KODAK Technical Pan Film
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FP4 Plus Is an Exceptionally Fine Grain, Medium Speed Black and White Film
HARMAN technology Limited TECHNICAL INFORMATION F P4 PLUS ISO 125/22º, BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE ILFORD FP4 Plus is an exceptionally fine grain, medium speed black and white film. It is ideal for high quality indoor and outdoor photography, particularly when giant enlargements are to be made. In addition to general photography, FP4 Plus is also suited to copying and internegative work, and has many applications in scientific, technical and industrial photography. FP4 Plus is robust and will give usable results even if it is overexposed by as much as six stops, or underexposed by two stops. It is compatible with all major processing systems, including those which give the standard short fixing and washing times. FP4 Plus 35mm film is coated on 0.125mm/5-mil acetate base and is available in 24 or 36 exposure cassettes, or in bulk lengths of 17 or 30.5 metres (56 and 100ft). FP4 Plus 35mm film is supplied in DX coded cassettes, suitable for all 35mm cameras. FP4 Plus roll film is coated on 0.110mm/4-mil clear acetate base with an anti- halation backing which clears during development. It is available in 120 lengths and is edge numbered 1 to 19. FP4 Plus sheet film is coated on 0.180mm/7-mil polyester base with an anti- halation backing which clears during development. It is available in a wide range of standard sizes. The emulsion faces the user when sheet film is held in the position shown opposite. EXPOSURE RATING FP4 Plus has a speed rating of ISO 125/22º to daylight. -
Bronica Sq-A-M.Pdf
Congratulations on your choice of the Zenza Bronica SQ-Am single lens reflex camera which has been developed to provide the user with high quality performance, simple handling convenience and extremely useful versatility plus automatic motorized film winding and shutter cocking operations suitable for the professional photographer. Although the Zenza Bronica SQ-Am has been designed exclusively for motorized operations, it has, also, been developed as a complete modular "system" camera possessing complete interchangeability with the interchangeable lenses and accessories developed for the SQ and SQ-A models, on which the SQ-Am is also based, and, therefore, provides the user with a very high degree of motorization in daily operations, in addition to automatic film winding and shutter cocking actions. Although instructions following are based on a standard combination consisting of the SQ-Am main body with Zenzanon-S 80mm lens, Film Back SQ 120 and WaistLevel Finder S, the choice of the lens, film back and finder is left to the discretion of the photographer, who should choose those items best suited to the type of assignments contemplated. To obtain best results from the Zenza Bronica SQ-Am, may we suggest that you read this instruction manual through carefully, before you even touch the camera, as your pleasure in using the camera will be even greater if you thoroughly familiarize yourself with its working parts before loading your first roll of film. CONTENTS Specifications of the ZENZA 17. Interchanging Finders ................................23 BRONICA SQ-Am ......................................... 2 18. Waist-Level Finder and Parts of the ZENZA BRONICA Interchanging Magnifiers ..................................23 19. -
Film Grain, Resolution and Fundamental Film Particles
FFFiiilllmmm GGGrrraaaiiinnn,,, RRReeesssooollluuutttiiiooonnn aaannnddd FFFuuunnndddaaammmeennntttaaalll FFFiiilllmmm PPPaaarrrtttiiicccllleeesss Version 9 March 2006 Tim Vitale © 2006 use by permission only 1 Introduction 1 2 Fundamental Film Particles – Silver-Halide 0.2 - 2.0 um 3 Feature Size and Digital Resolution: Data Table 1 4 Dye Clouds are the Fundamental Particles Color Film 6 3 Film Grain 6 Dye Clouds are the Film Grain in Color Film 6 Film Grain in Black-and-White Film 7 Cross-Section of Film 9 Grain Size Variability 9 RMS Granularity – Film Image Noise 9 RMS Granularity of Several Films: Data Table 2 10 Film Resolution – Sharpness 10 System Resolving Power Equation 12 Lens Issues Effecting Resolution 12 Film Issues Effecting Resolution 12 Evaluation a System: Camera, Lens and Film 13 Selected Film & Lens Resolution Data: Data Table 3 13 Camera System Resolving Power: Data Table 4 14 Measuring Film Grain 14 Print Grain Index 14 Size of Perceived Film Grain: Example 15 Size Domains for Enlargement & Magnification: Data Table 5 15 Maximum Resolution of a Microscope: Data Table 6 16 4 Eliminating Film Grain from an Image 18 Drum Scan Aperture 18 Feature size vs. Digital Resolution vs. Film: Data Table 7 19 Scan Resolution in Flatbed Scanning 19 Wet Mounting for Film Scanning 20 New Generation of Flatbed Scanners 21 Future Generation of Scanners – Epson Perfection V750-M 23 Software for Diminishing Film Grain 24 1 Introduction The purpose of this complex essay is to demonstrate the following: • Fundamental film particles (silver -
FILM FORMATS ------8 Mm Film Is a Motion Picture Film Format in Which the Filmstrip Is Eight Millimeters Wide
FILM FORMATS ------------------------------------------------------------------------------------------------------------ 8 mm film is a motion picture film format in which the filmstrip is eight millimeters wide. It exists in two main versions: regular or standard 8 mm and Super 8. There are also two other varieties of Super 8 which require different cameras but which produce a final film with the same dimensions. ------------------------------------------------------------------------------------------------------------ Standard 8 The standard 8 mm film format was developed by the Eastman Kodak company during the Great Depression and released on the market in 1932 to create a home movie format less expensive than 16 mm. The film spools actually contain a 16 mm film with twice as many perforations along each edge than normal 16 mm film, which is only exposed along half of its width. When the film reaches its end in the takeup spool, the camera is opened and the spools in the camera are flipped and swapped (the design of the spool hole ensures that this happens properly) and the same film is exposed along the side of the film left unexposed on the first loading. During processing, the film is split down the middle, resulting in two lengths of 8 mm film, each with a single row of perforations along one edge, so fitting four times as many frames in the same amount of 16 mm film. Because the spool was reversed after filming on one side to allow filming on the other side the format was sometime called Double 8. The framesize of 8 mm is 4,8 x 3,5 mm and 1 m film contains 264 pictures. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Evolution of Photography: Film to Digital
University of North Georgia Nighthawks Open Institutional Repository Honors Theses Honors Program Fall 10-2-2018 Evolution of Photography: Film to Digital Charlotte McDonnold University of North Georgia, [email protected] Follow this and additional works at: https://digitalcommons.northgeorgia.edu/honors_theses Part of the Art and Design Commons, and the Fine Arts Commons Recommended Citation McDonnold, Charlotte, "Evolution of Photography: Film to Digital" (2018). Honors Theses. 63. https://digitalcommons.northgeorgia.edu/honors_theses/63 This Thesis is brought to you for free and open access by the Honors Program at Nighthawks Open Institutional Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of Nighthawks Open Institutional Repository. Evolution of Photography: Film to Digital A Thesis Submitted to the Faculty of the University of North Georgia In Partial Fulfillment Of the Requirements for the Degree Bachelor of Art in Studio Art, Photography and Graphic Design With Honors Charlotte McDonnold Fall 2018 EVOLUTION OF PHOTOGRAPHY 2 Acknowledgements I would like thank my thesis panel, Dr. Stephen Smith, Paul Dunlap, Christopher Dant, and Dr. Nancy Dalman. Without their support and guidance, this project would not have been possible. I would also like to thank my Honors Research Class from spring 2017. They provided great advice and were willing to listen to me talk about photography for an entire semester. A special thanks to my family and friends for reading over drafts, offering support, and advice throughout this project. EVOLUTION OF PHOTOGRAPHY 3 Abstract Due to the ever changing advancements in technology, photography is a constantly growing field. What was once an art form solely used by professionals is now accessible to every consumer in the world. -
Avid Media Composer and Film Composer Input and Output Guide • Part 0130-04531-01 Rev
Avid® Media Composer® and Film Composer® Input and Output Guide a tools for storytellers® © 2000 Avid Technology, Inc. All rights reserved. Avid Media Composer and Film Composer Input and Output Guide • Part 0130-04531-01 Rev. A • August 2000 2 Contents Chapter 1 Planning a Project Working with Multiple Formats . 16 About 24p Media . 17 About 25p Media . 18 Types of Projects. 19 Planning a Video Project. 20 Planning a 24p or 25p Project. 23 NTSC and PAL Image Sizes . 23 24-fps Film Source, SDTV Transfer, Multiformat Output . 24 24-fps Film or HD Video Source, SDTV Downconversion, Multiformat Output . 27 25-fps Film or HD Video Source, SDTV Downconversion, Multiformat Output . 30 Alternative Audio Paths . 33 Audio Transfer Options for 24p PAL Projects . 38 Film Project Considerations. 39 Film Shoot Specifications . 39 Viewing Dailies . 40 Chapter 2 Film-to-Tape Transfer Methods About the Transfer Process. 45 Transferring 24-fps Film to NTSC Video. 45 Stage 1: Transferring Film to Video . 46 Frames Versus Fields. 46 3 Part 1: Using a 2:3 Pulldown to Translate 24-fps Film to 30-fps Video . 46 Part 2: Slowing the Film Speed to 23.976 fps . 48 Maintaining Synchronized Sound . 49 Stage 2: Digitizing at 24 fps. 50 Transferring 24-fps Film to PAL Video. 51 PAL Method 1. 52 Stage 1: Transferring Sound and Picture to Videotape. 52 Stage 2: Digitizing at 24 fps . 52 PAL Method 2. 53 Stage 1: Transferring Picture to Videotape . 53 Stage 2: Digitizing at 24 fps . 54 How the Avid System Stores and Displays 24p and 25p Media . -
KODAK XTOL Developer
KODAK PROFESSIONAL XTOL Developer TECHNICAL DATA / CHEMICAL February 2018 • J-109 KODAK PROFESSIONAL XTOL Developer is a two-part SIZES AVAILABLE powder developer for processing KODAK and other Sizes and catalog numbers may differ from country to manufacturers’ normally exposed, pushed, or pulled country. See your dealer who supplies KODAK black-and-white films. It offers full emulsion speed and PROFESSIONAL Products. easy mixing, and can be used as both a developer and a replenisher in a variety of equipment, from small tanks (8 To Make CAT No. to 64 fluidounces), trays, or rotary tubes to high-volume 1 litre 859 0176 processors. 5 litres 875 1752 FEATURES BENEFITS 50 litres 818 4517 •Ascorbic acid-based • Very high image quality at full black-and-white film emulsion speed MIXING INSTRUCTIONS developer • No hydroquinone • Convenient, room-temperature Note: Observe precautionary information on the mixing for immediate use containers and in the Material Safety Data Sheets. • Two-part powder • Quick, easy mixing •One solution for both •Versatility For this amount of Start with this amount of developer and replenisher • Simplified mixing and storage developer: water: procedures 2 litres 1.6 litres • Excellent keeping • Good shelf life (six months after properties mixing when stored in full bottles) 5 litres 4 litres • High resistance to breakdown from 25 litres 20 litres oxidation during storage or in replenished processes 50 litres 40 litres •Less waste 1. Start with an amount of water that is approximately • Robust, abuse-tolerant, • Stable performance across a range 75 percent of the total volume indicated on the clean-working solution of temperatures, dilutions, and agitation methods package. -
REDISCOVER the WORLD of ANALOG PHOTOGRAPHY Rollei Cinestill Revolog Cinestill Rollei
CHOICES We carry the world’S LARGEST SELECTION of black & white and color film in almost every format that you can imagine! Take a sneak peek at some cool choices inside or check out our huge selection online. Check it out! www.FreestylePhoto.Biz Rollei CineStill Revolog PRSRT STD U.S. POSTAGE PAID PHOTO & IMAGING SUPPLIES FREESTYLE 5124 Sunset Boulevard Hollywood, CA 90027 800.292.6137 FreestylePhoto.Biz REDISCOVER THE WORLD OF WORLD THE REDISCOVER ANALOG PHOTOGRAPHY ANALOG NEW AGAIN! NEW 800.292.6137 PHOTO & IMAGING & PHOTO | FreestylePhoto.Biz SUPPLIES © Trevor Masid Trevor © What a unique time period to be a photographer ! Everyone is taking pictures. We document every event, and even non-events, T? in an instant. Our cell phones have more photographs taken with them than WHA calls made. The amount of photography produced is the greatest it has ever … From a Paintcan been in any time period. Social media has opened up an entire new world with LegacyPro Paintcan and a whole new generation of photographers. Pinhole Camera (page 7) THE JOURNEY IS ANALOG! So, what are we doing producing an Analog Catalog? … With a box with Ars Imago Lab Box (page 22) Thanks to all of the above, the interest in photography has increased as a whole. So why not go back to our roots! Living in this online world has not only created a new generation interested in experimentation, but also a renewed passion for the arts in its many facets…old and new! This has led to a boom in new and one-of-a-kind film stocks, a resurgence in all formats, and a desire for alternative processes and hand-made images. -
User's Manual
M User’s Manual User’s Microsoft® Picture It!® PREMIUM 10 User’s Manual spine = 0.204" M 0604 Part No. X10-53891 Black only Black MS Color Bar v Bar Color MS .5 03080 .5 1 Microsoft® ® Picture It! Premium User’s Manual Contents at a Glance Information in this document, including URL and other Internet Web site references, is subject to change without notice. Unless otherwise noted, the example companies, organizations, products, domain names, e-mail addresses, logos, people, places, and events depicted herein are fictitious, and no association with any real company, organization, product, domain name, e-mail address, logo, person, place, or event is intended or should be inferred. Complying with all applicable copyright laws is the responsibility of the user. Without limiting the rights under copyright, no part of this document may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), or for any purpose, without the express written permission of Microsoft Corporation. Microsoft may have patents, patent applications, trademarks, copyrights, or other intellectual property rights covering subject matter in this document. Except as expressly provided in any written license agreement from Microsoft, the furnishing of this document does not give you any license to these patents, trademarks, copyrights, or other intellectual property. © 2000-2003 Microsoft Corporation. All rights reserved. Microsoft, Picture It!, and Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. This product contains images from PhotoDisc/Getty Images, Inc.; Dave Johnson, Tony Chor; Tim Hedlund; Charlotte Lowrie; David Parlin; Tom Simmons; and Faith Szafranski. -
Ulisse Evo Next Stage of Ptz Camera Evolution
ULISSE EVO NEXT STAGE OF PTZ CAMERA EVOLUTION EN OUTDOOR VIDEO SECURITY WITNESS THE EVOLUTION OF OUTDOOR VIDEO SECURITY Videotec is an Italian manufacturer operating in the security industry since 1986 and specialized in the design and creation of professional video surveillance products for outdoor environments. FUTURE-PROOF TECHNOLOGY OUR MISSION All product ranges offered are proudly "Made As a unique firm created with the aim of shaping by Videotec" and, therefore, Videotec owns and enhancing a select market, we strive complete expertise for all of its products with total relentlessly to boost our clients' growth and control over mechanics, electronics, positioning, satisfaction by constantly making an effort to networking, software and firmware. cultivate our teams’expertise, professionalism, and creativity. Thanks to our focus on client This gives a significant competitive advantage in prosperity and well-being, we are all better off. DIFFERENTIATORS: 100% INTERNAL KNOW-HOW AND TECHNOLOGY meeting the needs of personalized solutions or Designed to be zero maintenance. integrations with third-party systems, with the CERTIFIED QUALITY AS A COMPETITIVE Durability: 3 Years warranty as a standard. Extended warranty available up to 5 years. guarantee of Videotec quality, cyber-security, Variety of custom choices: Build the best product configuration for your specific application in house. ADVANTAGE Certified products: From international industry standards and other environmental product testing. reliability and future-proof technology. -
Video Over Ip Design Guidebook
Project: 0-5942 Product: 0-5942-P1 December 2009 VIDEO OVER IP DESIGN GUIDEBOOK http://tti.tamu.edu/documents/0-5942-P1.pdf Technical Report Documentation Page 1. Report No. 2. Government Accession No. 3. Recipient's Catalog No. FHWA/TX-10/0-5942-P1 4. Title and Subtitle 5. Report Date VIDEO OVER IP DESIGN GUIDEBOOK February 2009 Published: December 2009 6. Performing Organization Code 7. Author(s) 8. Performing Organization Report No. Robert E. Brydia, Byron E. Brackin, Robert F. De Roche, Jeremy D. Product 0-5942-P1 Johnson, and Gary B. Thomas. 9. Performing Organization Name and Address 10. Work Unit No. (TRAIS) Texas Transportation Institute The Texas A&M University System 11. Contract or Grant No. College Station, Texas 77843-3135 Project 0-5942 12. Sponsoring Agency Name and Address 13. Type of Report and Period Covered Texas Department of Transportation Product Research and Technology Implementation Office September 2007–August 2008 P. O. Box 5080 14. Sponsoring Agency Code Austin, Texas 78763-5080 15. Supplementary Notes Project performed in cooperation with the Texas Department of Transportation and the Federal Highway Administration. Project Title: Comprehensive Guide to the Use of IP-Based Video for Traffic Operations URL: http://tti.tamu.edu/documents/0-5492-P1.pdf 16. Abstract Texas Department of Transportation (TxDOT) engineers are responsible for the design, evaluation, and implementation of video solutions across the entire state. These installations occur with vast differences in requirements, expectations, and constraints. Because the systems require extensive interoperability to other systems, agencies, and deployments, a systems engineering process (SEP) is employed to develop a consistent and structured approach to the development of concepts, needs, requirements, design, testing, and ongoing operations.