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  • Tangerine Dream:News DPS 06/02/2009 11:39 Page 24 • • • • • • Music Live
    Feb Cover:Cover 09/02/2009 09:27 Page 1 February 2009 entertainment, presentation, communication www.lsionline.co.uk Gothic Masterpiece L&SI visits Wills Memorial Hall, Bristol Prize Production Leeds Academy Monte Carlo Jazz Audio Networking Nobel Celebrations, Oslo L&SI visits a venue reborn Digital Mixing . nice. A Technical Focus update PLUS: Crunch Talks; PLASA as Awarding Body; TourTalk; Green Room; Gatecrasher & Ministry L&SI has gone digital! Register online FREE at www.lsionline.co.uk/digital News Tangerine Dream:News DPS 06/02/2009 11:39 Page 24 • • • • • • music live Picture House Dreams Since their formation in 1967, “When Walt Whitman wrote ‘I Sing The Body widespread and, ultimately, commonplace: “From Electric’ he could never have imagined the that chaos situation up to what we could call nearly contemporary reality of that phrase - a perfect setting of sequences, harmonies, Tangerine Dream have melodies, sound structures, and soundscapes that electronics will be opening even broader you can bring onstage today, I had to decide for horizons in the future and Tangerine Dream constantly evolved to retain myself and the band which way to go: are we in that will have been the first pioneers.” specific field of experimental song-orientated music just because we like it, or do we have to work with a fresh sound. Jonathan Miller Tangerine Dream: these words conjure up images the audience to get them participating in what we of a bygone psychedelic era. Yet this long-lasting, really do? caught up with the latest innovative German group has eagerly harnessed the latest technological developments in an “So we decided to experiment more, using the toys ongoing quest to remain on the cutting edge of surrounding us and developing new stuff ourselves; incarnation of the band at music production and performance for four and in doing so we felt obliged to perform again, decades, always prolific in recorded output while but it was a question of how to go about doing that Edinburgh’s Picture House .
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  • GERMAN SCENE Importantly, Macdonald Noted That a Lot Ofnew German Music Was in Germany Until It Found Critical Favour in the UK
    278 THE AMBIENT CENTURY AMBIENCE IN THE ROCK ERA 279 was a comparison. 13y 1975 Oldfield had 1973). Moreover most writers accuse the eminent British musicologist Ian returned to form with an elaborate album of instnnnental timbres MacDonald ofinventing the label during the early 19705 when he wrote about featunng Celtic harp and bodhran, Greek synthesizers, Northum­ German music in the New lvlusical In fact during December of 1972 brian pipes and African drumming. As with Tubular Bells, Ommadawn featured MacDonald published three articles titled 'Germany , two Sally Oldfield 011 backing vocals but expanded the contributors to of them double broadsheet pages. In not one line did he mention the term brass, and the sound of uileann pipes courtesy of The Chieftains' 'krautrock'! Moloney. Even OldfIeld's brother Terry played the pan pipes. The African Instead MacDonald gave a jaw-droppingly accurate description of German drummers ofJabula came into their own on the finale of the nineteen- rock ofthe late 60s and early 70s. For openers he stated that in the UK there was minute 'Part One' would be heard again on Oldfield's 1978 doublc­ a total ofcontinental rock. Secondly, there was a strong album Incarltatiol1S. 1984 Oldfield was great folk-rock songs with spirit among Germany's youth since 1968. They disliked rich P\fwl,()-I'\ 111 er1elln Reilly such as 'To France' and that year he also scored Roland groups playing in their country and a lot of students demanded free entry. The film The Killing Fields. Yet his first success would not go away concept of 'the revolutionary head' was paramount, a concept which 'chal­ and in 1992 Warner Bros.
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  • Fondazione Prada Presents the Exhibition “K” Featuring
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