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Scanning Slides, Negatives, Prints and APS Film Price List Valid To
Scanning Slides, Negatives, Prints and APS film Price List valid to December 2021 Scanning slides About us ... We are professional photographers based in Twickenham Scanning Negatives that take as much care with your images as we do our own. Photography is about creating the image on film, or digital media, and then making sure what is output meets your original vision. That is why were are published in 30 countries. Our images have been used in magazines, books, TV programmes, web sites, Corporate publications Scanning Prints as well as wedding albums and home wall art from our portrait sessions and stock photographs. We know that old photographs, negatives and slides do not last forever. They get blemishes, fade, scratch or simply get lost. In the modern digital world photo albums gather dust and slide projectors become too much of a chore to Scanning APS set up. By using our scanning services you can protect your images in he long term and make them easy to view now. This is because we supply you with two files: a high quality TIF for storage and further editing if you wish, plus a TV sized JPG file for easy viewing.. Returned to You Enjoy your photos on the big screen at home without the fuss of projectors or stacks of photo albums and have a master copy that does not fade. Screen Viewing Guide Table ofTable Contents 2 3 Why Us? Our tools What makes us different to most slide, negative or print We use industry standard hardware from Nikon and scanning services? We know we are not the cheapest, Epsom to scan your images, combined with software but we do believe we are good value because of what from Adobe, Lasersoft, DXO and Anthropics. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
KODAK XTOL Developer
KODAK PROFESSIONAL XTOL Developer TECHNICAL DATA / CHEMICAL February 2018 • J-109 KODAK PROFESSIONAL XTOL Developer is a two-part SIZES AVAILABLE powder developer for processing KODAK and other Sizes and catalog numbers may differ from country to manufacturers’ normally exposed, pushed, or pulled country. See your dealer who supplies KODAK black-and-white films. It offers full emulsion speed and PROFESSIONAL Products. easy mixing, and can be used as both a developer and a replenisher in a variety of equipment, from small tanks (8 To Make CAT No. to 64 fluidounces), trays, or rotary tubes to high-volume 1 litre 859 0176 processors. 5 litres 875 1752 FEATURES BENEFITS 50 litres 818 4517 •Ascorbic acid-based • Very high image quality at full black-and-white film emulsion speed MIXING INSTRUCTIONS developer • No hydroquinone • Convenient, room-temperature Note: Observe precautionary information on the mixing for immediate use containers and in the Material Safety Data Sheets. • Two-part powder • Quick, easy mixing •One solution for both •Versatility For this amount of Start with this amount of developer and replenisher • Simplified mixing and storage developer: water: procedures 2 litres 1.6 litres • Excellent keeping • Good shelf life (six months after properties mixing when stored in full bottles) 5 litres 4 litres • High resistance to breakdown from 25 litres 20 litres oxidation during storage or in replenished processes 50 litres 40 litres •Less waste 1. Start with an amount of water that is approximately • Robust, abuse-tolerant, • Stable performance across a range 75 percent of the total volume indicated on the clean-working solution of temperatures, dilutions, and agitation methods package. -
REDISCOVER the WORLD of ANALOG PHOTOGRAPHY Rollei Cinestill Revolog Cinestill Rollei
CHOICES We carry the world’S LARGEST SELECTION of black & white and color film in almost every format that you can imagine! Take a sneak peek at some cool choices inside or check out our huge selection online. Check it out! www.FreestylePhoto.Biz Rollei CineStill Revolog PRSRT STD U.S. POSTAGE PAID PHOTO & IMAGING SUPPLIES FREESTYLE 5124 Sunset Boulevard Hollywood, CA 90027 800.292.6137 FreestylePhoto.Biz REDISCOVER THE WORLD OF WORLD THE REDISCOVER ANALOG PHOTOGRAPHY ANALOG NEW AGAIN! NEW 800.292.6137 PHOTO & IMAGING & PHOTO | FreestylePhoto.Biz SUPPLIES © Trevor Masid Trevor © What a unique time period to be a photographer ! Everyone is taking pictures. We document every event, and even non-events, T? in an instant. Our cell phones have more photographs taken with them than WHA calls made. The amount of photography produced is the greatest it has ever … From a Paintcan been in any time period. Social media has opened up an entire new world with LegacyPro Paintcan and a whole new generation of photographers. Pinhole Camera (page 7) THE JOURNEY IS ANALOG! So, what are we doing producing an Analog Catalog? … With a box with Ars Imago Lab Box (page 22) Thanks to all of the above, the interest in photography has increased as a whole. So why not go back to our roots! Living in this online world has not only created a new generation interested in experimentation, but also a renewed passion for the arts in its many facets…old and new! This has led to a boom in new and one-of-a-kind film stocks, a resurgence in all formats, and a desire for alternative processes and hand-made images. -
Brownie Holiday Flash Camera Manual
brownie holiday flash camera manual File Name: brownie holiday flash camera manual.pdf Size: 2073 KB Type: PDF, ePub, eBook Category: Book Uploaded: 20 May 2019, 20:54 PM Rating: 4.6/5 from 578 votes. Status: AVAILABLE Last checked: 11 Minutes ago! In order to read or download brownie holiday flash camera manual ebook, you need to create a FREE account. Download Now! eBook includes PDF, ePub and Kindle version ✔ Register a free 1 month Trial Account. ✔ Download as many books as you like (Personal use) ✔ Cancel the membership at any time if not satisfied. ✔ Join Over 80000 Happy Readers Book Descriptions: We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with brownie holiday flash camera manual . To get started finding brownie holiday flash camera manual , you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented. Home | Contact | DMCA Book Descriptions: brownie holiday flash camera manual You must ask by the specific brand and file name So all Autographic are grouped, Brownie are grouped, Juniors are grouped, Many of the folding cameras work basically are the same. Many take 120 If buying 120 film, check the PROCESSING price. Color may be cheaper. The Films and Plates 38. Super high amount of views. 0 sold, 1 available. More Super high amount of views. -
Graflex Historic Quarterly the Quarterly Is Dedicated to Enriching the Study of the Graflex Company, Its History, and Products
G RAFLEX Since 1996 HISTORIC QUARTERLY VOLUME 18 ISSUE 1 FIRST QUARTER 2013 FEATURES In 1950 the “45” and “34” Pacemaker Speed and Crown Graph- ics were sold with Graflok backs. An accessory 4x5 or 3¼ x 4¼ The Graflex Graflok Back 1949-1973 by Bill Inman, Sr.………………….1 Graflok back for the Anniversary Speed Graphic also became The Evolution of a Graflex Collection by Ronn Tuttle...……...…………...3 available. All the backs could be supplied with or without a metal four-sided removable viewing hood. The 4x5 dividing The Graflex Electroswitch by Ken Metcalf………………….………..........4 back was also supplied with a Graflok back frame, less the fo- Triple Lens Graphic……………………………………………..………….5 cusing panel. When the dividing back is fitted to a 4x5 Graphic or Graphic View camera with a Graflok back, the focusing The Story of the Century by Jim Chasse..……………….………..…...…...6 panel is transferred from the camera to the dividing back for focusing and viewing the image. THE GRAFLEX GRAFLOK BACK 1949-1973 Copyright 2013 William E. Inman, Sr. Graflok back on “45” Pacemaker Speed Graphic. T he Century Graphic 23, with the Graflok back, was born in The Graflex service department could, on special order, convert 1949 in answer to the demand for a lower-priced press-type the 4x5 Super D Graflex camera to a Graflok back, instead of camera for amateurs, and a second camera for professionals the original Graflex back. who preferred a smaller negative size for 120 color roll film. Competition at that time included the Rolleiflex and the Rollei- The conversion of a cord. -
3-0 Lmaaina Past
3-0lmaaina Past - resent September/October 2007 Volume 33, Number 2 i i ACubkrtknor National Stereoxopic ""riation, Inc I nice interior shots of someone's I family who lived there apparently had adopted and rafred a pair of chipmunks, who scem to hw grownupwithnofeardtntmans and were quite comfortable in the housealongwith the family! I crouidn't~rlmnhgallthreeof thescviewstrrthlsIssue'scolumn --€hey mrlrt a woadetful set. Westrrtoutwlththechlpmunks eating some snrdss on the coffee tabie(WthsomenEcematchbg end tables in the badrgtound). Next is a fun shot of the little crtt- ters dimbing around on the lady of the hause, perhaps hoping that she will give them some treats. And in the third view we learn that the chipmunks even explored on the family dog, who I'm sur- prised seemed wIIling to put up with it! I really enjoy the drapes in the background of this one. The reel containing these and other views of the chipmunks was well-worn,so I'm guessing it was one of the family's favorites to view and share. What better way to remember these unusual pets? 00 JJ A Pal~I~.lllnnot National Stereoscopic Associat ion, Inc. Volume -. NSA Board of Directors Larry Moor, Cho~rmon Andy Griscorn "illiarnW Moll Page 15 Page 26 Page 30 Rus ,sell Norton Bra ndt Rowles Al Sieg nlcnard Twichell Leorlard A. Walle 4 The Verascope of Jules Richard Ilay Zone by Bernard Vial NS>4 Officers .. - . Lawrence IKautrnan, t'res~c . 2 Editor's View H. Lee Pr att, Vice President Comments and Dean Kamin, V~cePresident, Acti~ Observations 15 Stardust Stereo from Castle Combe W~ll~arnMoll, Treasurer by lohn Dennis by David Starkmon -..,. -
Camera Values for Everyone
CAMERA VALUES FOR EVERYONE THE NEW MO *EVERYTHING YOU WANT IN A GOOD CAMERA Yessiree! You CAN believe your eyes! Lafayette The UTILO camera features: Two View Finders, is offering a popular sized roll film camera brilliant reflecting waist level finder and direct. with genuine MEYER TRIOPLAN F:4.5 lens for vision metal frame finder; sturdy carnero body only $12.951 Here's on outstanding value if handsomely covered, leather carrying strap; there ever was one. This UTILO camera is a tripod bushings; drop-bed foot. sturdily built and attractively finished camera PH1597-Utilo Camera with Meyer Trioplan that has all the features you'd pay a whole lot f:4.5 lens in Vario shutter; speeds T à B, 1/25, more for elsewhere. It's simple enough for a 1/50, 1/100th sec. Shpg. wt. 4 lbs. child to handle, flexible enough for the experi- YOUR COST enced amateur to get the sort of pictures he SPECIAL $12.95 wants, and sturdy enough to serve os a "knock- PH1598-Utilo Camera as above but with Pron- about" camera for vacation trips, etc., because tor II shutter; speeds T & B, 1, /12 , 1/5, 1/(0, it can take hard usage. 1/25, 1/50, 1/100, 1/150th sec. and delayed action. Shpg. wt. 4 lbs. Takes 82 /14 )(3 /14 Inch Pictures YOUR COST, SPECIAL $15.95 Using the ever popular 120 or B2 size roll film PH9629 - Leather carrying case for either this Utilo takes 8 V/4x3 1/4" shots to o roll. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception Permalink https://escholarship.org/uc/item/3cb1w5rx Author Main, Reva Leigh Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Reva Leigh Main June 2016 Dissertation Committee: Dr. Susan Laxton, Chairperson Dr. Jason Weems Dr. Liz Kotz Copyright by Reva Leigh Main 2016 The Dissertation of Reva Main is approved: Committee Chairperson University of California, Riverside Acknowledgments My deepest gratitude to all the U.C. Riverside Art History Department staff and faculty. Sincere thanks to Dr. Susan Laxton for advising and encouraging me throughout the many phases of this project. Your patience and support allowed me to complete this thesis while living 3,000 miles away and working full time—a true challenge. I would also like to thank Dr. Jason Weems and Dr. Liz Kotz for serving as members of my committee, pausing their own sabbaticals to provide me with incredibly helpful feedback; Leigh Gleason, Curator of Collections at the California Museum of Photography, for guiding me in my search to find balance between work and school; and Graduate Coordinator, Alesha Jaennette, for solving my many paperwork crises. I am forever grateful to all of you for your flexibility and understanding. Finally, thank you to my family, friends, and Princeton University Art Museum coworkers for sticking with me through the highs and many lows of this process. -
KODAK PROFESSIONAL PLUS-X 125 Film / 125PX
TECHNICAL DATA / BLACK-AND-WHITE FILM February 2002 • F-4018 KODAK PROFESSIONAL PLUS-X 125 Film / 125PX KODAK PROFESSIONAL PLUS-X 125 Film is a —NOTICE— medium-speed, continuous-tone panchromatic film that is a To reflect our enduring commitment to black-and-white photography, black-and-white film production will take place in good choice for general-purpose outdoor or studio an even more advanced film-coating facility. New technology photography. It features extremely fine grain and excellent applied to these superior, time-tested emulsions will result in sharpness. slightly different processing times for the film family. But the KODAK PROFESSIONAL PLUS-X Film is available in same great films—those you've known and trusted for years— will still deliver the same breathtaking results. 135 size and 35 mm long rolls on a 5-mil gray acetate base, and in 120 and 220 size on a 3.6-mil acetate base. The 120 Use the packaging examples below to determine which film and 220 sizes have a retouching surface on the emulsion side. you have, then refer to the corresponding publication for development times. FEATURES BENEFITS New packaging, refer to this Former packaging, refer to • Extremely fine grain • Excellent for producing publication (F-4018) Kodak publication F-8: high-quality images • Wide exposure latitude • Rich tonality maintained with overexposure and underexposure • Very high sharpness • Excellent for applications that require a high degree of enlargement • High resolving power • Good rendition of detail SIZES AVAILABLE Sizes and CAT numbers may differ from country to country. The numbers below apply to products sold in the United Sates. -
MEDIUM FORMAT 100Mm Lens
Section1 MediumFormat Introduction . 10 Bronica 6x4.5 . 11-16 Bronica 6x6 . 17-22 Bronica 6x7 . 23-27 Fuji 6x4.5 . 28 Fuji 6x7 . 29 Fuji 6x8 . 30-32 Fuji 6x9 . 33 Hasselblad 6x6 . 34-54 LRX (Beattie) . 55-56 Mamiya 6x4.5 . 57-64 Mamiya 6x6 . 65-66, 75 Mamiya 6x7 . 67-82 Pentax 6x4.5 . 83-89 Pentax 6x7 . 90-95 Rollei 6x6 . 96-109 Hasselblad INTRODUCTION 6x6cm medium ➧ format camera ➧ Bronica MEDIUM FORMAT 100mm lens As the format of choice among wedding, fashion, and Today, most medium portrait photographers, Medium Format includes all format cameras are cameras which accept 120 or 220 film sizes. The out- “system cameras,” standing attraction of medium format is the superlative with popular image available due to the substantially larger film for- options that mat and increased image size on the negative or trans- include motor parency. Because medium format negatives require less winders, inter- enlargement than smaller 35mm negatives to produce changeable viewfinders the same image size on the print, identical negatives on with or without exposure meters, grips and an array or the same type of 35mm and 120/220 film will produce lenses rivaling 35mm in choice. These include perspective remarkably different prints. The 120/220 format delivers control lenses, tele-extenders and zooms. From the 24mm MEDIUM FORMAT more resolution, finer grain, an expanded grey scale, and full-frame fisheye lens to the 500mm telephoto lens with a visually more pleasing image. Medium format cameras low dispersion glass and floating elements, almost every are available in the following different variations: option is available. -
Procedure to Convert a Six-16 Folding Camera for Use with 120 Film Panoramic Photography
Procedure to Convert a Six-16 Folding Camera for Use with 120 Film and Panoramic Photography by PETER A. LERRO, Sr. August 10, 2008 (Revised, 10/1/08) (1) Preface Do you have a favorite folding camera that sits on the shelf because the film it requires is no longer made? Have you looked at panoramic landscape shots longingly, then been deflated by sticker shock when you priced them at the B & H site? Consider the following proposal by Kodak camera collector, Peter Lerro, in which he converts a Kodak 616 folder to a format that is close to the popular 6 x 12 format used by companies like Horseman. No, the author is not promising the performance of a new 47mm Super Angulon XL, but you will see a 6 x 10.8 image that you can create with any 120 emulsion using a coated and well- corrected f/4.5 lens with good resolution and contrast. And the project should cost you less than $100 and a couple of evenings. The author’s first candidate for this conversion was the Kodak 616 Improved Art Deco model with a Kodak Anastigmat f/4.5 124mm lens in a Compur-Rapid shutter. Fellow collectors, rest easy--all steps required only add features that are completely reversible. You will create spool spacers to fit the 120 rolls into compartments that were originally designed for wider 616 spool and you will make and install a new film gate to keep the narrower 120 film flat during exposure. Candidates for this project can be any 616 camera by any manufacturer.