouben, 516, 530 Timbuktu, 451 Terkel, Studs, 448 Time and Space Limited, 481 Terminal (Yankovitz), 207, 257, 510 Tiny Alice (Albee), 316–317 Terminal Hip (Wellman), 217 Tipton, Jennifer, 530 Terrors of Pleasure, Sex and Death to the Age ’Tis Pity She’s a Whore (Ford), 288 of 14 (Gray), 286 Tisch School of the Arts, 220 Terry, Megan, 10, 139, 151, 152, 207, 256, 257, Titanic, 18, 190, 457, 462 319, 321, 322, 334, 344, 378 To Have and Have Not (Hemingway), 13 Texaco Star Theater, 168 Toast of the Town, 168 That Championship Season (J. Miller), 180 Toilet, The (Baraka), 130–131, 320, 363 Theater for the New City, 219, 263 Tolan, Kathleen, 216 Theatre and Its Double, The (Artaud), 119, Tommy, 126, 459 254–255, 338, 476 (n. 8) “Tomorrow Belongs to Me,” 439 Theatre Arts Monthly, 120, 125 Tone, Franchot, 502 Theatre Communications Group (TCG), 220, Tongues (Shepard), 207 226, 243, 245–246 Tonight We Improvise (Pirandello), 252 Theatre de la Jeune Lune, 240 Tony Awards, 163, 190 Theatre de Lys, 220 Tooth of Crime, The (Shepard), 207, 211, 272, Theatre Development Fund, 179 344, 345–346, 351 Theatre for a New Audience, 215 Top Banana (Mercer), 168 Theatre ’47..., 125, 165, 224, 229–231 Torch Song Trilogy (Fierstein), 154, 197 Theatre Genesis, 206 Toser, David, 530 Theatre Guild, the, 106, 227, 249, 250, 420, 490 Total Recall (Foreman), 280

580 Index

Touch of the Poet, A (O’Neill), 105, 166 United Scenic Artists Association, 518, 519 Towards a Poor Theatre (Grotowski), United States (L. Anderson), 284–285 473 (n. 6) Universe, The (Foreman), 281 Townshend, Pete, 459 Unsinkable Molly Brown, The, 436 Tracy, Spencer, 504 Untouchables, The, 367 training, 107, 159, 256, 490–501, 521–522, 529 Updike, John, 5, 10 Traveler in the Dark (Norman), 376 Upwardly Mobile Homes Treadwell, Sophie, 321 (Shaw/Weaver/Margolin), 263 Trelawney of the Wells (Pinero), 199 Urban, Joseph, 514 Trial of the Catonsville Nine, The Uris Theatre, 178, 186, 445 (Berrigan/Levitt), 10 Utah Shakespearean Festival, 240 Trial of Judith Malina and Julian Beck, The, 256 Vablen, Thorstein, 368 Trinity (Square) Repertory Company, 239, Vaccaro, John, 153, 209, 261, 319 473–474 Valdez, Luis, 109, 258, 259, 475 Tropical Proxy (Finneran), 282 Valk, Kate, 286 Trouble in Mind (Childress), 130 Vallee, Rudy, 100 Truckline Café (M. Anderson), 301 Van Dyke, Dick, 436 True and False (Mamet), 365, 367 Van Fleet, Jo, 203, 396, 505 True West (Shepard), 207, 343, 350–353, 354, Van Itallie, Jean-Claude, 10, 135, 201, 206, 207, 356, 357 256, 257, 276, 314, 319 Tsu, Susan, 530 Van Peebles, Melvin, 182, 450 Tsypin, George, 127, 526, 530 Vance, Nina, 231–232, 234, 468 Tubes, 290 Vanya on 42nd Street, 212 Tudor, David, 253 Vargas, Enrique, 268 Tulane Drama Review/The Drama Review, vaudeville, 215–216 120–121, 258, 271 Vaughan, Stuart, 470, 471 Tune, Tommy, 188, 456–457, 460, 482 Vawter, Ron, 286, 287 Tunnel of Love, The, 166 Verdict, The, 367 Turista, La (Shepard), 313 Verdon, Gwen, 167, 182, 433, 434, 437, 472 Turner, Kathleen, 190 Vermont Ensemble Theatre, 273 Turner, Tina, 525 Vessel (Monk), 283 “Tutti Frutti,” 121 Via Galactica, 178, 445 Tutuola, Amos, 358 Victim, The (Bellow), 6 TV (Van Itallie), 314 Victims of Duty (Ionesco), 270, 272 Twelfth Night (Shakespeare), 461 Victor/Victoria, 190, 459, 507 Two by Two, 444 Victory at Sea, 427 Two for the Seesaw (Gibson), 302, 311, 444 Vidal, Gore, 10, 168 Two Gentlemen of Verona (musical), 180, 315, Vidlak’s Family Café, 273 445 Vienna Lusthaus (Clarke), 216, 284 Two Gentlemen of Verona (Shakespeare), 315, Viet Rock (Terry), 135, 207, 256, 257, 319 445 Vietnam War, 15, 16, 127, 128, 134, 153, 155 Two Trains Running (A. Wilson), 384, 391–392 Vietnamese Wedding, A (Fornés), 314 Two Undiscovered Amerindians Visit Vieux Carré (T. Williams), 325, 335 (Gómez-Peña/Fusco), 292 View from the Bridge, A (A. Miller), 105, 302, Two-Way Mirror (A. Miller), 415 303, 304, 414, 415 Tynan, Kenneth, 166, 446 Village, The: A Party (Fuller), 393 Tyrone Guthrie Theater, 127, 237–239, 243, Visit to a Small Planet, A (Vidal), 168 288, 471, 482 Vivat! Vivat Regina!, 180 Vivian Beaumont Theater, 176, 177, 180, 189, Ubu Repertory Theater, 214 211, 322 Udell, Peter, 444, 450 Vogel, Paula, 154, 212, 380 Ullman, Robert, 192 (n. 5) Volcano Songs (Monk), 283 Ulvaeus, Bjorn, 458 Voltaire, 430 Ulysses (Joyce), 115 von Brandenstein, Patrizia, 525 Uncle Vanya (Chekhov), 212, 367 von Mayrhauser, Jennifer, 530 Uncommitted, The (Keniston), 6–7, 9 Vonnegut, Kurt, 6, 10 Uncommon Women and Others (Wasserstein), 151, 379, 380–381 Wade, Kevin, 213 United Farm Workers, 258, 259 Wag the Dog, 366, 367

Index 581

Wager, Douglas, 229 Wertenbaker, Timberlake, 213 Wagner, Richard, 261, 526 Wesker, Arnold, 138 Wagner, Robin, 145, 515, 517, 526, 530 Wesley, Richard, 214 Waiting for Godot (Beckett), 134, 166, 214, 234, West, Cheryl L., 461 260, 304, 308, 309, 315, 332, 344 West, Nathanael, 3 Waiting for Lefty (Odets), 491 West Side Story, 123, 125, 171, 421, 431–432, Waits, Tom, 478 435, 441, 447–448, 472, 516, 519 Wake of Jamey Foster, The (Henley), 382 Westbeth Playwright’s Feminist Collective, Walker, Alice, 375, 385 262 Walker, Joseph A., 214 What Did He See? (Foreman), 281 Wall in Venice, A/3 Women/Wet Shadows What Makes Sammy Run?, 436 (Finneran), 282 What’s Up?, 424 Wallach, Eli, 505 Wheeler, Harold, 456 Waller, Fats, 184 Wheeler, Hugh, 452, 453 Walt Disney Company, 156–157, 186, 191, 192, When Dinah Shore Ruled the Earth 193, 215, 459, 462, 526 (Wasserstein/Durang), 381 Walton, Tony, 530 When We Dead Awaken (Ibsen), 278 War in Heaven, The (Chaikin/Shepard), 257 When You Comin’ Back, Red Ryder (Medoff), Ward, Douglas Turner, 131, 214, 260, 321, 393, 212 474 Where’s Charley?, 430 Wardle, Irving, 243 Whisper, the Waves, the Wind, 291 Warner, Deborah, 217 Whistle Down the Wind, 461 Warrilow, David, 196, 211, 288 White, Miles, 518 Warrior Ant, The, 289, 483 White, T.H., 435 Washington, Booker T., 128 White Collar (Mills), 104 Washington Square Players, 106, 197, 249 Whitehead, Robert, 176, 250, 468 Wasserstein, Dale, 441–442 Who, the, 143, 313 Wasserstein, Wendy, 151, 189, 196, 213, Who’s Afraid of Virginia Woolf? (Albee), 15, 378–381, 382 113–114, 115, 173, 203, 310–311, 337, 339, “Waste Land, The” (Eliot), 217 340, 354, 500 Waste Land, The (Warner), 217 Whose Life Is It Anyway?, 184 Water Engine, The (Mamet), 369 Why Hannah’s Skirt Won’t Stay Down (Eyen), Watergate, 16, 155 206 Waterman Switch, 278 Whyte, William, 104 Waters, Ethel, 163 Wija, I Wayan, 289 Waterston, Sam, 182 Wild One, The, 111–112 Watts, Alan, 137 Wildcat, 437 Waugh, Ann, 530 Wilder, Clinton, 204 Waugh, Stephen, 268 Wilder, Thornton, 94–95, 202, 211, 273, 294, Way It Is, The, 12 302, 442 Wayne, David, 163 Wildhorn, Frank, 461 We (Fuller), 392 Wilding, Faith, 291 We Keep Our Victims Ready (Finley), 216 Will Mr. Merriweather Return from Memphis? Weaver, Lois, 152, 263–264 (T. Williams), 335 Weber, Carl Maria von, 278 Will Rogers Follies, The, 188, 460, 482 Webster, Margaret, 250, 467 Williams, Robin, 332 Wechsler, Gil, 530 Williams, Samm-Art, 214 Wedding Band (Childress), 321 Williams, Tennessee, 3–4, 7–8, 9, 89, 95–96, 97, Weidman, John, 452, 460, 461 108, 110, 111, 113, 114, 142, 151, 152–153, Weill, Kurt, 94, 123, 124, 422, 424–425, 164, 166, 192–193, 196, 202, 264, 294, 295, 439–440 298–301, 302, 305–307, 308, 323–325, 328, Weisman, John, 267 331, 332, 333, 335, 336, 339, 407, 410, Weiss, Jeff, 196 468–469, 470, 503 Weiss, Marc B., 530 Williams, Treat, 301 Weiss, Peter, 170, 476 Williams, William Carlos, 119, 252 Weller, Michael, 199, 219 Willson, Meredith, 435, 436 Welles, Orson, 96, 519 Wilson, August, 18, 19–20, 126, 129, 130, Wellman, Mac, 196, 217–218 155–156, 189, 214, 245, 383–392, 407, 475, Welty, Eudora, 381 484 We’re No Angels, 367 Wilson, Earl, Jr., 446

582 Index

Wilson, Lanford, 140, 153, 184, 196, 201, 204, Worsley, Dale, 211 206, 208, 212, 219, 315–316, 397–399, 402, Worth, Irene, 180, 205, 316 473, 484 WOW (Women’s One World) Café, 152, Wilson, Robert, 17, 120, 127, 145, 146, 148, 263–264 210, 212, 215, 220, 276–279, 280, 282, 284, Woyzeck (Büchner), 288 285, 288, 319, 478, 479, 510, 530 WPA Theatre, 213, 458 Winchell, Walter, 100 Wright, Doug, 219 Wine in the Wilderness (Childress), 321 Wright, Garland, 482 Winer, Linda, 193 Wright, Robert, 429–430, 457 Winged Victory, 467 (n. 1) Writing in Restaurants (Mamet), 367, 372 Wings (Kopit), 184, 397 Wynn, Ed, 422 Winner, The (Rice), 302 Winnetou’s Snake Oil Show from Wigwam City, Yale Repertory Theatre, 126, 189, 240, 242, 263 245, 475 Winters, Shelley, 97, 504, 505 Yankowitz, Susan, 207, 257, 334, 355, 510 Wisdom Bridge Theatre, 240, 482 Yates, Sidney, 217 Wish You Were Here, 426 Yeargan, Michael, 127, 530 Wittop, Freddy, 518 Yellow Fever (Shiomi), 214 Wiz, The, 131, 181–182, 450 Yellow Jack, 467 (n. 1) Wizard of Oz, The, 181, 422, 450 Yes, Yes, No, No (Kushner), 403 Wojewodski, Robert, 530 Yeston, Maury, 456–457, 462 Woks, 254 Yippies, 268 Wolfe, George C., 154–155, 189, 200–201, 404, Yordan, Philip, 130 460, 484–485 You Can’t Take It With You (Kaufman/M. Hart), Wolfe, Tom, 10, 408 177 Wolsky, Albert, 530 “You’ll Never Walk Alone,” 421 Woman of the Year, 455 Youmans, James, 530 Womanrite Theatre Ensemble, 262 Youmans, Vincent, 450 Womanspace, 262 Young Lions, The, 505 Women, The (Luce), 486 Young Man from Atlanta, The (Foote), 219 Women and Violence, 263 Your Show of Shows, 133, 168, 402 Women’s Experimental Theatre, 262 You’re a Good Man, Charlie Brown, 443, Women’s One World (WOW) Café, 152, 454–455 263–264 Women’s One World Festivals, 263 Zaks, Jerry, 482 Women’s Project, 216 Zaloom, Paul, 214, 290 Wonderful Town, 167, 171 Zangezi (Khlebnikov), 288 Wonsek, Paul, 530 Zeigler, Joseph, 234, 236–237 Woodruff, Robert, 127, 350, 482 Zeisler, Peter, 237 Woods, The (Mamet), 370, 371 Zielinski, Scott, 530 Woodward, Joanne, 97, 484 Zimet, Paul, 207 Wooster Group, the, 17, 120, 147–148, 211, Zimmerman, Mary, 484 272, 280–281, 285–287, 288, 480, 483, 487, Zippel, David, 455, 459 510–511 Zipprodt, Patricia, 530 Working, 448 Zoo Story, The (Albee), 9, 15, 113–114, 203, workshops and workshop development, 204, 309, 310, 311, 336, 337, 339, 340, 363, 180–181, 200, 204, 211–212, 256, 262, 364 480 (+ n. 11), 482 Zooman and the Sign (Fuller), 393–394 World War II, 87–88, 97–98 Zoot Suit (Valdez), 259 World Wide Web, 158 Zorba, 439 World Without End (Hughes), 264 Zuber, Catherine, 530