Dennison Grant, a Novel of To-Day
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0001 I ALONE BY LIVE 0002 1 WAY TICKET(DARKNESS) BY DARKNESS 0003 19-2000 (GORILLAZ) BY GORILLAZ 0004 1979 BY SMASHING PUMPKINS 0005 1999 (PRINCE) BY PRINCE 0006 1-HERO (ENRIQUE IGLESIAS) BY ENRIQUE IGLEIAS 0007 2 BEAUTIFUL BY EMMANUAL CARELLA 0008 2 BECOME 1 (JEWEL) BY JEWEL 0009 2 OUTA 3 AINT BAD BY MEATFLOAF 0010 2+2=5 BY RADIO HEAD 0011 21 TO DAY BY HALL MARK 0012 3 LITTLE PIGS (GREEN JELLY) BY GREEN JELLY 0013 3 OF A KIND (BABY CAKES) BY BABY CAKES 0014 3,2,1 REMIX(P-MONEY) BY P-MONEY 0015 4 MY PEOPLE (MISSY) BY MISSY 0016 4 TO THE FLOOR (Thin White Duke Mix) BY STARSIALER 0017 4-5 YEARS FROM NOW BY MERCURY 0018 46 MILE TO ALICE (CMC) BY COUNTRY AUSSIE 0019 7 DAYS(CRAIG DAVID) BY CRAIG DAVID 0020 9PM TILL I COME BY ATB 0021 A LITTLE BIT BY PANDORA 0022 A LITTLE TO LATE (DELTRA GOODREM) BY DELTA GOODREM 0023 A PUBLIC AFFAIR(JESSICA SIMPSON) BY JESSICA SIMPSON 0024 A THOUSAND MILES BY VENESSA CARLTON 0025 A WOMANS WORTH(ALICIA KEYS) BY ALICIA KEYS 0026 A.D.I.D.A.S BY KILLER MIKE 0027 ABBA MEDELY BY STAR ON 45 0028 ABOUT A GIRL BY NIRVADA 0029 ABSOLUTELY EVERY BODY BY VANESSA AMOROSI 0030 ABSOLUTELY BY NINEDAYS 0031 ACROSS THE NIGHT BY SILVER CHAIR 0032 ADDICTED (ENRIQUE IGLESIAS) BY ENRIQUE IGLEIAS 0033 ADDICTED TO BASS(JOSH ABRAHAMS) BY JOSH ABRAHAMS 0034 ADDICTED TO LOVE(ROBERT PALMER) BY ROBERT PALMER 0035 ADDICTED(SIMPLE PLAN) BY SIMPLE PLAN 0036 AFFIMATION BY SAVAGE GARDEN 0037 Afropeans Better Things (Skye n Sugarstarr remix) BY SKYE N SUGARSTARR 0038 AFTER ALL THESE YEARS BY SILVER CHAIR 0039 AFTERGLOW(TAXI RIDE) BY TAXI RIDE -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
St George Tucker's "The Patriot Rous'd": a Critical Edition
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1971 St George Tucker's "The Patriot Rous'd": A Critical Edition Barry Linn -- editors edition Kincaid College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Kincaid, Barry Linn -- editors edition, "St George Tucker's "The Patriot Rous'd": A Critical Edition" (1971). Dissertations, Theses, and Masters Projects. Paper 1539624714. https://dx.doi.org/doi:10.21220/s2-zavy-wq56 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. JjAck&fj 5f, (jfeo r^<s ST. GEORGE TUCKERT S "THE PATRIOT ROUS'D” : A CRITICAL EDITION A Thesis Presented to The Faculty of the Department of English The College of William and Mary in V i_r g ini a In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Barry Kincaid .1971 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Bariry Kincaid Approved, May 1971 Carl R. Dolmetsch 5yy\, 6VY\£ Cecil M. McCulley Robert A. Grinchuk TABLE OF CONTENTS Page ABSTRACT ............. ................. iv INTRODUCTION . .............. v MOTES ON THE INTRODUCTION . xxx THE TIMES, OR THE PATRIOT ROUS ' D: THE ESTABLISHED TEXT . ................ 2 WAKIANT READINGS TO THE TEXT . ............ 62 MOTES ON THE TEXT ......... -
2678 Minus One (No Lead Vocal) Song Package
2678 Minus One (no lead vocal) song package This song package is made available from CAVS Download Service . Update 2010/07/01 Title Artist 07/24 KEVON EDMONDS 98.6 KEITH 1985 BOWLING FOR SOUP (YOU DRIVE ME) CRAZY BRITNEY SPEARS 13TH, THE CURE, THE 4 MINUTES AVANT 4 SEASONS OF LONELINESS BOYZ II MEN 4TH OF JULY SHOOTER JENNINGS 99 RED BALLOONS NENA 99.9% SURE BRIAN MCCOMAS A A PICTURE OF ME (WITHOUT YOU) GEORGE JONES AARON'S PARTY (COME GET IT) CARTER, AARON ABACAB GENESIS ABC JACKSON 5 ABCD CHILDREN ABIDE WITH ME TRADITIONAL ABSOLUTELY (STORY OF A GIRL) NINE DAYS ACE IN THE HOLE STRAIT, GEORGE ACH! DU LIEBER AUGUSTINE CHILDREN ACHY BREAKY HEART BILLY RAY CYRUS ACHY BREAKY SONG WEIRD AL YANKOVIC ADAM'S SONG BLINK 182 ADDICTED SIMPLE PLAN ADDICTED TO LOVE ROBERT PALMER ADRIENNE CALLING, THE AFFAIR OF THE HEART SPRINGFIELD, RICK AFTER CLOSING TIME HOUSTON, DAVID / MANDRELL, BARBARA AFTER ME SALIVA AFTER MIDNIGHT ERIC CLAPTON AFTER THE MUSIC FADES GOSPEL/SHAUN GROVE AGAINST ALL ODDS PHIL COLLINS AGAINST ALL ODDS (2000) MARIAH CAREY AGE AIN'T NOTHING BUT A NUMBER AALIYAH AIN'T LOVE A BITCH STEWART, ROD AIN'T NO MOUNTAIN HIGH ENOUGH MARVIN GAYE/T. TERRELL AIN'T NO STOPPIN' US NOW MCFADDEN & WHITEHEAD AIN'T NO SUNSHINE (1971) WITHERS, BILL AIN'T NO SUNSHINE (1972) JACKSON, MICHAEL AIN'T NO WAY TO TREAT A LADY HELEN REDDY AIN'T NO WOMAN LIKE THE ONE I'VE GOT FOUR TOPS AIN'T NOTHING LIKE THE REAL THING GILL, VINCE / KNIGHT, GLADYS AIN'T THAT A SHAME FATS DOMINO AIN'T THAT PECULIAR GAYE, MARVIN AIN'T TOO PROUD TO BEG TEMPTATIONS, THE ALEXANDER'S -
If Not Us, Who?
Dario Azzellini (Editor) If Not Us, Who? Workers worldwide against authoritarianism, fascism and dictatorship VSA: Dario Azzellini (ed.) If Not Us, Who? Global workers against authoritarianism, fascism, and dictatorships The Editor Dario Azzellini is Professor of Development Studies at the Universidad Autónoma de Zacatecas in Mexico, and visiting scholar at Cornell University in the USA. He has conducted research into social transformation processes for more than 25 years. His primary research interests are industrial sociol- ogy and the sociology of labour, local and workers’ self-management, and so- cial movements and protest, with a focus on South America and Europe. He has published more than 20 books, 11 films, and a multitude of academic ar- ticles, many of which have been translated into a variety of languages. Among them are Vom Protest zum sozialen Prozess: Betriebsbesetzungen und Arbei ten in Selbstverwaltung (VSA 2018) and The Class Strikes Back: SelfOrganised Workers’ Struggles in the TwentyFirst Century (Haymarket 2019). Further in- formation can be found at www.azzellini.net. Dario Azzellini (ed.) If Not Us, Who? Global workers against authoritarianism, fascism, and dictatorships A publication by the Rosa-Luxemburg-Stiftung VSA: Verlag Hamburg www.vsa-verlag.de www.rosalux.de This publication was financially supported by the Rosa-Luxemburg-Stiftung with funds from the Ministry for Economic Cooperation and Development (BMZ) of the Federal Republic of Germany. The publishers are solely respon- sible for the content of this publication; the opinions presented here do not reflect the position of the funders. Translations into English: Adrian Wilding (chapter 2) Translations by Gegensatz Translation Collective: Markus Fiebig (chapter 30), Louise Pain (chapter 1/4/21/28/29, CVs, cover text) Translation copy editing: Marty Hiatt English copy editing: Marty Hiatt Proofreading and editing: Dario Azzellini This work is licensed under a Creative Commons Attribution–Non- Commercial–NoDerivs 3.0 Germany License. -
Section a 3-23-11:Broadsheet
Sports Principal Doug Hines to Retire Mail or Online Delivery From Moorefield High School Professional Bowler Subscribe Today! Visits Potomac Lanes Lifestyles, Page 6 Call (304) 530-6397 Page 1B ESTABLISHED 1845 MOOREFIELD EXAMINER and Hardy County News USPS 362-300 www.moorefieldexaminer.com VOLUME 120 - NUMBER 12 MOOREFIELD, HARDY COUNTY, W.VA., WEDNESDAY, March 23, 2011 TWO SECTIONS - 20 PAGES 94¢ Spring Has Arrived CWD Affects Bag Limits for Antlerless Deer in Hardy County By Jean A. Flanagan according to Deer Project Leader and there is no cure. While human Moorefield Examiner Jim Crum. Of the 84 cases in West infection is a concern, there have Virginia, 83 were in Hampshire been no verified cases of CWD in hu- A confirmed case of chronic wast- County and 1 was in the northern mans. ing disease in a white-tailed deer in part of Hardy County. Crum said artificial concentra- Hardy County has impacted the bag While bag limits in the majority of tions of animals, such as those limit for that species in the northern counties in West Virginia have de- around feeders, help spread the dis- part of the county. creased this year, the northern part ease. “The disease is spread through The West Virginia Division of of Hardy County - that which lies bodily fluids, like saliva,” he said. Natural Resources held an open north of Corridor H and old Route “Feeders encourage deer to congre- meeting on Tuesday, March 15 to dis- 55 from Wardensville to the Virginia gate and they leave their saliva on the cuss changes to the 2011 - 2012 deer, state line - will have a four-deer bag corn when they eat.” turkey, bear and boar hunting regula- limit for the antlerless deer seasons The southern part of Hardy tions as well as well as the 2012 - 2013 Nov. -
Archival Body/Archival Space: Queer Remains of the Chicano Art Movement, Los Angeles, 1969-2009
ABSTRACT Title of Document: ARCHIVAL BODY/ARCHIVAL SPACE: QUEER REMAINS OF THE CHICANO ART MOVEMENT, LOS ANGELES, 1969-2009. Robert Lyle Hernandez, III, Ph.D., 2011 Directed By: Associate Professor Mary Corbin Sies, American Studies This dissertation proposes an interdisciplinary queer archive methodology I term ―archival body/archival space,‖ which recovers, interprets, and assesses the alternative archives and preservation practices of homosexual men in the Chicano Art Movement, the cultural arm of the Mexican American civil rights struggle in the U.S. Without access to systemic modes of preservation, these men generated other archival practices to resist their erasure, omission, and obscurity. The study conducts a series of archive excavations mining ―archival bodies‖ of homosexual artists from buried and unseen ―archival spaces,‖ such as: domestic interiors, home furnishings, barrio neighborhoods, and museum installations. This allows us to reconstruct the artist archive and, thus, challenge how we see, know, and comprehend ―Chicano art‖ as an aesthetic and cultural category. As such, I evidence the critical role of sexual difference within this visual vocabulary and illuminate networks of homosexual Chicano artists taking place in gay bars, alternative art spaces, salons, and barrios throughout East Los Angeles. My queer archive study model consists of five interpretative strategies: sexual agency of Chicano art, queer archival afterlife, containers of desire, archival chiaroscuro, and archive elicitation. I posit that by speaking through these artifact formations, the ―archival body‖ performs the allegorical bones and flesh of the artist, an artifactual surrogacy articulated through things. My methodological innovation has direct bearing on how sexual difference shapes the material record and the places from which these ―queer remains‖ are kept, sheltered, and displayed. -
RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No. -
Sam Hilt Collection.Txt
Sam Hilt Collection\boer war songs\a gordon for me.txt ************************************************************************ a gordon for me a gordon for me a gordon for me, a gordon for me, if he is nae a gordon, he's nae use ta me; you can take your highlanders, you' re blackwatch and a' my bonnie wee gordon's the pride o' them a' -------------------------------------------- from the singing of jimmy duffy, itinerant singer, son of jimmy duffy of stanthorpe, qld. this song was sung in the gordons scotiish regiment, before and after the boer war. Sam Hilt Collection\boer war songs\afschied von sannie.txt ************************************************************************ o sannie mijn hartje,bak gou nou beskuit o sannie mijn hartje,bak gou nou beskuit vriend kimberlein stuur die soldate al uit, hulle kom met die dum-dums en groote kanon, waar is nou miajn roer en die mauser patron? o sannie mijn hartje veeg af jou gezich, want jedere kogel die raak ons niet lich, as toch iedere kogel een kerel moet raak, waar krug ons dan oin mee oorlog te maak? die dum dum die maak net een heel kleine gat,da kanons kogel zal wel wat viniger vat. die kogels is allemaal van staal en van lood ach huil toch niet, sannie, waar is dan die nood? die engelse vlag, dat het ons gezien is net maar een voor school van oumeid sabien en onder die vlag zal die boer nooit nog staan daar komt al mijn jong met die oorslog perd aan. die beskuit is nu klaar en die roer is maal skoon kom, sannie, ik geef jou eenzoen voor jou loon onze zaak is recht vaardig, ons vertrouw op die heer; hij zal ons wel help, en die mauser gewehr, onze zaak is recht vaardig, ons vertrouw op die heer hij zaal ons wel help, en die mauser gewehr. -
SL Xpress & Melody Library2
Artist Title 112 Dance With Me 112 Na Na Na Na 100% Feat. Jennifer John Just Can't Wait (Saturday) 10CC I'm Not In Love 1200 Techniques Fork In The Road (Clean Radio Edit) 1200 Techniques Karma 28 Days Like I Do 28 Days Rip It Up 28 Days & Apollo 440 Say What 2Pac California Love 2Pac Changes 2Pac Thugz Mansion 2Pac Feat. Ashanti & T.I. Pac's Life (Explicit Version) 2Pac Feat. Elton John Ghetto Gospel 3 Doors Down Away From The Sun 3 Doors Down Be Like That 3 Doors Down Here Without You 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down When I'm Gone 3 The Hard Way It's On 30 Seconds To Mars A Beautiful Lie 30 Seconds To Mars From Yesterday (Radio Edit) 30 Seconds To Mars The Kill (Bury Me) Radio Edit 30h!3 Don't Trust Me 3-11 Porter Surround Me With Your Love 4 Non Blondes What's Up 4 Wings Penelope 50 Cent 21 Questions (G Version) 50 Cent Candy Shop (Edited) 50 Cent Disco Inferno 50 Cent Hustlers Ambition (Edit) 50 Cent If I Can't 50 Cent In Da Club (Clean Version) 50 Cent Just A Li'l Bit (Clean) 50 Cent P.I.M.P 50 Cent Questions 50 Cent Wanksta 50 Cent Window Shopper (Edited Version) 50 Cent Eminem & Dr Dre Crack A Bottle (Clean Edit) 50 Cent Feat. Justin Timberlake & Timbaland Ayo Technology (Album Version) (Explicit) 50 Cent Feat. Mobb Deep Outta Control (Remix - Radio Edit) 67 Special Lady Gin 67 Special Shot At The Sun 78 From Home Brand New Day A Flock Of Seagulls I Ran (So Far Away) A Friend From Rio Para Lennon & McArtney A New Funky Generation Lubumba 98 A New Funky Generation The Messenger A Perfect Circle Judith A Perfect Circle Weak And Powerless A Tribe Called Quest Bonita Applebum A Tribe Called Quest Can I Kick It? A Tribe Called Quest Check The Rhime A Year To Remember Tastefully Tricky A.R. -
Citation: Shaw, Sarah (2014) Seventeen: Ethics and Aesthetics
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Citation: Shaw, Sarah (2014) Seventeen: Ethics and Aesthetics. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/23587/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html Seventeen: Ethics and Aesthetics Sarah Shaw PhD 2013 1 2 Seventeen: Ethics and Aesthetics Sarah Shaw A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in Creative Writing in the School of Arts and Social Sciences October 2013 3 4 Seventeen: Ethics and Aesthetics My practice-led research in Creative Writing consists of composing a novel closely focalised through three members of a dual-heritage family in Suffolk in 2004 after the teenage daughter is diagnosed with leukaemia. -
Beck Reverend Horton Heat Mc 900 Ft
GPO BECK One Foot In The Grave •K REVEREND HORTON HEAT Liquor In The Front • Sub Pop-lnterscope MC 900 FT JESUS One Step Ahead Of The Spider •american FIFTH COLUMN 36C •K VMJ! SOUNDGARDEN SURE THING! aRnivu CX LIGPT RIDE SPONTANEOUS COMBUSTION Your shirt will stink for weeks Recorded Live At CBGB 12-19-1993 Glamorous • Deaf As A Bat • Sea Sick • Bloody Mary • Mistletoe • Nub Elegy • Killer McHann • Dancing Naked Ladies • Fly On The Wall Boilermaker • Puss • Gladiator • Wheelchair Epidemic • Monkey Trick Fifteen tracks of teeth-loosening madness. CD. Cassette. Limited Edition Vinyl. gtdllt pace 3... Johnn Rebel Redeemed ash First of all, what everyone wants to know about a long-dis- tance interview with Johnny Cash: No, he didn't answer the phone and say "Hello—I'm Johnny Cash." Still, it is a little disconcerting at first, hearing that low ominous voice over the telephone, speaking from his Tennessee cabin, discussing the weather or reading off the address for his House Of Cash management office. "This is on album I've always wanted to do," he says of American Recordings. "I even had a name 25 years ago for this album, it was going to be called Johnny Cash Alone. Years later Ithought about it again and wanted to do an album like this, and call it Johnny Cash Up Close. But this same concept has been in my mind since the early '70s." About his first meeting with producer/label head Rick Rubin, Cash recalls, "I liked the way he talked. Because right off he said, 'I'm familiar with most of your work, and you know what you do best.