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[T]Akte Das Bärenreiter-Magazin

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[T]Akte Das Bärenreiter-Magazin [t]akte Das Bärenreiter-Magazin Der Triumph der Komödie Antonio Cestis „L’Orontea“ – Wiederbelebung in Frankfurt 1I2015 Lange überfälliges Projekt Die Gesamtausgabe der Werke Bohuslav Martinůs geht an den Start Informationen für Bühne und Orchester Fortwährendes Dichten Beat Furrers Oper „la bianca notte / die helle nacht“ für Hamburg 6 D 53 Fast = c. 112 q Fl. 2 ∑ ∑ ∑ ∑ ∑ ∑ Œ‰j k k@ & bkœ@ œ@. œ@ œ@ œ. π Fl. 3 ∑ ∑ ∑ ∑ ∑ ∑ k k@ k j k & bœ@ œ œ@ kœ@ œ@. π j Cl. 1 ∑ ∑ k k k k k k bkœ. ‰ k @ k@ @ k & œ. œ k k kœ œ œ. œœbœ. œ. œ œ œ œœ bœ@ œ œ œ kœ@ œ@ œ@ ∏ œ œ π Cl. 2 ∑ ∑ k kj ‰ Œ‰j j & k k k k k k k bkœ œ œ œ k@ @ k@ œ œ œ œ kœ œ. œ œ. bœ . œ. œ œ œ bœ. ∏ π Cl. 3 ∑ ∑ j k kr ≈ ‰ ‰ ≈ r j & k k kj k k k k k kœ bkœ bœ œ kœ@ œ@ k@ k@ k@ œ œ kœ œ. œ œ bœ œ œ œ. œ œ. œ bœ œ. ∏ 3 π Cl. 4 ∑ ∑ k k r ≈ ‰ Œ & k k k k k k kœ k kœ. bœ bœ œ kœ@ k@ k@ k@ @ @ œ. œ œ #kœ œ nkœ. œ œ œ œ bkœ . k œ k œ bœ œ œ k k k bœ œ œ œ. kœ ∏k k k k k k k π bœ œ bœ. œ. œ œ bœ Bsn. 1 ? œ #œ œ œ. œ. nœ œ œ œ bœ œ J ∑ ∑ J 3 Œ ∑ ∏k k k k k k k k k k k k k k œ œ. œœœ œ œ œ. bœ œ œ œ bœ œ Bsn. 2 ? ∑ ∑ œ œ œ. œ kœ œ œ œ . J . Œ ∑ 3 ∏k k k k k k k k k k k k k k k k k k . bœ Bsn. 3 ? k k œ œ œ œ œ œ œ. œ œ œ. œ œ œ œ œ bœ œ œ bœ ∑ ∑ œ œ œ œ œ 3 Œ ∑ 3 ∏ k k k k k + + + + + + + ? j j œ #œ + + + Hn. 1 ∑ ∑ ‰ œ ŒŒ‰k k ‰‰J Œ #œ ‰ ‰Œ Œ œ ‰ & ‰Œ ‰ja & J œ œ J J J a j œ œ œ. aj ∏ b œ œ + k+ k+ k+ + ∏ ? j + + j + + + Hn. 2 ∑ ∑ ‰ k ŒŒ‰kj kj ‰‰œ Œ #œ ‰ œ ‰Œ Œ k ‰ & ‰Œ ‰ & œ œ œ J J J #œ j aj j ∏ #a œ œ œ œ. a a a œ + + + + + ∏+ + ? j + + j j j j Hn. 3 ∑ ∑ ‰ k ŒŒ‰kj kj ‰‰#kœ Œ k ‰ k ‰Œ Œ k ‰ # œ‰Œ ‰ œ œ œ. j & œ œ œ œ #œ œ J J aœ ∏ ∏ + + + ? + + + + + + + j Hn. 4 ∑ ∑ ‰ kj ŒŒ‰j j ‰‰kj Œ kj ‰ kj ‰Œ Œ kj ‰ #a œ naœ. œ aœ . & œ kœ kœ #œ œ #œ œ ∏ ∏ ? + + + + + + + + + + Hn. 5 & ∑ ∑ ‰jk ŒŒ‰j j ‰‰kj Œjk ‰ kj ‰Œ Œk j‰ a j a a #œ kœ kœ œ #œ œ #œ # œ #œ. œ nœ . ∏ ∏ + + + + + + + + Hn. 6 ? a & ∑ ∑ ‰ kj ŒŒ‰j j ‰‰ j Œ kj ‰ j ‰Œ Œ kj ‰ #w w œ #kœ #kœ kœ #œ #kœ #œ ∏ 3 ∏ con sordino ‘straight’ 3 3 3 3 3 3 Tpt. 1 j & ∑ ∑ ∑ ∑ ∑ Œ ‰‰bœ- œ- œ- œ- œ- œ œ œ œ œ œ œ œ œ œ œ œ œ- œ- ∏ - - - - - - - - - - - - con sordino ‘straight’ 3 3 3 3 3 3 3 Tpt. 2 ∑ ∑ ∑ ∑ Œ & ∑ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ ∏- - - - - - - - - - - - - - - - - - - - - con sordino ‘straight’ 3 3 3 3 3 3 Tpt. 3 j & ∑ ∑ ∑ ∑ ∑ Œ œ œ œ œ ‰‰ Œ - - bœ- œ- œ- bœ- œ- œ- œ- bœ- œ- - - œ- œ- œ- con sordino ‘straight’∏ 3 3 3 3 3 3 Tpt. 4 ∑ ∑ ∑ ∑ ∑ ‰‰ j & bœ bœ œ œ œ œ œ bœ œ œ œ - - - - - œ- bœ- œ- œ- œ- - - - - - - con sordino ‘wa-wa’ ∏ - - œ- bœ- œ- œ- œ- - - - - - - - œ- œ- bœ œ Tbn. 1 ? bœ bœ œ œ œ œ bœ ∑ ∑ ∑ ∑ ∑ ‰ 3 3 3 3 3 3 ‰ con sordino ‘wa-wa’ ∏ - - œ- œ- œ- - - - - œ- œ- œ- Tbn. 2 ? bœ bœ œ œ œ- bœ- œ- œ-œ bœ J ∑ ∑ ∑ ∑ ∑ 3 3 3 3 3 ‰‰3 con sordino ∏ 3 - - - - - - - - œ- B.Tba. ? œ- œ- œ- bœ bœ bœ œ œ œ œ- - - bœ œ bœ ∑ ∑ ∑ ∑ Œ 3 3 3 bœ œ œ œ - 3 Œ 3 - - ∏ (ord.) soft mallets 3 6 6 Perc. 1 & ∑ ∑ Œ‰≈ ≈ ∑ ∑ ∑ (ord.) œ#œ œ #œ œ œ œ œ œ œ œ œ œ soft mallets 5 ∏ 5 5 Perc. 2 ∑ ∑ Œ‰≈ ≈ ∑ ∑ ∑ & 1I2015 #œ #œ œ œ œ œ œ [ ] (ord.) œ œ œ œ t akte soft mallets ∏ * Perc. 3 ∑ ∑ Œ‰ ≈ ∑ ∑ ∑ & œ bœ œ bœ œ œ nœ #œ œ damp (with cloth) ∏ œ. Pno. ? œœ & ∑ ∑ œ ‰Œ & ∑ ∑ ∑ ∑ Jœ 4 8 11 13 14 16 18 21 k k k k k divisi k k k k k k Fast = c. 112 molto sul tasto, molto arco senza vibrato (till the end r q if not marked otherwise) bœ bœ. œ. nœ œ œ. œ œ bœ bœ œ nœ bœ œ nœ œ œ bœ bœ œ œ nœ œ bœ œ nœ œ œ. kœ œ. #œ œ #œ #œ œ œ nœ œ kœ #kœ nœ œ ≈ ‰Œ ∑ ∑ Œ‰ & #œ k k k k k k k k k k k R bœ- œ- œ- œ- œ- œ- œ- œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ- œ- œ- cresc. divisi - - - - - - - - - - - - - - - - k k k k k k k k k k k k k molto sul tasto, molto arco π P senza vibrato (till the end r if not marked otherwise) bœ œ œ œ. bœ œ. nœ œ œ œ œ #œ œ œ œ œ œ œ œ œ. bœ œ #œ œ œ #œ nœ œ œ œ œ #œ & #œ #œ k k bkœ œ. nkœ œ œ. œ k kœ œ #kœ k k k k œ œ ≈ ‰Œ ∑ ∑ Œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ k k k R divisi - - - - - - - - - - - - - - - - - - - bœ- œ- œ- œ- - - - - - cresc.k k k k k k k k k k k k k k molto sul tasto, molto arco π P senza vibrato (till the end r if not marked otherwise) œ œ bœ œ. bœ œ nœ œ œ bœ œ œ œ œ œ œ bœ œ nœ œ œ. bœ œ œ œ #œ œ #œ œ œ nœ ≈ ‰Œ ∑ ∑ Œ Œ & bœ nkœ #kœ œ k kœ œ. #kœ œ nkœ nkœ œ k #kœ œ. k k k k nkœ œ œ- œ- œ- bœ œ œ bœ œ œ œ œ œ bœ œ œ œ- œ- œ œ œ œ œ œ œ cresc. R divisi - - - - - - - - - - - - - - - - - - - Vln. I k k k k k k Pk k k k molto sul tasto, molto arco π k k k senza vibrato (till the end if not marked otherwise) #œ nœ œ œ œ bœ œ. œ œ. œ œ œ œ. r œ #œ œ œ œ #œ œ œ œ #œ œ & œ #œ œ. œ #œ œ œ bœ œ kœ k bœ nœ œ ≈ ‰Œ ∑ ∑ ‰ ‰Œ œ k bkœ œ nkœ k kœ œ kœ kœ œ k k k k k k R bœ- bœ- œ- œ- œ- œ- œ- œ œ bœ œ œ œ œ œ- œ- bœ- œ- œ- œ- œ- œ- œ- œ- cresc. k k k k k - - - - - - - k k k k P k π bœ œ bœ œ r œ. #œ œ œ . bœ œ. œ œ. œ œ bœ. œ bœ . œ œ bœ œ bœ œ ≈ ‰Œ ∑ ∑ ∑ ∑ & bœ nœ bœ œ nœ œ œ #œ #œ œ nœ #œ œ #œ œ œ k œ k k nkœ nœ œ k k k k k k k k #kœ k k k R cresc.k k k k k k k Pk k k k œ œ œ. bœ œ. œ #œ #œ œ. r œ bœ nœ œ bœ œ bœ nœ œ nœ œ ≈ ‰Œ ∑ ∑ ∑ ∑ & œ œ œ œ #œ bœ œ bœ nœ œ. kœ œ. œ œ œ k kœ œ k k k kœ œ kœ bkœ œ bkœ k k k k R cresc. k k k k k k k k k kP k k j j j j œ #œ #œ œ bœ œ bœ bœ nœ bœ œ bœ œ œ #œ œ bœ œ bœ bœ œ. & œ kœ k k kœ k k k k kœ k kJ k ∑ ∑ ∑ ∑ ∑ cresc. k k k k k k k k k Der Triumph der Komödie Werke für das ganze Kirchenjahr Händel per Venezia Klingende Stimmungen eines Lange überfälliges Projekt Die andere „Braut“ Fortwährendes Erzählen Wo der Rhythmus endet P œ œ nœ bœ b bœ œ œ œ nœ œ Antonio Cestis „L’Orontea“ – Geistliche Kompositionen Die Oper „Agrippina“ in der Hirtenmädchens Die Gesamtausgabe der Werke Zdeněk Fibichs „Braut von Beat Furrers Oper „la bianca Miroslavb œ œ Srnkasœ „moves“œ #œ #œ. & œ bkœ k k kœ k nkœ #kœ k #kœ kœ kJ k ∑ ∑ ∑ ∑ ∑ cresc. k k k k k k k k k k Pk k Wiederbelebung in Frankfurt Georg Philipp Telemanns Hallischen Händel-Ausgabe Schuberts Musik zu „Rosa- Martinůs geht an den Start Messina“ in Magdeburg notte / die helle nacht“ für die für „musicaj viva“j in München œ œ #œ œ œ #œ nœ œ #œ œ œ œ œ œ #œ nœ munde“ Hamburgische Staatsoper & #œ kœ kœ #kœ #kœ nkœ nkœ bkœ bkœ nkœ nkœ k k k ∑ ∑ ∑ ∑ ∑ cresc.
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