Iwm Research Report 2011
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Culture and Combat in the Colonies: the Indian Army in the Second World War
Journal of Contemporary History Copyright © 2006 SAGE Publications, London, Thousand Oaks, CA and New Delhi, Vol 41(2), 325–355. ISSN 0022–0094. DOI: 10.1177/0022009406062071 Tarak Barkawi Culture and Combat in the Colonies: The Indian Army in the Second World War Military history is a Eurocentric discipline, as Jeremy Black observes.1 So too is military sociology. They are Eurocentric in the straightforward sense that their subject matter overwhelmingly concerns the militaries and wars of European, and latterly Western, states. One response is to enquire into non-Western mili- tary experience as well as the expansion of Western military systems into the non-European world and the hybrid forms that resulted, as for example in the excellent social histories of colonial armies now available.2 But military history and military sociology are Eurocentric in a more significant sense. Categories and assumptions are derived from European histories. Debate over the sources and nature of combat motivation and battlefield conduct, for example, takes place almost entirely on Western terrain, and in no small measure concerns the armed forces of a single power in the second world war — Germany. Non- Western military histories can play an important role in enquiry into why and how soldiers fight. They can critically interrogate the terms of the debate through comparison and contrast, providing new perspective on what is, after all, parochial European experience.3 Some of the insights offered by this ‘post- colonial turn’ are found at the intersection of the British Indian army and questions of combat motivation and the sources of battlefield conduct. -
Expanding the Cultural Imagination Through Photography ICS [3] 1
Impact case study (REF3b) Institution: University of Brighton Unit of Assessment: D34 Art and Design: History, Practice and Theory Title of case study: Expanding the Cultural Imagination through Photography ICS [3] 1. Summary of the impact Our research has harnessed the power of photography to expand the cultural imagination, creating new works and interpretive practices that enrich, illuminate and challenge perceptions of society and the world in which we live. Through exhibition, publication, and public and community engagement, our research has: 1) created cultural legacies for major public (Millennium Dome, Treasury) and commercial (Airbus) projects; 2) provided enhanced cultural experiences to multiple audiences and specific communities in the UK and Europe, provoking reflection on ideas of place and identity, and contributing to processes of cultural memory and reconciliation (Association of Jewish Refugees, Healing Through Remembering) and; 3) expanded photography within the cultural economy, working in partnership (Photoworks, Multistory) to build and sustain audiences for photography within and beyond the region. 2. Underpinning research University of Brighton (UoB) research in photography comprises three interlocking strands: the positioning of photography as a medium of critical artistic significance within the wider cultural economy and public sphere; the development of forms of visual storytelling that shape contemporary narratives of place, and; photography as a mode of enquiry into cultural history and memory. In 2003, in partnership with Photoworks and the University of Sussex, UoB was instrumental in founding the Brighton Photo Biennial to raise the public and professional profile of photography. In parallel, Photoforum (2003), launched by GREEN and LOWRY, provided the intellectual underpinning for developments in practice that fostered a critical debate around the medium’s changing uses and increasing cultural prominence. -
Artist Katie Schwab Joins New Collective to Co-Produce Horniman’S 2019 Studio Exhibition
For immediate release Issued 28 February 2019 Artist Katie Schwab joins new Collective to co-produce Horniman’s 2019 Studio exhibition London-based visual artist Katie Schwab has joined a new Collective of 10 local community members to co-produce the 2019 exhibition in the Horniman Museum and Garden’s new arts space, The Studio. The Collective will explore ideas around ‘memory’ and draw inspiration from the Horniman’s anthropology collections for the next Studio exhibition which will open in October 2019. The exhibition, bringing together new artwork and collections, will be accompanied by a programme of events and activities also co-produced by the Collective. The Collective members collaborating on the exhibition are: Ahmadzia, a volunteer at Southwark Day Centre for Asylum Seekers (SDCAS) and a kite maker, who came to the UK in 2006 from Kunduz, Afghanistan, and is a refugee Carola Cappellari, a photojournalism and documentary photography student who volunteered her skills to produce promotional material for the Indoamerican Refugee and Migrant Organisation, a community-led organisation supporting Latin Americans to build secure and integrated lives in the UK Francis Stanfield, a multi-tasker when it comes to music who describes himself as ‘the original stuporman’. He is influenced by surrealism, films and art, likes ‘anything out of the weird’ and joined the Collective through his involvement with St. Christopher’s Hospice Godfrey Gardin, from Kenya but living in London, who volunteers with SDCAS ‘because it enriches the community where I live’ and who also has an interest in gardening Jacqueline Benn, who has a career background in TV programming planning and immersive theatre, and whose interests lie also in the arts, and producing short films. -
NMDC Response to the Culture, Media and Sport Select Committee Inquiry Into Tourism
NMDC response to CMS Select Committee Inquiry into Tourism This response is submitted on behalf of the National Museum Directors’ Council (NMDC). The NMDC represents the leaders of the UK's national collections and major regional museums. Our members are the national and major regional museums in England, Northern Ireland, Scotland and Wales, the British Library, the National Library of Scotland, and the National Archives. While our members are funded by government, the NMDC is an independent, non- governmental organisation. For more information on our activity and a full list of members see our website: www.nationalmuseums.org.uk Summary Museums are a critical part of the UK tourism offer, and visiting museums has never been so popular. Museums continue to develop their offer and operation to attract both domestic and overseas tourists. Museums and heritage continue to be primary reasons to visit Britain. Museums play a very significant role in the development of the regional tourist industry. They are frequently the most visited attraction in a town, city or region. They are also active in workforce development in this aspect of the tourism sector, including via apprenticeships and the sharing of good practice through local networks. Museum partnerships are an excellent and successful way of encouraging regional tourism, as well as building on the success of London. These partnerships have also helped with the regeneration of coastal towns built around culture or heritage. However, despite being so integral to the tourist industry, and the fact that supporting tourism is an economic priority for the Government, local authority and central Government investment for museums has substantially reduced since 2010. -
London Explorer Pass List of Attractions
London Explorer Pass List of Attractions Tower of London Uber Boat by Thames Clippers 1-day River Roamer Tower Bridge St Paul’s Cathedral 1-Day hop-on, hop-off bus tour The View from the Shard London Zoo Kew Gardens Shakespeare’s Globe Theatre Tour Westminster Abbey Kensington Palace Windsor Palace Royal Observatory Greenwich Cutty Sark Old Royal Naval College The Queen’s Gallery Chelsea FC Stadium Tour Hampton Court Palace Household Cavalry Museum London Transport Museum Jewel Tower Wellington Arch Jason’s Original Canal Boat Trip ArcelorMittal Orbit Beefeater Gin Distillery Tour Namco Funscape London Bicycle Hire Charles Dickens Museum Brit Movie Tours Royal Museums Greenwich Apsley House Benjamin Franklin House Queen’s Skate Dine Bowl Curzon Bloomsbury Curzon Mayfair Cinema Curzon Cinema Soho Museum of London Southwark Cathedral Handel and Hendrix London Freud Museum London The Postal Museum Chelsea Physic Garden Museum of Brands, Packaging and Advertising Pollock’s Toy Museum Twickenham Stadium Tour and World Rugby Museum Twickenham Stadium World Rugby Museum Cartoon Museum The Foundling Museum Royal Air Force Museum London London Canal Museum London Stadium Tour Guildhall Art Gallery Keats House Estorick Collection of Modern Italian Art Museum of London Docklands National Army Museum London Top Sights Tour (30+) Palaces and Parliament – Top Sights Tour The Garden Museum London Museum of Water and Steam Emirates Stadium Tour- Arsenal FC Florence Nightingale Museum Fan Museum The Kia Oval Tour Science Museum IMAX London Bicycle Tour London Bridge Experience Royal Albert Hall Tour The Monument to the Great Fire of London Golden Hinde Wembley Stadium Tour The Guards Museum BAPS Shri Swaminarayan Mandir Wernher Collection at Ranger’s House Eltham Palace British Museum VOX Audio Guide . -
By Mike Klozar Have You Dreamed of Visiting London, but Felt It Would
By Mike Klozar Have you dreamed of visiting London, but felt it would take a week or longer to sample its historic sites? Think again. You can experience some of London's best in just a couple of days. Day One. • Thames River Walk. Take a famous London Black Cab to the Tower of London. The ride is an experience, not just a taxi. (15-30 min.) • Explore the Tower of London. Keep your tour short, but be sure to check out the Crown Jewels. (1-2 hrs.) • Walk across the Tower Bridge. It's the fancy blue one. (15 min.) From here you get the best view of the Tower of London for photos. • Cross over to Butler's Wharf and enjoy lunch at one of the riverfront restaurants near where Bridget lived in Bridget Jones's Diary. (1.5 hrs.) • Keeping the Thames on your right, you'll come to the warship HMS Belfast. Tours daily 10 a.m.-4 p.m. (30 min.-1 hr.) • Walk up London Bridge Street to find The Borough Market. Used in countless films, it is said to be the city's oldest fruit and vegetable market, dating from the mid-1200s. (1 hr.) • Back on the river, you'll discover a tiny ship tucked into the docks: a replica of Sir Francis Drake's Golden Hind, which braved pirates in the days of yore. (15 min.) • Notable London pubs are situated along the route and are good for a pint, a cup of tea and a deserved break. Kids are welcome. -
Museum Partnership Report Understanding the National Museums’ Partnership Activities in 2017/18
Museum Partnership Report Understanding the national museums’ partnership activities in 2017/18 August 2019 We can also provide documents to meet the Specifc requirements for people with disabilities. Please email [email protected] Department for Digital, Culture, Media & Sport Printed in the UK on recycled paper ©Crown copyright 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit http://www.nationalarchives.gov.uk/doc/ open-government-licence/ or e-mail: [email protected] Where we have identifed any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at [email protected] Museum Partnership Report : Understanding the national museums’ partnership activities in 2017/18 3 Contents EXECUTIVE SUMMARY 4 INTRODUCTION 5 Background to the Report 5 The national museums 6 The Survey 9 SHARING COLLECTIONS 10 Sharing collections in the UK 10 Sharing collections internationally 17 Sharing collections for research 19 Supporting new collections and acquisitions 20 Borrowing Collections 20 SHARING KNOWLEDGE 24 Partnering to build capacity and deliver professional development in the museums sector 24 Academic partnerships and collaborations 29 Acting as experts for Government 34 SUPPORTING AUDIENCE ENGAGEMENT AND SOCIAL OUTCOMES 36 Partnering to improve museum and cultural participation 37 Partnering to deliver education and learning 38 Partnering to support our health and wellbeing 41 Partnering to develop skills and careers 42 CONCLUSIONS AND LOOKING FORWARD 45 APPENDIX 1: LIST OF IMAGES 46 APPENDIX 2: THE SURVEY 48 APPENDIX 3: USEFUL LINKS 50 4 1. -
2014-2015 Impact Report
IMPACT REPORT 2014-2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION ABOUT THE IWMF Our mission is to unleash the potential of women journalists as champions of press freedom to transform the global news media. Our vision is for women journalists worldwide to be fully supported, protected, recognized and rewarded for their vital contributions at all levels of the news media. As a result, consumers will increase their demand for news with a diversity of voices, stories and perspectives as a cornerstone of democracy and free expression. Photo: IWMF Fellow Sonia Paul Reporting in Uganda 2 IWMF IMPACT REPORT 2014/2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION IWMF BOARD OF DIRECTORS Linda Mason, Co-Chair CBS News (retired) Dear Friends, Alexandra Trower, Co-Chair We are honored to lead the IWMF Board of Directors during this amazing period of growth and renewal for our The Estée Lauder Companies, Inc. Cindi Leive, Co-Vice Chair organization. This expansion is occurring at a time when journalists, under fire and threats in many parts of the Glamour world, need us most. We’re helping in myriad ways, including providing security training for reporting in conflict Bryan Monroe, Co-Vice Chair zones, conducting multifaceted initiatives in Africa and Latin America, and funding individual reporting projects Temple University that are being communicated through the full spectrum of media. Eric Harris, Treasurer Cheddar We couldn’t be more proud of how the IWMF has prioritized smart and strategic growth to maximize our award George A. Lehner, Legal Counsel and fellowship opportunities for women journalists. Through training, support, and opportunities like the Courage Pepper Hamilton LLP in Journalism Awards, the IWMF celebrates the perseverance and commitment of female journalists worldwide. -
Contextualizing Military Necessity
Emory International Law Review Volume 27 Issue 1 2013 Contextualizing Military Necessity Nobuo Hayashi Follow this and additional works at: https://scholarlycommons.law.emory.edu/eilr Recommended Citation Nobuo Hayashi, Contextualizing Military Necessity, 27 Emory Int'l L. Rev. 189 (2013). Available at: https://scholarlycommons.law.emory.edu/eilr/vol27/iss1/6 This Article is brought to you for free and open access by the Journals at Emory Law Scholarly Commons. It has been accepted for inclusion in Emory International Law Review by an authorized editor of Emory Law Scholarly Commons. For more information, please contact [email protected]. HAYASHI GALLEYSPROOFS2 7/16/2013 10:26 AM CONTEXTUALIZING MILITARY NECESSITY ∗ Nobuo Hayashi ABSTRACT Modern theories correctly reject the Kriegsräson doctrine, according to which the laws of war do not override the necessities of war and it is rather the latter that override the former. One such theory holds that unqualified rules of international humanitarian law (“IHL”) exclude military necessity being invoked de novo as a ground for deviation therefrom, yet not as a ground for additional restraint thereon. This theory—let us call it “counter- Kriegsräson”—is unacceptable for two reasons. First, in none of the three pertinent contexts does military necessity restrict or prohibit militarily unnecessary conduct per se. Seen in a strictly material context of war-fighting, military necessity merely embodies a truism that it is in one’s strategic self- interest to pursue what is materially conducive to success and that it is similarly in one’s strategic self-interest to avoid what is not so conducive. -
Fora 'Balanced
FORA 'BALANCED .......University of Edinburgh,-Oid College South Bridge, Edinburgh EHS 9YL VIEW ·· Tel: 031-6671011 ext 4308 18 November-16 December GET ALBERT IRVIN Paintings 1959-1989 Tues-Sat 10 am-5 pm Admission Free Subsidised by the Scottish Arts Council DAILY Glasgow Herald Student Newp~aper of the Year y 16thnovem 25p r_ MURIELGRA the Rector THESHAMEN speaks synergyand pages 10-11 ecstasy page12 - u ars by Neil Rafferty scotland as an active member-' _As a member of the Scottish and state in the EEC: "We could· Nationalists renowned for attack JeffSinton shape the agenda of the commun ing all of Scotland's Tories, espe ity by holding regular summits in cially Malcolm Rifkind, the Edinburgh," he said. former Labour MP had to attack iiM SILLARS, Scottish the Scottish Secretary. Nationalist MP for Glasgow "Not only would Scottish rep-· "He is a governor-general," Govan, declared on Friday resentation in Brussels double," who "does not represent the Scot that the West must "extend he argued, "but we would have tish people," and if independence Commissioners in our own right.':.._ the hand of friendship and • were ever achieved Thatcherism dialogue" to Eastern Europe "would be marginalised forever -"with no strings attached." The economic and industrial and the ideas of the Adam Smith benefits of membership, how Institute relegated to the Dandy Speaking at the William ever, were subject to vague politi and the Beano." Robertson Building, Sillars said cal rules. Citing the cases of' Ravenscraig and Gartcosh steel Mr Sillars, invited to speak at that the past fortnight of events in the University by EU Scottish East Germany would not lead to works, the member for Govan claimed that the EEC would not Nationalists, managed to stay for the threat of a re-unified Ger some questions by_ the audience. -
RSE Review of Session 2005-2006
The Royal Society of Edinburgh Review 2007 (Session 2005-2006) The Royal Society of Edinburgh Review 2007 The Royal Society of Printed in Great Britain by Henry Ling Limited, Dorchester, DT1 1HD Edinburgh ISSN 1476-4342 THE ROYAL SOCIETY OF EDINBURGH REVIEW OF THE SESSION 2005-2006 The Royal Society of Edinburgh 22-26 George Street Edinburgh, EH2 2PQ Telephone : 0131 240 5000 Fax : 0131 240 5024 email : [email protected] Scottish Charity No SC000470 Cover illustration by Aird McKinstrie. Design by Jennifer Cameron THE ROYAL SOCIETY OF EDINBURGH REVIEW OF THE SESSION 2005-2006 PUBLISHED BY THE RSE SCOTLAND FOUNDATION ISSN 1476-4342 CONTENTS Proceedings of the Ordinary Meetings .................................... 3 Proceedings of the Statutory General Meeting ....................... 5 Trustees’ Report to 31 March 2006 ...................................... 27 Auditors’ Report and Accounts ............................................. 47 Schedule of Investments ....................................................... 73 Activities Prize Lectures ..................................................................... 77 Lectures............................................................................ 177 Conferences, Workshops, Symposia, Seminars and Discussion Forums ............................................................ 217 Publications ...................................................................... 247 The Scottish Science Advisory Committee ........................ 249 Evidence, Advice and Comment ...................................... -
Imperial War Museumannual Report and Account2005/06
MUSEUMS AND GALLERIES ACT 1992 Presented pursuant to Museums and Galleries Act 1992, c. 44 para 9(8) IMPERIAL WAR MUSEUM ANNUAL REPORT AND ACCOUNT 2005/06 ORDERED BY THE HOUSE OF COMMONS TO BE PRINTED 24 JULY 2006 LONDON: THE STATIONERY OFFICE HC (1513) IMPERIAL WAR MUSEUM ANNUAL REPORT AND ACCOUNT 2005 - 2006 IMPERIAL WAR MUSEUM ANNUAL REPORT AND ACCOUNT 2005/06 MUSEUMS AND GALLERIES ACT 1992 Presented pursuant to Museums and Galleries Act 1992, c. 44 para 9(8) Ordered by the House of Commons to be printed on 24 July 2006 LONDON: The Stationery Office HC 1513 £16.25 Contents Annual Report 1. Objectives and Activities 1 2. Achievements and Performance 7 3. Plans for Future Periods 21 4. Financial Review 25 5. Structure, Governance and Management 27 6. Reference and Administrative Details of the Charity, 31 the Trustees and Advisors Statement of Internal Control 37 Remuneration Report 40 The Certificate and Report of the Comptroller and 41 Auditor General to the Houses of Parliament Consolidated Summary Income and Expenditure Account 43 Consolidated Statement of Financial Activities 44 Consolidated Balance Sheet 45 Cash Flow Statement 46 Notes to the Financial Statements 47 1. Objectives and Activities 1 IMPERIAL WAR MUSEUM ANNUAL REPORT AND ACCOUNT 2005 - 2006 1.1 Our vision, our goal, our mission Our vision is to be the world’s premier museum of modern conflict. Our goal is to enrich people’s understanding of the causes, course and consequences of modern war. Our mission is to enable people to have an informed understanding of modern war and its impact on individuals and society by: Creating stimulating learning opportunities and inspiring visitor experiences that are relevant to twenty-first century audiences and draw on unique collections and historical expertise.