Issue Print Test | Nonsite.Org
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 Tomasz Dziewicki University of Warsaw Intensivism As a Tool of An
III. International Forum for doctoral candidates in East European art history, Berlin, 29th April 2016, organized by the Chair of Art History of Eastern and East Central Europe, Humboldt University Berlin Tomasz Dziewicki University of Warsaw XXXXXXXXXXXXXXXXXXXXXXXX Intensivism as a Tool of an Art Historian In 1897 in Warsaw, the art critic, Cezary Jellenta, published in a weekly magazine "Głos" the article titled Intensivism. This article in its times did not influence on a polish art, but nowadays a category of intensivism created by Jellenta can be seen as an useable tool from the point of view a art historian. Jellenta noticed in his article a new trend in painting of the end of the century. In his mind modern art turned to a subjective way of perception of reality. Presentation of ordinary objects and phenomena, which are known by a viewer, in work of art tends to experience them anew. The art critic maintained a role of personal experience of powers of nature through a painting and the fact that this power may be embodied with the soul of an artist. At the beginning of his paper he refered to anachronistic examples of Andreas Achenbach's and Anders Zorn's work but also pointed out Arnold Böcklin, Władysław Podkowiński or Józef Pankiewicz as founders of the new movement. Jellenta paid attention to a modern composition, simplification and painting synthesis, which enable to express reality better and deeper. He applies a category, separated plastically and semantically from a representation, of main motif , which, as Jellenta wrote, "tunes our soul". In fact it is an attempt to transfer the music theory of Leitmotif by Richard Wagner on the ground of the painting. -
Part Two Feudal Institutions
Part Two Feudal Institutions Introduction Amid invasions from abroad and tumult at home, with the decay and near-disappearance of effective government, the men of the early Middle Ages faced a critical problem in supplying their basic social needs-food, protection, companionship. Under such peril ous conditions, the most immediate social unit which could offer support and protection to harassed individuals was the family. What was the nature of the family in early medieval society? This is a question which must be asked in any consideration of the feudal world, but it is surprisingly difficult to answer. Few and uninformative records cast but dim light on this central institution; they are enough to excite our interest but rarely sufficient to give firm responses to our questions. At one time the common view of historians was that the family of the early Middle Ages was characteristically large, extended or patriarchal. Married sons continued to live within their father's house or with one another after their parents' deaths; they sought security against external dangers primarily in their own large numbers. There is, to be sure, much evidence of strong family solidarity and sentiment in medieval society. A heavy moral obli gation, everywhere evident, lay upon family members to avenge the harm done to a kinsman. This is one of the principal themes of FEUDAL INSTITUTIONS the epic poem Raoul of Cambrai (Document 31), as it is of many medieval tales. The characters in it repeatedly assert that warriors who fail to seek vengeance are dastards and cowards, not worth a spur or a glove. -
Bijoux, Montres, Accessoires De Mode Xxème Siècle
BIJOUX, MONTRES, ACCESSOIRES DE MODE MERCREDI 16 NOVEMBRE À 18H30 XXÈME SIÈCLE JEUDI 17 NOVEMBRE À 18H Bijoux, Montres, Accessoires de mode MERCREDI 16 NOVEMBRE À 18H30 Expositions publiques : Mardi 15 novembre de 14h30 à 18h Mercredi 16 novembre de 10h à 12h et 14h30 à 18h Expert : Cabinet Mely-Mure +33 (0)4 72 56 77 60 Suivez la vente Bijoux, Montres, Accessoires de mode et participez en direct sur XXème siècle JEUDI 17 NOVEMBRE À 18H Expositions publiques : Mardi 15 novembre de 14h30 à 18h Mercredi 16 novembre de 10h à 12h et 14h30 à 18h Jeudi 17 novembre de 10h à 12h Experts : Art Nouveau, Art Déco, Design : Thierry ROCHE +33 (0)6 80 05 46 68 Tableaux modernes et contemporains : Olivier HOUG +33 (0)6 07 38 28 35 Expert CNES Suivez la vente XXème siècle et participez en direct sur Tous les lots sont visibles sur www.conanauction.fr , www.interencheres.com/69005, www.auction.fr et www.artprice.fr Commissaire-priseur habilitée : Cécile Conan-Fillatre 8, rue de Castries - 69002 Lyon - Tél : +33 (0)4 72 73 45 67 - Fax : +33 (0)4 78 61 07 95 [email protected] - Agrément n° 2002-271 - 3 - jeudijeudi 17 15 novembre octobre 20162015 Mercredi 16 novembre à 18h30 BIJOUX, MONTRES, ACCESSOIRES DE MODE 10 PARURE BRESSANE ancienne comprenant un bracelet et une 34 BRACELET ancien en or jaune 18k (750/oo) à maillons ovales tor- broche à pampilles en argent (800/oo) composés de médaillons ovales et de sadés et filigranés. Poids brut : 26,1 g. -
CUBISM and ABSTRACTION Background
015_Cubism_Abstraction.doc READINGS: CUBISM AND ABSTRACTION Background: Apollinaire, On Painting Apollinaire, Various Poems Background: Magdalena Dabrowski, "Kandinsky: Compositions" Kandinsky, Concerning the Spiritual in Art Background: Serial Music Background: Eugen Weber, CUBISM, Movements, Currents, Trends, p. 254. As part of the great campaign to break through to reality and express essentials, Paul Cezanne had developed a technique of painting in almost geometrical terms and concluded that the painter "must see in nature the cylinder, the sphere, the cone:" At the same time, the influence of African sculpture on a group of young painters and poets living in Montmartre - Picasso, Braque, Max Jacob, Apollinaire, Derain, and Andre Salmon - suggested the possibilities of simplification or schematization as a means of pointing out essential features at the expense of insignificant ones. Both Cezanne and the Africans indicated the possibility of abstracting certain qualities of the subject, using lines and planes for the purpose of emphasis. But if a subject could be analyzed into a series of significant features, it became possible (and this was the great discovery of Cubist painters) to leave the laws of perspective behind and rearrange these features in order to gain a fuller, more thorough, view of the subject. The painter could view the subject from all sides and attempt to present its various aspects all at the same time, just as they existed-simultaneously. We have here an attempt to capture yet another aspect of reality by fusing time and space in their representation as they are fused in life, but since the medium is still flat the Cubists introduced what they called a new dimension-movement. -
Law, Liturgy, and Sacred Space in Medieval Catalonia and Southern France, 800-1100
Law, Liturgy, and Sacred Space in Medieval Catalonia and Southern France, 800-1100 Adam Christopher Matthews Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 1 ©2021 Adam Christopher Matthews All Rights Reserved 2 Abstract Law, Liturgy, and Sacred Space in Medieval Catalonia and Southern France, 800-1100 Adam Christopher Matthews With the collapse of the Visigothic kingdom, the judges of Catalonia and southern France worked to keep the region‘s traditional judicial system operable. Drawing on records of judicial proceedings and church dedications from the ninth century to the end of the eleventh, this dissertation explores how judges devised a liturgically-influenced court strategy to invigorate rulings. They transformed churches into courtrooms. In these spaces, changed by merit of the consecration rite, community awe for the power infused within sacred space could be utilized to achieve consensus around the legitimacy of dispute outcomes. At the height of a tribunal, judges brought litigants and witnesses to altars, believed to be thresholds of Heaven, and compelled them to authenticate their testimony before God and his saints. Thus, officials supplemented human means of enforcement with the supernatural powers permeating sanctuaries. This strategy constitutes a hybridization of codified law and the belief in churches as real sacred spaces, a conception that emerged from the Carolingian liturgical reforms of the ninth century. In practice, it provided courts with a means to enact the mandates from the Visigothic Code and to foster stability. The result was a flexible synthesis of law, liturgy, and sacred space that was in many cases capable of harnessing spiritual and community pressure in legal proceedings. -
Sekelskifteskonst Från Polen Polish Fin De Siècle
Sekelskifteskonst Polish från Polen Fin de Siècle Art Utställningskatalogen ges ut i samband med utställningen Młoda Polska. Sekelskifteskonst från Polen på Göteborgs konstmuseum 27 oktober 2018 –17 mars 2019. The exhibition catalogue is published in connection to the exhibition Młoda Polska: Innehåll Contents Polish Fin de Siècle Art at Gothenburg Museum of Art 27 October –17 March 2019. Curatorer / Curators Fil.dr/Ph.D. Kristoff er Arvidsson, forskningsledare/Head of Research Eva Nygårds, intendent/Curator Johan Sjöström, utställningsintendent/ Tack till / Thanks to 5 Förord 7 Foreword Exhibition Curator Dr Piotr Rypson, direktör för Nationalmuseet i Warszawa/Director of Anna Hyltze Anna Hyltze the National Museum in Warsaw; Dr Agnieszka Morawińska, tidigare Katalogredaktörer / Catalogue editors direktör för Nationalmuseet i Warszawa/former Director of the National Kristoff er Arvidsson, Eva Nygårds, Museum in Warsaw; Tomasz Zborowski, chef för låneavdelningen, Johan Sjöström 11 1. Inledning 23 1. Introduction Nationalmuseet i Warszawa/Head of Loan Department, National Kristoff er Arvidsson, Eva Nygårds, Kristoff er Arvidsson, Eva Nygårds, Koncept / Concept Museum in Warsawa; Iwona Danielewicz, intendent, Nationalmuseet Johan Sjöström i Warszawa/Curator, the National Museum in Warsaw; Agnieszka Johan Sjöström Johan Sjöström Bagińska, intendent, Nationalmuseet i Warszawa/Curator, the National Koordinator / Coordinator Museum in Warsaw; Agnieszka Gizińska, utställningskoordinator, Tanja Axelryd, utställningskoordinator/ Nationalmuseet i Warszawa/Exhibition coordinator, the National 33 Katalog: Porträtt 33 Catalogue: Portraiture Exhibition coordinator Museum in Warsaw; Dr Andrzej Betlej, direktör för Nationalmuseet i Kraków/Director of the National Museum in Kraków; Dr Andrzej Författare / Authors Szczerski, lektor vid konsthistoriska institutet vid Jagellonska Kristoff er Arvidsson, Anna Hyltze, Agnieszka 83 93 universitetet i Kraków/Assistant Professor at the Institute of Art History, 2. -
Écrits Sur Bergson
Écrits sur Bergson 1890 Georges Lechalas. “Le Nombre et le temps dans leur rapport avec l’espace, à propos de Les Données immédiates. ” Annales de Philosophie Chrétienne, N.S. 23 (1890): 516-40. Print. Eng. trans. “Number and Time in Relation to Space, as Concerns Time and Free Will .” 1893 Maurice Blondel. L’action. Essai d’une critique de la vie et d’une science de la pratique . Paris: Alcan, 1893, 495. (Bibliographie de Philosophie Contemporaine) Eng. trans. Action . This item is republished in 1950, Presses Universitaires de France. 1894 Jean Weber. “Une étude réaliste de l’acte et ses conséquences morales.” Revue de métaphysique et de morale . 2.6, 1894, 331-62. Eng. trans. “A Realist Study of the Act and its Moral Consequences.” 1897 Gustave Belot. “Un Nouveau Spiritualisme.” Revue Philosophique de la France et de l’Etranger , 44.8 (August 1897): 183-99. The author sees a danger of materialism in Matter and Memory. Print. Eng. trans. “A New Spiritualism.” Victor Delbos. “Matière et mémoire, étude critique.” Revue de Métaphysique et de Morale , 5 (1897): 353- 89. Print. Eng. trans. “ Matter and Memory , A Critical Study.” Frédéric Rauh. “La Conscience du devenir.” Revue de Métaphysique et de Morale , 4 (1897): 659-81; 5 (1898): 38-60. Print. Eng. trans. “The Awareness of Becoming.” L. William Stern. “Die psychische Präsenzzeit.” Zeitschrift für Psychologie und Physiologie der Sinnesorgane 13 (1897): 326-49. The author strongly criticizes the concept of the point-like present moment. Print. Eng. trans. “The Psychological Present.” 1901 Émile Boutroux. “Letter to Xavier Léon. July 26, 1901” in Lettere a Xavier Léon e ad altri. -
Title Japonisme in Polish Pictorial Arts (1885 – 1939) Type Thesis URL
Title Japonisme in Polish Pictorial Arts (1885 – 1939) Type Thesis URL http://ualresearchonline.arts.ac.uk/6205/ Date 2013 Citation Spławski, Piotr (2013) Japonisme in Polish Pictorial Arts (1885 – 1939). PhD thesis, University of the Arts London. Creators Spławski, Piotr Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Japonisme in Polish Pictorial Arts (1885 – 1939) Piotr Spławski Submitted as a partial requirement for the degree of doctor of philosophy awarded by the University of the Arts London Research Centre for Transnational Art, Identity and Nation (TrAIN) Chelsea College of Art and Design University of the Arts London July 2013 Volume 1 – Thesis 1 Abstract This thesis chronicles the development of Polish Japonisme between 1885 and 1939. It focuses mainly on painting and graphic arts, and selected aspects of photography, design and architecture. Appropriation from Japanese sources triggered the articulation of new visual and conceptual languages which helped forge new art and art educational paradigms that would define the modern age. Starting with Polish fin-de-siècle Japonisme, it examines the role of Western European artistic centres, mainly Paris, in the initial dissemination of Japonisme in Poland, and considers the exceptional case of Julian Żałat, who had first-hand experience of Japan. The second phase of Polish Japonisme (1901-1918) was nourished on local, mostly Cracovian, infrastructure put in place by the ‘godfather’ of Polish Japonisme Żeliks Manggha Jasieski. His pro-Japonisme agency is discussed at length. -
AUKTION 11. Mai 2019
AUKTION 11. Mai 2019 Fotos Jürgen Schops Recherche / Texte Thomas Turowski Maria Prinz Ingo Napieraj Axel Odendahl Jana Schlott Gestaltung Piet Zerbst Druck Buch- und Offsetdruckerei Häuser KG Dank an Rüdiger KUNST & DESIGN AUKTIONSHAUS SCHOPS TUROWSKI AUKTION Wiedstr. 21 | 47799 Krefeld Samstag, 11. Mai 2019 mail: info @ kunstunddesign-auktionen.de tel: + 49 (0) 21 51 . 154 61 27 Start 10.00 Uhr fax: + 49 (0) 21 51 . 154 70 18 www.kunstunddesign-auktionen.de Bankverbindungen / Bank Details Beneficiary: Schops & Turowski GbR Sparkasse Krefeld Moerser Str. 220 Vorbesichtigung im Auktionshaus in Krefeld D- 47803 Krefeld / Germany IBAN: DE69320500000000391656 Freitag 03.05.2019 12-18 Uhr Swift-BIC: SPKRDE33XXX Steuernummer / Ident Number: Samstag 04.05.2019 12-18 Uhr DE 265629205 Sonntag 05.05.2019 12-18 Uhr Montag 06.05.2019 12-18 Uhr Dienstag 07.05.2019 12-18 Uhr Mittwoch 08.05.2019 12-18 Uhr Donnerstag 09.05.2019 12-18 Uhr Die im Katalog angegebenen Preise sind Limit / Aufrufpreise Besitzerverzeichnis 32 33 89 33 32 107 55 55 19 14 7 14 107 42 27 83 55 89 104 7 103 79 79 56 71 71 71 32 53 13 7 7 62 56 109 90 56 56 56 56 56 56 56 56 56 56 56 33 47 47 47 47 47 56 105 113 83 7 7 83 83 83 83 83 83 90 42 83 30 100 56 34 56 56 7 93 56 112 112 112 112 69 112 112 112 30 112 96 96 96 102 32 62 69 91 89 72 19 69 30 69 69 69 69 69 69 69 69 69 83 69 109 78 86 78 62 56 78 78 62 62 37 73 73 37 37 59 73 73 73 36 37 73 37 37 73 37 73 73 37 37 73 68 73 68 37 73 73 37 73 37 73 79 79 79 93 89 46 37 37 73 73 73 73 8 73 73 73 73 73 73 70 59 8 39 56 73 8 62 -
Perspective, 3 | 2008, « Xxe-Xxie Siècles/Le Canada » [En Ligne], Mis En Ligne Le 15 Août 2013, Consulté Le 01 Octobre 2020
Perspective Actualité en histoire de l’art 3 | 2008 XXe-XXIe siècles/Le Canada Édition électronique URL : http://journals.openedition.org/perspective/3229 DOI : 10.4000/perspective.3229 ISSN : 2269-7721 Éditeur Institut national d'histoire de l'art Édition imprimée Date de publication : 30 septembre 2008 ISSN : 1777-7852 Référence électronique Perspective, 3 | 2008, « XXe-XXIe siècles/Le Canada » [En ligne], mis en ligne le 15 août 2013, consulté le 01 octobre 2020. URL : http://journals.openedition.org/perspective/3229 ; DOI : https://doi.org/ 10.4000/perspective.3229 Ce document a été généré automatiquement le 1 octobre 2020. 1 xxe-xxie siècles Entretien avec Bill Viola sur l’histoire de l’art ; Giacometti ; l’urbanisme des villes d’Europe centrale ; publications récentes sur la couleur au cinéma et dans la photographie, le postmodernisme, les archives d’art contemporain et les revues d’art. Le Canada Développement et pratiques actuelles de la discipline : de l’histoire de l’art aux études d’intermédialité, le rôle des musées et de la muséographie ; Ancien et Nouveau Mondes ; chroniques sur art et cinéma, les revues, le patrimoine… Perspective, 3 | 2008 2 SOMMAIRE De l’utilité des revues en histoire de l’art Didier Schulmann XXe-XXIe siècles Débat Bill Viola, l’histoire de l’art et le présent du passé Bill Viola Alberto Giacometti aujourd’hui Thierry Dufrêne Travaux L’urbanisme et l’architecture des villes d’Europe centrale pendant la première moitié du XXe siècle Eve Blau Actualité Couleur et cinéma : vers la fin des aveux d’impuissance Pierre Berthomieu L’histoire de la photographie prend des couleurs Kim Timby Autour de Fredric Jameson : le postmodernisme est mort ; vive le postmodernisme ! Annie Claustres Les archives d’art contemporain Victoria H. -
W Poszukiwaniu Własnej Tożsamości. Forma
W POSZUKIWANIU WŁASNEJ TOŻSAMOŚCI. FORMA NARODOWA NA TLE ZJAWISK W ARCHITEKTURZE CZESKIEJ I SŁOWACKIEJ (CZECHOSŁOWACKIEJ) W PIERWSZEJ POŁOWIE XX WIEKU SEARCHING THE IDENTITY. NATIONAL FORM IN COMPARISON TO PHENOMENA OF CZECH AND SLOVAK (CZECHOSLOVAK) ARCHITECTURE IN THE 1ST HALF OF THE 20TH CENTURY Michał Pszczółkowski dr Uniwersytet Zielonogórski Wydział Budownictwa, Architektury i Inżynierii Środowiska Katedra Architektury i Urbanistyki STRESZCZENIE Tematem artykułu są specyficzne cechy architektury czeskiej i słowackiej w pierwszych dekadach XX wieku (czeski kubizm, słowacki styl narodowy) oraz architektury czecho- słowackiej po pierwszej wojnie światowej – tzw. rondokubizm, popularny zwłaszcza w pierwszej połowie lat 20. Czechizacja Słowacji po zjednoczeniu obu krajów spowodowa- ła, że czeska forma rondokubizmu była bojkotowana przez architektów słowackich, a do wypracowania wspólnego stylu czechosłowackiego nigdy nie doszło. Słowa kluczowe: architektura, czeski kubizm, Dušan Jurkovič, Josef Gočár, rondokubizm, styl narodowy. ABSTRACT The main issue of this paper is characteristics of the unique features of Czech and Slovak architecture in the first decades of the 20th century (Cubism style, Slovak national style) and Czechoslovak architecture after the First World War, so-called Rondo-Cubism. The process of so called Czechization of Slovakia after those two countries were joined to- gether made Slovak architects boycott Rondocubism. A unified Czechoslovak style has never come into existence. Key words: architecture, Czech Cubism, Dušan Jurkovič, Josef Gočár, national style, Rondocubism. 238 s p a c e & FORM | przestrzeń i FORMa ‘24/1_2015 1. WSTĘP Przełom XIX i XX wieku to charakterystyczny okres w rozwoju architektury, kiedy projek- tanci z wielu krajów dążyli do wypracowania narodowej formy i narodowego stylu. Dla narodów Europy Środkowo-Wschodniej, pozbawionych własnej państwowości, poszuki- wania takiego stylu były wówczas szczególnie istotne. -
Kolekcjonerstwo Polskie XX I XXI Wieku. Szkice
Kolekcjonerstwo polskie XX i XXI wieku. Szkice Pod redakcją Tomasza F. de Rosseta, Agnieszki Kluczewskiej-Wójcik Aldony Tołysz Biblioteka Narodowego Instytutu Muzealnictwa i Ochrony Zbiorów 7 Kolekcjonerstwo polskie XX i XXI wieku. Szkice Pod redakcją Tomasza F. de Rosseta, Agnieszki Kluczewskiej-Wójcik, Aldony Tołysz Materiały konferencji zorganizowanej w 2014 roku przez Zakład Muzealnictwa Wydziału Sztuk Pięknych Uniwersytetu Mikołaja Kopernika w Toruniu Narodowy Instytut Muzealnictwa i Ochrony Zbiorów Warszawa 2015 SPIS TREŚ CI Od redakcji 9 Agnieszka Kluczewska-Wójcik 19 Kolekcjoner polski u progu nowoczesności – szkic do portretu Kamila Kłudkiewicz 40 Bardzo długie trwanie. O zainteresowaniach kolekcjonerów sztuką polskiego modernizmu w dwudziestoleciu międzywojennym Barbara Chojnacka 53 Kolekcja polskiej sztuki współczesnej w Muzeum Okręgowym im. Leona Wyczółkowskiego w Bydgoszczy Agnieszka Salamon-Radecka 70 Poznańscy kolekcjonerzy grafi ki w dwudziestoleciu międzywojennym i ich zbiory w świetle dokumentów archiwalnych Muzeum Wielkopolskiego (1919–1939) Paulina Kurc-Maj 81 Rola inicjatyw i kolekcji prywatnych w muzealnictwie polskim na przykładzie polityki budowania zbiorów w Muzeum Sztuki w Łodzi w latach międzywojennych i bezpośrednio powojennych XX wieku Ewa Bobrowska 94 Polska sztuka w Paryżu w drugiej połowie XX wieku i jej wsparcie instytucjonalne: zbiory, galerie, stowarzyszenia. Próba wstępnego rozpoznania Małgorzata Baka-Theis 115 Polskie kolekcje artefaktów afrykańskich. Między zbiorem pamiątek a kolekcją sztuki Joanna Gojżewska 136 Sztuka nowoczesna i reklama w działalności Heleny Rubinstein Milena Woźniak-Koch 144 Bronisław Krystall. Warszawski kolekcjoner początku XX wieku Anna Kroplewska-Gajewska 157 Od Andrzeja Wróblewskiego do Włodzimierza Pawlaka. Kolekcja pakoska w 2014 roku Anna Saciuk-Gąsowska 169 Kolekcja sztuki nowoczesnej z okazji pewnego jubileuszu Aldona Tołysz 181 Kolekcje (nie)świadome: Muzeum w Koszalinie, Galeria EL w Elblągu, Fundacja Bęc Zmiana w Warszawie Julianna Makiłła-Polak 193 Przypadek Antoniego M.