The Three Musketeers a New Musical
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
THE THREE MUSKETEERS by Alexandre Dumas
THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime). -
The Three Musketeers Online
Ku4wb [Download] The Three Musketeers Online [Ku4wb.ebook] The Three Musketeers Pdf Free Alexandre Dumas ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook Dumas Alexandre 2016-08-04Original language:English 9.00 x 1.29 x 6.00l, 1.66 #File Name: 1536873535572 pagesThe Three Musketeers | File size: 19.Mb Alexandre Dumas : The Three Musketeers before purchasing it in order to gage whether or not it would be worth my time, and all praised The Three Musketeers: 0 of 0 people found the following review helpful. Dumas' classic is a great swashbuckling storyBy Gary HoggattAlexandre Dumas' 1844 novel The Three Musketeers is the most well-known swashbuckling novel in the genre, and with good reason. This well-deserved classic is a lot of fun, and the adventures of d'Artagnan, Athos, Porthos, and Aramis are very enjoyable. There are a couple of small issues I have with the story, but it's well worth reading.Dumas takes an interesting approach in that our main protagonist, d'Artagnan, is not in fact one of the titular Three Musketeers. Travelling from Gascony to Paris in 1620's France to make his fortune, the young, arrogant, brave, and - fortunately for himself - very capable d'Artagnan ends up friends with Athos, Porthos, and Aramis, and caught in the web of plots surrounding Cardinal Richelieu, King Louis XIII, and the Queen, Anne of Austria. D'Artagnan and each of the Musketeers are an interesting character in their own right, with Athos serious and brooding, Porthos an amusing but deadly fop, and Aramis constantly flirting with taking up the priesthood. -
Read an Excerpt
by ALEXANDRE DUMAS Adapted for the stage by MAX BUSH Dramatic Publishing Woodstock, Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no perfonnance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, Illinois 60098 COPYRiGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations. dele tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, video tape, fi.lm, or any infonnation storage and retrieval system, without pennission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty. -
The Three Musketeers an Adaptation by Jackie Mellor
THE THREE MUSKETEERS AN ADAPTATION BY JACKIE MELLOR GUIN THEATRE BRITAIN©2017 1 CHARACTERS (IN ORDER OF APPEARANCE) PLANCHET (MAN SERVANT TO D’ARTAGNAN) HOT TO TROT (D’ARTAGNANS HORSE) D’ARTAGNAN COMTE DE ROCHEFORT/LORD BUCKINGHAM CAMAMBERT & BRIE (ROCHEFORT HENCHMAN) ATHOS-COMTE DE LA FERE PORTHOS ARAMIS CARDINAL RICHELIEU MILADY QUEEN ANN CONSTANCE LOUISE XIII 2 Act one, Scene 1. Music Cue #1 Opening Gascony outside the stable of D’Artagnan. Enter Planchet, D’Artagnan’s trusted man-servant and all round busy body. With a large shovel and bucket she is obviously looking for something big. Planchet: Hot To Trot, get in here. You may be able to hide from me, you filthy filly, but there’s no hiding that pong. I can see the obnoxiously smelly fumes from here. (We hear a whinny of a horse, like a giggle ). Playing funny are we. You are the only horse I know with a warped sense of humor. If I didn’t know better, I would say you weren’t a real horse at all. (Planchet starts creeping around the stage and as she passes an open stable door, the horse creep out and starts following Planchet’s every move as she continues walking around the stage ). Dear Lord, help my nostrils from exploding. I know you are close, the whiff is getting whiffier. Come out come out wherever you are you four legged beastie. (Behind you) . I’ve got a horse’s behind? You cheeky beggar. (Horse behind me) . Oh no, there isn’t (Oh yes, there is) Oh no, there . -
Alexandre Dumas
ALEX ANDRE DUMAS. IN T R O D U C T O RY N O T E S AND F L I S T S O C H A R A C T E R S . B O S T O N L ITTLE BRO N AN D COMPANY. , W , 1 8 9 5 . Co ri ht 1 892 1 8 93 1 89 py g , , 4, BY LITTLE BROW N AND M Y , , CO PAN UNIV E RSITY PRE SS I SO AND ON CAM B RIDG E U . S. A. J OHN W L N S , , C O N T E N T S. N THE TW O DIANA S . INTRODUCTORY OTE LIST OF CHARACT E RS TR D C T HE PAG E OF THE DUKE OF SA VOY . IN O U TORY NOTE LIST OF CHARACTERS D E I N E MARG UERIT E V ALOIS . NTRODUCTORY OT LIST OF LA DAM MONSOREAU I U N E DE . NTROD CTORY OTE LIST OF CHARACT ERS TY- I D TH E FOR FIVE . NTRO UCTORY NOTE LIST OF CHARACTERS E E N TH T HR E M USKE T EERS . INTRODUCTORY OTE LIST OF CHARACTERS TWENTY YEARS AFTER . INTRODUCTORY NOT E LIST OF CHARA CT ERS TH E V M E D E L ICO T BRAG E ONNE . INTRODUCTORY NOTE LIST OF CHARACTERS THE T U IP I BLACK L . NTRO D UCTORY NOTE LIST OF CH ARACT ER S LE C E D’ D N H VALIER HARM ENT AL . INTRO UCTORY OTE LIST OF CHARACT ERS C NEN S 4 O T T . -
The Three Musketeers 4 5 by Alexandre Dumas 6
Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 The Three Musketeers 4 5 by Alexandre Dumas 6 ELEMENTARY S U M M A R Y hen the young d’Artagnan travels to Paris, he carries Dumas was born in France but his grandfather was a W with him a letter for Captain de Treville of the King’s French nobleman who had emigrated to Santo Domingo musketeers. Despite getting into a fight on the way, (now the Dominican Republic) where he had married a he arrives at the Captain’s house and there meets the three black woman. As a child he loved adventure stories and this men who are to become his firm friends, Athos, Porthos love came through later in his own writing. and Aramis, the three musketeers of the title. But before He first became famous in literary circles with his play their friendship can be confirmed, they each challenge him Henry III and His Court which was first performed in 1829 to to a duel. acclaim. He went on to write over 1200 books, although it Fortunately perhaps, before any of the duels can take must be said that many of these were the result of his place, the four musketeers are faced with men from the writing factory, where writing apprentices worked to flesh Cardinal’s guard and there is a fight which the musketeers out his ideas. Nevertheless, nearly all are clearly the result win. of his imagination and sense of storyline. -
Le Libellio D' AEGIS
Volume 16 AEGIS le Libellio d’ série spéciale Coronam semaine 6 Il ne formula pas d’idées neuves – peut-être n’en existe-t-il pas. (Borges) Comme le montre ce numéro, les doctorants travaillent durant cette période de confinement, à lire des ouvrages et à rédiger des mémos. Matthieu Battistelli s’est intéressé à deux livres consacrés à l’entreprise libérée, le premier co-écrit par Thierry Weil et Anne-Sophie Dubey, le second coordonné par Laurent Karsenty. Margaux Grall a lu 3 l’ouvrage de Christophe Deshayes Pensées pour soi, empruntées à Achille sur la transformation numérique Hervé Dumez des firmes, Valentine Georget celui 9 de Pascal Latouche sur l’innovation De l’entreprise libérée à la libération des entreprises ouverte. Vincent Bouchet revient sur À propos de deux ouvrages sur l’autonomie des organisations un classique oublié, Corporate Social Matthieu Battistelli Responsiveness de Robert Ackerman 31 et Raymond Bauer. Quand les dirigeants parlent transformation numérique : Camille Toussaint présente la notion, le retour du stratégique complexe, chargée d’espoir mais À propos de La Transformation numérique et les patrons, controversée, de patrimoine commun de Christophe Deshayes de l’Humanité. Margaux Grall Trois personnages peu connus sont 39 évoqués. Deux ne méritent pas L’incubateur corporate et son institutionnalisation l’oubli dans lequel ils sont tombés. À propos de Innovation ouverte de Pascal Latouche Camille Toussaint nous parle de Valentine Georget la figure attachante de Bronisław 57 Piotr Piłsudski, anthropologue trop Le patrimoine commun de l’Humanité méconnu, à la vie fascinante, et Gatien Camille Toussaint de Courtilz de Sandras est à l’origine 65 de l’un des plus beaux livres de la Perspective historique sur les enjeux managériaux de la RSE littérature française. -
The Three Musketeers in the Novel by Alexandre Dumas “The Three Musketeers”
SOCIAL INFLUENCES OF D’ARTAGNAN TOWARD THE THREE MUSKETEERS IN THE NOVEL BY ALEXANDRE DUMAS “THE THREE MUSKETEERS” Rosmaidar1, Dewi Canggih2 Dosen Universitas Bina Darma1, Mahasiswa Universitas Bina Darma2 Jalan Ahmad Yani No.3 Palembang Sur-el: [email protected], [email protected] Abstract: This study is to describe the kinds of social influences of D’Artagnan toward the three musketeers in the Novel “The Three Musketeers”. ”The Three Musketeers” set in seventeenth- century England and France, this classic rip – roaring tale tells of valour, intrigue and love. “The Three Musketeers”, Athos, Porthos and Aramis, and their companion, D’Artagnan, fight and love their way through a series of hair-raising adventures. This study used the descriptive method. The writers used the technique of documentation, where the data were collected from books, dictionaries, and internet.D’Artagnan social influences toward The Three Musketeers are divided into (1) Friendship, (2) Charisma, (3) Reputation, and, (4) Conformity. In charisma effect divided into two subjects (a) Leadership and (b) Power. He has given good and big effect to The Three Musketeers through his social influences. Keywords: The Three Musketeers, D’artagnan, Social Influence Abstrak: Penelitian inibertujuan untuk menggambarkan jenis pengaruh sosial dari D'Artagnan menuju three musketeers dalam Novel “The Three Musketeers”. “The Three Musketeers” diatur dalamabad ketujuh belas Inggris dan Perancis, kisah ini bercerita tentang keberanian, intrik dan cinta. “The Three Musketeers”, Athos, Porthos dan Aramis, dan teman mereka, D'Artagnan, melawan dan mencintai cara mereka melalui serangkaian petualangan yang menegangkan. Penelitian ini menggunakan metode deskriptif. Penulis menggunakan teknik dokumentasi, di mana data dikumpulkan dari buku-buku, kamus, dan internet. -
El Club Dumas Arturo Pérez-Reverte
El club Dumas Arturo Pérez-Reverte http://www.librodot.com Librodot El Club Dumas Arturo Pérez-Reverte 2 A Cala, que me puso en el campo de batalla 2 Librodot Librodot El Club Dumas Arturo Pérez-Reverte 3 El fogonazo de luz proyectó la silueta del ahorcado en la pared. Colgaba inmóvil de una lámpara en el centro del salón, y a medida que el fotógrafo se movía a su alrededor, ac- cionando la cámara, la sombra provocada por el flash se recortaba sucesivamente sobre cua- dros, vitrinas con porcelanas, estanterías con libros, cortinas abiertas sobre grandes ventanales tras los que caía la lluvia. El juez instructor era joven. Tenía el pelo escaso, revuelto y aún mojado, como la ga- bardina que conservaba sobre los hombros mientras dictaba las diligencias al secretario que escribía sentado en el sofá, con la máquina portátil sobre una silla. El tecleo punteaba la voz monótona del juez y los comentarios en voz baja de los policías moviéndose por la habitación: -… En pijama, con un batín por encima. El cordón de esa prenda causó la muerte por ahorcamiento. El cadáver tiene las manos atadas en la parte anterior del cuerpo con una corba- ta. Su pie izquierdo conserva puesta una zapatilla y el otro se encuentra desnudo… El juez tocó el pie calzado del muerto y el cuerpo giró un poco, despacio, al extremo del tenso cordón de seda que unía su cuello con el anclaje de la lámpara en el techo. El movi- miento fue de izquierda a derecha, y después en sentido inverso y con más corto recorrido hasta centrarse de nuevo en la postura original, como una aguja imantada que recobrase el norte tras breve oscilación. -
Early Life His Fiction
Early Life Alexandre Dumas was born on July 24, 1802, near Soissons, France. He was the third child of a Creole general of the French Revolutionary armies. His grandfather was from a noble family, and his grandmother had been a Dominican slave. Dumas's father died when he was four years old, leaving the family with very little money. Dumas was not a very good student, but his handwriting was noticeably beautiful, and he studied to work as a notary (a public officer who witnesses the signing of important documents and makes them official). He also began writing musical comedies and then historical plays in collaboration (working together with others) with a poet friend named Adolphe de Leuven. Historical subjects, as well as his ability to collaborate, were to be permanent elements of Dumas's work during his career. Dumas then found work as a secretary to the Duke of Orléans (later King Louis Philippe, 1773–1850) in Paris, France. He read and attended the theater as much as he could during his time off. He was greatly influenced by the works of William Shakespeare (1564–1616) and wrote his first plays in 1825 and 1826. Others followed, with Henri III et sa cour (1829) bringing him great success and popularity. The revolution of 1830 slowed down Dumas's writing, and he became a strong supporter of the Marquis de Lafayette. His political activities were viewed unfavorably by the new king, his former boss, and he was forced to leave France for a time. A series of amusing travel books resulted from this period of exile. -
The Speed of Plot Narrative Acceleration and Deceleration
Received: 20 September 2019 | Revised: 13 December 2019 | Accepted: 3 January 2020 DOI: 10.1111/oli.12251 ORIGINAL ARTICLE The speed of plot Narrative acceleration and deceleration Karin Kukkonen University of Oslo, Oslo, Norway When characters travel 'at the speed of plot', they need to Correspondence arrive at the conclusion of the story by the time the narra- Karin Kukkonen, University of Oslo, Oslo, Norway. tive comes to its end on the page. This article develops the Email: [email protected] popular notion of 'plot speed' into a conceptual contribution to the study of time in narrative. 'Plot speed' is the concep- tual velocity of movement through plot events, and it can be rooted in the physical speed of the storyworld (where char- acters are in a rush) or the discourse speed (where the writ- ten form of the narrative indicates chapters, instalments, and so on). I investigate configurations of plot speed through Dumas’s The Three Musketeers, its precursor Courtilz de Sandras’s Mémoires de M. d’Artagnan, and the manuscripts in which Dumas collaborated with Auguste Maquet, thus arguing for narratological investigations that are situated in contexts of literary history and media changes. KEYWORDS Alexandre Dumas, Auguste Maquet, narrative speed, plot, situated narratology, The Three Musketeers 1 | Narrative organises our experience of time. Paul Ricoeur (1984–1988) has argued that it 'emplots' our pre-con- scious sense of time in an Aristotelian sequence of beginnings, middles and endings, creating a secondary mimesis. Narrative reorganises the original sequence of story, the fabula, jumping backwards (and sometimes forwards) in time, telling the same events several times from different perspectives, and generally playing fast and loose with This is an open access article under the terms of the Creative Commons Attribution-NonCommercial License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited and is not used for commercial purposes. -
Alexandre Dumas Twenty Years After.Pdf
Twenty Years After Dumas, Alexandre Published: 1845 Categorie(s): Fiction, Action & Adventure, Historical, Ro- mance Source: http://www.gutenberg.org 1 About Dumas: Alexandre Dumas, père, born Dumas Davy de la Pailleterie (July 24, 1802 – December 5, 1870) was a French writer, best known for his numerous historical novels of high adventure which have made him one of the most widely read French au- thors in the world. Many of his novels, including The Count of Monte Cristo, The Three Musketeers, and The Man in the Iron Mask were serialized, and he also wrote plays and magazine articles and was a prolific correspondent. Source: Wikipedia Also available on Feedbooks for Dumas: • The Count of Monte Cristo (1845) • The Three Musketeers (1844) • The Man in the Iron Mask (1850) • The Borgias (1840) • Ten Years Later (1848) • The Vicomte of Bragelonne (1847) • The Black Tulip (1850) • Louise de la Valliere (1849) • Ali Pacha (1840) • Murat (1840) Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Chapter 1 The Shade of Cardinal Richelieu. In a splendid chamber of the Palais Royal, formerly styled the Palais Cardinal, a man was sitting in deep reverie, his head supported on his hands, leaning over a gilt and inlaid table which was covered with letters and papers. Behind this figure glowed a vast fireplace alive with leaping flames; great logs of oak blazed and crackled on the polished brass andirons whose flicker shone upon the superb habiliments of the lonely tenant of the room, which was illumined grandly by twin candelabra rich with wax-lights.