Research Report 2013
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Expanding the Cultural Imagination Through Photography ICS [3] 1
Impact case study (REF3b) Institution: University of Brighton Unit of Assessment: D34 Art and Design: History, Practice and Theory Title of case study: Expanding the Cultural Imagination through Photography ICS [3] 1. Summary of the impact Our research has harnessed the power of photography to expand the cultural imagination, creating new works and interpretive practices that enrich, illuminate and challenge perceptions of society and the world in which we live. Through exhibition, publication, and public and community engagement, our research has: 1) created cultural legacies for major public (Millennium Dome, Treasury) and commercial (Airbus) projects; 2) provided enhanced cultural experiences to multiple audiences and specific communities in the UK and Europe, provoking reflection on ideas of place and identity, and contributing to processes of cultural memory and reconciliation (Association of Jewish Refugees, Healing Through Remembering) and; 3) expanded photography within the cultural economy, working in partnership (Photoworks, Multistory) to build and sustain audiences for photography within and beyond the region. 2. Underpinning research University of Brighton (UoB) research in photography comprises three interlocking strands: the positioning of photography as a medium of critical artistic significance within the wider cultural economy and public sphere; the development of forms of visual storytelling that shape contemporary narratives of place, and; photography as a mode of enquiry into cultural history and memory. In 2003, in partnership with Photoworks and the University of Sussex, UoB was instrumental in founding the Brighton Photo Biennial to raise the public and professional profile of photography. In parallel, Photoforum (2003), launched by GREEN and LOWRY, provided the intellectual underpinning for developments in practice that fostered a critical debate around the medium’s changing uses and increasing cultural prominence. -
Museum of Garden History, St Mary's Church, 5 Lambeth Palace Road
SECTION 1 – SITE LOCATION MAP Museum of Garden History, St Mary’s Church, 5 Lambeth Site address Palace Road, London, SE1 7LB Ward Bishops Restoration, internal and external alterations (including partial Proposal demolition and provision of additional mezzanine display floorspace) to the existing church abuilding, construction of single storey extensions within rear garden to provide a café and educational facilities, alterations to the rear churchyard including landscaping and relocation of tombs, removal and reconstruction of existing boundary treatment. Application type Full Planning Application Listed Building Consent 14/01448/FUL Application ref(s) 14/01450/LB 27 March 2014 (14/01448/FUL) Validation date 27 March 2014 (14/01450/LB) Name: Nicholas Linford Case officer details Tel: 020 7926 4069 Email: [email protected] Mr. Christopher Woodward Applicant Agent Ms Anna Cullum Kennington Cross Neighbourhood Association Considerations/constraints South Bank Employers Group Conservation Area Environment Agency Flood Zone Listed Building Sites of Borough Nature Conservation Importance London Plan Thames Policy Area Tree Preservation Order Historic Parks and Gardens on English Heritage Register Protected Vistas Ex010; Ex050; Ex100; Ex110; Ex120; Ex130; Ex200; Ex210; Approved plans Ex220; Ex230; Ex301; Ex302; Ex303; Ex305; Ex306; Ex309; Dm100; Dm301; Dm302; Dm303; Dm305; Dm306; Dm309; PA/001; PA/010; PA/100; PA/101; PA/102; PA/110; PA/120; PA/130; PA/200; PA/210; PA/300; PA/301; PA/302; PA/303; PA/304; PA/305; PA/306; PA/307; PA/308; -
Museum Futures, Creating Entry Level Press Images: Routes Into the Sector
Press release Final group of museums announced for Museum Futures, creating entry level Press images: https://bit.ly/3fbPxvY routes into the sector A British Museum initiative to invest in a diverse generation of museum professionals has announced the third and final cohort of partner museums for 2021 across the UK. Museum Futures, a three-year programme supported by The National Lottery Heritage Fund and managed by the British Museum, gives 18–24-year olds from a range of backgrounds the opportunity to receive year-long paid training. This training enables applicants without degrees or prior museum experience to pursue a career in the museum and heritage sector that might have otherwise been unattainable. Focusing on digital skills, trainees receive on-the-job training at UK partner museums, and also work towards a Level 3 diploma in Cultural Heritage to boost their learning throughout the year. Trainees further benefit from support of a trained mentor working within the sector, monthly training sessions at the partner museums and experience working on digital skills-based projects related to museum collections. Partner museums participating in Museum Futures 2021 are: Museum of East Anglian Life, South West Heritage Trust, Fitzwilliam Museum: University of Cambridge Museums, National Football Museum, The Atkinson, Museum of Cardiff, Culture Perth and Kinross and the British Museum. Currently in its second year of a three-year programme, Museum Futures will benefit a total of 25 trainees by its end in 2021. Successful projects from 2019 ranged from 3D imaging and projections at York Museums Trust, editing the official podcast at the British Museum to launching a new software to help digitally preserve archives in Somerset. -
Garden Museum
Garden Museum Lambeth Palace Road, SE1 Rooff are delighted to have been appointed preferred contractor on the prestigious Garden Museum Extension Project in Lambeth, adjacent to Lambeth Palace. This is a great appointment for Rooff and very typical of the type of work that we secure due to our sig- nificant track record of similar projects for high profile clients. The extension of the Garden Museum and internal alterations of the existing museum building located in a former Grade II* listed church. The new build extension consists of three single storey pavilions located in the garden connected by a winter-garden, which will provide café, education and community facilities; and a new office wing. Works within the existing museum building include the introduction of a mezzanine floor by extending the existing cross laminated timber (CLT) structure to access exhibition space. External works include landscaping and the repair of the boundary walls. Client: Garden Museum Architect: Dow Jones Architects Employers Agent: Gardiner and Theobald LLP Quantity Surveying: Pierce Hill Contract value: £3.4M Form of Contract: JCT Standard Building Contract With Quantities Remains of five 'lost' Archbishops of Canterbury found—BBC News 16th April 2017 Site Managers Karl Patten and Craig Dick “The remains of five Archbishops of Canterbury have been found beneath a medieval parish church next to Lambeth Palace, the Archbishop of Canterbury's official London residence. Builders renovating the Garden Museum, housed at the deconsecrated church of St Mary-at-Lambeth, found a hidden crypt containing 30 lead coffins. Site manager Karl Patten said: "We discovered numer- ous coffins - and one of them had a gold crown on top of it". -
With the London Pass Entry Fee Entry Fee TOP ATTRACTIONS Tower of London + Fast Track Entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00
London Pass Prices correct at 01.04.15 Attraction Entrance Prices FREE ENTRY to the following attractions Normal Adult Normal Child with the London Pass Entry fee Entry fee TOP ATTRACTIONS Tower of London + Fast track entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00 NEW 1 Day Hop on Hop off Bus tour (From 1st October 2015) £22.00 £10.00 Windsor Castle + Fast track entrance £19.20 £11.30 Kensington Palace and The Orangery + Fast track entrance £15.90 FREE Hampton Court Palace + Fast track entrance £17.50 £8.75 17.10 ZSL London Zoo + Fast track entrance £24.30 Under 3 FREE Shakespeare's Globe Theatre Tour & Exhibition £13.50 £8.00 Churchill War Rooms £16.35 £8.15 London Bridge Experience and London Tombs + Fast track entrance £24.00 £18.00 Thames River Cruise £18.00 £9.00 HISTORIC BUILDINGS Tower Bridge Exhibition £9.00 £3.90 Royal Mews £9.00 £5.40 Royal Albert Hall - guided tour £12.25 £5.25 Royal Observatory £7.70 £3.60 Monument £4.00 £2.00 Banqueting House £6.00 FREE Jewel Tower £4.20 £2.50 Wellington Arch £4.30 £2.60 Apsley House £8.30 £5.00 Benjamin Franklin House £7.00 FREE Eltham Palace £13.00 £7.80 The Wernher Collection at Ranger's house £7.20 £4.30 MUSEUMS Imperial War Museum £5.00 £5.00 The London Transport Museum £16.00 FREE Household Cavalry Museum £7.00 £5.00 Charles Dickens Museum £8.00 £4.00 London Motor Museum £30.00 £20.00 Guards Museum £6.00 FREE Cartoon Museum £7.00 FREE Foundling Museum £7.50 FREE Science Museum - IMAX Theatre £11.00 £9.00 Handel House Museum £6.50 £2.00 London Canal Museum £4.00 £2.00 Royal Air -
The Garden Museum Education Fund the Garden Museum Is Britain’S Only Museum Dedicated to the Art, History and Design of Gardens
The Garden Museum Education Fund The Garden Museum is Britain’s only museum dedicated to the art, history and design of gardens. ‘Helping Father’, artist unknown, poster, c.1930 The Museum preserves what we value in gardens; whether it is the secret Edens of childhood and family, or the green public spaces which are so vital to life in the modern city. Situated in the medieval St-Mary-at-Lambeth church, we offer an educational experience unlike any other in the centre of London. The City is rich in history and community but its residents face all the pressures of modern city life; for many children a visit to the Museum is the first time they have seen a worm, or dug their hands in the soil. We need your help to educate and inspire the next generation of gardeners. Redevelopment The Garden Museum reopened in 2017 after an eighteen month redevelopment which saw the building of two new education spaces: the Clore Learning Space and the Learning Studio. These new spaces allow us to work with more schools, families and neighbours than ever before. We need your to help to bring these spaces to life by supporting the activities within them. Members of our local community making sweet treats with fresh ingredients A nutrition and cooking session for families in our new Our Clore Learning Space will be equipped for botanical Learning Studio kitchen science lessons for primary, GCSE and A-level students The Garden Museum is the burial ground of 17th-century plant hunter and Britain’s first gardener, John Tradescant. -
Dance & Museums Working Together Symposium Report
Dance & Museums Working Together Symposium Symposium Report - Content, Analysis & Recommendations January 2015 Author: Emma McFarland, Consultant, eMc arts E: [email protected] arts eMc TRINITY LABAN CONSERVATOIRE OF MUSIC & DANCE Contents Section 1 : About the Symposium 4 Introduction 4 1. Overview 5 Section 2 : Symposium Content 7 2. Presentations & Case Studies 7 3. Feedback from Discussion Groups 14 4. Enquiry Groups 4.1 Topic 1 – Schools & the Curriculum 14 4.2 Topic 2 – Responding Creatively to Objects 16 4.3 Topic 3 – Audience Engagement and Response 20 4.4 Topic 4 – Dance as Object – Live Curation and Archiving 23 5. Panel Q & A 25 Section 3 : Rationale for Dance and Museums Working Together 28 6. Opportunities and Benefits of Museum – Dance Collaboration 6.1 New and innovative ways of interpreting objects / artefacts, collections 28 and exhibitions 6.2 Developing new audiences / visitors 28 6.3 Collaboration as a way of informing the development of dance performance 29 6.4 Providing rich, new artistic stimuli 29 6.5 Encouraging reflections on dance’s own history 30 6.6 Offers new approaches to museum learning and participatory work 30 6.7 Organisational benefits 30 Section 4 : Considerations around Museums – Dance Collaboration 31 7. Potential Issues and Challenges of Museums – Dance Collaboration 7.1 Need for deeply rooted partnerships 31 7.2 The need for trust....and risk 31 7.3 The role of the artist 32 7.4 Purpose, priorities and planning 33 7.5 Audiences and visitors 33 7.6 Practical considerations 34 7.7 Evaluation of ‘pop-up’ dance activity in museums 34 Section 5 : Where Next? 36 8. -
Photography and Britishness
international conference Photography and Britishness November 4–5, 2016 Yale Center for British Art, New Haven, CT This conference is co-organized by the Yale Center for British Art, New Haven; the Paul Mellon Centre for Studies in British Art, London; and The Huntington Library, Art Collections, and Botanical Gardens, San Marino friday, november 4, 2016 The leveling aesthetic of photography—its capacity to draw heterogeneous peoples into what Christopher Pinney has termed a “common epistemological space”—meant that it could serve as a visual register for the elusive conn- session 1 | 11 am–12:30 pm ective tissue of imperial subjecthood, effectively reifying a useful political abstraction. Yet, as much as British sovereign authority could be embodied Imperial Britishness by this visual logic, British identity could simultaneously be dissolved by the homogenizing grammar of the medium. This paper therefore examines how colonials grappled with photography’s technical and formal possibilities in chair Martina Droth, Yale Center for British Art ways that attempted to forge a viable imperial polity while preserving a sense martina droth is Deputy Director of Research and Curator of Sculpture of privileged Britishness. Looking in particular at the palliative, diplomatic role at the Yale Center for British Art, and co-editor of British Art Studies, an played by the photographic portraiture of Dr. John Nicholas Tresidder in the open-access online journal jointly published by Center and the Paul Mellon immediate aftermath of the Indian Rebellion (1857–58), this paper assesses Centre for Studies in British Art. Her work as an art historian and curator how the new visual technology inflected imperial Britishness in complex and focuses on sculpture and questions about interdisciplinary approaches to unpredictable ways. -
TPG Exhibition List
Exhibition History 1971 - present The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and a selection of other activities and events organised by the Print Sales, the Education Department and the Digital Programme (including the Media Wall) are listed. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited worKs and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exist they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of worKs by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development worKs – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive at the Photographers' Gallery. For more information, please contact the Archive at [email protected] -
Impact Campaigns, Summarised in Impact Reports Which Are Published on Our Website
@britdoc britdoc.org 2 The Art of Impact. STORIES CAN CONQUER FEAR, YOU KNOW. THEY CAN MAKE BEN OKRI POET THE HEART LARGER. 04 The Art of Impact. The Impact of Art. 05 OUR ABOUT FUNDS OUR BRITDOC p34 p06 FILMS p40 Helping good films be great Engaging new HELLO partners GOOD PITCH p82 IMPACT Sharing our FIELD GUIDE learning p124 We are a nonprofit, founded in 2005, committed to enabling great Building new documentary films and connecting audiences them to audiences. Doing and measuring Based in London and New York, we work with filmmakers and partners globally, reaching IMPACT DOC audiences all over the world. AWARD ACADEMY p118 p94 In this book you can find out SOMETHING more about what we do and IMPACT REAL how it fits into our five DISTRIBUTION p102 interconnected strategic areas. p106 06 The Art of Impact. The Impact of Art. 07 “For many years, BRITDOC has spotted and supported the most urgent projects – OUR MISSION OUR DRIVING PRINCIPLE nurturing them with love, ensuring they make a difference. But gradually We befriend great filmmakers, Great documentaries enrich BRITDOC became more support great films, broker the lives of individuals. They than a fund. It is, by now, new partnerships, build have a unique ability to the forum for our most important conversations new business models, share engage and connect people, in nonfiction cinema.” knowledge and develop transform communities and Joshua Oppenheimer Director audiences globally. improve societies. “ BRITDOC are experts in We aim to lead by example — That’s why we are dedicated collaboration, innovation and rapid prototyping.” innovate, share and be copied, to the Impact of Art, and the Cara Mertes and innovate again. -
Press Information February 2010
Press Information February 2010 Deutsche Börse Photography Prize 2010 Exhibition dates: 12 February – 18 April 2010 Winner announced: 17 March 2010 Location: The Photographers’ Gallery, 16 – 18 Ramillies St, London, W1 Contents: • Deutsche Börse Photography Prize 2010 o Introductory Text o Sophie Ristelhueber (wall text and list of works) o Anna Fox (wall text and list of works) o Zoe Leonard (wall text and list of works) o Donovan Wylie (wall text and list of works) • Talks & Events Programme • Print Sales: Indre Serpytyte • Visitor Information For further information or press images please contact the Press Office: Sam Trenerry Call: +44 (0)20 7087 9333 or Email: [email protected] visit: www.photonet.org.uk 1 Deutsche Börse Photography Prize 2010 Anna Fox, Zoe Leonard, Sophie Ristelhueber, Donovan Wylie The Deutsche Börse Photography Prize seeks to acknowledge today’s leading international photographers and artists and to raise the profile of photography within the visual arts by acting as a focus for debate and discussion. The aim of the Prize is also to increase audiences for exhibitions of contemporary photography and to explore photography’s wider role in society. The Photography Prize History Founded in 1996, and now in its fourteenth year, the Prize has become one of the most prestigious international arts awards and has launched and established the careers of many photographers over the years. Previously known as the Citigroup Photography Prize, the Gallery is delighted to have been collaborating with Deutsche Börse Group as sponsors of the Photography Prize since 2005. Deutsche Börse has developed a major corporate collection of contemporary photography – a collection that includes the work of many photographers who have been shortlisted for the Prize in the past. -
New York New Belfast Conference 2019 P
CHARITY PARTNER 8 1 e g a New York New Belfast Conference 2019 P / 9 1 0 2 , 8 1 - 2 1 E N U All the very best from Belfast J / o A chairde The Belfast Agenda – our targeted community h c plan - has ambitions to see a Belfast reimagined, E h s At my recent installation as Lord Mayor of Belfast, I well-connected, culturally vibrant, and a magnet for i r I spoke of my determination to build on the economic talent. And whilst building our city for its citizens, / prosperity essential to supporting peace and driving those ambitions provide a wealth of opportunities for m o c forward progress. our partners in North America and, as we have . o h That prosperity has been bolstered by the very already seen, in the beating heart of New York. c e h transatlantic partnerships that bring you together One of the many friends of Belfast, Tom diNapoli – s i r i here at the tenth New York New Belfast conference. and this year a New York New Belfast Be The Bridge . w w Forged by our community champions, in honouree – has as State Comptroller for New York w business, arts and culture, the relationships between State, explored those avenues of opportunity. With our great cities thrive and flourish in this investments in the city currently totalling (30 million environment. This is where the talking begins, where dollars) his commitment highlights the city’s the discussion and debates grow, on how our aspiration and ambition as well as its steady growth camaraderie and connections translate into mutually and success.