Prison Service Journal Is a Peer Reviewed Journal Published by HM Prison Service of England and Wales
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Expanding the Cultural Imagination Through Photography ICS [3] 1
Impact case study (REF3b) Institution: University of Brighton Unit of Assessment: D34 Art and Design: History, Practice and Theory Title of case study: Expanding the Cultural Imagination through Photography ICS [3] 1. Summary of the impact Our research has harnessed the power of photography to expand the cultural imagination, creating new works and interpretive practices that enrich, illuminate and challenge perceptions of society and the world in which we live. Through exhibition, publication, and public and community engagement, our research has: 1) created cultural legacies for major public (Millennium Dome, Treasury) and commercial (Airbus) projects; 2) provided enhanced cultural experiences to multiple audiences and specific communities in the UK and Europe, provoking reflection on ideas of place and identity, and contributing to processes of cultural memory and reconciliation (Association of Jewish Refugees, Healing Through Remembering) and; 3) expanded photography within the cultural economy, working in partnership (Photoworks, Multistory) to build and sustain audiences for photography within and beyond the region. 2. Underpinning research University of Brighton (UoB) research in photography comprises three interlocking strands: the positioning of photography as a medium of critical artistic significance within the wider cultural economy and public sphere; the development of forms of visual storytelling that shape contemporary narratives of place, and; photography as a mode of enquiry into cultural history and memory. In 2003, in partnership with Photoworks and the University of Sussex, UoB was instrumental in founding the Brighton Photo Biennial to raise the public and professional profile of photography. In parallel, Photoforum (2003), launched by GREEN and LOWRY, provided the intellectual underpinning for developments in practice that fostered a critical debate around the medium’s changing uses and increasing cultural prominence. -
2678 Minus One (No Lead Vocal) Song Package
2678 Minus One (no lead vocal) song package This song package is made available from CAVS Download Service . Update 2010/07/01 Title Artist 07/24 KEVON EDMONDS 98.6 KEITH 1985 BOWLING FOR SOUP (YOU DRIVE ME) CRAZY BRITNEY SPEARS 13TH, THE CURE, THE 4 MINUTES AVANT 4 SEASONS OF LONELINESS BOYZ II MEN 4TH OF JULY SHOOTER JENNINGS 99 RED BALLOONS NENA 99.9% SURE BRIAN MCCOMAS A A PICTURE OF ME (WITHOUT YOU) GEORGE JONES AARON'S PARTY (COME GET IT) CARTER, AARON ABACAB GENESIS ABC JACKSON 5 ABCD CHILDREN ABIDE WITH ME TRADITIONAL ABSOLUTELY (STORY OF A GIRL) NINE DAYS ACE IN THE HOLE STRAIT, GEORGE ACH! DU LIEBER AUGUSTINE CHILDREN ACHY BREAKY HEART BILLY RAY CYRUS ACHY BREAKY SONG WEIRD AL YANKOVIC ADAM'S SONG BLINK 182 ADDICTED SIMPLE PLAN ADDICTED TO LOVE ROBERT PALMER ADRIENNE CALLING, THE AFFAIR OF THE HEART SPRINGFIELD, RICK AFTER CLOSING TIME HOUSTON, DAVID / MANDRELL, BARBARA AFTER ME SALIVA AFTER MIDNIGHT ERIC CLAPTON AFTER THE MUSIC FADES GOSPEL/SHAUN GROVE AGAINST ALL ODDS PHIL COLLINS AGAINST ALL ODDS (2000) MARIAH CAREY AGE AIN'T NOTHING BUT A NUMBER AALIYAH AIN'T LOVE A BITCH STEWART, ROD AIN'T NO MOUNTAIN HIGH ENOUGH MARVIN GAYE/T. TERRELL AIN'T NO STOPPIN' US NOW MCFADDEN & WHITEHEAD AIN'T NO SUNSHINE (1971) WITHERS, BILL AIN'T NO SUNSHINE (1972) JACKSON, MICHAEL AIN'T NO WAY TO TREAT A LADY HELEN REDDY AIN'T NO WOMAN LIKE THE ONE I'VE GOT FOUR TOPS AIN'T NOTHING LIKE THE REAL THING GILL, VINCE / KNIGHT, GLADYS AIN'T THAT A SHAME FATS DOMINO AIN'T THAT PECULIAR GAYE, MARVIN AIN'T TOO PROUD TO BEG TEMPTATIONS, THE ALEXANDER'S -
Mothers on Mothers: Maternal Readings of Popular Television
From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. The volume examines the ways in which these women find pleasure, empowerment, escapist fantasy, displeasure and frustration in popular depictions of motherhood. The research seeks to present the MATERNAL READINGS OF POPULAR TELEVISION voice of the maternal audience and, as such, it takes as its starting REBECCA FEASEY point those maternal depictions and motherwork representations that are highlighted by this demographic, including figures such as Tess Daly and Katie Hopkins and programmes like TeenMom and Kirstie Allsopp’s oeuvre. Rebecca Feasey is Senior Lecturer in Film and Media Communications at Bath Spa University. She has published a range of work on the representation of gender in popular media culture, including book-length studies on masculinity and popular television and motherhood on the small screen. REBECCA FEASEY ISBN 978-0343-1826-6 www.peterlang.com PETER LANG From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. -
Photography and Britishness
international conference Photography and Britishness November 4–5, 2016 Yale Center for British Art, New Haven, CT This conference is co-organized by the Yale Center for British Art, New Haven; the Paul Mellon Centre for Studies in British Art, London; and The Huntington Library, Art Collections, and Botanical Gardens, San Marino friday, november 4, 2016 The leveling aesthetic of photography—its capacity to draw heterogeneous peoples into what Christopher Pinney has termed a “common epistemological space”—meant that it could serve as a visual register for the elusive conn- session 1 | 11 am–12:30 pm ective tissue of imperial subjecthood, effectively reifying a useful political abstraction. Yet, as much as British sovereign authority could be embodied Imperial Britishness by this visual logic, British identity could simultaneously be dissolved by the homogenizing grammar of the medium. This paper therefore examines how colonials grappled with photography’s technical and formal possibilities in chair Martina Droth, Yale Center for British Art ways that attempted to forge a viable imperial polity while preserving a sense martina droth is Deputy Director of Research and Curator of Sculpture of privileged Britishness. Looking in particular at the palliative, diplomatic role at the Yale Center for British Art, and co-editor of British Art Studies, an played by the photographic portraiture of Dr. John Nicholas Tresidder in the open-access online journal jointly published by Center and the Paul Mellon immediate aftermath of the Indian Rebellion (1857–58), this paper assesses Centre for Studies in British Art. Her work as an art historian and curator how the new visual technology inflected imperial Britishness in complex and focuses on sculpture and questions about interdisciplinary approaches to unpredictable ways. -
Capital Punishment at Home and Abroad: A
Eastern Kentucky University Encompass Honors Theses Student Scholarship Fall 2015 Capital Punishment at Home and Abroad: A Comparative Study on the Evolution of the Use of the Death Penalty in the United States and the United Kingdom Rachel Gaines Eastern Kentucky University, [email protected] Follow this and additional works at: https://encompass.eku.edu/honors_theses Recommended Citation Gaines, Rachel, "Capital Punishment at Home and Abroad: A Comparative Study on the Evolution of the Use of the Death Penalty in the United States and the United Kingdom" (2015). Honors Theses. 293. https://encompass.eku.edu/honors_theses/293 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Honors Theses by an authorized administrator of Encompass. For more information, please contact [email protected]. i EASTERN KENTUCKY UNIVERSITY Capital Punishment at Home and Abroad: A Comparative Study on the Evolution of the Use of the Death Penalty in the United States and the United Kingdom Honors Thesis Submitted In Partial Fulfillment Of the Requirements of HON 420 Fall 2015 By Rachel Gaines Faculty Mentor Dr. Sucheta Mohanty Department of Government ii Capital Punishment at Home and Abroad: A Comparative Study on the Evolution of the Use of the Death Penalty in the United States and the United Kingdom Rachel Gaines Faculty Mentor Dr. Sucheta Mohanty, Department of Government Abstract: Capital punishment (sometimes referred to as the death penalty) is the carrying out of a legal sentence of death as punishment for crime. The United States Supreme Court has most recently ruled that capital punishment is not unconstitutional. -
TPG Exhibition List
Exhibition History 1971 - present The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and a selection of other activities and events organised by the Print Sales, the Education Department and the Digital Programme (including the Media Wall) are listed. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited worKs and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exist they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of worKs by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development worKs – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive at the Photographers' Gallery. For more information, please contact the Archive at [email protected] -
Impact Campaigns, Summarised in Impact Reports Which Are Published on Our Website
@britdoc britdoc.org 2 The Art of Impact. STORIES CAN CONQUER FEAR, YOU KNOW. THEY CAN MAKE BEN OKRI POET THE HEART LARGER. 04 The Art of Impact. The Impact of Art. 05 OUR ABOUT FUNDS OUR BRITDOC p34 p06 FILMS p40 Helping good films be great Engaging new HELLO partners GOOD PITCH p82 IMPACT Sharing our FIELD GUIDE learning p124 We are a nonprofit, founded in 2005, committed to enabling great Building new documentary films and connecting audiences them to audiences. Doing and measuring Based in London and New York, we work with filmmakers and partners globally, reaching IMPACT DOC audiences all over the world. AWARD ACADEMY p118 p94 In this book you can find out SOMETHING more about what we do and IMPACT REAL how it fits into our five DISTRIBUTION p102 interconnected strategic areas. p106 06 The Art of Impact. The Impact of Art. 07 “For many years, BRITDOC has spotted and supported the most urgent projects – OUR MISSION OUR DRIVING PRINCIPLE nurturing them with love, ensuring they make a difference. But gradually We befriend great filmmakers, Great documentaries enrich BRITDOC became more support great films, broker the lives of individuals. They than a fund. It is, by now, new partnerships, build have a unique ability to the forum for our most important conversations new business models, share engage and connect people, in nonfiction cinema.” knowledge and develop transform communities and Joshua Oppenheimer Director audiences globally. improve societies. “ BRITDOC are experts in We aim to lead by example — That’s why we are dedicated collaboration, innovation and rapid prototyping.” innovate, share and be copied, to the Impact of Art, and the Cara Mertes and innovate again. -
Dennison Grant, a Novel of To-Day
Dennison Grant, A Novel of To−day Robert Stead Dennison Grant, A Novel of To−day Table of Contents Dennison Grant, A Novel of To−day.......................................................................................................................1 Robert Stead...................................................................................................................................................1 CHAPTER I...................................................................................................................................................1 CHAPTER II..................................................................................................................................................7 CHAPTER III..............................................................................................................................................14 CHAPTER IV..............................................................................................................................................22 CHAPTER V................................................................................................................................................26 CHAPTER VI..............................................................................................................................................32 CHAPTER VII.............................................................................................................................................40 CHAPTER VIII............................................................................................................................................46 -
Press Information February 2010
Press Information February 2010 Deutsche Börse Photography Prize 2010 Exhibition dates: 12 February – 18 April 2010 Winner announced: 17 March 2010 Location: The Photographers’ Gallery, 16 – 18 Ramillies St, London, W1 Contents: • Deutsche Börse Photography Prize 2010 o Introductory Text o Sophie Ristelhueber (wall text and list of works) o Anna Fox (wall text and list of works) o Zoe Leonard (wall text and list of works) o Donovan Wylie (wall text and list of works) • Talks & Events Programme • Print Sales: Indre Serpytyte • Visitor Information For further information or press images please contact the Press Office: Sam Trenerry Call: +44 (0)20 7087 9333 or Email: [email protected] visit: www.photonet.org.uk 1 Deutsche Börse Photography Prize 2010 Anna Fox, Zoe Leonard, Sophie Ristelhueber, Donovan Wylie The Deutsche Börse Photography Prize seeks to acknowledge today’s leading international photographers and artists and to raise the profile of photography within the visual arts by acting as a focus for debate and discussion. The aim of the Prize is also to increase audiences for exhibitions of contemporary photography and to explore photography’s wider role in society. The Photography Prize History Founded in 1996, and now in its fourteenth year, the Prize has become one of the most prestigious international arts awards and has launched and established the careers of many photographers over the years. Previously known as the Citigroup Photography Prize, the Gallery is delighted to have been collaborating with Deutsche Börse Group as sponsors of the Photography Prize since 2005. Deutsche Börse has developed a major corporate collection of contemporary photography – a collection that includes the work of many photographers who have been shortlisted for the Prize in the past. -
Ruth Ellis in the Condemned Cell : Voyeurism and Resistance.', Prison Service Journal., 199
Durham Research Online Deposited in DRO: 30 August 2012 Version of attached le: Published Version Peer-review status of attached le: Unknown Citation for published item: Seal, L. (2012) 'Ruth Ellis in the condemned cell : voyeurism and resistance.', Prison Service journal., 199 . pp. 17-19. Further information on publisher's website: http://www.crimeandjustice.org.uk/psj.html Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Ruth Ellis in the Condemned Cell: Voyeurism and Resistance Dr Lizzie Seal is a Lecturer in Criminology at Durham University. Introduction Holloway’s condemned cell. This provided the next phase of the story, in which a young, attractive mother faced When Ruth Ellis became the last woman to be execution for a murder that seemed eminently executed in England and Wales in July 1955, understandable. Particularly compelling was her execution had long been something which took insistence that she did not want to be reprieved and was place in private. -
The Foreign Service Journal, July-August 2011
AFSA DISSENT AWARDS INSIDE! $4.50 / JULY-AUGUST 2011 OREIGN ERVICE FJ O U R N A L S THE MAGAZINE FOR FOREIGN AFFAIRS PROFESSIONALS SPEAKING TRUTH TO POWER Constructive Dissent in the Foreign Service — advertisement — OREIGN ERVICE FJ O U R N A L S CONTENTS July-August 2011 Volume 88, No.7-8 F OCUSON D i s s e n t WHAT IF I DISAGREE? / 18 Our nation has benefited greatly from the institutionalization of dissent in the culture of the Foreign Service. By Thomas D. Boyatt DISSENT IN THE KISSINGER ERA / 21 State’s Dissent Channel is a unique government institution. Here is a look at its origins and early history. By Hannah Gurman SAVIOR DIPLOMATS: FINALLY RECEIVING THEIR DUE / 30 Seven decades later, the examples of these 60 courageous public servants Cover illustration by Marian Smith. still offer lessons for members of today’s Foreign Service. This oil painting, “To Remember,” By Michael M. Uyehara was among her entries to AFSA’s 2011 Art Merit Award competition. F EATURES A CONSUMMATE NEGOTIATOR: ROZANNE L. RIDGWAY / 56 RESIDENT S IEWS P ’ V / 5 Last month AFSA recognized Ambassador Ridgway’s many contributions Moving Forward Together to American diplomacy and her lifetime of public service. By Susan R. Johnson By Steven Alan Honley SPEAKING OUT / 15 TAKING DIPLOMATIC PROFESSIONAL EDUCATION SERIOUSLY / 66 Needed: A Professional A new American Academy of Diplomacy study makes a compelling case Specialization in International for establishing a systematic training regimen at State. Organization Affairs By Robert M. Beecroft By Edward Marks THE KINGS AND I / 70 EFLECTIONS R / 76 An FSO explains why consorting with heads of state The Greater Honor isn’t everything it’s cracked up to be. -
Correcting Injustice: Studying How the United Kingdom and the United States Review Claims of Innocence
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2009 Correcting Injustice: Studying How the United Kingdom and the United States Review Claims of Innocence Lissa Griffin Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Comparative and Foreign Law Commons, Criminal Law Commons, and the International Law Commons Recommended Citation Lissa Griffin, Correcting Injustice: Studying How the United Kingdom and the United States Review Claims of Innocence, 41 U. Tol. L. Rev. 107 (2009), http://digitalcommons.pace.edu/lawfaculty/653/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. CORRECTING INJUSTICE: STUDYING HOW THE UNITED KINGDOM AND THE UNITED STATES REVIEW CLAIMS OF INNOCENCE Lissa Griffin* ' "England and America are two countries [separated] by a common language." JN the United States, the problem of wrongful convictions continues to Lelude a solution.2 Many approaches to the problem have been suggested, and some have been tried. Legislators,3 professional organizations,4 and 5 scholars have suggested various systemic changes to improve the accuracy of6 the adjudication process and to correct wrongful convictions after they occur. Despite these efforts, the demanding standard of review used by U.S. courts, combined with strict retroactivity rules, a refusal to consider newly discovered * Professor of Law, Pace University School of Law. The author wishes to thank John Wagstaff, Legal Adviser to the Criminal Cases Review Commission; Laurie Elks, Esq.