Program Guide BACK PORCH TABLE of CONTENTS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tangerine Dream:News DPS 06/02/2009 11:39 Page 24 • • • • • • Music Live
Feb Cover:Cover 09/02/2009 09:27 Page 1 February 2009 entertainment, presentation, communication www.lsionline.co.uk Gothic Masterpiece L&SI visits Wills Memorial Hall, Bristol Prize Production Leeds Academy Monte Carlo Jazz Audio Networking Nobel Celebrations, Oslo L&SI visits a venue reborn Digital Mixing . nice. A Technical Focus update PLUS: Crunch Talks; PLASA as Awarding Body; TourTalk; Green Room; Gatecrasher & Ministry L&SI has gone digital! Register online FREE at www.lsionline.co.uk/digital News Tangerine Dream:News DPS 06/02/2009 11:39 Page 24 • • • • • • music live Picture House Dreams Since their formation in 1967, “When Walt Whitman wrote ‘I Sing The Body widespread and, ultimately, commonplace: “From Electric’ he could never have imagined the that chaos situation up to what we could call nearly contemporary reality of that phrase - a perfect setting of sequences, harmonies, Tangerine Dream have melodies, sound structures, and soundscapes that electronics will be opening even broader you can bring onstage today, I had to decide for horizons in the future and Tangerine Dream constantly evolved to retain myself and the band which way to go: are we in that will have been the first pioneers.” specific field of experimental song-orientated music just because we like it, or do we have to work with a fresh sound. Jonathan Miller Tangerine Dream: these words conjure up images the audience to get them participating in what we of a bygone psychedelic era. Yet this long-lasting, really do? caught up with the latest innovative German group has eagerly harnessed the latest technological developments in an “So we decided to experiment more, using the toys ongoing quest to remain on the cutting edge of surrounding us and developing new stuff ourselves; incarnation of the band at music production and performance for four and in doing so we felt obliged to perform again, decades, always prolific in recorded output while but it was a question of how to go about doing that Edinburgh’s Picture House . -
Tangerine Dream Force Majeure the Autobiography by Edgar Froese
Download File PDF Tangerine Dream Force Majeure The Autobiography By Edgar Froese Tangerine Dream Force Majeure The Autobiography By Edgar Froese File Name: tangerine dream force majeure the autobiography by edgar froese Size : 3264 KB Type : PDF, ePub, eBook Category : Book Uploaded : 2020-09-23 Rating : 4.6/5 From 635 votes Status: AVAILABLE Last checked: 37 Minutes ago! In order to read or download test, you need to create a FREE account DOWNLOAD NOW Book Descriptions: We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with . To get started finding , you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented. Value of Registration: 1. Register a free 1 month Trial Account. 2. Download as many books as you like (Personal use) 3. Cancel the membership at any time if not satisfied. 4. Join Over 80000 Happy Readers Page 1/2 Download File PDF Tangerine Dream Force Majeure The Autobiography By Edgar Froese A little people may be laughing as soon as looking at you readingtangerine dream force majeure the autobiography by edgar froese in your spare time. Some may be admired of you. And some may want be as soon as you who have reading hobby. What about your own feel? Have you felt right? Reading is a need and a leisure interest at once. -
Silence Studies in the Cinema and the Case of Abbas Kiarostami
SILENCE STUDIES IN THE CINEMA AND THE CASE OF ABBAS KIAROSTAMI by Babak Tabarraee M.A., Tehran University of Art, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) January 2013 © Babak Tabarraee, 2013 Abstract This thesis is an attempt to formulate a systematic framework for ‘silence studies’ in the cinema by defining silence in pragmatic terms and suggesting different forms of filmic silence. As an illustration of my model, I examine the variety of silences in the works of Abbas Kiarostami, a notable figure of Art Cinema. The analytical approach suggested here can further be applied to the works of many other Art Cinema auteurs, and, by extension, to other cinematic modes as well, for a better understanding of the functions, implications, and consequences of various forms of silence in the cinema. Chapter 1 provides a working and pragmatic description of silence, applicable to both film and other communicative forms of art. Chapter 2 represents a historical study of some of the major writings about silence in the cinema. Chapter 3 introduces, exemplifies, and analyzes the acoustic silences in the films of Kiarostami, including the five categories of complete , partial (uncovered; covered with noise, music, or perspective), character/dialogue , language , and music silences. Chapter 4 introduces the concept of meta-silence and its trans-sensorial perceptions in communication and in arts, and then defines the four categories of the visual , character/image , narrative , and political silences in Kiarostami’s oeuvre. -
The Imaginal World and Modern Oblivion: Kiarostami's Zig-Zag1
Filozofski vestnik | Volume XXXVII | Number 2 | 2016 | 21–58 Joan Copjec* The Imaginal World and Modern Oblivion: Kiarostami’s Zig-Zag1 A1 zigzag path carved into a hill winds from base to crest, where it is crowned by a lushly-leafed tree standing solitary and upright like a kind of hieratic bouquet: this image recurs in three ¨lms – Where Is the Friend’s House? (1987); Life and Nothing More (1992); and Through the Olive Trees (1994) – which critics refer to as “the Koker trilogy,” simply because they are all set in the same location, the village of Koker in Northern Iran. Easily mistaken for a “found” image, part of the natural geography of the ¨lms’ actual setting, the recurrence of the image would seem to raise no questions nor require explanation. And yet there can be no confusing this image with natural geography, for as we learn from in- terviews, the ¨lms’ director, Abbas Kiarostami, did not just stumble upon this peculiar landscape while scouting locations. He had his ¨lm crew carve the pro- nounced zigzag path into the hill. An articial landscape, then, inserted by Kiarostami into the natural setting, it replicates, as it turns out, a miniature found in a manuscript executed at Shiraz in southern Persia at the end of the fourteenth century.2 In the miniature, just as in the Koker trilogy, a sinuous path curls up the side of a hill atop which sprouts a single, °owering tree. This miniature graces the cover of Spiritual Body and Celestial Earth, a book on Islamic philosophy in which the book’s author, the in°uential Iranologist, -
Emissaries Press Quotes
WHAT THE PRESS HAS SAID ABOUT: RADIO MASSACRE INTERNATIONAL EMISSARIES CUNEIFORM 2004 Lineup: Steve Dinsdale (lamm memorymoog, mellotron, maq 16/3 sequencer, percussion, great british spring, devices) Gary Houghton (electric guitar, acoustic guitar, jam-man, theremin, devices) Duncan Goddard (yamaha cs50 & cs30, P3 sequencer, maq 16/3 sequencer, roland sh3a, repeater, moog source, bass, korg vc-10 vocoder & es-1 sampler, devices) “Each of the two CDs in the double disc set Emissaries…presents a distinctive facet of this interesting trio… Disc 1: “The Emissaries Suite”…is essentially a studio album. While the music on this disc feels more arranged and composed than the group's live concert albums, RMI's freewheeling style is ever present. The pieces unfold, expand and recede as if in a rehearsed jam session rather than a clinical/critical studio project. The keystone supporting this music is Duncan Goddard's sequencer patterns. Multiple sets of cycling synthesizer tones dance, skip and echo through minor key scales, running full-tilt like a runaway train. …Disc 2: “Ancillary Blooms”…is a live album… two one hour sets were edited down so as to fit on this CD, and flow along a subtle spatial arc suitable for late-night listening. Within this setting the sonic inventions are more discovered than composed as the trio tends to explore areas of texture and mood. The ensuing musical themes grew out of an improvisational interaction that could not have been planned, nor repeated. When it comes to playing music under these conditions, RMI call on their instincts. …they produce complex atmospheric realizations. -
Y O U LASERSCAPE Reissue (Originally Released 1986) CD / Vinyl (180G) / Download Release Date: August 23, 2013
Y O U LASERSCAPE Reissue (originally released 1986) CD / vinyl (180g) / download Release date: August 23, 2013 Overview • Fourth album from Krefeld’s electronic formation YOU, dating back to the year 1986. This music was conceived to accompany the laser performances of the same name by Horst H. Baumann. And that’s what it sounds like: multilayered drones, up to 13 Label: Bureau B minutes long, evocative of Blade Runner’s menacing atmosphere, Distributor: Indigo sometimes laced with driving, pulsating sequences, typical of the so-called Berlin School (Tangerine Dream, Klaus Schulze). Cat.-no.: BB140 • Features a 21 minute bonus track EAN CD 4047179772921 • Available as digipak, 180 g vinyl and for download LP 4047179772914 Indigo order no.: CD 977292 LP 977291 Udo Hanten and Albin Meskes, the Krefeld duo collectively known as YOU, played their way into the elite of the German electronic Tracklisting music scene with their first two albums “Electric Day” (1979) and 1 Passing Landscapes (6:22) “Time Code” (1983). Reissued by Bureau B two years ago, the pair of albums caused quite a stir both in the media and amongst 2 Can You Tell Me Where I Am (5:26) afficionados of the so-called Berlin School (Tangerine Dream, 3 Changing Rooms (13:11) Klaus Schulze etc.). 4 Travelling Hologram (9:27) 5 Scanned Noises (6:38) Their fourth album, “Laserscape”, consists of music created for 6 Curious Phenomena Part I (5:35) the laser performances of the same name by the artist Horst H. Baumann. Having met Udo Hanten during a film project in 1981, 7 Curious Phenomena Part II (4:51) Baumann approached him with the idea of collaborating in 1985. -
Figures of Dissent Cinema of Politics / Politics of Cinema Selected Correspondences and Conversations
Figures of Dissent Cinema of Politics / Politics of Cinema Selected Correspondences and Conversations Stoffel Debuysere Proefschrift voorgelegd tot het behalen van de graad van Doctor in de kunsten: audiovisuele kunsten Figures of Dissent Cinema of Politics / Politics of Cinema Selected Correspondences and Conversations Stoffel Debuysere Thesis submitted to obtain the degree of Doctor of Arts: Audiovisual Arts Academic year 2017- 2018 Doctorandus: Stoffel Debuysere Promotors: Prof. Dr. Steven Jacobs, Ghent University, Faculty of Arts and Philosophy Dr. An van. Dienderen, University College Ghent School of Arts Editor: Rebecca Jane Arthur Layout: Gunther Fobe Cover design: Gitte Callaert Cover image: Charles Burnett, Killer of Sheep (1977). Courtesy of Charles Burnett and Milestone Films. This manuscript partly came about in the framework of the research project Figures of Dissent (KASK / University College Ghent School of Arts, 2012-2016). Research financed by the Arts Research Fund of the University College Ghent. This publication would not have been the same without the support and generosity of Evan Calder Williams, Barry Esson, Mohanad Yaqubi, Ricardo Matos Cabo, Sarah Vanhee, Christina Stuhlberger, Rebecca Jane Arthur, Herman Asselberghs, Steven Jacobs, Pieter Van Bogaert, An van. Dienderen, Daniel Biltereyst, Katrien Vuylsteke Vanfleteren, Gunther Fobe, Aurelie Daems, Pieter-Paul Mortier, Marie Logie, Andrea Cinel, Celine Brouwez, Xavier Garcia-Bardon, Elias Grootaers, Gerard-Jan Claes, Sabzian, Britt Hatzius, Johan Debuysere, Christa -
„Unsere Musik Versteht Man Überall“
Mehr von Sieg und Rhein Festival im Kulturzentrum Kabelmetall in Schladern „Unsere Musik versteht man überall“ • Foto: Luca Goldhorn Thorsten Quaeschning von Tangerine Dream 2015 beim Schwingungen-Festival. • Foto: Tangerine Dream Die klassische Besetzung der 70er: Tangerine Dream mit Chris Franke, Peter Baumann und Edgar Froese 1974 am Planetarium in Berlin. 01/02 25.08.2016 WINDECK-SCHLADERN. Das Kulturzentrum Kabelmetal in Windeck-Schladern richtet das Festival „Schwingungen am Wasserfall“ mit Konzerten, Sessions und Vorträgen aus. Dort treten Größen der elektronischen Musikszene auf. Ein Gespräch mit Thorsten Quaeschning von Tangerine Dream. Für das Genre der elektronischen Musik gilt die 1967 gegründete Gruppe Tangerine Dream als stilprägend. Ebenso wie Kraftwerk genießen die Berliner heute noch international Anerkennung. 2015 starb Gründer Edgar Froese, der als einziger Musiker die ganze Zeit dabei war und mit vielen verschiedenen Besetzungen arbeitete. Die drei verbliebenen Musiker machen weiter und treten am Samstag, 3. September, beim Elektronik-Festival „Schwingungen am Wasserfall“ bei Kabelmetal in Windeck auf. Einer von ihnen ist Thorsten Quaeschning. Mit ihm sprach Dominik Pieper Weitere Links • Viele Besucher kommen aus dem Ausland Haben Sie sich den Entschluss leicht gemacht, ohne Edgar Froese mit Tangerine Dream weiterzumachen? Thorsten Quaeschning: Das habe ich gar nicht entschieden. Edgar hat noch zu Lebzeiten sehr genau bestimmt, wie und mit wem Tangerine Dream weitergehen soll. Er hatte einen lange vorbereiteten Plan mit dem Ziel, dass seine Vision fortgesetzt wird. Seine Frau Bianca hat nun die administrative und visuell-kreative Rolle, und musikalisch sind wir jetzt ein Trio. Hoshiko Yamane, Ulrich Schnauss, der 2014 vor unserer Australien-Tour dazu stieß, und ich. -
Where Is the Revolution: an Interview with Abbas Kiarostami
Where is the Revolution: An Interview with Abbas Kiarostami http://www.jadaliyya.com/pages/index/24850/where-is-the-revol... From Tunis to Belgium with Ghalia Benali Interviewed by Huda Asfour Where is the Revolution: An Interview with Abbas Kiarostami Like Share 1K people like this. Sign Up to see what your friends like. Tweet by Shiva Rahbaran Sep 07 2016 Listen Abbas Kiarostami agreed to give an interview only reluctantly. I reminded him insistently that the absence of a filmmaker with whom film is supposed to end (see below), would be catastrophic for a project whose subject is post-revolutionary New Iranian Cinema. Eventually, he agreed. Sitting across from me, he grins ironically. Kiarostami says that ever since Alberto Elena decided to quote Jean-Luc Godard, “Film begins with D.W. Griffith and ends with Abbas Kiarostami,” on the cover of his monograph The Cinema of Abbas Kiarostami,[1] that remark is mentioned every time someone says or publishes anything about Kiarostami. He is at pains to point out that Godard made this statement only in relation to Life, and Nothing More (1992), also known as And Life Goes On, the second part of [Abbas Kiarostami. Image by Mohammad Hassanzadeh via Kiarostami’s Earthquake Trilogy, which is also known as the Koker Trilogy Wikipedia] (the other two parts being Where is the Friend’s Home? (1987) and Through the Olive Trees (1994)). However, Kiarostami explains, the statements that Godard has made about him in the last ten or fifteen years clearly show that Godard no longer believes that film ends with Kiarostami. -
Persians in the Land of the Incas Page 2 |No
Mehr Vision|No.5|August 2016 Page 1 |No. 5| Auguat 2016 MEHR NEWSAGENCY Persians in the Land of the Incas Page 2 |No. 5| August 2016 MEHR NEWSAGENCY Contents Post-sanction Iran seeks to jolt economic ties with Latin America 3 West playing with fire by curbing Aleppo liberation 6 US seizure of Iran’s money a tactic to goad Iran 7 Coup plotting: a US tradition 9 Turkey’s ‘Arab Spring’ moment: No Sisi and no more Gulen 10 How to read world when UK departing from EU 12 Brexit vote adds to global uncertainty, volatility and risk 13 ‘US exerts heavy influence over UN’ 15 Germany not to take Bush-style wrong reaction 16 World ‘failed to accurately address’ Palestinian issue 17 Bank Mellat to be reimbursed for reputational damage, loss of earnings 21 Thailand, Iran economies can be ‘complementary’ 23 Iran new potential market for Thailand 24 Mehr Vision Economy Managing Director: Ali Asgari Editorial Board: The wind carried him to the whiteness of the clouds 26 Seyed Amir Hassan Dehghani, The Empty Doorway 28 Mohammad Ghaderi, HamidReza Gholamzadeh Iran’s Natl. Botanical Garden piece of heaven on earth 29 Look up! There is an art gallery above you! 30 Editorial Coordinator: Journalism, thrill of pursuing truth on perilous path 31 Marjohn Sheikhi Olympic athletes now enjoy halal food 32 Contributors: ‘Son of Desert’ to explore Iranian central desert: planned for 2017 33 Lachin Rezaian, Marjohn Sheikhi, Persepolis threatened by drought, land subsidence 34 Parnaz Talebi, Maryam Khormaei, Bam Citadel to open to public after 13 years 35 Hossein Azari, Mohammad Ghaderi, Hamid Reza Gholamzadeh, Turkish GAP projects ‘bane of environment’ 36 Samad Habibi, Peyman Yazdani Art Director: Mahboubeh Azizi News in Vision 37 Phone: +98-21-43051350 Email: [email protected] Address: No. -
BAMPFA Mounts Sweeping Abbas Kiarostami Series National Touring
Media Contact: A. J. Fox · (510) 642-0365 · [email protected] BAMPFA Mounts Sweeping Abbas Kiarostami Series National Touring Series Marks Iranian Auteur’s First Major Posthumous Retrospective Five-Month Program Includes Guest Appearances by Ahmad Kiarostami and Visiting Scholars (Berkeley, CA) May 8, 2019—A touring series of films by Abbas Kiarostami opens at the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) this August, marking the first significant retrospective of the director’s work since he passed away in 2016. Presented in partnership with Janus Films, the five-month screening series encompasses all extant films directed by Kiarostami. A version of the retrospective is set to open at New York’s IFC Center on July 26, followed by a national tour organized by Janus Films. Together with a focused Kiarostami survey that runs concurrently at the Roxie Theater, the program marks the most significant retrospective of Kiarostami’s films ever mounted in the San Francisco Bay Area. A towering figure in the Iranian film community and one of the preeminent world cinema auteurs of the past three decades, Abbas Kiarostami (1940–2016) was the recipient of numerous international honors—including the prestigious Palme d’Or at the Cannes Film Festival for Taste of Cherry (1996)— along with accolades from fellow directors such as Akira Kurosawa, Jean-Luc Godard, Martin Scorsese, and many others. Abbas Kiarostami: Life as Art comprises twenty-one features and eleven shorts directed by Kiarostami, as well as films directed by other filmmakers that are in dialogue with his work. Concurrent with the retrospective, BAMPFA is mounting a five-week lecture-screening series as part of its popular In Focus program, in which prominent scholars of Kiarostami’s work are invited to present remarks and lead discussions in conjunction with screenings of his films. -
Tangerine Dream Alpha Centauri Mp3, Flac, Wma
Tangerine Dream Alpha Centauri mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Alpha Centauri Country: Canada Released: 1973 Style: Krautrock, Experimental MP3 version RAR size: 1295 mb FLAC version RAR size: 1767 mb WMA version RAR size: 1121 mb Rating: 4.7 Votes: 698 Other Formats: MMF RA ADX VOC AC3 DTS WAV Tracklist A1 Sunrise In The Third System 4:21 A2 Fly And Collision Of Comas Sola 13:23 B Alpha Centauri 22:08 Companies, etc. Phonographic Copyright (p) – Eastgate Music Licensed To – Cherry Red Records Ltd. Phonographic Copyright (p) – Cherry Red Records Ltd. Licensed From – Eastgate Music Recorded At – Dierks Studios Credits Artwork – Phil Smee Coordinator [Additional Project] – Vicky Powell Coordinator, Reissue Producer [Vinyl Edition Conceived And Co-ordinated By] – Mark Powell Engineer – Dieter Dierks Flute [Lotos], Harp [Piano], Zither, Synthesizer, Percussion – Chris Franke* Guest, Flute, Words By – Udo Dennebourg Guest, Synthesizer – Roland Paulick Liner Notes – Andy King , Steve Schroyder Organ, Bass, Guitar, Performer [Coffee Machine], Voice – Edgar Froese Organ, Voice, Effects [Several Echo Machines], Performer [Iron Stick] – Steve Schroyder Producer, Directed By, Music By – Tangerine Dream Remastered By [24-bit Digital] – Ben Wiseman Sleeve, Design, Painting [Cover] – Edgar Froese, Monique Froese Written-By – Chris Franke*, Edgar Froese, Steve Schroyder Notes All tracks ℗ 1971 Eastgate Music under exclusive worldwide license to Cherry Red Records Ltd. ℗ 2012 Cherry Red Records under exclusive license