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Kirkendale: Curriculum Vitae (2011)

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Kirkendale: Curriculum Vitae (2011) WARREN KIRKENDALE: CURRICULUM VITAE (2011) I. Formal Education Personal data . Principal residence since 1992: Via dei Riari 86, I-00165 Rome, Italy; tel. 06-686- 1697. Born 14 Aug. 1932, in Toronto, Canada. Married the music historian Ursula Schöttler 1959. Three daughters, born 1960, 1964, 1968. Hobbies: History of literature and art; alpinism (climbed most of the “Viertausender” in the Alps; International Caucasus Expedition 1979 [Mt. Elbrus] etc.). High School . Completed Leaside High School, Toronto, 1951, with grade “1” in all ten examina- tions. Undergraduate Study . Honour B.A. in music, University of Toronto, 1955, grade “1” all four years. Subjects: music, German, English, Italian, art history, and classical archaeology. Musical Performance . Piano; violoncello 1946-56 (intermediate diploma, Toronto Conservatory of Music, 1951). Participated in master classes of André Levy (Toronto) and Pablo Casals (Zermatt). Orchestral, chamber, and solo recitals. (Performance activities terminated 1956). Languages . Fluent (read, write, lecture, and publish) in English, German, and Italian; read Latin and French, some ancient Greek, Dutch, Spanish. Extensive experience with Italian paleography of the 16-17th centuries. Graduate Study . Universities of Berlin, Bonn, and Vienna, Oct. 1955 to Dec. 1961. Subjects: historical musicology, German and English literature, art history, history. Dr. phil. University of Vienna, 1961, with grade “ausgezeichnet”; examined by Schenk, Lhotsky, and Rupprich. II. Academic Honours and Awards (selection) 1951-55 Ruben Wells Leonard Scholarship, University of Toronto. 1955/6, 1957/8 Fellow of German Academic Exchange Service for graduate study in Germany. 1960-62 Fellow of Canada Council for study in Vienna and Florence. 1966 Elected “wirkendes Mitglied” of the Gesellschaft zur Herausgabe von Denk- mälern der Tonkunst in Österreich “for the outstanding contribution to Austrian music history”. ~ 1 ~ 1970 Designated fellow of the American Council of Learned Societies (stipend relinquished). 1970/1 Fellow of the National Endowment for the Humanities for research in Rome. 1974/5 Fellow of the American Council of Learned Societies for research in Rome. 1975, 1982/3 Visiting Professor, Harvard University Center for Italian Renaissance Studies, Florence. 1980 Grant from Delmas Foundation for research in Venice. 1983 Fellow of National Endowment for the Humanities for research in Florence. 1986 Dr. h. c., gold medal, and honorary professor, University of Pavia. 1987 Accademico filarmonico h. c., Bologna. 1988/9 Fellow of the Volkswagen Foundation for research in Rome. 1963-2007 Various publication subsidies for books; various research grants. 1994 Medal of the Collège de France. III. Professional Activities Employment 1962 Editorial assistant of Knud Jeppesen, Florence. 1963 Reference librarian, Music Division, Library of Congress, Washington. 1963-67 Assistant Professor, University of Southern California, Los Angeles. 1967-74 Associate Professor, Duke University, Durham, North Carolina. 1975-83 Professor, Duke University. 1983 Offered chair of musicology, University of Pavia. 1983-92 Professor ordinarius (chair of musicology), University of Regensburg. 1988 Visiting Professor, University of Pavia. 1992– Unofficial volunteer collaborator, Biblioteca Vaticana. 1994 Visiting Professor and consultant, Moscow State University. 1996 Visiting Professor, Hungarian Academy of Sciences, Budapest. Congress Papers Gesellschaft für Musikforschung 1962, 1970, 1974, 2010 American Musicological Society 1962, 1965, 1967, 1968, 1970, 1972, 1973, 1978, 1981. Österreichische Akademie der Wissenschaften 1970. Rockefeller Foundation, Bellagio 1974. Duke University Humanism Conference (organized by W.K.), 1978. Council of Europe, Florence 1980 (for Ursula Kirkendale Como 1996). Fifteenth-Century Conference, Regensburg 1982. International Musicological Society, Strasbourg 1982. International Society for the History of Rhetoric, Florence 1983. Accademia Filarmonica, Bologna, 1988. Holland Festival Oude Muziek, Utrecht 1991. Archivio di Stato, Rome 1992. Internazionale Stiftung Mozarteum and Associazione Mozart Italia, Rovereto 2000. Società Italiana di Musicologia 2002, 2010 (for Ursula Kirkendale 2003, 2004). ~ 2 ~ Public lectures (at many institutions more than once) Ansbach, Bach-Woche (with U. Kirkendale) Marburg, University Bari, Conservatory Milan, University Bari, University Moscow, Culture University Basel, University (with U. Kirkendale) Moscow, Gnessin Institute Berkeley, University of California Moscow, State University Berlin, Bach-Tage (with U. Kirkendale) New York, City University Berlin, Freie Universität New York, State University Berlin, Technische Universität Ohio State University Bologna, Accademia Filarmonica Oxford University Bologna, University Padua, University Bonn, University Paris, Collège de France Bryn Mawr College (with U. Kirkendale) Pavia, University Budapest, Academy of Music Pisa, Scuola Normale Superiore Budapest, Hungarian Academy of Sciences Pisa, University Cambridge University Regensburg, University Cerveteri, Palazzo Ruspoli Reggio Emilia, Istituto Banfi Chicago, University Rome, Bibliotheca Hertziana Cologne, University Rome, Istituto Austriaco di Cultura Cremona, Scuola di Paleografia Musicale Rome, Istituto Storico Germanico Cremona, Cosa Rara Rome, Pontificio Istituto di Musica Sacra Duke University Rome, Soprintendenza Beni Storici Artistici Frankfurt, Hochschule für Musik Rome, University “La Sapienza” Frankfurt, University Stanford University Freiburg, University Strasbourg, University Göttingen, University Toronto, University Hamburg, University Toru ń, University Harvard University (Villa I Tatti, Florence) Tübingen, University Heidelberg, University Turin, University Karlsruhe, University Utrecht, Rijksuniversiteit Kiel, University (with U. Kirkendale) Vienna, Austrian Academy of Sciences Kraków, University Vienna, Hochschule für Musik Ljubljana, Slovenian Academy of Sciences Vienna, Österr. Gesellschaft für Musik Ljubljana, University Vienna, University London University, King’s College Warsaw, University London University, Warburg Institute Yale University Los Angeles, University of Southern California Zürich, E.T.H. Mainz, University Zürich, University IV. Biographical Listings Anglo-American Who’s Who (Cambridge, 1981). Dictionary of International Biography (Cambridge, 1979 and later editions). Dizionario enciclopedico universale della musica e dei musicisti: Le biografie , IV (Turin, 1986). Frank-Altmann Tonkünstler-Lexikon (Wilhelmshaven, 1974) International Who’s Who in Classical Music (Cambridge, 1975 7 and later editions, London). Kürschners Deutscher Gelehrten-Kalender (Munich 1992 etc.). ~ 3 ~ Men and Women of Distinction (Cambridge, 1980). Die Musik in Geschichte und Gegenwart (Kassel, 1976, 2003 2). New Grove Dictionary of Music and Musicians (London, 1980, 2001 2). Riemann-Musiklexikon , Supplement (Mainz, 1972) Wer ist Wer (1984 and later editions). Who’s Who in America (Chicago, 1982/83). Who’s Who in the World (New Providence, 2002 19 and later editions). Festschrift. Musicologia Humana: Studies in Honor of Warren and Ursula Kirkendale , Florence, Leo S. Olschki, 1994, 596 pp. ( Historiae Musicae Cultores: Biblioteca , LXXIV; for 60th birthdays, with biographical preface and bibliography of publications). Reviewed in Antiquae Musicae Italicae Studiosi: Bollettino , 10/XXV (Dec. 1994), 51-55, by Andrea Parisini; Mùsica y educación , 1995; Giornale dello Spettacolo , 51/XXVI (15 Sept. 1995), by Fiorenza Rossetto; Recercare , 6 (1994), 236f, by Silvia Bellegno; Musik in Bayern, 53 (1997) 159-164, by Bernhold Schmid; Renaissance Quarterly , 50 (1997), 49f, by Giulio Ongaro; Musicologica Austriaca, 17 (1998), 211-215, by Theophil Antonicek. V. Publications A complete collection of the reviews of our books, with English translations, will be filed in the Biblioteca Vaticana. A. Monographs Fuge und Fugato in der Kammermusik des Rokoko und der Klassik , Tutzing, Hans Schneider, 1966, 379 pp., 13 plates. Reviewed in: Music and Letters , 48 (1967), 271ff, by Roger Bullivant; Der Musikhandel , 18 (1967), 36, by Paul Mies; Music Library Association Notes , 24 (1967), 43ff, by Leonard Ratner; Neue Zeitschrift für Musik , 128 (1967), 386f, by Carl Dahlhaus; Journal of the American Musicological Society , 20 (1967), 501-504, by Reinhard Pauly; Musical Times , 109 (1968), 542f, by Stanley Sadie; Svensk Tidskrift for Musikforskning , 50 (1968), 149-152, by Hans Eppstein; Österreichische Musikzeitschrift , 23 (1968), 708f, by Theophil Antonicek; Die Musikforschung , 23 (1970), 351ff, by Ludwig Finscher; Haydn Yearbook , 7 (1970), 321ff, by H. C. Robbins Landon; Revue de musicologie , 56 (1970), 246, by Pierre Pidoux; Hudební Veda , 8 (1971), 74, by Tomislav Volek; Musikerziehung , 24 (1971/71), 143, by Walter Pass; Opus Musicum , 1973, pp. 187f, by Jirí Sehnal. L’Aria di Fiorenza, id est Il Ballo del Gran Duca , Florence, Leo S. Olschki, 1972, 161 pp. in quarto, 12 plates. Reviewed in: Rivista italiana di musicologia , 7 (1972), 145-148, by Federico Ghisi; Music and Letter s, 54 (1973), 98f, by Jerome Roche; Österreichische Musikzeitschrift , 28 (1973), 46f, by Theophil Antonicek; Musical Times , 114 (1973), 147f, by Nigel Fortune; Music Library Association Notes , 29 (1973), 467f, by Barbara Ansbacher; Journal of the American Musicological Society , 26 (1973), 344-350, by Richard Hudson; Die Musikforschung , 26 (1973), 272f, by Rudolf Flotzinger; Musical Quarterly , 59 (1973),
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