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The Folk Singer
THE FOLK SINGER ___________________________ A New Musical Book & Lyrics by Tom Attea Contact: Tom Attea [email protected] (c) 2016 Tom Attea ii. CAST DON, FOLK SINGER & ORGANIZER KIM, HIS GIRLFRIEND TODD, FOLK SINGER AMY, FOLK SINGER ZACK, FOLK SINGER JAN, FOLK SINGER BAND CHORUS AS KIM, FRANK, HARMONY SINGERS AND VIDEOGRAPHERS iii. SONGS WELCOME.............................................................................Don & Others PEOPLE LOOK BEAUTIFUL TO ME................................Amy THE WAR MEMORIAL.......................................................Todd IF ALL YOU WANT IS MORE.............................................Jan THE DAY LINCOLN'S STATUE CAME TO LIFE.............Zack HAMMERED.........................................................................Don TERROR, ERROR..................................................................Todd SITTIN' ON A NUCLEAR BOMB........................................Zack A NEWBORN CHILD............................................................Amy THAT GOOD OLD RAILWAY STATION..........................Don SOUNDS A LOT LIKE LUCK...............................................Zack DO YOU MIND TELLIN' ME WHY?....................................Jan UNDERACHIEVING AS BEST WE CAN............................ Don, Jan, and Amy BLUE COLLAR, CAN'T EARN A DOLLAR.......................Todd I LONG FOR WIDE OPEN SPACES......................................Don WOULD YOU HAVE THE SENSE TO LOVE ME?.............Amy & Zack A CLIMATE OF CHANGE...................................................All -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Armandito Y Su Trovason High Energy Cuban Six Piece Latin Band
Dates For Your Diary Folk News Folk Federation of New South Wales Inc Dance News Issue 412 CD Reviews November 2009 $3.00 Armandito Y Su Trovason High energy Cuban six piece Latin band ♫ folk music ♫ dance ♫ festivals ♫ reviews ♫ profiles ♫ diary dates ♫ sessions ♫ teachers ♫ opportunities The Folk Federation ONLINE - jam.org.au The CORNSTALK Gazette NOVEMBER 2009 1 AdVErTISINg Rates Size mm Members Non-mem NOVEMBEr 2009 Folk Federation of New South Wales Inc Full page 180x250 $80 $120 In this issue Post Office Box A182 1/2 page 180x125 $40 $70 Dates for your diary p4 Sydney South NSW 1235 ISSN 0818 7339 ABN9411575922 1/4 page 90x60 $25 $50 Festivals, workshops, schools p6 jam.org.au 1/8 page 45 x 30 $15 $35 Folk news p8 The Folk Federation of NSW Inc, formed in Back cover 180x250 $100 $150 Dance news p9 1970, is a Statewide body which aims to present, Folk contacts p10 support, encourage and collect folk m usic, folk 2 + issues per mth $90 $130 dance, folklore and folk activities as they exist Advertising artwork required by 5th of each month. CD Review p14 Advertisements can be produced by Cornstalk if re- in Australia in all their forms. It provides a link quired. Please contact the editor for enquiries about Deadline for December/January Issue for people interested in the folk arts through its advertising Tel: 6493 6758 ADVERTS 5th November affiliations with folk clubs throughout NSW and its Inserts for Cornstalk COPY 10th November counterparts in other States. It bridges all styles [email protected] NOTE: There will be no January issue. -
DJ Playlist.Djp
0001 I ALONE BY LIVE 0002 1 WAY TICKET(DARKNESS) BY DARKNESS 0003 19-2000 (GORILLAZ) BY GORILLAZ 0004 1979 BY SMASHING PUMPKINS 0005 1999 (PRINCE) BY PRINCE 0006 1-HERO (ENRIQUE IGLESIAS) BY ENRIQUE IGLEIAS 0007 2 BEAUTIFUL BY EMMANUAL CARELLA 0008 2 BECOME 1 (JEWEL) BY JEWEL 0009 2 OUTA 3 AINT BAD BY MEATFLOAF 0010 2+2=5 BY RADIO HEAD 0011 21 TO DAY BY HALL MARK 0012 3 LITTLE PIGS (GREEN JELLY) BY GREEN JELLY 0013 3 OF A KIND (BABY CAKES) BY BABY CAKES 0014 3,2,1 REMIX(P-MONEY) BY P-MONEY 0015 4 MY PEOPLE (MISSY) BY MISSY 0016 4 TO THE FLOOR (Thin White Duke Mix) BY STARSIALER 0017 4-5 YEARS FROM NOW BY MERCURY 0018 46 MILE TO ALICE (CMC) BY COUNTRY AUSSIE 0019 7 DAYS(CRAIG DAVID) BY CRAIG DAVID 0020 9PM TILL I COME BY ATB 0021 A LITTLE BIT BY PANDORA 0022 A LITTLE TO LATE (DELTRA GOODREM) BY DELTA GOODREM 0023 A PUBLIC AFFAIR(JESSICA SIMPSON) BY JESSICA SIMPSON 0024 A THOUSAND MILES BY VENESSA CARLTON 0025 A WOMANS WORTH(ALICIA KEYS) BY ALICIA KEYS 0026 A.D.I.D.A.S BY KILLER MIKE 0027 ABBA MEDELY BY STAR ON 45 0028 ABOUT A GIRL BY NIRVADA 0029 ABSOLUTELY EVERY BODY BY VANESSA AMOROSI 0030 ABSOLUTELY BY NINEDAYS 0031 ACROSS THE NIGHT BY SILVER CHAIR 0032 ADDICTED (ENRIQUE IGLESIAS) BY ENRIQUE IGLEIAS 0033 ADDICTED TO BASS(JOSH ABRAHAMS) BY JOSH ABRAHAMS 0034 ADDICTED TO LOVE(ROBERT PALMER) BY ROBERT PALMER 0035 ADDICTED(SIMPLE PLAN) BY SIMPLE PLAN 0036 AFFIMATION BY SAVAGE GARDEN 0037 Afropeans Better Things (Skye n Sugarstarr remix) BY SKYE N SUGARSTARR 0038 AFTER ALL THESE YEARS BY SILVER CHAIR 0039 AFTERGLOW(TAXI RIDE) BY TAXI RIDE -
Strikebound Music Credits
Music Declan Affley Additional Music Peter Sullivan Engineered by Roger Savage Industrial Percussion and strange noises Greg Perano Additional Synth. noises Tlm Smoke As might be expected of a director that at the time shot music videos for a living, there's an unusual amount of music in Strikebound, much of it of a traditional folk music kind. Songs included the traditional The Blackleg Miner, sung by Declan Affley, which has its own wiki here, and can be found on YouTube in a variety of performances. There's also the whimsical The Lambton Worm, also sung by Affley, which has a wiki here. And at the end of the film, there's another traditional song sung by Affley, The Miner, lyrics at Folkstream here. The film also celebrates brass band music, both community and Salvation Army: • The Wonthaggi brass band is on hand to unit street marchers to the tune Victoria; • The Dead march from Saul (Handel) is played to accompany the funeral cortege as it makes its way to the cemetery; • The Salvation Army rallies support outside the Toora pub with I Believe we Shall Win; • The community joins in with union leader Idris Williams (Hugh Keays-Byrne) in the traditional song Cockles and Mussels; • The humorous juxtaposition of The Salvation Army singing the Welsh anthem Rhyfelgyrch Gwyr Harlech (Men of Harlech) is up against Welsh union leader Idris Williams speaking next door for the Communist Party. This gives way to another musical feud, with the Sallies singing Onward Christian Soldiers, while the miners next door take up the song The People's Flag is Deepest Red (The Red Flag has a wiki here); • Other traditional music includes a tin whistle perking up the miners' spirits during a football playing break, and an aeolian pipe as Agnes looks in the mirror and wonders whether to wear her hair down. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
University News, the University of Newcastle, Vol.2, No. 1, 26
FEB. 26,1976 Newsletter for The University of Newcastle . THE NEW NEWS ". This is the first issue of our be sent .to the Editor, UNIVERSITY 2.30 p.m., Women's Films, wnew-look" UNIVERSITY NEWS for NEWS, C/o Secretary's Division. Contraception and Sexuality 1976, with which it is hoped to (different), in Common Room; broaden and extend the flow of D.W. GEORGE, Vice-Chancellor. 6.30 p.m., Film, Blazing ormation about events and Saddles; ?airs of the University to all 8 p.m., Union 'At.HomeS night ~.smembers. Effective communi- . cost 80Q including free supper cation is a primary'need of any ORIENTATION 1976 Harlequin playing. organization, particularly when Friday, March 5, a.m., Taped that organization is growing in Orientation week lasts until March 5. and Recorded Music; size and complexity. The regular 1 p.m.. Lunchtime concert in Huing of a news sheet such as The official programme has inclu- ded advice to new students on Courtyard Kevin Borich's La- s can contribute invaluably to De-Das ; .. .2 free flow of fact and opinion subjects and courses by members of the academic staff and enrol- p.m., Taped Music; and stimulate discussions on 8 p.m., Grand Ball, La-De- matters of importance to the Uni- ment in the Great Hall. versity. Integrated with this programme Das , Richard Claptons Band , In an introduction to the first are a number of activities organ- Crossfire and Keys . Bar issue of the NEWS in September, ised by Mr J. Burne, of The till 1 a.m., Supper included, 1970, Emeritus Professor Newton- Union, and students themselves. -
St George Tucker's "The Patriot Rous'd": a Critical Edition
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1971 St George Tucker's "The Patriot Rous'd": A Critical Edition Barry Linn -- editors edition Kincaid College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Kincaid, Barry Linn -- editors edition, "St George Tucker's "The Patriot Rous'd": A Critical Edition" (1971). Dissertations, Theses, and Masters Projects. Paper 1539624714. https://dx.doi.org/doi:10.21220/s2-zavy-wq56 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. JjAck&fj 5f, (jfeo r^<s ST. GEORGE TUCKERT S "THE PATRIOT ROUS'D” : A CRITICAL EDITION A Thesis Presented to The Faculty of the Department of English The College of William and Mary in V i_r g ini a In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Barry Kincaid .1971 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Bariry Kincaid Approved, May 1971 Carl R. Dolmetsch 5yy\, 6VY\£ Cecil M. McCulley Robert A. Grinchuk TABLE OF CONTENTS Page ABSTRACT ............. ................. iv INTRODUCTION . .............. v MOTES ON THE INTRODUCTION . xxx THE TIMES, OR THE PATRIOT ROUS ' D: THE ESTABLISHED TEXT . ................ 2 WAKIANT READINGS TO THE TEXT . ............ 62 MOTES ON THE TEXT ......... -
From Zones of Conflict Comes Music for Peace
From zones of conflict comes music for peace. What is Fambul Tok? Around a crackling bonfire in a remote village, the war finally ended. Seven years since the last bullet was fired, a decade of fighting in The artists on this album have added their voices to a high-energy, Sierra Leone found resolution as people stood and spoke. Some had urgent call for forgiveness and deep dialogue. They exemplify the perpetrated terrible crimes against former friends. Some had faced creative spirit that survives conflict, even war. From edgy DJs and horrible losses: loved ones murdered, limbs severed. But as they soulful singer-songwriters, from hard-hitting reggae outfits to told their stories, admitted their wrongs, forgave, danced, and sang transnational pop explorers, they have seen conflict and now sow together, true reconciliation began. This is the story of “Fambul Tok” peace. They believe in the power of ordinary people - entire com- (Krio for “family talk”), and it is a story the world needs to hear. munities ravaged by war - to work together to forge a lasting peace. They believe in Fambul Tok. Fambul Tok originated in the realization that peace can’t be imposed from the outside, or the top down. Nor does it need to be. The com- munity led and owned peacebuilding in Sierra Leone is teaching us that communities have within them the resources they need for their own healing. Join the fambul at WAN FAMBUL O N E FA M I LY FAMBULTOK.COM many voices ... Wi Na Wan Fambul BajaH + DRY EYE Crew The groundbreaking featuring Rosaline Strasser-King (LadY P) and Angie 4:59 grassroots peacebuilding of Nasle Man AbjeeZ 5:33 the people of Sierra Leone Say God Idan RaicHel Project has also been documented featuring VieuX Farka Toure 4:59 in the award-winning film Ba Kae Vusi MAHlasela 5:05 Fambul Tok, and in its Guttersnipe BHI BHiman 6:52 companion book, Fambul Shim El Yasmine 5:10 Tok. -
Dog Birthday Concert Special
Folk Federation of New South Wales Inc Issue 421 $3 Dates For Your Diary Folk News Dance Newss CD Review The Loaded Dog Folk Club Turns 20 Dog Birthday Concert Special Miguel Heatwole Bob & Margaret Fagan Kate Maclurcan Over the years the Dog has presented hundreds of acts - accompanied and unaccompanied singers, bands, choirs, musicians, poets, storytellers, even dancers! Folk Federation of New South Wales Inc 1970 - 2010 40 YEARS NEW ADVERTISING SIzES Size mm Members Not Mem SEPTEMBER 2010 Folk Federation of New South Wales Inc Full page 210 x 297 $80 $120 Post Office Box A182 In this issue Sydney South NSW 1235 1/2 page 210 x 146 $40 $70 Dates for your diary p4 ISSN 0818 7339 ABN9411575922 or Festivals, workshops, schools p6 jam.org.au 102 x 146 Folk News p8 Dance News P8 The Folk Federation of NSW Inc, formed in 1/4 page 102 x 146 $25 $50 Folk Contacts p10 1970, is a Statewide body which aims to present, support, encourage and collect folk m usic, folk 1/8 page 102 x 70 $15 $35 Reviews p14 dance, folklore and folk activities as they exist in Australia in all their forms. It provides a link Advertising artwork required by 5th of each month. Deadline for September Issue for people interested in the folk arts through its Advertisements can be produced by Cornstalk if ADVERTS 12th September required. Please contact the editor for enquiries about affiliations with folk clubs throughout NSW and its advertising Tel: 6493 6758 COPY 12th September counterparts in other States. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
If Not Us, Who?
Dario Azzellini (Editor) If Not Us, Who? Workers worldwide against authoritarianism, fascism and dictatorship VSA: Dario Azzellini (ed.) If Not Us, Who? Global workers against authoritarianism, fascism, and dictatorships The Editor Dario Azzellini is Professor of Development Studies at the Universidad Autónoma de Zacatecas in Mexico, and visiting scholar at Cornell University in the USA. He has conducted research into social transformation processes for more than 25 years. His primary research interests are industrial sociol- ogy and the sociology of labour, local and workers’ self-management, and so- cial movements and protest, with a focus on South America and Europe. He has published more than 20 books, 11 films, and a multitude of academic ar- ticles, many of which have been translated into a variety of languages. Among them are Vom Protest zum sozialen Prozess: Betriebsbesetzungen und Arbei ten in Selbstverwaltung (VSA 2018) and The Class Strikes Back: SelfOrganised Workers’ Struggles in the TwentyFirst Century (Haymarket 2019). Further in- formation can be found at www.azzellini.net. Dario Azzellini (ed.) If Not Us, Who? Global workers against authoritarianism, fascism, and dictatorships A publication by the Rosa-Luxemburg-Stiftung VSA: Verlag Hamburg www.vsa-verlag.de www.rosalux.de This publication was financially supported by the Rosa-Luxemburg-Stiftung with funds from the Ministry for Economic Cooperation and Development (BMZ) of the Federal Republic of Germany. The publishers are solely respon- sible for the content of this publication; the opinions presented here do not reflect the position of the funders. Translations into English: Adrian Wilding (chapter 2) Translations by Gegensatz Translation Collective: Markus Fiebig (chapter 30), Louise Pain (chapter 1/4/21/28/29, CVs, cover text) Translation copy editing: Marty Hiatt English copy editing: Marty Hiatt Proofreading and editing: Dario Azzellini This work is licensed under a Creative Commons Attribution–Non- Commercial–NoDerivs 3.0 Germany License.