WARREN KIRKENDALE: CURRICULUM VITAE (2011)

I. Formal Education

Personal data . Principal residence since 1992: Via dei Riari 86, I-00165 , ; tel. 06-686- 1697. Born 14 Aug. 1932, in Toronto, Canada. Married the music historian Ursula Schöttler 1959. Three daughters, born 1960, 1964, 1968. Hobbies: History of literature and art; alpinism (climbed most of the “Viertausender” in the Alps; International Caucasus Expedition 1979 [Mt. Elbrus] etc.). High School . Completed Leaside High School, Toronto, 1951, with grade “1” in all ten examina- tions. Undergraduate Study . Honour B.A. in music, University of Toronto, 1955, grade “1” all four years. Subjects: music, German, English, Italian, art history, and classical archaeology. Musical Performance . Piano; violoncello 1946-56 (intermediate diploma, Toronto Conservatory of Music, 1951). Participated in master classes of André Levy (Toronto) and Pablo Casals (Zermatt). Orchestral, chamber, and solo recitals. (Performance activities terminated 1956). Languages . Fluent (read, write, lecture, and publish) in English, German, and Italian; read Latin and French, some ancient Greek, Dutch, Spanish. Extensive experience with Italian paleography of the 16-17th centuries. Graduate Study . Universities of Berlin, Bonn, and Vienna, Oct. 1955 to Dec. 1961. Subjects: historical musicology, German and English literature, art history, history. Dr. phil. University of Vienna, 1961, with grade “ausgezeichnet”; examined by Schenk, Lhotsky, and Rupprich.

II. Academic Honours and Awards (selection)

1951-55 Ruben Wells Leonard Scholarship, University of Toronto. 1955/6, 1957/8 Fellow of German Academic Exchange Service for graduate study in Germany. 1960-62 Fellow of Canada Council for study in Vienna and . 1966 Elected “wirkendes Mitglied” of the Gesellschaft zur Herausgabe von Denk- mälern der Tonkunst in Österreich “for the outstanding contribution to Austrian music history”.

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1970 Designated fellow of the American Council of Learned Societies (stipend relinquished). 1970/1 Fellow of the National Endowment for the Humanities for research in Rome. 1974/5 Fellow of the American Council of Learned Societies for research in Rome. 1975, 1982/3 Visiting Professor, Harvard University Center for Italian Renaissance Studies, Florence. 1980 Grant from Delmas Foundation for research in Venice. 1983 Fellow of National Endowment for the Humanities for research in Florence. 1986 Dr. h. c., gold medal, and honorary professor, University of Pavia. 1987 Accademico filarmonico h. c., Bologna. 1988/9 Fellow of the Volkswagen Foundation for research in Rome. 1963-2007 Various publication subsidies for books; various research grants. 1994 Medal of the Collège de France.

III. Professional Activities Employment 1962 Editorial assistant of Knud Jeppesen, Florence. 1963 Reference librarian, Music Division, Library of Congress, Washington. 1963-67 Assistant Professor, University of Southern California, Los Angeles. 1967-74 Associate Professor, Duke University, Durham, North Carolina. 1975-83 Professor, Duke University. 1983 Offered chair of musicology, University of Pavia. 1983-92 Professor ordinarius (chair of musicology), University of Regensburg. 1988 Visiting Professor, University of Pavia. 1992– Unofficial volunteer collaborator, Biblioteca Vaticana. 1994 Visiting Professor and consultant, Moscow State University. 1996 Visiting Professor, Hungarian Academy of Sciences, Budapest.

Congress Papers Gesellschaft für Musikforschung 1962, 1970, 1974, 2010 American Musicological Society 1962, 1965, 1967, 1968, 1970, 1972, 1973, 1978, 1981. Österreichische Akademie der Wissenschaften 1970. Rockefeller Foundation, Bellagio 1974. Duke University Humanism Conference (organized by W.K.), 1978. Council of Europe, Florence 1980 (for Ursula Kirkendale Como 1996). Fifteenth-Century Conference, Regensburg 1982. International Musicological Society, Strasbourg 1982. International Society for the History of Rhetoric, Florence 1983. Accademia Filarmonica, Bologna, 1988. Holland Festival Oude Muziek, Utrecht 1991. Archivio di Stato, Rome 1992. Internazionale Stiftung Mozarteum and Associazione Mozart Italia, Rovereto 2000. Società Italiana di Musicologia 2002, 2010 (for Ursula Kirkendale 2003, 2004).

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Public lectures (at many institutions more than once) Ansbach, Bach-Woche (with U. Kirkendale) Marburg, University Bari, Conservatory Milan, University Bari, University Moscow, Culture University Basel, University (with U. Kirkendale) Moscow, Gnessin Institute Berkeley, University of California Moscow, State University Berlin, Bach-Tage (with U. Kirkendale) New York, City University Berlin, Freie Universität New York, State University Berlin, Technische Universität Ohio State University Bologna, Accademia Filarmonica Oxford University Bologna, University Padua, University Bonn, University Paris, Collège de France Bryn Mawr College (with U. Kirkendale) Pavia, University Budapest, Academy of Music Pisa, Scuola Normale Superiore Budapest, Hungarian Academy of Sciences Pisa, University Cambridge University Regensburg, University Cerveteri, Palazzo Ruspoli , Istituto Banfi Chicago, University Rome, Bibliotheca Hertziana Cologne, University Rome, Istituto Austriaco di Cultura Cremona, Scuola di Paleografia Musicale Rome, Istituto Storico Germanico Cremona, Cosa Rara Rome, Pontificio Istituto di Musica Sacra Duke University Rome, Soprintendenza Beni Storici Artistici Frankfurt, Hochschule für Musik Rome, University “La Sapienza” Frankfurt, University Stanford University Freiburg, University Strasbourg, University Göttingen, University Toronto, University Hamburg, University Toru ń, University Harvard University (Villa I Tatti, Florence) Tübingen, University Heidelberg, University Turin, University Karlsruhe, University Utrecht, Rijksuniversiteit Kiel, University (with U. Kirkendale) Vienna, Austrian Academy of Sciences Kraków, University Vienna, Hochschule für Musik Ljubljana, Slovenian Academy of Sciences Vienna, Österr. Gesellschaft für Musik Ljubljana, University Vienna, University London University, King’s College Warsaw, University London University, Warburg Institute Yale University Los Angeles, University of Southern California Zürich, E.T.H. Mainz, University Zürich, University

IV. Biographical Listings

Anglo-American Who’s Who (Cambridge, 1981). Dictionary of International Biography (Cambridge, 1979 and later editions). Dizionario enciclopedico universale della musica e dei musicisti: Le biografie , IV (Turin, 1986). Frank-Altmann Tonkünstler-Lexikon (Wilhelmshaven, 1974) International Who’s Who in Classical Music (Cambridge, 1975 7 and later editions, London). Kürschners Deutscher Gelehrten-Kalender (Munich 1992 etc.).

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Men and Women of Distinction (Cambridge, 1980). Die Musik in Geschichte und Gegenwart (Kassel, 1976, 2003 2). New Grove Dictionary of Music and Musicians (London, 1980, 2001 2). Riemann-Musiklexikon , Supplement (Mainz, 1972) Wer ist Wer (1984 and later editions). Who’s Who in America (Chicago, 1982/83). Who’s Who in the World (New Providence, 2002 19 and later editions).

Festschrift. Musicologia Humana: Studies in Honor of Warren and Ursula Kirkendale , Florence, Leo S. Olschki, 1994, 596 pp. ( Historiae Musicae Cultores: Biblioteca , LXXIV; for 60th birthdays, with biographical preface and bibliography of publications). Reviewed in Antiquae Musicae Italicae Studiosi: Bollettino , 10/XXV (Dec. 1994), 51-55, by Andrea Parisini; Mùsica y educación , 1995; Giornale dello Spettacolo , 51/XXVI (15 Sept. 1995), by Fiorenza Rossetto; Recercare , 6 (1994), 236f, by Silvia Bellegno; Musik in Bayern, 53 (1997) 159-164, by Bernhold Schmid; Renaissance Quarterly , 50 (1997), 49f, by Giulio Ongaro; Musicologica Austriaca, 17 (1998), 211-215, by Theophil Antonicek.

V. Publications A complete collection of the reviews of our books, with English translations, will be filed in the Biblioteca Vaticana. A. Monographs Fuge und Fugato in der Kammermusik des Rokoko und der Klassik , Tutzing, Hans Schneider, 1966, 379 pp., 13 plates. Reviewed in: Music and Letters , 48 (1967), 271ff, by Roger Bullivant; Der Musikhandel , 18 (1967), 36, by Paul Mies; Music Library Association Notes , 24 (1967), 43ff, by Leonard Ratner; Neue Zeitschrift für Musik , 128 (1967), 386f, by Carl Dahlhaus; Journal of the American Musicological Society , 20 (1967), 501-504, by Reinhard Pauly; Musical Times , 109 (1968), 542f, by Stanley Sadie; Svensk Tidskrift for Musikforskning , 50 (1968), 149-152, by Hans Eppstein; Österreichische Musikzeitschrift , 23 (1968), 708f, by Theophil Antonicek; Die Musikforschung , 23 (1970), 351ff, by Ludwig Finscher; Haydn Yearbook , 7 (1970), 321ff, by H. C. Robbins Landon; Revue de musicologie , 56 (1970), 246, by Pierre Pidoux; Hudební Veda , 8 (1971), 74, by Tomislav Volek; Musikerziehung , 24 (1971/71), 143, by Walter Pass; Opus Musicum , 1973, pp. 187f, by Jirí Sehnal. L’Aria di Fiorenza, id est Il Ballo del Gran Duca , Florence, Leo S. Olschki, 1972, 161 pp. in quarto, 12 plates. Reviewed in: Rivista italiana di musicologia , 7 (1972), 145-148, by Federico Ghisi; Music and Letter s, 54 (1973), 98f, by Jerome Roche; Österreichische Musikzeitschrift , 28 (1973), 46f, by Theophil Antonicek; Musical Times , 114 (1973), 147f, by Nigel Fortune; Music Library Association Notes , 29 (1973), 467f, by Barbara Ansbacher; Journal of the American Musicological Society , 26 (1973), 344-350, by Richard Hudson; Die Musikforschung , 26 (1973), 272f, by Rudolf Flotzinger; Musical Quarterly , 59 (1973), 474ff, by Piero Weiss; Nuova rivista musicale italiana , 7 (1973), 272-277, by Alexander Silbiger; Renaissance Quarterly , 27 (1974), 48, by Lewis Lockwood; Neue Zeitschrift für Musik , 135 (1974), 778, by Carl Dahlhaus; Early Music , 2 (1974), 183f, by Howard Schott; Studia Musicologica Academiae Scientiarum Hungaricae , 16 (1974), 284ff, by Tibor Tallián; Musik und Bildung , 7 (1975), 319, by Hubert Unverricht; Revue de musicologie , 61 (1975), 134, by Nanie Bridgman.

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Madrigali a diversi linguaggi von - Orazio Vecchi, Johann Eccard und Michele Varotto (Das Chorwerk, 125), Wolfenbüttel, Möseler, 1975, 55 pp. Reviewed in: Nuova ri - vista musicale italiana , 10 (1976), 142-145, by Francesco Luisi; Music and Letters , 57 (1976), 224, by Denis Arnold; Die Musikforschung , 30 (1977), 416, by Hubert Meister. Fugue and Fugato in Rococo and Classical Chamber Music , revised and expanded second edition, translated by Margaret Bent and the author, Durham, Duke University Press, 1979, 412 pp., 10 plates. Reviewed in: Brio , 16/II (1979), 55; Neue Zeitschrift für Musik , 141 (1980), 274f, by Hubert Unverricht; Music Library Association Notes , 37 (1980), 44f, by Neal Zaslaw; American String Teacher , 30/I (1980), 54, by G. J. Smith; Choice , 17 (1980), 243; Haydn Yearbook , 12 (1981), 193f, by David Wyn Jones; American Music Teacher , 31/IV (1982), 57f, by Larry Whatley. The Court Musicians in Florence during the Principate of the Medici, with a Reconstruction of the Artistic Establishment , Florence, Leo S. Olschki, 1993, 752 pp. (= Historiae Musicae Cultores: Biblioteca, 61). Reviewed in: Antiquae Musicae Italianae Studiosi: Bollettino , 9/22 (Dec. 1993), 49-52, by Giuseppe Vecchi; Recercare , 5 (1993), 228, by M[arco] D[i] P[asquale]; Giornale dello spettacolo , 50/VI (Rome, 18 Feb. 1994), by F[iorenza] R[ossetto]; International Journal of Musicology , 3 (1994), 391-394, by Michael von Albrecht; Music Library Association Notes , 51 (1995), 923-925, by Claude Palisca; Journal of the American Musicological Society ,48 (1995), 106-115, by John Hill; Musik in Bayern , 50 (1995), 74-76, by Horst Leuchtmann; Die Musikforschung , 48 (1995), 417-418, by Konrad Küster; Renaissance Quarterly , 48 (1995), 908f, by James Haar; Revue Belge de Musicologie , 49 (1995), 269-271, by Henri Vanhulst; The Year’s Work in Modern Language Studies, 57 (1995 [1996]), 483, by E. Haywood or P. L. Rossi; Rivista italiana di musicologia , 31 (1996), 130- 132, by Jean Grundy Fanelli; Renaissance and Reformation , 10 (1996), 88f, by William R. Bowen; Musica Antiqua: actuele informatie over oude muziek, 13 (1996), 192-193, by Greta Haenen; Music and Letters, 79 (1998), 100-102, by David Butchart; Early Music Review , 77, (Feb. 2002), 4f, by Barbara Sachs; Ars Lyrica , 14 (2004), 97-102, by Edward Rutschman. Emilio de’Cavalieri, “Gentiluomo Romano”: His Life and Letters, His Role as Superintendent of all the Arts at the Medici Court, and His Musical Compositions, Florence, Leo S. Olschki, 2001, 552 pp., 64 plates. (= Historiae Musicae Cultores, 86). Presentation: Pontificio Istituto di Musica Sacra, 8 May 2001. Reviewed in Early Music Review , 72 (July 2001), 7f, by Barbara Sachs; Musicologica Austriaca, 20 (2001), 227-229, by Herbert Seifert; www.sinequanon.org.: “Libri” 2001, and Il giornale della musica, 179 (Feb. 2002), 21, by Fiorenza Rossetto; Piano Time , 20, no. 186 (2002), 53-54, by Franco Onorati; L’Indice, 19/VI (June 2002), 27, by Dinko Fabris; Ricerche di storia sociale e religiosa, no. 61 (2002), 165- 168, by Vittorio Bracco; L’Osservatore romano, 12-13 Aug. 2002, p. 3, by Antonio Braga; Oggi e domani, 30/IX (Sept. 2002), 39, by Marco Della Sciucca; Die Musikforschung, 55 (2002), 429-430, by Bernhard Schrammek; Renaissance Studies, 16 (2002), 594-597, by Noel O’Regan; Renaissance Quarterly, 56 (2003), 179-180, by Ann E. Moyer; Notes , 61 (2004), 428-430, by Murray Bradshaw. Catalogo sistematico del primo nucleo musicologico del fondo Kirkendale nella Biblioteca Apostolica Vaticana (computer print-out), Città del Vaticano, 2001, 361 pp. With Ursula Kirkendale: Music and Meaning: Studies in Music History and the Neighbouring Disciplines , Florence, Leo S. Olschki, 2007, ix, 643 pp., 50 plates. (= Historiae Musicae Cultores , 113). Presentation: Pontificio Istituto di Musica Sacra and Prince Sforza Ruspoli, 28 Mar. 2008. Reviewed in Il Sole 24 Ore , 20 Jan. 2008, p. 51, by Quirino Principe; Música y

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Educación, 21/I, March 2008; L’Osservatore Romano ¸ 6 April 2008, by Marcello Filotei; Oggi e Domani ¸ 36, no. 3/4 (Mar.-Apr. 2008), 32f, by Marco Della Sciucca; Nuova informazione bibliografica , 2 (2008), 398-400, by Piero Mioli; Notes , 65 (2008), 60-62, by Don Harrán; Diapason , 28 (Dec. 2008), pp. 68-71, by Ivan Alexandre; Musicologica Austriaca , 27 (2008), 340-345, by Theophil Antonicek; Die Musikforschung , 62 (2009), 175f, by Ludwig Finscher; Revue de musicologie , 95 (2009), pp. 229-231, by Xavier Bisaro. Ursula Kirkendale: Antonio Caldara: Life and Venetian-Roman Oratorios . Revised and translated by Warren Kirkendale , Florence, Leo S. Olschki, 2007, 552 pp., 24 plates. (= Historiae Musicae Cultores , 114). Presentation: Pontificio Istituto di Musica Sacra and Prince Sforza Ruspoli, 28 Mar. 2008. Reviewed in Música y Educación, 21/II, June 2008; Musica , Jan. 2009, p. 14; Musicologica Austriaca , 27 (2008), pp. 340-345, by Theophil Antonicek; Nuova rivista musicale italiana , 43 (2009), pp. 135-137, by Andrea Rossi Espagnet. B. Articles (updated versions of a selection of these appeared in the author’s Music and Meaning , 2007, with indication of lectures presented on them – cf. pp. 601-604). “The Great Fugue Op. 133: Beethoven’s Art of Fugue ”, Acta Musicologica, 35 (1963) 14-24. Reviewed by Antonino Albarosa in Orpheus: Rivista di umanità classica e cristiana , 10 (1963), 209-210. “KV 405: Ein unveröffentlichtes Mozart-Autograph”, Mozart-Jahrbuch , 1962/63, pp. 140-155. “More Slow Introductions by Mozart to Fugues of J. S. Bach?”, Journal of the American Musicological Society , 17 (1964), 43-65. Addenda in Fugue and Fugato , pp. 333f. “Segreto comunicato da Paganini”, Journal of the American Musicological Society , 18 (1965) 394-407. “New Roads to Old Ideas in Beethoven’s Missa Solemnis ”, Musical Quarterly , 56 (1970) 665- 701. Reprint in: The Creative World of Beethoven , ed. P. H. Lang, New York, W. W. Norton, 1971, pp. 163-199. Slightly abridged English version of: “Beethovens Missa solemnis und die rhetorische Tradition”, Sitzungsberichte der Österreichischen Akademie der Wissenschaften, phil.-hist. Klasse , 271 (1971) 121-158. Revised reprint in Ludwig van Beethoven , ed. L. Finscher, Darmstadt, Wissenschaftliche Buch-gesellschaft, 1982, pp. 52-97. Reviewed by Walter Robert in Bulletin of the Indiana University School of Music: Your Musical Cue , 7/I, Oct. 1970, pp. 9f, and Vera Lampert in Studia Musicologica , 14 (1972), 441f. “Emilio de’ Cavalieri: A Roman Gentleman at the Florentine Court”, Quadrivium , 12/II (1971) 9- 21 (= Memorie e contributi alla musica dal medioevo all’età moderna offerti a Federico Ghisi , Bologna, 1971). [With Ursula Kirkendale:] “Antonio Caldara”, Dizionario Biografico degli Italiani , 16, Rome, Istituto della Enciclopedia Italiana, 1972, pp. 556-566. “Franceschina, Girometta, and Their Companions in a a diversi linguaggi by Luca Marenzio and Orazio Vecchi”, Acta Musicologica , 44 (1972) 185-235. “Kirkendale”, Die Musik in Geschichte und Gegenwart, vol. 16, Kassel, 1979. “Emilio de’ Cavalieri”, Dizionario Biografico degli Italiani , 22, Rome, Istituto della Enciclopedia Italiana, 1979, pp. 659-664. “Ciceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach”, Journal of the American Musicological Society, 32 (1979) 1-44. Reviewed by Ludwig Finscher in Wolfenbütteler Renaissance-Mitteilungen , 4/I (1980) 8f. “Gregorianischer Stil in Beethovens Streichquartett Op. 132”, in: Bericht über den internationalen musikwissenschaftlichen Kongress Berlin 1974 , Kassel, 1980, pp. 373-376.

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“Opera before Peri: The Lost Pastorals of Laura Guidiccioni and Emilio de’ Cavalieri”, Abstracts of Papers Read at the Forty-Seventh Annual Meeting of the American Musicological Society , Boston, 1981, p. 49. “Alessandro Striggio und die Medici: Neue Briefe und Dokumente”, in: Festschrift Othmar Wes - sely zum 60. Geburtstag , Tutzing, Hans Schneider, 1982, pp. 325-353. “L’Opera in musica prima del Peri: Le Pastorali perdute di Laura Guidiccioni ed Emilio de’ Cavalieri”, in: Firenze e la Toscana dei Medici nell’Europa del Cinquecento , Florence, Leo S. Olschki, 1983, II,365-395. “Cavalieris verlorene Pastoralopern: Die entscheidenden Schritte zur Schaffung der Gattung ‘Oper’”, Neue Zürcher Zeitung , 22/23 Oct. 1983, p. 67. “Circulatio -Tradition, Maria lactans , and Josquin as Musical Orator”, Acta Musicologica , 56 (1984), 69-92. [Handel tricentenary inscription, Palazzo Bonelli Valentini, Rome]. Cf. Rivista italiana di musicologia , 21 (1986), 201]. “Antike Rhetorik und italienische Instrumentalmusik der Renaissance”, in: Das antike Rom in Europa , ed. Hans Bungert, Regensburg, 1986, pp. 123-137. “Zur Biographie des ersten Orfeo, Francesco Rasi”, in: Claudio Monteverdi: Festschrift Reinhold Hammerstein zum 70. Geburtstag , Laaber, Laaber-Verlag, 1986, pp. 297-335. “La «Missa solemnis» di Beethoven e la tradizione retorica” (revised), in: Beethoven , ed. G. Pestelli, Bologna, Il Mulino, 1988, pp. 215-258. “La Franceschina, la Girometta e soci in un madrigale «a diversi linguaggi» di Luca Marenzio e Orazio Vecchi” (revised), in: Il Madrigale tra Cinque e Seicento , ed. P. Fabbri, Bologna, Il Mulino, 1988, pp. 249-331. “Rapporti musicali fra Roma e Firenze”, in: La musica a Roma attraverso le fonti d’archivio: atti del convegno internazionale (Roma 4-7 giugno 1992), Lucca, Libreria Musicale Italiana, 1994, pp. 393-398. “Comments on the Study of Musicology at the University: Prepared by Warren Kirkendale on the occasion of a visiting professorship at Moscow State University, October 1994”. Rome, 1994, 30 pp. Manuscript filed in Biblioteca Apostolica Vaticana. [Letter to the Editor], Journal of the American Musicological Society, 48 (1995), 533-539. “Ancora sull’Aria di Fiorenza”, Rivista italiana di musicologia, 31 (1996) 53-59. With Péter Halász: “‘Történészként a múlttal élek együtt’: Beszélgetés Warren Kirkendale-lel”, Muzsika , 14/I (Jan.1997) 21-25. (Hungarian translation of “‘As a Historian I Live with the Past’: An Interview with Warren Kirkendale” [on the occasion of a cycle of seven lectures presented at the Hungarian Academy of Sciences, Budapest, Nov. 4-9, 1996]. English version in Music and Meaning cit., pp. 581-595. “Zur Circulatio -Tradition und Josquins Maria Lactans ”, Chormusik und Analyse , II, ed. Heinrich Poos, Mainz, Schott, 1997, pp. 11-41. “Prolusione”, La scuola policorale romana del Sei-Settecento: Atti del Convegno internazionale di studi in memoria di Laurence Feininger, Trento ... 1996 , ed. Francesco Luisi, Danilo Curti, and Marco Gozzi, Trent, Provincia autonoma di Trento, 1997, pp. 41-42. “La Tradizione della circulatio , Maria lactans e Josquin come musico oratore”, Quadrivium , n. s. 8 (1997), 117-164. ( Studi e Materiali per la storia dell’Accademia Filarmonica, 13). “Ciceroniani contro Aristotelici sul ricercare come exordium, da Bembo a Bach”, Studi musicali, 26 (1997), 3-54. “On the Rhetorical Interpretation of the Ricercar and J. S. Bach’s «Musical Offering»”, Studi musicali, 26 (1997), 331-376. Corrigendum ibid. 27 (1998), p. 239.

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”Caldara e Metastasio fra Roma e Vienna”, Accademia Nazionale di Santa Cecilia. Festival di Pasqua 1998: Celebrazioni per il terzo centenario della nascita di Pietro Metastasio, Rome, [Accademia Nazionale di Santa Cecilia], 1998, pp. 11-18. “Un antidoto contro le «impertenze» di un saggista politico”, Il saggiatore musicale, 5 (1998), 141-150. “La storia, le scienze sociali, e le nozze Medicee del 1589” , Rivista Italiana di Musicologia, 34 (1999), 389-394. “Emilio de’ Cavalieri e le sue Lamentazioni” [in notes for the program of a performance in Rome, Palazzo Rospigliosi, Holy Week, Apr. 2000, to be filed in the Biblioteca Vaticana]. “Cavalieri, Emilio”, Die Musik in Geschichte und Gegenwart, Personenteil, IV, Kassel, Bärenreiter, 2000, col. 463-471. “Music of Louis Lemaire Painted by Jean-Baptiste Oudry, 1725”, Imago Musicae, 16/17, (1999/2000), 254f. [Commemorative inscription for 400th anniversary of the death of Emilio de’ Cavalieri, S. Maria in Aracoeli, Rome, 2002]. Review of Don Harrán, Salamone Rossi: Jewish Musician in Late Renaissance Mantua, Oxford University Press, 1999, in: Renaissance Studies, 16 (2002), 266-270. “Mozart barocco” , Album Amicorum Albert Dunning in occasione del suo LXV compleanno, a cura di Giacomo Fornari, Turnhout, Brepols, 2002, pp. 403-414. “La favola della ‘nascita dell’opera’ nella Camerata fiorentina demitizzata da Emilio de’ Cavalieri”, Rivista italiana di musicologia, 37 (2002), 131-141. “The Myth of the ‘Birth of Opera’ in the Florentine Camerata Debunked by Emilio de’ Cavalieri”, Opera Quarterly, 19 (2003), 631-643. “Kirkendale”, Die Musik in Geschichte und Gegenwart, Personenteil, vol. 10, Kassel, Bären- reiter, 2003 2, col. 164-166. “Handel, Caldara, e il loro Mecenate Ruspoli nell’Archivio Segreto Vaticano”, Cerveteri, Palazzo Ruspoli, 2008. Manuscript to be filed in the Biblioteca Apostolica Vaticana and the Istituto Storico Germanico, Rome. “Einführung für die Exkursion des Instituts für Musikwissenschaft der Universität Regensburg nach Rom”, 2008, 30 pp. Manuscript to be filed in the Biblioteca Apostolica Vaticana and the Istituto Storico Germanico, Rome. “On the Marian Antiphons ‘Salve Regina’, ‘Te decus virgineum’, and Antonio Caldara: With a Bibliography for the ‘Salve Regina’”, Studi musicali , 39 (2010), in the press. “La ‘Salve Regina’, e Antonio Caldara: con una bibliografia sulla ‘Salve Regina’”, Marianum , 73 (2011), in the press. “Un’antifona carmelitana ‘Te decus virgineum’ composta da Antonio Caldara”, Carmelus , 58 (2011), in the press “Der ‘Fate ben per voi’ und die türkischen Gefangenen in Federico Zuccaris Fresko und einem Madrigal von 1590”. In the press, for a conference report of the Bibliotheca Hertziana, Rome.

C. Editorial Work

L’Aria di Fiorenza, id est Il Ballo del Gran Duca , Florence, Leo S. Olschki, 1972. Pp. 85-154 contain a Mass, a motet, a cantata, and a trio sonata by ; a ballo by Girolamo Montesardo; an eight-part canzone by Lodovico Viadana; a trio sonata by Giovanni Battista Buonamente; an instrumental piece by Peter Philips; two anonymous keyboard pieces.

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Madrigali a diversi linguaggi von Luca Marenzio - Orazio Vecchi, Johann Eccard und Michele Varotto («Das Chorwerk», 125), Wolfenbüttel, Möseler, 1975. Joseph Haydn Werke , Reihe XII, Bd. 5, pp. 18-32: Streichquartett Op. 64, No. 2, Munich, Henle Verlag, score 1978, parts 1980, Kritischer Bericht 1991. Edizione nazionale delle opere di Claudio Monteverdi : one of four members of the Comitato scientifico, 1998–. Antonio Caldara: Due Antifone Mariane. Edizione, commentario italiano-inglese e bibliografia sulla “Salve Regina” , Fondazione Arcadia, «Musiche italiane del Settecento, Lucca, LIM, in the press.

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