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Tangerine Dream:News DPS 06/02/2009 11:39 Page 24 • • • • • • Music Live
Feb Cover:Cover 09/02/2009 09:27 Page 1 February 2009 entertainment, presentation, communication www.lsionline.co.uk Gothic Masterpiece L&SI visits Wills Memorial Hall, Bristol Prize Production Leeds Academy Monte Carlo Jazz Audio Networking Nobel Celebrations, Oslo L&SI visits a venue reborn Digital Mixing . nice. A Technical Focus update PLUS: Crunch Talks; PLASA as Awarding Body; TourTalk; Green Room; Gatecrasher & Ministry L&SI has gone digital! Register online FREE at www.lsionline.co.uk/digital News Tangerine Dream:News DPS 06/02/2009 11:39 Page 24 • • • • • • music live Picture House Dreams Since their formation in 1967, “When Walt Whitman wrote ‘I Sing The Body widespread and, ultimately, commonplace: “From Electric’ he could never have imagined the that chaos situation up to what we could call nearly contemporary reality of that phrase - a perfect setting of sequences, harmonies, Tangerine Dream have melodies, sound structures, and soundscapes that electronics will be opening even broader you can bring onstage today, I had to decide for horizons in the future and Tangerine Dream constantly evolved to retain myself and the band which way to go: are we in that will have been the first pioneers.” specific field of experimental song-orientated music just because we like it, or do we have to work with a fresh sound. Jonathan Miller Tangerine Dream: these words conjure up images the audience to get them participating in what we of a bygone psychedelic era. Yet this long-lasting, really do? caught up with the latest innovative German group has eagerly harnessed the latest technological developments in an “So we decided to experiment more, using the toys ongoing quest to remain on the cutting edge of surrounding us and developing new stuff ourselves; incarnation of the band at music production and performance for four and in doing so we felt obliged to perform again, decades, always prolific in recorded output while but it was a question of how to go about doing that Edinburgh’s Picture House . -
Tangerine Dream Force Majeure the Autobiography by Edgar Froese
Download File PDF Tangerine Dream Force Majeure The Autobiography By Edgar Froese Tangerine Dream Force Majeure The Autobiography By Edgar Froese File Name: tangerine dream force majeure the autobiography by edgar froese Size : 3264 KB Type : PDF, ePub, eBook Category : Book Uploaded : 2020-09-23 Rating : 4.6/5 From 635 votes Status: AVAILABLE Last checked: 37 Minutes ago! In order to read or download test, you need to create a FREE account DOWNLOAD NOW Book Descriptions: We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with . To get started finding , you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented. Value of Registration: 1. Register a free 1 month Trial Account. 2. Download as many books as you like (Personal use) 3. Cancel the membership at any time if not satisfied. 4. Join Over 80000 Happy Readers Page 1/2 Download File PDF Tangerine Dream Force Majeure The Autobiography By Edgar Froese A little people may be laughing as soon as looking at you readingtangerine dream force majeure the autobiography by edgar froese in your spare time. Some may be admired of you. And some may want be as soon as you who have reading hobby. What about your own feel? Have you felt right? Reading is a need and a leisure interest at once. -
Emissaries Press Quotes
WHAT THE PRESS HAS SAID ABOUT: RADIO MASSACRE INTERNATIONAL EMISSARIES CUNEIFORM 2004 Lineup: Steve Dinsdale (lamm memorymoog, mellotron, maq 16/3 sequencer, percussion, great british spring, devices) Gary Houghton (electric guitar, acoustic guitar, jam-man, theremin, devices) Duncan Goddard (yamaha cs50 & cs30, P3 sequencer, maq 16/3 sequencer, roland sh3a, repeater, moog source, bass, korg vc-10 vocoder & es-1 sampler, devices) “Each of the two CDs in the double disc set Emissaries…presents a distinctive facet of this interesting trio… Disc 1: “The Emissaries Suite”…is essentially a studio album. While the music on this disc feels more arranged and composed than the group's live concert albums, RMI's freewheeling style is ever present. The pieces unfold, expand and recede as if in a rehearsed jam session rather than a clinical/critical studio project. The keystone supporting this music is Duncan Goddard's sequencer patterns. Multiple sets of cycling synthesizer tones dance, skip and echo through minor key scales, running full-tilt like a runaway train. …Disc 2: “Ancillary Blooms”…is a live album… two one hour sets were edited down so as to fit on this CD, and flow along a subtle spatial arc suitable for late-night listening. Within this setting the sonic inventions are more discovered than composed as the trio tends to explore areas of texture and mood. The ensuing musical themes grew out of an improvisational interaction that could not have been planned, nor repeated. When it comes to playing music under these conditions, RMI call on their instincts. …they produce complex atmospheric realizations. -
Y O U LASERSCAPE Reissue (Originally Released 1986) CD / Vinyl (180G) / Download Release Date: August 23, 2013
Y O U LASERSCAPE Reissue (originally released 1986) CD / vinyl (180g) / download Release date: August 23, 2013 Overview • Fourth album from Krefeld’s electronic formation YOU, dating back to the year 1986. This music was conceived to accompany the laser performances of the same name by Horst H. Baumann. And that’s what it sounds like: multilayered drones, up to 13 Label: Bureau B minutes long, evocative of Blade Runner’s menacing atmosphere, Distributor: Indigo sometimes laced with driving, pulsating sequences, typical of the so-called Berlin School (Tangerine Dream, Klaus Schulze). Cat.-no.: BB140 • Features a 21 minute bonus track EAN CD 4047179772921 • Available as digipak, 180 g vinyl and for download LP 4047179772914 Indigo order no.: CD 977292 LP 977291 Udo Hanten and Albin Meskes, the Krefeld duo collectively known as YOU, played their way into the elite of the German electronic Tracklisting music scene with their first two albums “Electric Day” (1979) and 1 Passing Landscapes (6:22) “Time Code” (1983). Reissued by Bureau B two years ago, the pair of albums caused quite a stir both in the media and amongst 2 Can You Tell Me Where I Am (5:26) afficionados of the so-called Berlin School (Tangerine Dream, 3 Changing Rooms (13:11) Klaus Schulze etc.). 4 Travelling Hologram (9:27) 5 Scanned Noises (6:38) Their fourth album, “Laserscape”, consists of music created for 6 Curious Phenomena Part I (5:35) the laser performances of the same name by the artist Horst H. Baumann. Having met Udo Hanten during a film project in 1981, 7 Curious Phenomena Part II (4:51) Baumann approached him with the idea of collaborating in 1985. -
„Unsere Musik Versteht Man Überall“
Mehr von Sieg und Rhein Festival im Kulturzentrum Kabelmetall in Schladern „Unsere Musik versteht man überall“ • Foto: Luca Goldhorn Thorsten Quaeschning von Tangerine Dream 2015 beim Schwingungen-Festival. • Foto: Tangerine Dream Die klassische Besetzung der 70er: Tangerine Dream mit Chris Franke, Peter Baumann und Edgar Froese 1974 am Planetarium in Berlin. 01/02 25.08.2016 WINDECK-SCHLADERN. Das Kulturzentrum Kabelmetal in Windeck-Schladern richtet das Festival „Schwingungen am Wasserfall“ mit Konzerten, Sessions und Vorträgen aus. Dort treten Größen der elektronischen Musikszene auf. Ein Gespräch mit Thorsten Quaeschning von Tangerine Dream. Für das Genre der elektronischen Musik gilt die 1967 gegründete Gruppe Tangerine Dream als stilprägend. Ebenso wie Kraftwerk genießen die Berliner heute noch international Anerkennung. 2015 starb Gründer Edgar Froese, der als einziger Musiker die ganze Zeit dabei war und mit vielen verschiedenen Besetzungen arbeitete. Die drei verbliebenen Musiker machen weiter und treten am Samstag, 3. September, beim Elektronik-Festival „Schwingungen am Wasserfall“ bei Kabelmetal in Windeck auf. Einer von ihnen ist Thorsten Quaeschning. Mit ihm sprach Dominik Pieper Weitere Links • Viele Besucher kommen aus dem Ausland Haben Sie sich den Entschluss leicht gemacht, ohne Edgar Froese mit Tangerine Dream weiterzumachen? Thorsten Quaeschning: Das habe ich gar nicht entschieden. Edgar hat noch zu Lebzeiten sehr genau bestimmt, wie und mit wem Tangerine Dream weitergehen soll. Er hatte einen lange vorbereiteten Plan mit dem Ziel, dass seine Vision fortgesetzt wird. Seine Frau Bianca hat nun die administrative und visuell-kreative Rolle, und musikalisch sind wir jetzt ein Trio. Hoshiko Yamane, Ulrich Schnauss, der 2014 vor unserer Australien-Tour dazu stieß, und ich. -
Krautrock and the West German Counterculture
“Macht das Ohr auf” Krautrock and the West German Counterculture Ryan Iseppi A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF GERMANIC LANGUAGES & LITERATURES UNIVERSITY OF MICHIGAN April 17, 2012 Advised by Professor Vanessa Agnew 2 Contents I. Introduction 5 Electric Junk: Krautrock’s Identity Crisis II. Chapter 1 23 Future Days: Krautrock Roots and Synthesis III. Chapter 2 33 The Collaborative Ethos and the Spirit of ‘68 IV: Chapter 3 47 Macht kaputt, was euch kaputt macht: Krautrock in Opposition V: Chapter 4 61 Ethnological Forgeries and Agit-Rock VI: Chapter 5 73 The Man-Machines: Krautrock and Electronic Music VII: Conclusion 85 Ultima Thule: Krautrock and the Modern World VIII: Bibliography 95 IX: Discography 103 3 4 I. Introduction Electric Junk: Krautrock’s Identity Crisis If there is any musical subculture to which this modern age of online music consumption has been particularly kind, it is certainly the obscure, groundbreaking, and oft misunderstood German pop music phenomenon known as “krautrock”. That krautrock’s appeal to new generations of musicians and fans both in Germany and abroad continues to grow with each passing year is a testament to the implicitly iconoclastic nature of the style; krautrock still sounds odd, eccentric, and even confrontational approximately twenty-five years after the movement is generally considered to have ended.1 In fact, it is difficult nowadays to even page through a recent issue of major periodicals like Rolling Stone or Spin without chancing upon some kind of passing reference to the genre. -
Tangerine Dream Alpha Centauri Mp3, Flac, Wma
Tangerine Dream Alpha Centauri mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Alpha Centauri Country: Canada Released: 1973 Style: Krautrock, Experimental MP3 version RAR size: 1295 mb FLAC version RAR size: 1767 mb WMA version RAR size: 1121 mb Rating: 4.7 Votes: 698 Other Formats: MMF RA ADX VOC AC3 DTS WAV Tracklist A1 Sunrise In The Third System 4:21 A2 Fly And Collision Of Comas Sola 13:23 B Alpha Centauri 22:08 Companies, etc. Phonographic Copyright (p) – Eastgate Music Licensed To – Cherry Red Records Ltd. Phonographic Copyright (p) – Cherry Red Records Ltd. Licensed From – Eastgate Music Recorded At – Dierks Studios Credits Artwork – Phil Smee Coordinator [Additional Project] – Vicky Powell Coordinator, Reissue Producer [Vinyl Edition Conceived And Co-ordinated By] – Mark Powell Engineer – Dieter Dierks Flute [Lotos], Harp [Piano], Zither, Synthesizer, Percussion – Chris Franke* Guest, Flute, Words By – Udo Dennebourg Guest, Synthesizer – Roland Paulick Liner Notes – Andy King , Steve Schroyder Organ, Bass, Guitar, Performer [Coffee Machine], Voice – Edgar Froese Organ, Voice, Effects [Several Echo Machines], Performer [Iron Stick] – Steve Schroyder Producer, Directed By, Music By – Tangerine Dream Remastered By [24-bit Digital] – Ben Wiseman Sleeve, Design, Painting [Cover] – Edgar Froese, Monique Froese Written-By – Chris Franke*, Edgar Froese, Steve Schroyder Notes All tracks ℗ 1971 Eastgate Music under exclusive worldwide license to Cherry Red Records Ltd. ℗ 2012 Cherry Red Records under exclusive license -
The History of Rock Music: 1966-1969
The History of Rock Music: 1966-1969 Genres and musicians of the Sixties History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Kosmische Musik 1969-72 (These are excerpts from my book "A History of Rock and Dance Music") Fundamentally, British rock recycled USA rock for a different kind of audience: the Beatles recycled it for a pop-oriented audience, progressive-rock (in all its neo-classical and jazz variations) recycled it for an intellectual audience. German rock, instead, invented a different kind of rock music. In fact, many German bands were not playing "rock" music at all. There is no question that the great era of German avant-rock was inspired by psychedelic music, but the German interpretation of psychedelic music had little to do with reproducing the effects of drugs: German musicians saw a relationship between psychedelic experiments and the German electronic avantgarde (such as Karlheinz Stockhausen), a relationship that, in retrospect, was already obvious in the USA's psychedelia, but that no one had articulated before. In 1968 three young musicians, Conrad Schnitzler, Hans-Joachim Roedelius and Klaus Schulze, founded the "Zodiak Free Arts Lab" in Berlin. This became the first venue for popular electronic music in Europe. That can be considered the moment when German musicians figured out that strategic relationship between psychedelic music and avantgarde music. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
1 Dr. Ulrich D. Einbrodt Space, Mysticism, Romantic Music
Dr. Ulrich D. Einbrodt Space, Mysticism, Romantic Music, Sequencing, and the Widening of Form in German „Krautrock“ during the 70´s. The German Beat Bands of the sixties tended to imitate the British beat music scene, in their looks as well as in their music. Sometimes they used the German language, which is the funny version, but often the tried to sing in English, which resulted in bad pronunciation and the missing „th“ became a characteristic aspect of many bands. At the end of the sixties however, many bands were looking for new inspirations; they were tired of copying the British beat scene. Interestingly, the new kind of German popular music had its origin in California. Here the hippies of the mid and late sixties and bands like “Grateful Dead” created the so-called “Psychedelic Music”, a mixture of revolt, drugs, dreams, and long improvisations. It needed some time until the psychedelic movement reached Germany and a kind of German psychedelic music began to develop. This music was soon called “Krautrock”. As the “All Music Guide” states, “...Krautrock refers to German bands from the 70s that expanded the sonic possibilities of art and progressive rock. Instead of following in the direction of their British and American counterparts, the German bands became more mechanical and electronic. Often they created a pulsating, droning sound that owed more to the avant-garde than to rock & roll.”1 This refers to the music of Tangerine Dream and many others, but not to some other important styles of Krautrock. The term Krautrock itself was – so it is said – created by a British Magazine,2 possibly influenced by songs from Amon Düül II like “Mr. -
(Rob Hughes) to EDGAR FROESE from TANGERINE DREAM – MARCH 2011
INTERVIEW QUESTIONS FROM CLASSIC PROG MAGAZINE (Rob Hughes) to EDGAR FROESE from TANGERINE DREAM – MARCH 2011 - FULL VERSION - (1) What were your earliest musical inspirations? I believe one of your girlfriends was a classical pianist and that your late father was fond of opera. Did any of this have a bearing on your musical direction? Fortunately not – otherwise I would have become a very mediocre classical piano player. So it was my positive destiny to have omit this even if it was a painful procedure. It’s true that I fell in love with a female student during my studies at the Berlin Academy of Arts – at the age of 19. She used to be an opera singer. So we were sitting by candle light in a romantic twilight atmosphere, she sang Mozart arias or her favorite aria ‘Ave Maria’ while I was playing like a stupid blinded idiot the grand piano to accompany her truly beautiful voice. It was absolutely unreal. One year later she left me for a 10 years older Porsche car distributor because her view of life was to become famous and to make money – she never did but I was heartbroken. Instead of playing piano sonatas I was too pissed off that I changed over to my second love – the guitar – and started playing Stones cover versions in Berlins’ underground scene – so destiny had a very good eye on me. My father actually was an amateur opera singer – but just behind closed doors as he was too shy to perform in public. The audience was sitting in one room, he sang in another one, but loud enough to be heard on the streets. -
Előadó Album Címe a Balladeer Panama -Jewelcase- a Balladeer Where Are You, Bambi
Előadó Album címe A Balladeer Panama -Jewelcase- A Balladeer Where Are You, Bambi.. A Fine Frenzy Bomb In a Birdcage A Flock of Seagulls Best of -12tr- A Flock of Seagulls Playlist-Very Best of A Silent Express Now! A Tribe Called Quest Collections A Tribe Called Quest Love Movement A Tribe Called Quest Low End Theory A Tribe Called Quest Midnight Marauders A Tribe Called Quest People's Instinctive Trav Aaliyah Age Ain't Nothin' But a N Ab/Cd Cut the Crap! Ab/Cd Rock'n'roll Devil Abba Arrival + 2 Abba Classic:Masters.. Abba Icon Abba Name of the Game Abba Waterloo + 3 Abba.=Tribute= Greatest Hits Go Classic Abba-Esque Die Grosse Abba-Party Abc Classic:Masters.. Abc How To Be a Zillionaire+8 Abc Look of Love -Very Best Abyssinians Arise Accept Balls To the Wall + 2 Accept Eat the Heat =Remastered= Accept Metal Heart + 2 Accept Russian Roulette =Remaste Accept Staying a Life -19tr- Acda & De Munnik Acda & De Munnik Acda & De Munnik Adem-Het Beste Van Acda & De Munnik Live Met Het Metropole or Acda & De Munnik Naar Huis Acda & De Munnik Nachtmuziek Ace of Base Collection Ace of Base Singles of the 90's Adam & the Ants Dirk Wears White Sox =Rem Adam F Kaos -14tr- Adams, Johnny Great Johnny Adams Jazz.. Adams, Oleta Circle of One Adams, Ryan Cardinology Adams, Ryan Demolition -13tr- Adams, Ryan Easy Tiger Adams, Ryan Love is Hell Adams, Ryan Rock'n Roll Adderley & Jackson Things Are Getting Better Adderley, Cannonball Cannonball's Bossa Nova Adderley, Cannonball Inside Straight Adderley, Cannonball Know What I Mean Adderley, Cannonball Mercy