TRADITIONAL COLLECTION N O I T C E L L O C L A N O I T I D A R T Y E L K C I T S
TRADITIONAL & COLONIAL WILLIAMSBURG
Our Stickley Story 4 A Tradition of Excellence 6 Craftsmanship and Construction Features 10
TRADITIONAL COLLECTION Dining Room 14 Bedroom 44 Occasional 70 Entertainment 84 Home Office 88 Executive Office 92 Finishes and Hardware 102 Index 105
COLONIAL WILLIAMSBURG® Introduction 110 Finishes 152 Index 154
Care of Stickley 155 Warranty 156
OPPOSITE: 7948-54 Directoire Round Dining Table, 7955 Directoire Arm Chair, 7940 Directoire Buffet, 7941G Directoire China “The idea of preserving a great company with great American tradition was very appealing to me.”
In Loving Memory of Alfred J. Audi April 11, 1938 – September 29, 2007 President of L. & J.G. Stickley 1974-2007
Throughout his life and following his death, Alfred received many worthy tributes. A Stickley dealer described him best: “Alfred had a vision of greatness, the passion to execute it and the talent and perseverance to make it happen. He was truly a man for the ages.”
The tribute on the next page was entered in the Congressional Record by the Honorable James Walsh.
A Personal Message
Our Stickley Story
Over the years we have received countless letters and calls from people who treasure their Stickley pieces. Their stories are incredibly moving, and they inspired us to launch “My Stickley,” a national contest inviting Stickley enthusiasts to share their Stickley stories.
The hundreds of entries we continue to receive are humorous, awesome and inspiring. While very different, they all share some common threads which include: • Enduring quality. “The only thing that survived Hurricane Katrina is my Stickley dresser.” • Unforgettable memories of family and home, of relationships and traditions. “I am the fourth generation to sleep in my four poster Stickley bed…” • A symbol of love, longevity and endurance. “Before he said it with diamonds, he said it with Stickley.” • Reverence for quality. “I have always appreciated the finer things in life. I have Navajo rugs, a Steinway piano, and Stickley furniture.”
• The furniture one aspires to own and pass on to future generations. Aminy I. Audi “Some day my Stickley will be heirlooms – but for now, Stickley is my home.”
they were little children. The bed a Stickley. Our most treasured terrace hese are real stories by real people miraculously survived their youth and server arrived early in 1964 as a wedding T and they reflect the Stickley story is now on display in the Stickley Museum present from Mrs. Stickley, while we which is rich in family tradition and in the original Stickley factory in eagerly awaited the Stickley bedroom, enduring relationships. It is also the Fayetteville, N.Y. Later, both of them which was our family’s wedding present. story of connection to home as a went to Colgate University, where their Little did we know then that ten years gathering place filled with warmth, fraternities were furnished with Stickley. later we would be rescuing a proud name friendship and magical moments. Needless to say, the furniture enjoyed and upholding Stickley’s tradition Now for an abbreviated version of robust use. Over the years it’s been of excellence! Our Stickley Story: as a two-year-old refinished and continues to grace those The revival of Stickley has been a Alfred received his Stickley Cannon fraternities today as though it were most exciting and fulfilling journey. For Ball Bed, which years later was passed brand new. the past thirty-four years, it has been on to our son, Edward. Both of them Our first piece of furniture, as Alfred constantly changing and evolving, yet remember swinging on the posts when and I set about to furnish our home, was our vision has remained constant:
From generation to generation
Edward J. Audi Alfred Audi, Edward Audi, Andrea Audi, Aminy Audi, and Carolyn Audi Fischi to be the most respected company in Today, as in the past, our family is to furnish one’s home with them is to the furniture industry, whose name is unwaveringly committed to preserving realize a lovely dream. synonymous with quality, integrity, value Stickley’s tradition of excellence. We will We invite you to experience the magic and service. make every effort to enhance this proud of Stickley. As we enter a new chapter, we pause legacy and further it for future generations. to pay tribute to Alfred—husband, father Here then are the antiques of the Very sincerely, and mentor to many. We are grateful for future... favorite pieces that have stood his vision, leadership and creativity. His the test of time and new ones designed tremendous contributions to Stickley to meet current lifestyles. All presented and the furniture industry are with pride by the cabinetmakers of Aminy I. Audi immeasurable. During his thirty-three today who salute their predecessors and years at the helm, Stickley witnessed an appreciate greatly the heritage of their impressive renaissance and is now poised craftsmanship. Merely to see and touch to meet the challenges of the future. these pieces is a joyful experience and Edward J. Audi
rooted in the past — Destined for the future
Classic Grace. Stately Elegance.
“Comfort and use are the elements leading to true beauty.” Leopold Stickley
A tradition of Quality
When, in 1900, Leopold Stickley left the Craftsman Shops in Eastwood, New York, he and his younger brother John George bought the Collin, Sisson & Pratt furniture factory in Fayetteville, New York. Their company, L. & J.G. Stickley, was incorporated four years later. In March of 2008, we celebrated the 150th birthday of Gustav Stickley, Father of the Arts and Crafts movement in America.
At the Craftsman Shops, Leopold Syracuse, New York. Then in 1999, of the most respected and admired worked for his older brother Gustav, the same piece commanded $596,900. furniture companies in the nation. who was a major proponent of the Arts In 1922 Leopold Stickley announced Leopold’s widow, Louise, aided by many and Crafts movement in the United a “line of period designs in popular of the founder’s original staff, continued States. Gustav was greatly influenced finishes.” For his inspiration he turned the tradition, insisting that all aspects of by John Ruskin and William Morris, to the old houses of New England and quality manufacturing be preserved. two champions of the English Arts and Pennsylvania. He also traveled widely Widely respected as the premier Crafts movement. throughout Europe collecting trestle manufacturer of solid cherry furniture, Leopold’s first furniture line, the tables, corner cupboards, dressers Stickley is now making classically Mission Oak, was very similar to what and Windsor chairs. Keeping English designed pieces in solid mahogany as Gustav was manufacturing at the time. influence in mind, Stickley inaugurated well. These pieces exhibit the stately In 1905, L. & J.G. his Cherry Valley adaptations of elegance of the mid-18th Century and Stickley did their first American colonial add a more formal look to the line. trade show in Grand design. He took Authentic in design and meticulous in Rapids, Michigan full advantage of the execution, they add a touch of beauty displaying “simple beauty and durability to any room. furniture built of the wild black While much has changed at Stickley on mission lines.” cherry wood that during the last thirty-four years, the Their work was was abundant in commitment to quality craftsmanship well received. the Adirondack remains unchanged. The outstanding Around 1916 region. Experts over designs, the quality of construction and changing public Gustav Stickley Leopold Stickley the years have the quest for perfection in every aspect taste spelled the 1858-1942 1869-1957 recognized Stickley’s of the Stickley operation earned the end for Mission craftsmanship and company a tribute in the Congressional furniture. Today there is a very keen acclaimed these creations for their purity Record calling attention to a “story interest in Gustav and L. & J.G. Stickley of form, soundness of construction and about the revitalization Mission Oak pieces. They have been fitness of purpose. On January 21, 1956 of an American exhibited in some of the most Leopold Stickley was named “Revered manufacturer and prestigious museums in the United Dean of Cabinet Makers whose art and the restoration States. The same early pieces are craftsmanship has contributed mightily of a tradition of bringing premium bids in auction to American home life” by a group of quality unmatched houses throughout the country. On notable publishers including House in its field.” December 10, 1988 a record price of Beautiful and The National Geographic $363,000 was set for a Gustav Stickley to name a few. sideboard that was designed for his At the time of Leopold’s death in own house on Columbus Avenue in 1957, L. & J.G. Stickley, Inc. was one
The Windsor Arm Chair The Windsor Chairs made by Stickley are faithful reproduction’s of those made in the 1700’s and are as popular today as ever before. It has been the result of the historic mission oak collection that has piqued the interest of a whole new generation of collectors and furniture lovers.
The Modern Era In its efforts to be globally competitive, English Oak, Stickley Starters and A new era began for Stickley when, in Stickley opened in 2005 a high-tech St.Croix. 1974, Alfred and Aminy Audi bought production facility in Vietnam under Stickley is prepared for a bright and the company. Together they nurtured it the Stickley International, Ltd. banner. growing future. The company’s focus on back to health. Their first priority was This factory is primarily dedicated to the quality, design and construction remain to train a new work force to work closely new Antiquities by Stickley collections, the same today as when the Stickley with the skilled cabinet makers. Having including Pasadena Bungalow, company began over 100 years ago. accomplished that, they turned their attention to marketing the product and to surrounding themselves with a winning team of knowledgeable experts who share the same pride in the product and the deep admiration for this very special furniture.
1985 In Fayetteville since 1900, Stickley moved to its present location in Manlius on July 10, 1985. The historic Original Fayetteville Factory, circa 1912 Mission collection was reissued in 1989, sparking unprecedented growth for Stickley. In 1996, the Stickley Fine Upholstery Factory opened and a few years later relocated to Archdale, NC. This facility is also home to Stickley’s Craftsman Leather collection. Present Manlius Factory Today Our U.S. factories have undergone numerous expansions in recent years. The case goods factory now has over 400,000 square feet of efficient space and state-of-the-art technology. Both locations are slated for further expansion and updating in the near future. Stickley Fine Upholstery Stickley International
“From the earliest dawn of history, artists and creative workers have identified the works of their hands and brains by some distinctive symbol or signature. These marks have come to be a sign of genuine value, a guarantee of authenticity, a certificate of craftsmanship recognized by the collector and neophyte alike.”
Leopold Stickley
OF
ROOTED IN THE PAST — Destined for the future
Throughout its history, Stickley has received many worthy tributes. A partial sampling includes:
In 1956, Leopold Stickley was honored as “The Revered Dean of Cabinet Makers whose Art & Craftsmanship has contributed mightily to American home life.” By House Beautiful, House & Garden, National Geographic, The New Yorker, and Fortune Magazine, among others.
In 1981, a tribute to Stickley was entered in the Congressional Record about “The revitalization of an American manufacturer and the restoration of a tradition of quality unmatched in its field.”
In 1995, Gustav Stickley was inducted into the Furniture Hall of Fame.
In May 1995, Stickley was chosen as the Business of the Year by the Syracuse Chamber of Commerce, for its entrepreneurial spirit, staying power, good business practices and work place innovation.”
Alfred and Aminy Audi, owners of Stickley, won the In 2001, Alfred and Aminy 1997 Upstate New York Audi were inducted in the Entrepreneur of the Year “Wall of Fame”– Manufacturers’ award. Founded by Ernst & Association of Central Young, the annual contest is New York. sponsored by the Center for Entrepreneurial Leadership, USA Today and the Nasdaq stock market. The program In 2004, the Audi’s received The Laurel Award – recognizes entrepreneurship International Furnishings and Design Association’s New York and business leadership. Chapter Circle of Excellence Awards.
®
M . A .Y NLIUS, N
Enduring craftsmanship
Beginning their craft in the new world, early American cabinetmakers followed England’s leads. In the early 18th century, English imports dominated American furniture designs.But gradually our early craftsmen declared their independence and created furniture that was American in its own right.
Stickley is furniture rooted in hands, careful attention to detail and superior to any other cabinet wood the past, yet designed for the present. an eye for exceptional beauty. in lengths, widths, and freedom Over the years our designs have from defect, waste, and sap. No been modified and many new pieces Solid Cherry and Mahogany other wood offers the wide variety of introduced. Today we still offer The creation of a Stickley piece figures created by the exciting twist the simple, informal and understated begins with the careful selection of and turns of the grains. Mahogany sophistication of Stickley’s Windsor the finest solid cherry or mahogany: is considered by many the king of Chairs and Trestle Tables, and more sides, tops and panels of all pieces cabinet woods. recently we have added many more are carefully matched for grain and designs inspired by styles made color. The wild black cherry trees The Art of Cabinet Making popular during the Queen Anne, from the Adirondacks grow up to 150 The making of a piece of Chippendale and Hepplewhite feet high and 30 inches in diameter. Stickley furniture incorporates periods. From the simple graceful Cherry is one of the strongest the most durable methods known lines to the intricately executed rice woods in existence. It can be readily to cabinetmaking . . . techniques carved post or shell carvings on the tooled, it holds its shape and mellows reminiscent of those used Philadelphia Queen Anne chairs, beautifully with age, developing a rich by eighteenth century craftsmen. lasting quality features are built patina and a warmth of appearance. into each Stickley piece. Among the unique features are a Honduras mahogany has all the special ogee foot, dovetailed cross Our skilled craftsmen create characteristics of an ideal cabinet rails, mortise and tenon pinned timeless works of art with loving wood. Grade for grade, mahogany is with dowels, tongue-and-groove
10 Enduring craftsmanship
glue joining, side-and center-guided Our finishing process entails a Multiple coats of lacquer are drawers, the pinning of chair joints, complex series of color applications; applied to seal the color in place and our own specially designed bed rail and using clear dyes rather than opaque provide a heat, stain, and alcohol casting receivers, splining of mitred pigments.Various stains applied by resistant surface. Meticulous hand mirror joints, and ship lap planking hand are the most important as they rubbing creates various sheen levels on the backs of hutches and chinas. penetrate deeply into wood fiber to specific to the finish you choose. blend with the natural color tones of However, a newly applied Stickley These methods have been securely the wood. It is not unusual for subtle finish is only the beginning. In your established by the test of time as the color tones to emerge creating a home, the true patina must be standard of excellence.Recognition of symphony of color within each piece. allowed to develop over time. Stickley Stickley construction methods The goal is to finish each piece as an finishers give you a great start; you throughout the furniture industry individual item so there are no continue the finishing with your attest to their worth. The cabinetmaker conveyor belts constraining the finisher. loving care. Since no finish is proudly puts his initials on each piece Although this may create subtle color immune to the hazards of use, he builds. variations between different pieces it reasonable precautions are advised. is important to know that the color Detailed Stickley care guides have Finishing tone seen on a new piece of Stickley been developed specifically for The Stickley finishing process is the will most likely change as the piece your finish. Request one from your crowning moment for each piece of ages to a distinctive patina. Changes Stickley retailer. Stickley furniture. Here in the finishing in the natural color tone in both room the innate beauty of the wood Cherry and Mahogany will emerge is coaxed forth with legendary through the clear dyes to create a Stickley care and craftsmanship. mellowed appearance in time.
Handsanding The Finishing Touch After intensive machine sanding, every piece of furniture is thoroughly hand sanded - even the Hand-rubbing is one of the ways in which we are able to achieve the depth and clarity of the insides of the drawers. Excess glue is carefully removed from all joints. All sharp edges are eliminated, legendary Stickley finish. joints are flushed, any scratch marks are removed, and the pores of the wood are opened. Final hand sanding is meticulously executed by skilled craftspeople using time tested techniques.
11 The details shown here explain a few of Stickley’s unique and time-honored construction techniques. As you become familiar with distinguishing characteristics of fine furniture, bear in mind that most of these techniques are used only by Stickley.
Side-hung and center-guided drawers Bed construction door joints, pinned mortise This method guaranties proper The long side rails of many beds are and tenon alignment of the drawer. The center locked into a special iron casting. Most Stickley door joints are mortise guide keeps the drawers from skewing The end rails are mortised and and tenoned, glued, and pinned sideways. Suspension on the side guides tenoned into the posts and locked with wooden pins. The pins lock the keeps the drawers level even when heavily with wooden pins. High poster joint supplying additional strength. loaded. There is never any pressure beds feature authentic bed-bolt This joint would hold together even against the bottom side edges, hence construction which, like that of without the use of glue. no scrape or screech and no excessive fine antiques, allows the posts to be friction, pulling or tugging. One can removed. These unusual features literally stand in a Stickley drawer. insure a tight assembly with no wobble or rock.
bracket foot construction Placing of glass with Ship Lap Planking All bracket feet are splined, corner quarter Rounds Several cherry pieces are available blocked and braced. In addition All glass is secured with quarter with optional ship lap planking in the to the usual corner block, a corner rounds, mitred to fit perfectly and back. Individual pieces are machined, brace is rabbeted into the side of the fixed in place with small pins that are sanded, finished and applied one leg pieces. This leg is joined to the barely visible thus, the back of the at a time. They add beauty and case by four screws, providing a solid door is almost as beautiful as additional character to the piece. foundation. the front.
12 THE stickley Difference
Tongue and groove glue joining Dovetailed Cross Rails Resawn and Book Matched and Matching lumber Cross rails dovetailed into end Door Panels Since cherry varies greatly in grain panels strengthen the case from side Resawing is a process of splitting and color, it is extremely important to side. Separation of the end panels thick lumber into thinner boards. to match the lumber in every glued- is impossible unless the wood is split Once split, the halves are opened up panel. Proper matching makes apart. This joint is self-locking even like a book revealing identical grain. the individual boards appear as one before the glue is applied. This time-consuming and labor solid piece and eliminates the need to intensive process assures beautifully bleach or sap stain the lumber. The grained door panels. tongue and groove insures a stronger glue joint and allows for greater finished thickness on all tops.
The Fitting of Drawers Every Stickley drawer is patiently hand-fitted to its case by a skilled Stickley artisan. It is both side-hung and center-guided.
13 traditional dining
A future family heirloom, this memorable dining room collection will welcome guests and gather family. Mahogany and wild black cherry dining tables, some available with highlighted borders, combine the elegance of exotic veneers with the integrity of solid wood construction. All the important elements: solid wood, graceful lines, intricate details, and a glowing patina blend to create an inviting and comfortable setting for the formal and fun celebrations of your life.
opposite: 4586V Monroe Place Dining Table, 4587 Monroe Place Hepplewhite Side Chairs, 4588 Monroe Place Hepplewhite Arm Chairs, 4783 Hepplewhite Sideboard, Royal Pine Coral {Stickley Designer Rug}
14 15 This medium size breakfront has intricate door mullions featuring a Gothic tracery design motif. The buffet features swirl mahogany veneer door panels, one adjustable wood shelf behind each end door, two drawers behind the center door and Pacific Silvercloth® liner in the top drawer. Top has interior lights with dimmer switch and adjustable glass shelves with plate grooves. The swan neck pediment is optional
(height 71/2”). Mahogany and mahogany veneer. Solid brass hardware.
4696/4697PS-1 {shown} Breakfront China H901/2 W60 D151/2
also available as: 4697PS China Top Same as 4697PS-1 without mirrored back. 4697 China Top Without pediment or mirrored back. 4697-1 China Top Without pediment with mirrored back.
4696/4697PS-1
Our magnificent sideboard represents the epitome in design, finish, detail and Stickley’s legendary quality. 4783G {opposite} Details include a crotch mahogany bow front with serpentine cupboard doors. Both drawers and doors have Hepplewhite Sideboard intricate double maple inlay. The front legs have been shaped to follow the contour of the front rail. Each leg with Brass Gallery features an inlaid maple bell flower at the top and a tulip wood, ebony, and maple banding on the bottom. H461/2 W66 D23 The solid mahogany top is complemented by a graceful maple inlay. Other features include a Pacific Silvercloth® Gallery Height 81/2 liner insert, locking drawers and doors, and solid brass hardware. The brass gallery is optional. Mahogany and mahogany veneer. Solid brass hardware.
also available as: 4783 Hepplewhite Sideboard H38 W66 D23 Without brass gallery.
opposite: 4783G Hepplewhite Sideboard
16 17 This exquisite breakfront has delicate dentil moldings and a pierced frieze inspired by an English antique. The geometric window grilles exhibit individually hand glazed glass panes, an echo of 18th century furniture exhibited in the American wing of the Metropolitan Museum of Art. The china top has interior lights with dimmer switch and adjustable glass shelves with plate grooves. Solid mahogany and mahogany veneer. Solid brass hardware.
4799PS {shown} Breakfront China with Pediment H911/2 W78 D171/2 with 4798 Buffet Includes optional swan neck pediment with
finial. Height 18 /2 ”.
also available as: 4799PS-1 Breakfront China with Mirrored Back and Pediment H911/2 W78 D171/2 with 4798 Buffet 4799 Breakfront China without Pediment H83 W78 D171/2 with 4798 Buffet 4799-1 Breakfront China with Mirrored Back without Pediment H83 W78 D171/2 with 4798 Buffet
4798/4799PS 4798 Breakfront Buffet H30 W78 D17 The crotch mahogany door panels are accented by bands of exotic kingwood. One adjustable wood shelf behind each door, and two top drawers behind center section with Pacific Silvercloth® liner in top drawer. Mahogany and mahogany veneers. Solid brass hardware.
4798
opposite: 4359 Clipped Corner Dining Table, 4787 Ball & Claw Side Chairs, 4788 Ball & Claw Arm Chairs, 4798 Breakfront China Base, 4799PS China Top, English Arts and Crafts {Stickley Designer Rug}
18 19 Influenced by late Georgian styling, this breakfront has glass end panels, intricate door mullions, Greek key and frieze. Interior lights with dimmer switch and adjustable glass shelves with plate grooves. The angled pediment with finial is optional (Height 91⁄2”). Mahogany and mahogany veneer. Solid brass hardware.
4782PA-1 Georgian Breakfront with Optional Pediment and Mirrored Back H581/2 W681/2 D18 (with pediment)
H49 W681/2 D18 (without pediment)
china top with mullions. options: 4782 No pediment. 4782-1 No pediment. Mirrored back. 4782PA Angled pediment. 4782PA-1 Angled pediment. Mirrored back.
4789 China with Beveled Glass 4785/4782PA-1
H57 W681/2 D16 (with pediment)
H491/2 W681/2 D16 (without pediment) Classic in design, this china features interior lights, dimmer switch and adjustable glass shelves with plate grooves. China may be ordered with choice of swan neck or angled pediment. Mirrored back is optional. China top available in wild black cherry or mahogany. See page 21 for 4785 buffet.
china top with beveled glass doors and ends {no mullions}. options: 4789 No pediment. {shown} 4789-1 No pediment. Mirrored back. 4789PA Angled pediment. 4789PA-1 Angled pediment. Mirrored back. 4789PS Swan neck pediment. 4789PS-1 Swan neck pediment. Mirrored back.
4785/4789
20 Graceful in design, this china has intricate door mullions, a pierced frieze and a delicately carved and interlaced swan neck pediment. It has interior lights, dimmer switch and adjustable glass shelves with plate grooves. The swan neck pediment, angled pediment and the mirrored back are optional. Solid brass hardware. Available in wild black cherry or mahogany.
4785/4786PS-1 Buffet and China with Swan Neck Pediment and Mirrored Back
H90 W681/2 D18 (with pediment)
H82 W681/2 D18 (without pediment) china top with mullions. options: 4786 No pediment. 4786-1 No pediment. Mirrored back. 4786PA Angled pediment. 4786PA-1 Angled pediment. Mirrored back. 4786PS Swan neck pediment. 4786PS-1 Swan neck pediment. Mirrored back.
4785
Buffet 4785/4786PS-1 H33 W68 D18 This four door buffet features swirl and crotch mahogany. Its door panels are accented by exotic Kingwood inlay. One adjustable wood shelf behind each door and one adjustable shelf behind the center section, Pacific Silvercloth® liner in top drawer. Mahogany and mahogany veneer. Solid brass hardware. Use with 4782, 4786 and 4789 china tops.
4785
21 Influenced by late Georgian styling, this corner cabinet has intricate door mullions and a delicately carved and interlaced swan neck pediment. Interior lights with dimmer switch and adjustable glass shelves with plate grooves. One adjustable wood shelf behind lower doors. The swan pediment with finial is optional (Height 9”). Mahogany and mahogany veneers. Solid brass hardware.
4776P-1 {shown} Corner Cabinet with Mirrored Back and Pediment
H93 W451/2 Requires a 32” corner.
also available as: 4776-1 Corner Cabinet with No Pediment Mirrored Back
H841/2 W451/2
4776P 4776P-1 Corner Cabinet with Pediment and No Mirrored Back
H93 W451/2
4776 Corner Cabinet with No Pediment and No Mirrored Back
H841/2 W451/2
4784 Buffet H33 W68 D18 Foor doors below drawers with Pacific Silvercloth® liner in center drawer. One adjustable shelf behind center doors and each end door. Wild black cherry.
4784
22 4719M-1 {shown} Chippendale Console H34 W48 D17 Four drawers with Rococo pulls. Green marble top. also available as: 4719M-2 Chippendale Console H34 W48 D17 Four drawers with Rococo pulls. Sable marble top. 4719 Chippendale Console H34 W48 D17 Four drawers with Rococo pulls. Solid mahogany top with highlighted border with silkscreen accent.
4719M-1
M-1 Green Marble M-2 Sable Marble
4076 Server H34 W34 D20 Closed
H34 W68 D20 Open The crotch mahogany door panels and drawer front are accented by bands of exotic Kingwood. When open, top surface is heat and stain resistant. Mahogany and mahogany veneers. 4076 Closed Solid brass hardware. One adjustable shelf.
All servers are standard with four hidden casters.
4076 Open
19 23 24 Silkscreening is an art dating back to the earliest printing presses. Centuries ago, artisans used silk-screening techniques to apply elaborate designs on hand-made paper. In addition, silk-screening has the advantage of duplicating precise work so it can be enjoyed by many. Using the technique on wood is a natural extension of the craft.
4586SC {shown} Monroe Place Dining Table H30 W46 L72 Extends to 104” with 2-16” aproned leaves. Mahogany. Highlighted border with silkscreen accent. 4586SC Detail also available as: 4586SC-3LVS Same as 4586SC with 3-16” aproned leaves. Extends to 120”. 4586S Same as 4586SC with solid top. No silkscreen and no highlighted border. 4586S-3LVS Same as 4586S with 3-16” aproned leaves. 4586V Matched mahogany veneer top with highlighted satin wood border. Mahogany and mahogany veneer. Extends to 104” with 2-16” leaves. 4586SC
4589SC {shown} Chippendale Ball & Claw Dining Table H30 W48 L72 Ornately carved ball and claw table legs and arched gardoon carving on aprons. Extends to 104” with 2-16” aproned leaves. Mahogany. Highlighted border with silkscreen accent. also available as: 4589V Detail 4589SC-3LVS Same as 4589SC with 3-16” aproned leaves. 4589S Same as 4589SC with solid top. No silkscreen and no highlighted border. 4589S-3LVS Same as 4589S with 3-16” aproned leaves. 4589V Mahogany veneer top features ebonized hardwood inlay with highlighted striped mahogany border. Mahogany and mahogany veneers. Extends to 104” with 2-16” aproned leaves. 4589SC
opposite: 4586V Monroe Place Dining Table, 4587 Monroe Place Hepplewhite Side Chairs, 4588 Monroe Place Hepplewhite Arm Chairs, 4696/4697PS-1 Breakfront China
25 4355 Clipped Corner Dining Table H30 W46 L72 Extends to 120” with 4-12” self storing leaves. Mahogany. Solid top, no inlay or border. Pedestal has three legs.
4355
Self storing leaves as featured 4355,4357 and 4359 tables
4357 Clipped Corner Dining Table with Highlighted Border H30 W46 L72 Extends to 120” with 4-12” self storing
leaves. Highlighted border with silkscreen accent. 4357 Pedestal has 3 legs. Solid mahogany top.
opposite: 4357 Clipped Corner Dining Table, 4477 Queen Anne Side Chairs, 4478 Queen Anne Arm Chairs, 4798 Breakfront China Base, 4799PS-1 China Top, 4076 Server
26 27 4198 {shown} Double Pedestal Dining Table H30 W44 L68 Pedestals have 3 sweeping legs. Features highlighted border with silkscreen accent. Mahogany. Extends to 98” with 2-16” aproned leaves.
also available as: 4198-3LVS Same as 4198 with 3-15” aproned leaves. 4198 Extends to 113”. 4197 Same as 4198, but with solid top with no highlighting. Mahogany or wild black cherry. Extends to 98” with 2-15” aproned leaves. 4197-3LVS Same as 4197 with 3-15” aproned leaves. Extends to 113”.
4098 Double Pedestal Dining Table H30 W49 L72 Larger size than the 4198, with 4-legged pedestals. Mahogany. Extends to 120” with 4-12” aproned leaves.
also available as: 4097 4359 Top Detail Satin Wood Border Double Pedestal Dining Table H30 W49 L72 Same as 4098, but with solid top and no highlighting. Mahogany. Extends to 120” with 4-12” leaves.
4359 4359 Clipped Corner Dining Table with Crotch Mahogany Veneer H30 W46 L72 Extends to 120” with 4-12” self storing leaves. Crotch mahogany veneer top with satin wood border. Pedestal has 3 legs. Mahogany and mahogany veneer.
opposite: 4198 Double Pedestal Dining Table, 4567 Queen Anne Side Chairs, 4568 Queen Anne Arm Chairs, 4784 Buffet Base, 4786PS-1 China Top
28 29 4358-60
4358-60 Round Dining Table H30 Diameter 60 Solid top. Also available in 66” and 72” diameter. Highlighted border with silkscreen accent. Mahogany.
4144
4144 Breakfast Table H30 W45 L54 Oval table. Extends to 94” with 2-20” aproned leaves. 4356R-50 Highlighted border with silkscreen accent. Mahogany.
4356R-50 Dining Table 4144 Top H301/2 Diameter 50 Solid top. Reeded edge with silkscreened and highlighted border. Mahogany.
opposite: 4144 Breakfast Table, 4577 Chippendale Side Chairs, 4578 Chippendale Arm Chairs
30 31 32 4787 Chippendale Ball & Claw Side Chair H401/2 W23 D23 Mahogany.
4788 Chippendale Ball & Claw Arm Chair H411/2 W28 D231/2
Arm Height 271/2 Mahogany.
4787 4788
4867 Ball & Claw Side Chair H391/2 W241/2 D231/2 Mahogany.
4868 Ball & Claw Arm Chair H391/2 W271/2 D241/2
Arm Height 271/2 Mahogany.
4867 4868
The graceful interlacing splat, its intricately carved crest rail, and elegant outward sweeping reverse curved arms make this Chippendale chair the finest of its kind. Connecticut, circa 1770.
4577 Chippendale Side Chair H39 W22 D23 Mahogany.
4578 Chippendale Arm Chair H39 W251/2 D23 4577 4578 Arm Height 271/2 Mahogany.
opposite: 4589SC Chippendale Ball & Claw Dining Table, 4867 Ball & Claw Side Chairs, 4868 Ball & Claw Arm Chairs, 4714 Hepplewhite DemiLune Console Table
33 4277 Queen Anne Side Chair H42 W23 D23 Wild black cherry.
4278 Queen Anne Arm Chair H42 W26 D231/2
Arm Height 261/2 Wild black cherry.
4277 4278
4567 Queen Anne Side Chair H401/2 W211/2 D221/2 Wild black cherry.
4568 Queen Anne Arm Chair H401/2 W29 D221/2
Arm Height 261/2 Wild black cherry.
4567 4568
4777 Chippendale Side Chair H38 W20 D22 Mahogany.
4778 Chippendale Arm Chair H38 W26 D22 Arm Height 27 Mahogany.
4777 4778
34 In every detail this grand chair bespeaks art as well as beauty. Its features include a finely carved crest rail with center shell flanked by bold scrolls, vase shaped spooned splat, horseshoe shaped seat, shaped arms with outward flaring, carved and scrolled hand holds and graceful cabriole front legs ending in club feet. It is the ultimate in comfort and beauty. Philadelphia, circa 1760.
4477 Philadelphia Queen Anne Side Chair H42 W21 D23 Mahogany.
4478 4477 4478 Philadelphia Queen Anne Arm Chair H421/2 W281/2 D23 Arm Height 28 Mahogany.
These exquisite and elegant Hepplewhite arm and side chairs, circa 1780, are enhanced by the generously carved wheat sheaf backs and delicately tapered legs. They are named for Monroe Place in historic Brooklyn Heights, New York, home of the Audi’s, where the original chairs remain. 4587 Monroe Place Hepplewhite Side Chair H39 W20 D24 Mahogany.
4588 4587 4588 Monroe Place Hepplewhite Arm Chair H39 W231/2 D24
Arm Height 271/2 Mahogany.
4597 Upholstered Back Monroe Place Side Chair H39 W20 D24 Seat Height 19
4598 Upholstered Back Monroe Place Arm Chair 4597 4598 H39 W231/2 D24
Arm Height 271/4 Seat Height 19
35 36 7954 Directoire Side Chair H351/2 W201/2 D22 Wild black cherry.
7955 Directoire Arm Chair H351/2 W231/2 D22
Arm Height 241/2 Wild black cherry. 7954 7955 7950 Directoire Oval Back Side Chair H42 W201/2 D18 Upholstered back.
7951 Directoire Oval Back Arm Chair H42 W201/2 D19 Arm Height 26 Upholstered back. 7948-48 Directoire Round Dining Table H30 Diameter 48 Wild black cherry with walnut accents. Walnut-toned 7950 7951 carved ring border in a solid cherry top. Split base. Extends to 78”with 2-15” aproned leaves. also available as: 7948-48-3LVS Same as 7948-48 with 3-15” aproned leaves. Extends to 93”. 7948-54 Same as 7948-48 with 2-15” aproned leaves. Extends to 84”. 7948-54-3LVS Same as 7948-54 with 3-15” aproned leaves. Extends to 99”.
7948-48 7947 {shown} Directoire Oval Dining Table H30 W51 L77 Wild black cherry with walnut accents. Cherry apron features brass diamonds.Walnut-toned carved ring border in solid wild black cherry top. Legs are trimmed with brass sockets. Extends to 109”with 2-16” aproned leaves. also available as: 7947-3LVS Same as 7947 with 3-16” aproned leaves. 7947
OPPOSITE: 7948-54 Directoire Round Dining Table, 7955 Directoire Arm Chair, 7954 Directoire Side Chair, 7940 Directoire Buffet, 7941G Directoire China
37 7941 {shown} Directoire China Top H471/2 W68 D19 Beveled glass. Adjustable glass shelves with plate grooves. Canister lights with dimmer control.
also available as: 7941-1 Directoire China Top with Mirrored Back
H471/2 W68 D19
7941G {shown} 7941G Directoire China Top with Grills and Glass Same as 7941 with decorative grills. 7941G-1 China Top with Grills, 7941 Glass and Mirrored Back
7940 {shown} Directoire Buffet
H36 W661/2 D19 Adjustable shelves behind buffet doors. Pacific Silvercloth® insert in center drawer. Solid wild black cherry with brass and walnut accents.
7941
7940
Opposite: 7947 Directoire Oval Dining Table, 7950 Directoire Oval Back Side Chairs, 7951 Directoire Oval Back Arm Chairs, 7941-1 Directoire China Top, 7940 Directoire Buffet {shown with optional black and gold finish trim}
38 3939 A blend of history and individuality in a collection of country dining tables.
Bouckville, in the heart of New York’s Cherry Valley, is the home of many of the area’s finest antique shops. A tour of these shops, and their infinite variety, speaks of a time when country furniture was hand-made for each family’s unique needs. Drawing on that tradition of craftsmanship and individuality, we are proud to offer this country table collection. These solid wild black cherry dining table have just the right touch of 253 warmth and informality for your family gatherings.
253 Draw Top Table with Turned Leg
H30 W40 L64 Contains 2-21” self-storing pull out leaves. Extends to 106”. Wild black cherry.
264-72 {shown} Farm Table with Tapered Leg H30 W42 L72 Wild black cherry.
also available: 264-72LVS Farm Table 264 H30 W42 L72 Two 21” leaves.
6017-60 {shown} Trestle Table
H30 W40 L60 Wild black cherry.
also available as: 6017-60LVS H30 W42 L60 With 2-15” leaves. 6017-74 H30 W42 L74 6017-74LVS H30 W42 L74
With 2-15” leaves. 6017-74 The unique draw top table design was first introduced by Leopold Stickley in the early 1930’s.
pages 42-43: 253 Draw Top Dining Table, 7050 Side Chairs, 70501/2 Continuous Arm Chairs
40 4141 The Windsor Chair, so the legend runs, was first made by a wheelwright who lived in the forest near Windsor Castle in England. One day the king, out hunting, stopped at the wheelwright’s cottage to rest. The design of the chair appealed to him and he commissioned the man to build others for use in the castle. Windsor Chairs were also the seats provided in Carpenter’s Hall in Philadelphia when the first Continental Congress met there on September 5, 1774, and again in Independence Hall on May 5, 1775. Members of the Second Continental Congress rose from Windsor Chairs and went forward to sign the Declaration of Independence. The Windsor Chairs made by Stickley are faithful reproductions of those made at that time 7060 7061 and are as popular today as ever before. They combine solid wild black cherry for seats, arms and legs, with ash and hickory for some spindles and bendings. Our
70501/2 continuous arm chair has twenty-one wedge joints.
7060 Windsor Side Chair H371/2 W181/2 D171/2
7061 Windsor Arm Chair H371/2 W20 D171/2 Arm Height 27 91-787 91-788
91-787 Shaker Side Chair H38 W19 D20
91-788 Shaker Arm Chair H41 W26 D22
Arm Height 271/4 Wild black cherry.
7050
1 Side Chair 7050 7050 /2 H38 W191/2 D21
70501/2 Continuous Arm Chair H41 W26 D22 Arm Height 28
7051 Arm Chair H40 W24 H221/2
7141R Comb-Back Rocker H46 W28 D21 7051 7141R
42 From 1931 to 1933, the “Stickley House” exhibit inside Chicago’s legendary Marshall Field store introduced visitors to Early American furniture classics as interpreted by Leopold Stickley. Never before were so many of Stickley’s authentic reproductions and adaptations of his valuable collection of antiques
1 assembled in an environment so native to that for 4000 4000 /2 which the originals were designed nearly three centuries ago.
4000 Ladderback Side Chair H391/2 W19 D18
40001/2 Ladderback Arm Chair H391/2 W231/2 D21 Arm Height 26
53 Side Chair H371/2 W221/2 D20
531/2 Arm Chair H371/2 W25 D23 1 53 53 /2 Arm Height 271/2
17 Bishop White Settee H371/2 W441/2 D211/2 Arm Height 28 Wild black cherry.
14 Bow Back Bar Stool H47 W20 D20
Seat Height 291/2 Copper covered foot rest.
17 14
43 traditional bedroom
From the exquisite 18th Century hand carved Rice bed to the simple and graceful Cherry Valley designs that marked the change from wilderness cabins to stately pre-Georgian mansions, Stickley bedroom pieces are built to last generations. Bed posts are constructed of solid wild black cherry or mahogany. All drawers are center-guided and side-hung.
opposite: 3578 Tall Chest, 3039B Sleigh Bed, 3584 Tall Night Table
44 45 In the 18th Century, rice, cotton and tobacco plantations were quickly growing throughout the Southern colonies. It is thought the Rice motif symbolized prosperity and trade and gave its owner a sense of pride and accomplishment.
This exquisite hand-carved Rice bed features the spade foot moving upward to the lambs tongues which gracefully make the transition from a square to an octagonal then to a round post. The incised flutes all carry one’s eye to the focal point, the Rice design. There are three Rice designs gently wrapping around each post, appearing to have slight movement as though they were in a gentle breeze. The reeded post continues to reach upward to yet another carved leaf form, finally terminating into a beautiful twisting finial which carries through the feeling of movement.
The bed rails are tenoned into each post then fastened with long bed bolts as they were in the 18th century. The bed bolts allow for easy assembly and transport. The bed bolt cover plates are of brass and are in keeping with the ornate design of the post. They conceal authentic bed bolts, which allow the bed to be disassembled for ease of placement. A bed bolt wrench is supplied and stores in the head rail for easy access.
3560B {shown} Rice Carved Queen Bed
H92 W663/4 L881/2 Approximate height from bottom of box spring to floor 11”. Mahogany.
also available as: 3560L Rice Carved King Bed
H92 W823/4 L881/2
opposite: 3560B Rice Carved Bed, WA-2009 The Grove Night Stand {Williamsburg Reserve Collection}, WA-2008 The Grove Door Chest {Williamsburg Reserve Collection}
46 47 3027B
3027B {pages 54-55} Tall Post Queen Bed
H77 W64 L83 Bed bolt construction. Wild black cherry or mahogany. Approximate height from bottom
of box spring to floor is 101/2 ”.
also available as: 3027L Tall Post King Bed
H77 W79 L83
opposite: 3027B Tall Post Queen Bed, 3677 Triple Dresser, 3684 Night Table, Chobi Classic Floral Ushak {Stickley Designer Rug}
48 49 5450 7524B
7524B {shown} 7524L 7524CL Panel Sleigh Queen Bed Panel Sleigh King Bed Panel Sleigh California King Bed
H47 W64 L961/2 H47 W791/2 L961/2 H47 W751/2 L1001/2 Footboard Height 34 Footboard Height 34 Footboard Height 34 Wild black cherry. Wild black cherry. Wild black cherry. also available as: also available as: also available as: 7524B-HB 7524L-HB 7524CL-HB Panel Sleigh Queen Bed Panel Sleigh King Bed Panel Sleigh California King Bed Headboard Only Headboard Only Headboard Only
H47 W64 H47 W791/2 H47 W751/2 Headboard only. For use with metal Headboard only. For use with metal Headboard only. For use with metal bed frame. Wild black cherry. bed frame. Wild black cherry. bed frame. Wild black cherry. 7524B-LFB 7524L-LFB 7524CL-LFB Panel Sleigh Queen Bed Panel Sleigh King Bed Panel Sleigh California King Bed with Low Footboard with Low Footboard with Low Footboard
H47 W64 L961/2 H47 W791/2 L961/2 H47 W751/2 L1001/2 Footboard Height 17 Footboard Height 17 Footboard Height 17 Wild black cherry. Wild black cherry. Wild black cherry.
opposite: 7524B Sleigh Queen Bed, 3581 Double Dresser, 3143 Mirror, 3574A Night Table, Royal Pine Garnet {Stickley Designer Rug}
51 52 3039B 3039B-LFB
3039B {shown} also available as: 3039B-LFB {shown} also available as: Sleigh Queen Bed 3039L Sleigh Queen Bed with 3039L-LFB Sleigh King Bed Sleigh King Bed with H50 W671/2 L911/2 Low Footboard H50 W831/2 L911/2 Low Footboard Footboard Height 30 H50 W671/2 L911/2 Wild black cherry or mahogany. H50 W831/2 L911/2 This elegant bed features an abundance Footboard Height 171/2 of graceful curves. Contoured Same as the 3039 with low footboard. Footboard Height 171/2 3039CL Wild black cherry or mahogany. footboard follows line of posts. Sleigh California King Bed Wild black cherry or mahognay. Ogee bracket feet. Wild black cherry H50 W791/2 L951/2 3039CL-LFB or mahogany. Wild black cherry or mahogany. Sleigh California King Bed with Low Footboard
H50 W791/2 L951/2
Footboard Height 171/2 Wild black cherry or mahogany.
From traditional to modern, these upholstered beds enable you to define your own style. With an exquisite selection of fabrics to choose from, you can create a personal retreat with a look that is distinctly yours.
7504B 7507B
7504B {shown} also available as: 7507B {shown} also available as: Chelsea Upholstered 7504L 5th Avenue Upholstered 7507L Queen Bed Chelsea Upholstered Queen Bed 5th Avenue Upholstered H58 W64 L86 King Bed H58 W64 L86 King Bed Footboard Height 14 H58 W80 L86 Footboard Height 16 H58 W80 L86 Four upholstered panels. The gracefully arched, fully upholstered 7504CL Your choice of fabric or leather on headboard makes an elegant statement. Chelsea Upholstered three upholstered panels (King has four 7507CL Choice of fabric or leather upholstery. California King Bed panels). Distinctive stepped moulding 5th Avenue Upholstered Wild black cherry. on headboard and footboard. H58 W76 L90 California King Bed Wild black cherry. H58 W76 L90 opposite: 3039B-LFB Sleigh Queen Bed, 3584 tall Night Stand
53 “The human heart has hidden treasures. In secret kept, in silence sealed.”
— Charlotte Bronte
These mahogany bedroom pieces feature highlighted borders with silkscreen accent. The contrast borders are created without the use of veneer. Drawers are side hung and center guided, with solid brass hardware. 3675 Lingerie Chest
H511/2 W251/2 D161/2 Jewelry tray in top drawer. Highlighted border with silkscreen accent. Solid brass hardware. Mahogany.
3685 Night Stand
H30 W301/2 D17 Four drawer. Highlighted border with silkscreen accent. Solid brass hardware. Mahogany.
7204 Bachelor’s Chest H31 W31 D18 Mahogany with highlighted border on top. Solid brass hardware. 3681 Double Dresser H36 W60 D21 Highlighted border with silkscreen accent. 3685 3675 Solid brass hardware. Mahogany.
7204 3681
54 Secret compartments have been crafted into many of the Stickley pieces. Their locations are not published. Please ask your salesperson for information.Various Stickley pieces include a tag with instructions for locating and operating the secret compartment.
3678 Tall Chest
H601/2 W43 D21 Mahogany with silkscreen accent.
3684 Tall Night Stand
H291/2 W251/2 D171/2 Mahogany with silkscreen accent. 3677 Triple Dresser H36 W70 D21 Highlighted border with silkscreen accent. Jewelry tray in top right drawer. Mahogany.
3678
3684 3677
55 This handsome Chest on Chest had its origin in the Cherry Valley Collection. It has been refined and adapted to a more contemporary lifestyle. It features fluted columns, nine side-hung and center-guided drawers, dovetailed cross rails and ogee bracket feet. 3517 Chest on Chest
H671/2 W42 D21 Solid brass hardware. Mahogany or wild black cherry.
3517
Detail of Fluted Column
3577 Triple Dresser
H36 W70 D21 Jewelry tray in top right drawer. Solid brass hardware. Mahogany or wild black cherry.
3577
56 3527 Night Table
H27 W251/2 D161/2 Solid brass hardware. Three drawers. Mahogany or wild black cherry.
3584 Night Table
H30 W251/2 D161/2 Solid brass hardware. Four drawers. Mahogany or wild black cherry.
3574A 3527 3584 Night Table H27 W22 D16 Solid brass hardware. Single drawer. Mahogany or wild black cherry.
3566 Door Night Stand H30 W30 D17 Solid brass hardware. Adjustable shelf behind doors. Mahogany or wild black cherry.
3585 Four Drawer Night Stand
H30 W301/2 D17 Solid brass hardware. Mahogany or wild black cherry. 3574A 3566
3585
57 Reminiscent of the chests found in the homes of the early settlers of the Cherry Valley region, this chest of drawers is functional, versatile, and beautiful. It features subtly graduated drawers, fluted columns, and ogee feet. 3516 Chest of Drawers
H391/2 W40 D191/2 Six drawers. Solid brass hardware. Mahogany or wild black cherry.
3575 Lingerie Chest
H521/2 W251/2 D17 Jewelry tray in top drawer. Solid brass hardware. Mahogany or wild black cherry. 3516
3581 3575 Double Dresser H36 W60 D21 Jewelry tray in top right drawer. Solid brass hardware. Mahogany or wild black cherry.
Representative of old world craftsmanship, this Blanket Chest features exposed dovetailing. Available in solid wild black cherry, it has an aromatic cedar bottom and a locking lid with spring loaded safety hinges which prevent the lid from dropping accidentally. 3520 Blanket Chest 3581
H251/2 W461/2 D201/2 Wild black cherry.
Many of these chests and dressers have secret compart Please ask your Stickley dealer to show them to you.
3520
58 The original of this magnificent chest of drawers dates back to the late 1700’s. It features ten drawers, fluted columns at corners, ogee bracket feet, one piece drawer front and key escutcheons with small oval back plates. 3578 Tall Chest
H60 W421/2 D21 Solid brass hardware. Mahogany or wild black cherry.
3578
3589 {shown} Columbia Heights Double Dresser
H44 W60 D211/2 Eleven drawers. Solid brass hardware. Mahogany or wild black cherry. also available as: 3689 Columbia Heights Double Dresser
H44 W60 D211/2 Same as 3589 Double Dresser, except top and drawers feature highlighted borders with silkscreen accent.
3589
59 60 7811 King Bed, 7804 LaRochelle Night Stand with Sable Marble Top, 7814 LaRochelle Mirror, 7807 LaRochelle Dresser, Stickley Designer Rug Royal Pine Tan
The La Rochelle Collection consists of bedroom pieces reminiscent of a style made popular during the reign of King Louis Phillippe, the “Citizen King”, from 1830 to 1848.
7808 LaRochelle Door Chest H77 W771/2 D221/2 Accented with antiqued solid brass hardware, this handsome cabinet features two removable shelves and six dividers. Wild black cherry.
7811B LaRochelle Sleigh Queen Bed H50 W66 L901/2
Footboard Height 171/2 Headboard Height 50 Wild black cherry. also available as: 7811L LaRochelle Sleigh King Bed H50 W82 L901/2 7811CL 7808 LaRochelle Sleigh California King Bed H50 W78 L941/2
opposite: 7811B La Rochelle Queen Sleigh Bed, 7801 La Rochelle Night Stand
61 7800 La Rochelle Night Stand H28 W26 D17 Solid brass hardware. Solid black cherry with two drawers.
also available as: 7801 La Rochelle Night Stand with Marble Top H28 W26 D17 Same as 7800 with sable marble top.
7806 La Rochelle Single Dresser
H41 W50 D20 Solid brass hardware. Solid wild black cherry with three drawers and 7800 7806 a concealed secret top drawer.
7802 Lingerie Chest
H551/2 W26 L17 Solid brass hardware. Solid wild black cherry with six drawers and a concealed secret top drawer.
7809 La Rochelle Tall Chest H55 W40 D20 Two removable dividers in top drawers. Solid wild black cherry with three drawers and a concealed secret top drawer.
7802 7809
62 7803 La Rochelle Night Stand H30 W32 D17 Solid brass hardware. Solid wild black cherry with two drawers and a concealed secret top drawer.
7804 La Rochelle Night Stand with Sable Marble Top H30 W32 D17 Same as 7803 with sable marble top. 7803 7804 7814 La Rochelle Mirror
H36 W441/2 D3 Rounded top and bottom corners. 7814 Solid wild black cherry.
7807 La Rochelle Dresser
H41 W681/2 D20 Pleasing to the eye in its proportions of form and sturdy solid construction, this eight drawer dresser has rounded corners on top and base and a smartly hidden secret compartment. The two top drawers are concealed and have a velvet liner in each.
7807
63 64 3007B 3007B-LFB
also available as: also available as: 3007B {opposite} 3007B-LFB Panel Queen Bed 30071/2 Panel Queen Bed with 30071/2 -LFB Panel Twin Bed Panel Twin Bed with H48 W621/2 L871/2 Optional Low Footboard H48 W411/2 L821/2 Low Footboard Footboard Height 311/2 H48 W621/2 L871/2 H48 W411 L821 Approximate height from 3007L Footboard Height 14 /2 /2 bottom of box spring to floor Panel King Bed Approximate height from 3007L-LFB is 8”. Wild black cherry. bottom of box spring to floor H48 W79 L871/2 Panel King Bed with is 8”. Wild black cherry. Low Footboard
Also available as headboard only. H48 W79 L871/2
3143 91-715 3569
3143 91-715 3569 Mirror Mirror Tri-Fold Mirror H34 W46 H38 W40 D1 H46 W531/2 Mahogany or wild black cherry. Wild black cherry. Mounts on any dresser. Mahogany.
Opposite: 3007B Panel Bed, 3584 Night Table, English Arts & Crafts {Stickley Designer Rug}
65 All Stickley bedposts shown here are constructed of solid, single pieces of wild black cherry.
91-7737B also available as: Bridgeport Queen Bed 91-7737L Bridgeport King Bed H501/2 W63 L841/2 H501/2 W791/2 L841/2 Footboard Height 321/2 Wild black cherry. Footboard Height 321/2 91-7737CL Also available with low Bridgeport California footboard or as headboard only. King Bed
H501/2 W761/2 L891/2 91-7737B Footboard Height 321/2
91-3548B 3547B
91-3548B also available as: 3547B also available as: Duanesburg Queen Bed 91-3548L Pencil Post Queen Bed 3547L Duanesburg King Bed Pencil Post King Bed H841/2 W651/2 L871/2 H74 W621/2 L85 H84 W811 L871 Approximate height from bottom /2 /2 Approximate height from bottom H74 W79 L85 of box spring to floor is 101 ”. of box spring to floor is 101 ”. /2 /2 Available with low footboard. Wild black cherry. Wild black cherry.
Opposite: 91-3548B Duanesburg Queen Bed, 91-641 Night Table, 91-726 Duanesburg Door Chest shown in #62 Ebony Antique Finish
66 67 The Duanesburg bedroom suite features round wood knobs and pinth bases.
91-728 Duanesburg Night Stand H30 W26 D17 Wild black cherry.
91-740 Duanesburg Single Dresser 91-740 H35 W491/2 D20 91-728 Sliding jewelry tray in top right drawer. Solid wild black cherry.
91-724 Duanesburg Lingerie Chest
H521/2 W231/2 D171/2 Jewelry tray in top drawer. Wild black cherry.
91-727 Duanesburg Chest
H53 W38 D211/2 Wild black cherry.
91-128 Dresser Deck H4 W64 D10 Wild black cherry.
91-724 91-727 91-725 Triple Dresser H35 W66 D20 91-128 Wild black cherry.
91-725
68 This handsome tall Door Chest was inspired by an original cupboard built near Duanesburg, New York in 1839. Generous in size, and exquisitely simple in design, this practical piece combines form and function into a strong statement. Features include graduated drawers and panel drawers.
91-726 Duanesburg Door Chest H763/8 W421/4 D23 Wild black cherry.
91-641 Night Stand
H29 W20 D171/2 Wild black cherry.
91-641 91-726
91-726 Duanesburg Door Chest, 91-3548B Duanesburg Bed, 91-641 Duanesburg Night Stand
69 occasional furniture
Our Occasional Collection strikes a balance between luxurious design and every day practicality. The various pieces combine to help you create a more comfortable and serene home... a quiet haven where you can retreat... a showplace in which to entertain... a peaceful refuge where you can be surrounded by beautiful things.
opposite: 4715 Drum Table, CW-13 New England Lolling Chair {Williamsburg Reserve Collection}
70 71 4774A-1 Display Cabinet with Mirrored Back H84 W42 D17 Interior lights with dimmer switch. Adjustable glass with plate grooves. Solid brass hardware. Mirrored back. Mahogany.
Also available as: 4774A Display Cabinet with Wood Back and No Pediment H84 W42 D17 4774AP Display Cabinet with Pediment and Wood Back H93 W42 D17
4774AP-1 {shown} Display Cabinet with Pediment and Mirrored Back H93 W42 D17 4774AG Display Cabinet with Beveled Glass and No Pediment with Wood Back H84 W42 D17 4774AG-1 Display Cabinet with Beveled Glass and No Pediment with Mirrored Back H84 W42 D17 4774APG Display Cabinet with Beveled Glass with Pediment with Wood Back H93 W42 D17 4774APG-1 Display Cabinet with Beveled Glass with Pediment with Mirrored Back H93 W42 D17 4774AP-1
opposite: 4774AP-1 Display Cabinet, JW-4819 Wheel Back Arm Chair {John Widdicomb Collection}
72 73 4111 Marlborough Cocktail Table
H18 W46 D231/2 Swirl mahogany aprons with gadroon carving, carved leg brackets, marlborough feet. Highlighted border with silkscreen accent. Mahogany.
4716 Hepplewhite Oval Cocktail Table H19 W43 D29 4111 This exquisite table features a crotch mahogany sunburst top with a prima vera center medallion. It is enhanced by a rose wood, satin wood, and tulip wood border. The vertical crotch mahogany aprons are adorned by exotic wood inlay and the graceful legs have ebony, maple and tulip inlay. Mahogany and mahogany veneers.
4612 4716 Cocktail Table
H181/2 W46 D31
Solid brass ferrules on legs with casters. Highlighted border with silkscreen accent. Mahogany.
7972 Oval Cocktail Table
H19 W431/2 D291/2 Wild black cherry with walnut and brass accents. The cherry tops have crossbands with walnut and 4612 maple diamond inlay. Brass features at end of legs.
7972
opposite: 4716 Hepplewhite Oval Cocktail Table, 96-9170-88 Newport Sofa {Stickley Fine Upholstery Collection}
74 75 4715 Drum Table
H271/2 Diameter 32 Like the original from the Audi home on Monroe Place in Brooklyn Heights, New York, this reproduction features four individual drawers with crotch mahogany drawer fronts. It has an eight-piece crotch mahogany sunburst top with satin wood and tulip wood border. Solid brass hardware. Mahogany and mahogany veneers. 415A 4715 415A Round Chippendale Lamp Table H26 Diameter 27 Wild black cherry. 4709 Monroe Place End Table
H231/2 W22 D28 One drawer. Mahogany. 4706 Monroe Place Cocktail Table H19 W46 D26 Mahogany. 4709 4706 7977 Directoire Round Lamp Table with Wood Top
H27 Diameter 261/2 Cherry top and crossbands with walnut and maple diamond inlay. Walnut bottom shelf.
7978 Directoire Round Lamp Table with Black Marble Top
H27 Diameter 261/2 Walnut accents. Walnut bottom shelf.
7978 7977
76 In 1771 two young Philadelphia poets attending Princeton hailed their city as the “mistress of our world, the seat of the arts, of science, and of love”. Furniture makers then developed the most elaborate and handsomely carved pieces. The edge of the table tops were moulded and carved in a pie crust pattern. This exquisite Philadelphia Chippendale style table is as popular today as it was in the 18th Century. 5054 Scalloped Table Top
H26 Diameter 26 Fixed top. Mahogany or wild black cherry. 5054
4708 Revolving End Table
H25 Diameter 28 Crotch mahogany sunburst top. Three adjustable shelves. Mahogany.
7824 La Rochelle One-Drawer Lamp Table 4708 7824
H26 W23 D28 One drawer. Cherry.
7822 La Rochelle Rectangular Cocktail Table
H191/2 W50 D25 Two drawers on the left and one deep drawer on the right. Cherry.
7822
77 78 The lowboy design began in England, and was typically used as a lady’s dressing table or chamber table, with several small drawers for toiletries. The style saw renewed popularity in late 18th Century America, where it began to be used as a side table. While the gracefully curved legs of this lowboy are of the Queen Anne style, the ornate shell carving and decorative turned acorn drops reflect the influence of Philadelphia artisans.
195 Lowboy
H311/2 L331/2 D20 Top drawer locks. Solid brass hardware. Mahogany. 195
7203 Bachelor’s Chest H31 W31 D18 Quarter-round top moulding, pull-out writing slide. Decorative chest lifts are on ends. Solid brass hardware. Mahogany.
7204 Bachelor’s Chest H31 W31 D18 Same as 7203, but top features a highlighted border with silkscreen accent.
7203
7204 opposite: 195 Lowboy
79 The Pembroke table is traditionally thought to have been named for the Countess of Pembroke, the client who first ordered one. The table was uncommon before the mid-eighteenth century. The earlier table was used primarily for dining. Today, as side or end tables in the living room, they are equally functional and fashionable.
433 Pembroke Table
H28 W19 D28 Open W36 Highlighted border with silkscreen accents. Solid brass hardware. Mahogany.
431 Pembroke Table
H28 W19 D28 Open W36 Solid brass hardware. Mahogany. 433 431 437 Pembroke Table
H28 W19 D28 Open W36 Crotch mahogany top with center medallion. Solid brass hardware. Mahogany and mahogany veneers. 4105 Marlborough Lamp Table
H26 W28 D221/2 Swirl mahogany, gadroon apron moulding, carved leg brackets, marlborough feet. Highlighted border with silkscreen accent. Mahogany and mahogany veneers.
4805 437 4105 Ball & Claw Lamp Table
H24 W23 D27 Carved ball and claw legs with gadroon waist moulding. Highlighted border with silkscreen accent. Mahogany.
4726 Monroe Place Chippendale End Table
H261/2 W161/2 D23 Crotch mahogany top. Mahogany and mahogany veneers.
4805 4726
opposite: 4774 Display Cabinet, 4706 Monroe Place Cocktail Table, 4709 Monroe Place End Table, 96-9119-92 Southampton Sofa {Stickley Fine Upholstery}, 96-9319 Southampton Chair {Stickley Fine Upholstery}
80 81 These universally admired pieces offer today’s homes traditional charm, modern utility and enduring beauty. Unsurpassed in craftsmanship and unmatched in value, each piece will be enjoyed and handed down as a treasured possession worthy of the appreciation of many generations.
427A Chippendale Lamp Table
H22, 25, or 27 W19 D27 Please specify height. Solid brass hardware. Mahogany or wild black cherry.
4714 Hepplewhite Demilune Console Table H32 W54 D16 This console features satin wood, maple and ebony inlay. A patera motif graces its legs. Mahogany and mahogany veneers. 427A 4714
429 Nest of Tables
H251/2 W25 D18 A set of three tables in the Hepplewhite style offers elegant styling, compactness and versatility all under one top. Wild black cherry.
4728 Hepplewhite Console
H32 W38 D12 429 4728 Solid mahogany top. Highlighted border with silkscreen accent. Apron and tapered legs feature exotic mahogany and maple veneers.
4390 Bamboo Arm Chair Outside H36 W22 D21
Arm Height 277/8 Seat Height 195/8 Maple. Available in all Stickley cherry and mahogany finishes.
4390
opposite: 4728 Hepplewhite Console, 4867 Ball & Claw Side Chair
82 83 84 4385 Sliding Door TV Console
H281/2 W69 D21 Same as 4384 (shown on page 88) with three doors. tv console options: 4385GGG Three glass doors. 4385WWW Three wood doors. 4385SSS Three speaker grill doors. 4385WGW Wood, glass, wood. 4385WSW Open 4385GWG Glass, wood, glass. 4385WSW Wood, speaker grill, wood. 4385SWS Speaker grill, wood, speaker grill. 4385GSG Glass, speaker grill, glass. 4385SGS Speaker grill, glass, speaker grill.
4385WSW Closed
4385T Upper TV Cabinet
H511/2 W68 D131/2 For use with 4385 series consoles. also available as: 4385TMB Upper TV Cabinet w/ Mounting Bracket
H511/2 W68 D131/2 For use with 4385 series Consoles. Includes mounting bracket for plasma or LCD televisions.
4385T/4385WSW
opposite: 4385WSW Sliding Door TV Console, 4385T Upper TV Cabinet
85 4384 Sliding Door TV Console
H281/2 W47 D21 Frame & Panel doors with beveled panels and chamfered posts. Doors available with choice of wood panels, glass, or speaker grill. Two door units must have both doors with same material. Two adjustable shelves behind each door, notched for wire access. Four-plug outlet with coaxial TV cable behind left-side door. Air slots in top and bottom of each back panel. Wire access from side to side. Wild black cherry. 4384G Closed tv console options: 4384G Two glass doors. 4384S Two speaker grill doors. 4384W Two wood doors.
7820W La Rochelle TV Console
H33 W471/2 D231/2 Two wood doors. 4384G Open tv console options: 7820G Two glass doors. 7820S Two speaker grill doors.
7821WWW La Rochelle TV Console H33 W68 D23½ Three wood doors.
tv console options: 7821GGG Three glass doors. 7821WWW Three wood doors. 7821SSS Three speaker grill doors. 7820W 7821WGW Wood, glass, wood. 7821GWG Glass, wood, glass. 7821WSW Wood, speaker grill, wood. 7821SWS Speaker grill, wood, speaker grill. 7821GSG Glass, speaker grill, glass. 7821SGS Speaker grill, glass, speaker grill.
7821WGW
86 4377W-36 Corner TV Cabinet H36 W55 D22 Open area at top for electronics. Wood doors. Requires 39” wall space. also available as: 4377G-28 Corner TV Cabinet H28 W55 D22 Without open shelf. Wood doors. Requires 39” wall space. 4377G-36 Corner TV Cabinet H36 W55 D22 With open area at top for electronics. Glass doors. Requires 39” wall space. 4377W-28 Corner TV Cabinet 4377W-36 H28 W55 D22 Without open shelf. Wood doors. Requires 39” wall space.
91-0111-32 Yeddo Plant Stand H32 W15 D15 Framed wood top. Wild black cherry.
91-0111-23 Yeddo Plant Stand H23 W15 D15 Wild black cherry.
91-0111-32 91-0111-23
87 4538A Chippendale Writing Desk
H30 W48 D24 Solid mahogany top features highlighted border with silkscreen accent. Fall front keyboard center tray drawer. Solid brass hardware. Mahogany.
7066 Chippendale Table Desk
H301/2 W66 D32 This desk, which features a solid mahogany top with silkscreen accent and highlighted border, is enhanced 4538A by gadroon moulding, cable fluted legs, Marlborough feet and Rococo style hardware. It has ball bearing drawers slides, a pencil tray in center drawer and a rear dictation slide. Solid brass hardware. Mahogany.
7970 7066 Directoire Writing Desk H30 W50 D26 This writing desk has two end drawers with center fold down keyboard drawer. Sliding mouse pad is available for either end drawer.
also available as: 7960 Directoire Writing Desk with Marble Top
H30 W50 D26
7970
Influenced by late Georgian styling, this secretary desk offers a formal elegance. It features intricate door mullions, dentiled broken pediment with carved finial, ogee bracket feet, rococo brass pulls, interior lights with dimmer switch and adjustable glass shelves. The pigeon hole interior has twelve small individual drawers, two document containers, as well as a secret compartment.
5147/5148 {opposite} Secretary Desk
H91 W381/2 D201/2 Solid brass hardware. Mahogany. 5147 also available as: 5147 Slat Top Desk ONLY
H40 W37 D201/2
opposite: 5147/5148 Secretary Desk
88 89 Combination of 4313, 4312, 4311, & 4314 4313 4312 4311 4314 Bookcase Bookcase Bookcase Bookcase H801/2 W30 D13 H34 W38 D111/2 H34 W30 D111/2 H801/2 W38 D13 Four adjustable shelves. One adjustable shelf. One adjustable shelf. Four adjustable shelves. Wild black cherry. Wild black cherry. Wild black cherry. Wild black cherry.
90 7825 La Rochelle File Lamp Table
H26 W23 D28 One standard drawer and one file drawer. 7595 Computer Deck
H40 W60 D14 Features tack board and task light. Two adjustable dividers.
7594 Computer Desk
H30 W60 D30 Features full extension drawers with deep file drawer for letter and legal. Keyboard pull-out. Electrical control panel behind CPU door. 7825
7595 & 7594
91 executive office furniture
Stickley furniture lends a natural beauty and importance to any office environment. It is easily the office of choice for the executive who knows that Stickley does not trade beauty for function. There is an abundance of hidden and open storage for paperwork, files, equipment, and even display for those special collectibles. The rich warmth of wood, enhanced by a glowing finish, make these pieces at home in any executive office.
Opposite: 730-733-730 Credenza, 8172 Executive Desk, 831-832-831 Upper Unit, 731-730-731 Credenza
92 93 Executive desks feature a central locking mechanism, dictation slide and full extension file drawers which accommodate both standard and legal size pendaflex files. The top center drawer is standard as a fold-down keyboard drawer.
8172 Executive Desk
H301/2 W72 D36
Kneehole size: H241/2 W31 Accuride super silent polymer ball bearing slides. Central locking system, front dictation slide. Wood writing slide inside each top end drawer. Deep drawers for legal hanging folders. Modesty panel. Wire access in each end of desk. Highlighted border with silkscreen accent. Solid brass hardware. Mahogany.
8172
8062A {shown} Executive Desk
H301/2 W62 D34
Kneehole size: H24 W251/2 Same features as 8172, but in a smaller size.
also available as: 8062ALT Executive Desk with Leather Top
H301/2 W62 D34
Kneehole size: H24 W251/2 Wild black cherry.
8062A Front
8062A Back
94 8072 Executive Desk
H301/2 W72 D36
Kneehole size: H241/4 W31 Same features as 8172, page 96, but with solid wood top. Wild black cherry and mahogany.
8072
8072LT Executive Desk with Leather Top
H301/2 W72 D36
Kneehole size: H241/4 W31 Same features as 8072, but with glazed maroon leather top with gold tooling. Solid brass hardware. Wild black cherry or mahogany.
8072LT
95 Custom Credenza and Executive Wall Units Custom credenza units are designed to complement our executive desks. All units are made of wild black cherry or mahogany, with solid brass hardware. These flexible units are available as individual cabinets, as shown in the diagrams below, or permanently assembled in any combination with one piece tops and bases. Standard lengths are
613/4” or 913/4”. Combinations larger than 913/4” are built in two sections. When ordering a one-piece custom credenza, list units desired from left to right, and total the price of the individual units.
731, 730 & 731
The following illustrations outline the standard credenza components shown as individual cabinets. When ordering a custom credenza, add the basic component widths of
30” and add 13/4” to the total for top overhang. {Individual units shown below include overhang.}
831 832 833 Upper Door Unit Upper Bookcase Unit Upper Door Unit H52 W33 D131/2 H52 W33 D131/2 H52 W33 D131/2 Wood doors, two Two adjustable wood Beveled glass doors, two adjustable wood shelves and one stationary adjustable glass shelves, shelves in cupboard. middle shelf. lights with dimmer switch.
733 734 Kneehole Drawer Unit Kneehole Drawer Unit H61/2 W30 D20 H61/2 W30 D20 Drawer front hinges down for keyboard use. With standard drawer.
730 Drawer Unit 731 732 H301/2 W32 D20 Door Unit Bookcase Unit Two locking deep H301/2 W32 D20 H301/2 W32 D20 file drawers and bars One drawer and one One drawer and one for letter or legal adjustable wood shelf adjustable shelf. hanging file folders. behind doors.
96 Top: 833, 832, 833 Bottom: 731, 733 & 730
Top: 831, 832, 831 Bottom: 731, 730 & 731
97 Stickley Conference Tables Stickley conference tables offer a wide variety of table sizes and styles to suit most business needs. Conference tables are available in solid cherry and mahogany with numerous style combinations. Selections include four base styles, two top shapes, three edge treatments and seven lengths. Standard table width is 49”. Standard table
height is 30”. The standard top thickness for conference tables is 11/4”. Custom sizes are available. All bases are standard with four legs. Bases may be ordered separately. Tops are not sold separately.
five steps to constructing a conference table
1. Select a Base Style
4037 4354 4355 4447
2. Select a Border Treatment CB Contrast border. {Mahogany tables ONLY} NB No border.
CB NB 3. Select a Top Shape BT Boat shape with no rounded corners. RT Rectangular.
BT RT 4. Select an Edge Shape RE Reeded edge. BN Bullnose edge. EL Ellipse edge.
RE BN EL
5. Select a Length 8’ 10’ 12’ 14’ 16’ 18’ 20’
ORDER AS: {base style} – {border treatment} – {top shape} – {edge shape} – {length}
98 The number of base and top sections used to manufacture each table is dependent upon the table length. The chart below reflects the standard number of top sections and bases for each length. All top lengths are available in two-piece sections if requested.
Length of Top 8’ 10’ 12’ 14’ 16’ 18’ 20’ Number of Top Sections 1 1 1 or 2 2 2 2 2 Number of Bases 2 2 3 3 4 4 4
Example: 4037-NB-BT-BN-8 This piece is a mahogany table with two 4037 style bases, no border, one piece top in boat shape, bullnose edge, 8’ length.
Example: 4355-CB-RT-RE-10 This piece is a mahogany table with two 4355 style bases, contrast border, one piece top in rectangular shape, reeded edge, 10’ length.
99 4358 Round Conference Table H30 Diameter 60 Highlighted border with silkscreen accent. Reeded edge only. Also available in 66” and 72” diameters. Mahogany.
4358
4356R-50 Conference Table
H301/2 Diameter 50 Highlighted border with silkscreen accent. Reeded edge only. Mahogany.
4356R-50
100 101 Bracket Clock
H7 W43/4 D21/2 Solid mahogany with battery powered quartz movement.Bracket feet. 102 Bracket Clock
H7 W41/2 D21/4 Solid mahogany with battery powered quartz movement. Ball feet. 101 102 103 103 Bracket Clock
H51/2 W41/4 D21/4 Solid mahogany with battery powered quartz movement.
7 Large Candlesticks H6 Wild black cherry. Sold in pairs.
24 6 Small Candlesticks
H4 Wild black cherry. Sold in pairs. 7
24 6 Lazy Susan 0117 Open
H11/2 Diameter 24 Wild black cherry.
23 Small Jewelry Box
H31/2 W101/2 D71/2 Wild black cherry. 0117 23 Jewelry Box H8 W19 D13 Top features crotch mahogany with cross grain border. Lift lid and locking drawer. 0117 Closed
101
traditional collection finishes
Mahogany Finishes
Newport - 29 Newport Full Sheen - 30 Savannah - 17 Hampton -1
The Williamsburg Reserve Collection finishes found on page 154 are also available on the Stickley Traditional Collection. Refer to the price list for details.
The images printed here cannot begin to convey the depth, clarity, and beauty of our hand-rubbed finishes. This page is intended only to show the wide variety of finishes that we offer. Please use it as a general reference, but not as the basis for selecting your finish. We encourage you to visit an authorized Stickley dealer near you to experience the beauty of our finishes first hand.
103 traditional brass selection
The hardware used on Stickley furniture is made of handcrafted solid brass. The gleam and sparkle of brass enhances the beauty and adds an elegant touch wherever it is used. Hardware is standard on pieces as shown in the catalog. Solid brass pulls are shiny or antiqued depending on the finish selected. Please refer to your price list.
A
B
C
D
E
F
G
104 traditional collection index
6 Small Candlesticks 101 3520 Blanket Chest 58 7 Large Candlesticks 101 3527 Night Table 57 14 Bow Back Bar Stool 43 3560 Rice Carved Bed 46, 47 17 Bishop White Settee 43 3566 Door Night Stand 57 23 Small Jewelry Box 101 3569 Tri-Fold Mirror 65 24 Lazy Susan 101 3574A Night Table 50, 57 53 Side Chair 43 3575 Lingerie Chest 58 53 1/2 Arm Chair 43 3577 Triple Dresser 56 101 Small Bracket Clock 101 3578 Tall Chest 45, 59 102 Small Bracket Clock 101 3581 Double Dresser 50, 58 103 Small Bracket Clock 101 3584 Tall Night Table 45, 52, 57, 64 111 Yeddo Plant Stand 89 3585 Four Drawer Night Stand 57 117 Jewelry Box 101 3589 Columbia Heights Double Dresser 59 195 Lowboy 78, 79 3675 Lingerie Chest 54 253 Draw Top Farm Table Turned Leg 40, 41 3677 Triple Dresser 49, 55 264 Farm Table Tapered Leg 40 3678 Tall Chest 55 415A Chippendale Round Lamp Table 76 3681 Double Dresser 54 427A Chippendale Lamp Table 82 3684 Tall Night Stand 49, 55 429 Nest of Tables 82 3685 Four Drawer Night Stand 54 431 Pembroke Table 80 3689 Columbia Heights Double Dresser 58 433 Pembroke Table 80 4000 Ladderback Side Chair 43 437 Pembroke Table 80 4000-1/2 Ladderback Arm Chair 43 730 Lower Drawer Unit 93, 96, 97 4037 Conference Table Base 98, 99 731 Lower Door Unit 96, 97 4076 Server 23 732 Lower Bookcase Unit 96 4097 Double Pedestal Dining Table 28 733 Lower Kneehole Drawer Unit 93, 96, 97 4098 Double Pedestal Dining Table 28 734 Lower Kneehole Drawer Unit 96 4105 Marlborough Lamp Table 80 831 Upper Wood Door Unit 93, 96, 97 4111 Marlborough Cocktail Table 74 832 Upper Bookcase Unit 93, 96, 97 4144 Breakfast Table 30, 31 833 Upper Glass Door Unit 96, 97 4197 Dining Table 28 3007 Panel Bed 64, 65 4198 Double Pedestal Dining Table 28, 29 3027 Tall Post Bed 48, 49 4277 Queen Anne Side Chair 34 3039 Sleigh Bed 45, 52, 53 4278 Queen Anne Arm Chair 34 3143 Mirror 65 4311 Bookcase 90 3516 Chest of Drawers 58 4312 Bookcase 90 3517 Chest on Chest 56 4313 Bookcase 90
105 traditional collection index
4314 Bookcase 90 4719 Console 23 4354 Conference Table Base 98 4726 Monroe Place Chippendale End Table 80 4355 Clipped Corner Dining Table 26, 98, 99 4728 Hepplewhite Console 82, 83 4356R Dining Table/Conference Table 30, 100 4774A Display Cabinet 72, 73 4357 Clipped Corner Dining Table 26, 27 4776 Corner Cabinet 22 4358 Round Dining/Conference Table 30, 100, 144 4777 Chippendale Side Chair 34 4359 Clipped Corner Dining Table 19, 28 4778 Chippendale Arm Chair 34 4377 Corner TV Cabinet 87 4782 Georgian Breakfront China Top 20 4384 Sliding Door TV Console 86 4783 Hepplewhite Sideboard 15, 16, 17 4385 Sliding Door TV Console 84, 85 4784 Buffet 22, 29 4385T Upper TV Cabinet 84, 85 4785 Buffet 21 4390 Bamboo Arm Chair 82 4786 China Top 21, 29 4447 Conference Table Base 98 4787 Chippendale Ball & Claw Side Chair 19, 33 4477 Queen Anne Side Chair 27, 35 4788 Chippendale Ball & Claw Arm Chair 19, 33 4478 Queen Anne Arm Chair 27, 35 4789 China Top 20 4538A Chippendale Writing Desk 88 4798 Breakfront Buffet 18, 19, 27 4567 Queen Anne Side Chair 29, 34 4799 Breakfront China Top 18, 19, 27 4568 Queen Anne Arm Chair 29, 34 4805 Ball & Claw Lamp Table 80 4577 Chippendale Side Chair 31, 33 4867 Ball & Claw Side Chair 32, 33, 83 4578 Chippendale Arm Chair 31, 33 4868 Ball & Claw Arm Chair 32, 33 4586 Monroe Place Dining Table 25 5054 Scalloped Top Table 77 4586V Monroe Place Dining Table 15, 25 5085 Collin Rocker 81, 82 4587 Monroe Place Side Chair 15, 24, 35 5147 Slant Top Desk 88, 89 4588 Monroe Place Arm Chair 15, 24, 35 5148 Secretary Top 85 4589 Chippendale Ball & Claw Dining Table 25, 32 6017 Trestle Table 40 4597 Uph Back Monroe Place Side Chair 35 7050 Side Chair 41, 42 4598 Uph Back Monroe Place Arm Chair 35 7050 1/2 Continuous Arm Chair 41, 42 4612 Cocktail Table 74 7051 Arm Chair 42 4696 Breakfront Buffet 16, 24 7060 Windsor Side Chair 42 4697 Breakfront China Top 16, 24 7061 Windsor Arm Chair 42 4706 Cocktail Table 76 7066 Chippendale Table Desk 88 4708 Revolving End Table 77 7141R Comb-Back Rocker 42 4709 End Table 76 7203 Bachelor’s Chest 79 4714 Hepplewhite Console Table 32, 82 7204 Bachelor’s Chest 54, 79 4715 Drum Table 71, 76 7504 Chelsea Upholstered Bed 53 4716 Hepplewhite Oval Cocktail Table 74, 75 7507 5th Avenue Upholstered Bed 53
106 traditional collection index
7524 Panel Sleigh Bed 50, 51 91-011 Yeddo Plant Stand 87 7594 Computer Desk 91 91-0128 Dresser Deck 68 7595 Computer Deck 91 91-0641 Two Drawer Tall Night Stand 67, 69 7800 La Rochelle Night Stand 62 91-0715 Duanesburg Mirror 65 7801 La Rochelle Night Stand 60, 62 91-0724 Duanesburg Lingerie Chest 68 7802 La Rochelle Lingerie Chest 62 91-0725 Duanesburg Triple Dresser 68 7803 La Rochelle Night Stand 63 91-0726 Duanesburg Door Chest 67, 69 7804 La Rochelle Night Stand 63 91-0727 Duanesburg Chest 68 7806 La Rochelle Single Dresser 62 91-0728 Duanesburg Night Stand 68 7807 La Rochelle Dresser 63 91-0740 Duanesburg Single Dresser 68 7808 La Rochelle Door Chest 61 91-0787 Shaker Side Chair 42 7809 La Rochelle Tall Chest 62 91-0788 Shaker Arm Chair 42 7811 La Rochelle Sleigh Bed 60, 61 91-3548 Duanesburg Bed 66, 67, 69 7814 La Rochelle Landscape Mirror 63 91-7737 Bridgeport Spindle Bed 66 7820 La Rochelle TV Console 86 7821 La Rochelle TV Console 86 7822 La Rochelle Rectangular Cocktail Table 77 7824 La Rochelle 1-Drawer Lamp Table 77 7825 La Rochelle File Lamp Table 91 7940 Directoire Three Door Buffet 36, 38, 39 7941 Directoire Three Door China Top 36, 38, 39 7947 Directoire Oval Dining Table 37, 39 7948 Directoire Round Dining Table 36, 37 7950 Oval Back Side Chair 37, 39 7951 Oval Back Arm Chair 37, 39 7954 Side Chair 36, 37 7955 Arm Chair 36, 37 7960 Directoire Writing Desk 88 7970 Directoire Writing Desk 88 7972 Directoire Oval Cocktail Table 74 7977 Directoire Round Lamp Table 76 7978 Directoire Round Lamp Table 76 8062A Executive Desk 94 8072 Executive Desk 95 8072LT Executive Desk with Leather Top 95 8172 Executive Desk 93, 94
107 “So that the future may learn from the past.” — John D. Rockefeller, Jr.
108 williamsburg reserve collection Celebrating the Orgin of American Style.
131109 colonial williamsburg
Eighteenth-Century Williamsburg, the capital of the colony of Virginia, owed its inception to politics, its design to human ingenuity, and its prosperity to government, commerce and war. Though never larger in size than a small English country town, Virginia’s metropolis became Virginia’s center of imperial rule, transatlantic trade, enlightened ideas and genteel fashion. Williamsburg served the populace of the surrounding colonies as a marketplace for goods and services, as a legal, administrative and religious center, and as a resort for shopping,information and diversion. But the capital was also a complex urban community with its own patterns of work, family life and cultural activities. Within Williamsburg’s year round populations, a rich tapestry of personal, familial, work, social, racial, gender and cultural relationships could be found.
In Williamsburg patriots such as Patrick Henry protested parliamentary taxation by asserting their right as freeborn Englishmen to be taxed only by representatives of their own choosing. When British authorities reasserted their parliamentary sovereign right to tax the King’s subjects wherever they reside, Thomas Jefferson, George Mason, James Madison, George Washington and other Virginians claimed their right to govern themselves by virtue of their honesty and the logic of common sense.
Many other Americans joined these Virginians in defending their countrymen’s liberties against what they came to regard as British tyranny. They fought for and won their independence. And they then fashioned governments and institutions of self-rule, many of which guide our lives today. These are the events, the personalities, the ideas from our national past that can be experienced, appreciated and learned at Colonial Williamsburg today. Virginia’s old capital was saved from destruction and is still in the process of being restored. By the late 1930s, most of the major buildings of 18th-Century Williamsburg had been restored or reconstructed thanks to the generosity of John D. Rockefeller, Jr. Today, in the historic area of Williamsburg the story is told of how colonists of English, African and European decent fashioned from their lives together a new order, an American society and culture and struggled to secure freedom and prosperity for all. This is where America begins . . . This is America’s Williamsburg.
110 a place in history
The Colonial Williamsburg Foundation has been collecting decorative furnishings of the period 1660-1820 for over seventy years, building one of the world’s premier collections of English and American antiques. The styles represented in the Colonial Williamsburg collection comprise four art historical periods: baroque,circa 1660-1770; late baroque, circa 1720-1745; rococo, circa 1745-1770; and neoclassical, circa 1770-1810.
History of the Reproductions Program Reproductions of works of art have along and honorable history. They have been sought by discriminating people for many hundreds of years as reproductions of something divine and admirable. One of the most discriminating and creative men ever associated with Williamsburg was Thomas Jefferson. Like many educated people of his time, he believed reproductions served an invaluable purpose, that they were enabling and dignifying because they recalled a great original with proven powers to arouse profound emotional and intellectual responses. Since 1936 the Colonial Williamsburg Foundation has been offering reproductions, adaptations and interpretations of seventeenth- century and early nineteenth-century antiques from its collection.
Committed to quality and education, Colonial Williamsburg’s program is guided by a review committee of curators and historians with final say on each product. Items are carefully chosen for their enduring appeal. While the word “reproduction” is understood many ways in the popular mind, in association with Williamsburg it has been widely recognized as describing a copy that is as close to the original as modern industrial methods can possibly bring it.
At Stickley where reverence for tradition is coupled with an unwavering commitment to honest craftsmanship, we are proud to carry on this noble and honorable tradition into the twenty-first century.
111 the finishing touch
No two pieces are precisely alike when they come to the finishing room, where they spend a minimum of four days. Here, the innate beauty of the wood is coaxed forth with legendary Stickley care and craftsmanship. Our finishing process entails a complex series of applications, using clear dyes, rather than pigments. The most important of these is the base stain, an oil finish applied by hand. This stain penetrates deeply to wet the wood fibers and highlight the grain structure. Because it also penetrates unevenly, it creates an illusion of extraordinary depth.
The finishing of our WILLIAMSBURG product is a complex process hatt entails 31 distinct steps. These include staining, highlighting, sealer sanding, glazing and antiquing. After applying the top coat lacquer, which provides a heat, alcohol, and mar resistant surface, we carefully sand, rub, wax and polish the exteriors and interiors to give them a warm, soft and mellow patina. The distinctive WILLIAMSBURG finishes evoke the mellow patina of aged old masterpieces.
Handsanding The Finishing Touch After intensive machine sanding, every piece of furniture is thoroughly hand sanded - Hand-rubbing is one of the ways in which we are able to achieve the depth and clarity even the insides of the drawers. Excess glue is carefully removed from all joints. All sharp of the legendary Stickley finish. edges are eliminated, joints are flushed, any scratch marks are removed, and the pores of the wood are opened. Final hand sanding is meticulously executed by skilled craftspeople using time tested techniques.
This reproduction has elegant proportions and French-inspired lines. Rococo carved scrolls and acanthus leaves combine with serpentine curves, cabriole legs and ball and claw feet derived from an original design of a dragon clutching a pearl. Tradition suggests that the original English Serpentine Sofa may have been in the house of John Prince of Newburyport, Massachusetts, when Washington and Lafayette were guests there. The antique sofa was featured in the Girl Scouts Loan Exhibition sponsored by the American Art Galleries, NY in 1929. This was a milestone event because it was the first extensive public display of early American decorative arts. The pieces exhibited were selected by many of the most prominent curators of the day and their selections influenced scholars and interior designers for years to come.
CW-174 {opposite} also available as: English Serpentine Sofa WA-174-78 H37 W331/2 L88 English Serpentine Sofa Arm Height 32 H37 W331/2 L78
opposite: CW-174 English Serpentine Sofa, CW-8 Daniel Shute Tea Table, WA-2022 Philadelphia Open Arm Chair, Shalimar Garden-Light Green {Stickley Designer Rug}
112 113 114 CW-154 CW-68
This small open arm sofa is a reproduction of an elegant English antique. Its late baroque style, A fine reproduction of an English chest, often called Queen Anne after the early 18th-century British monarch, is characterized by simple, this small piece features an ingenious pullout flowing lines. Scroll-like wings and pad feet grace the piece’s cabriole legs while outcurving arms shelf, handsome brass hardware and subtly terminate into graceful volutes. graduated drawers. Made of fine-grained mahogany, it displays the neat and plain version of rococo style that reflected the CW-154 contemporary English preference for classical Everard Settee order and clean lines. The antique chest, H37 W29 L53 crafted sometime between 1740 and 1760,
Arm Height 251/2 resides today in the 18th-century home of Scottish merchant Ebenezer Ewing.
CW-68 Ewing House Chest of Drawers H30 W30 D171/2
A particularly nice refinement of the Blackwell Serpentine Chest is the Chinese fretwork that replaces the usual reeded quarter-round pilasters in the canted corners. Note also how the shape of both the top and the feet conform to the graceful lines of the facade. Although experts attribute similar chests to the craftsmanship of Jonathan Gostelowe, research now reveals that a number of cabinetmakers produced this elegant form. Family tradition suggests the original Blackwell Serpentine Chest descended through the Stryker and Blackwell families of Germantown, Pennsylvania, but the identity of the piece’s maker remains a mystery.
CW-201 Blackwell Serpentine Chest H33 W46 D231/2 opposite: CW-201 Blackwell Serpentine Chest
115 CW-8 CW-13
Afternoon tea was an important 18th-century social institution. Tea, after all, was far more than This striking reproduction exhibits the high a drink; it was an event. Tea tables of this quality were intended to demonstrate the owner’s place back, flowing lines, boxwood inlay and sense in society. A precise reproduction of a piece crafted by an esteemed Massachusetts cabinetmaker, of lightness and delicacy that are hallmarks the Daniel Shute Tea Table recreates the original’s delicate scalloped apron and graceful cabriole of the neoclassic style. The 18th-century legs. When guests were at hand, the slides at either end of the table supported candlesticks and revival of interest in classical design was the generously proportioned top displayed a teapot and the essential accessories. The Reverend prompted in part by a growing fascination Daniel Shute, pastor of the Third Parish of Hingham and a delegate to the convention ratifying with Pompeii and Herculaneum, the ancient the Federal Constitution for the new state of Massachusetts, was the table’s original owner. Roman sites of archeological excavations that Mahogany and mahogany veneers. began in the 1740s. CW-8 CW-13 Daniel Shute Tea Table New England Lolling Chair H48 W26 D27 H261/2 W301/2 D191/2 Arm Height 28
Distinguished by its guttee feet, this sofa table is fashioned after an antique sideboard table in Colonial Williamsburg’s collections. The 1760 British antique features a carved fret on the table rail and curved brackets on the sides of the legs. The length of the sideboard table has been extended to form a sofa table, a furniture form that did not exist in the 18th century.
WA-2016M-2 {opposite} Nelson-Galt Sofa Table with Sable Marble Top H32 W55 D21
also available as: WA-2016 Wood Top M-1 Green Marble M-2 Sable Marble WA-2016M-1 Green Marble Top
opposite: WA-2016M-2 Nelson-Galt Sofa Table with Marble Top
116 117 WA-2022 CW-209 This Philadelphia arm chair is adapted from a circa-1765 chair Breakfast for the wealthy in Colonial times was enjoyed later in the considered one of the “masterworks” of the furniture collection morning, and often consisted of assorted breads accompanied by cold of Colonial Williamsburg. An unusually fashionable example of meats. Diners might also enjoy the occasional fruit pie or deep-fried Philadelphia rococo style, the antique chair may have been created by dutch sweet cakes. This charming mahogany breakfast table features drop noted cabinetmaker Thomas Affleck. This speculation has intrigued leaves, finely tapered legs, and intricate bellflower inlays. Single drawer curators, especially because chairs of this type have a history of ownership with solid brass hardware. in the Penn family. Since Affleck arrived in Philadelphia on the same ship as Governor Penn, further analysis might reveal that Affleck CW-209 produced the chair for the Governor. Virginia Breakfast Table Open H29 W44 D311/2 WA-2022 Closed H29 W201/4 D311/2 Philadelphia Open Arm Chair H431/2 W291/2 D36
Arm Height 281/4
This fine reproduction is based on an antique now on exhibit in the downstairs study of the George Wythe House. One of the most influential Americans of his time, Wythe was a lawyer, teacher, legislator and judge, and represented Williamsburg in the House of Burgesses. He was also a close friend and advisor to Thomas Jefferson and a signer of the Declaration of Independence. A gentleman of distinction such as Wythe would have stored his library in a bookcase, or a bookpress, like this. The bookcase is made of solid mahogany with frame and panel back construction and pinned mortise and tenon joinery. The lower drawer is side hung and center guided to insure proper alignment. The CW-164L bookcase has three adjustable glass shelves and a dimmer switch. Mahogany.
CW-164 {opposite} also available as: Wythe House Bookcase CW-164L H791/2 W47 D16 Same as CW-164 with glass shelves and lights.
opposite: CW-164 Wythe House Bookcase
118 119 Work tables became popular in England and America at the end of the 18th-century. Apparently inspired by French examples from the 1770s, they were intended for use by women and were usually fitted for storage of sewing and, occasionally, writing equipment. Evidence indicates that the lower drawer of the original mahogany antique once supported a bag for storing sewing projects. Like the original, our faithful reproduction displays an unusual construction feature: the front of the table has been gracefully hollowed to follow the curved contour of the top. Boxwood inlay enhances the mahogany veneer on top, drawers and legs.
CW-311 The Matthew Egerton Work Table H29 W19 D15 CW-311
By 1800, Portsmouth, New Hampshire cabinetmakers had developed the art of coaxing beautiful contrasts in pattern and color from the thin wood sheets they applied to furniture. The same mahogany and curly maple veneers reveal their mysteries on this reproduction of a neoclassic chest of drawers, currently in Bassett Hall, the home of Mr. and Mrs. John D. Rockefeller, Jr. The Rockefellers filled Bassett Hall with their collections, creating a home that was warm and inviting. This chest that bears the home’s name lives up to their high standards for furniture of beauty and charm. The Federal style chest displays drawers of mahogany and tiger maple veneers outlined with fine cock bead moulding around each drawer. The sides and legs are made of solid mahogany and all the drawers are side hung and center guided.
CW-202 {opposite} Bassett Hall Chest of Drawers H361/2 W41 D211/2
opposite: CW-202 Bassett Hall Chest of Drawers, WA-2013 Philadelphia Easy Chair, Royal Pine Coral {Stickley Designer Rug}
120 121 122 WA-1010 CW-48
This handsome mahogany table is an adaptation of an antique that The intricate back splat and four carved ball-and-claw feet of the New served an 18th century household as a tea table or candlestand. Featuring England corner or roundabout chair indicate its owner’s desire for an a tapering shaft, Stickley’s Meyers Candlestand is supported by three elegant seat. Often made as part of a set, a similar Salem example with graceful cabriole legs that terminate into snake feet. We have named five matching side chairs can be seen in the front parlor of the this piece after Louis G. Meyers, a world-class furniture collector, Thomas Everard House in Colonial Williamsburg’s Historic Area. who during the early years of the restoration helped the Colonial Solid mahogany. Williamsburg staff build its collection of fine antique furniture with acquisitions like this table. CW-48 New England Corner Chair WA-1010 {above} also available as: H31 W27 D27 {wall space} Meyers Candlestand WA-1010-25 Diagonally across arms 34 H261/4 D201/4 Meyers Candlestand H261/4 D25
In the 18th-century, a seating piece like the Newport Easy Chair would be found only in the homes of the gentry. Easy chairs were costly since they required expensive fabric and a great deal of labor to produce. This outstanding reproduction shares its ancestor’s pedigree of quality materials, superlative craftsmanship and great comfort. Just imagine what a sensuous treat such a chair would have offered in the days before central heat. When facing the fire on a blustery winter evening, the chair’s ability to cradle heat and block drafts made this special seating piece a veritable haven.
CW-12 {opposite} Newport Easy Chair H46 W30 D29
Arm Height 251/2 opposite: CW-12 Newport Easy Chair
123 WA-84 WA-2015 Board games were a popular pastime in the 18th century. Checkers, also The Regency side and armchairs are copies of the Regency-style chair known as “draughts”, was a tavern favorite as well as the ancient Persian developed for the Williamsburg Inn in the 1930s. Located adjacent to game of chess. Backgammon, thought to be of Aztec origin, was also Colonial Williamsburg’s Historic Area, the Inn was constructed in the “pursued at leisure times by most persons of opulence, and especially style of the 19th-century mineral spring spas and has been elegantly by the clergy.” This mahogany gaming table is adapted from an English appointed in the Regency style. The grand dining area – the Regency original circa-1800 in the collections of Colonial Williamsburg. Room – may be the Inn’s most famous interior space. It features (Game pieces not included.) palm-inspired columns, crystal chandeliers, silk draperies and hand-painted Chinese wallpaper. These graceful, upholstered dining WA-84 chairs surround tables covered in crisp linen. Stickley has developed this Neoclassic Gaming Table chair as the replacement for those currently in the Regency Room. Open H291/2 W411/2 D28
Closed H291/2 W23 D28 WA-2015 {above} Regency Arm Chair H361/2 W231/2 D24
WA-2014 Regency Side Chair H361/2 W211/2 D24
Block front shell carved case furniture reached the pinnacle of its development in Newport, Rhode Island during the 18th-century. This beautifully proportioned Townsend chest illustrates 18th-century aesthetic principles and decorative motifs in a distinctly American furniture form. Its bold design was inspired by classical architecture and required the use of large blocks of swirl-grained mahogany. Carved in alternating convex and concave blocks, the wood-rich front resembled piers, each topped with a handsome shell-carved cap. The chest is a reproduction of a cherished antique that resides in the masterworks gallery of Colonial Williamsburg’s DeWitt Wallace Museum. The antique is attributed to the cabinetmaking shop of John Townsend of Newport, RI, whose craftsmanship epitomized the block-front form among New England furniture-making shops.
CW-207 {opposite} John Townsend Chest H35 W38 D21 opposite: CW-207 John Townsend Chest
124 125 WA-118-91
In the 17th-century, English upholsterers developed their art of stretching webbing and soft cushioning materials across furniture frames. This process upheld the sitter, and the craftsmen became known as “upholders.” By the 18th-century, upholstering was a dominant profession in the American furniture trade. The fashion of the day, obviously influenced by available upholstery materials, dictated a preference for the crisp lines and smooth surfaces achieved by tightly applied upholstery. The reproduction English Rococo Sofa and companion adaptation loveseat honor the elegant tradition of an 18th century upholstery, but include ample cushioning to meet today’s requirement for comfort. The straight fluted legs on the sofa and loveseat show the “neat and plain” version of the rococo style.
CW-118-91 {shown} English Rococo Sofa H381/2 W33 L91 Arm Height 32
also available as: WA-118-66 English Rococo Loveseat H381/2 W33 L66
opposite: CW-118-91 English Rococo Sofa, CW-2019 Goodwin Cocktail Table
126 127 CW-206 WA-175-CH Generally found only in the homes of the gentry, easy chairs were costly WS-175-CH to produce, since they required not only the cabinet maker’s time, but Bassett Hall Chair also plentiful quantities of fabric and the talents of a skilled upholsterer. H36 W37 D36 They were prized for the extra measure of comfort they provided and Arm Height 25 for their ability to block drafts and cradle heat when placed in front of the fireplace. The new England Easy Chair offers all these features WS-175-OT beautifully executed in the neoclassic style. Bassett Hall Ottoman CW-206 H19 W291/2 D20 New England Easy Chair WS-175-OT H46 W34 D31
Arm Height 251/2 also available: WS-206-OT New England Ottoman H21 W241/2 D22
This piece of furniture is inspired by upholstery in the morning room in Bassett Hall, the Virginia home of John D. Rockefeller, Jr. and his wife Abby. The Rockefellers stayed at Bassett Hall when they traveled to Williamsburg to participate in the planning and oversight of the restoration of the colonial capitol. Their cozy home was furnished eclectically with comfortable early 20th-century upholstery, wonderful 18th-century antiques and charming folk art.
WS-175-84 {opposite} also available as: Bassett Hall Sofa WS-175-63 H36 W36 L84 Bassett Hall Loveseat Arm Height 25 H36 W36 L63 Arm Height 25 opposite: WS-175-84 Bassett Hall Sofa, CW-164L Wythe House Bookcase,
128 129 130 WA-2019 The coffee or cocktail table, as we know it today, did not exist in the 18th century. Instead, it was popular to place a tea or breakfast table in front of or beside upholstered furniture. Though significantly taller than their modern counterparts, these tables were just as much a gathering place for family and friends. The Goodwin Cocktail table displays a beautiful mahogany veneer oval top with inlays of mahogany, tulip, maple and ebonized wood resting upon a single-turned column with four sweeping legs.
WA-2019 Goodwin Oval Cocktail Table H19 W49 D30
This unusual piece is adapted from a pair of circa-1810 Chinese antiques in the central passageway at Providence Hall, an 18th-century home moved from Providence Forge, Virginia, to Colonial Williamsburg. The sofa is an example of Chinese export or “cargo” furniture, pieces shipped along with ceramics, spices and other decorative accessories from China to waiting Western markets in the 18th century. For added comfort, an upholstered seat replaces the cane seat on the original. Carved rosettes adorn the arm holds while the tapered legs terminate in brass sockets.
WA-2023 {opposite} Providence Hall Cane Sofa H38 W30 L82 Arm Height 28 to 32
opposite: WA-2023 Providence Hall Cane Sofa, WA-2019 Goodwin Oval Cocktail Table, CW-202 Bassett Hall Chest of Drawers, CW-13 New England Lolling Chair, Shalimar Garden-Light Green {Stickley Designer Rug}
131 132 The Governor’s Palace Tall Clock is an adaptation of a Scottish rococo design brought to Williamsburg, Virginia, in 1772 by Lord Dunmore, the last royal governor. Dunmore fled the Governor’s Palace during June 1775. The following year his clock was sold at public auction to a Jamestown family. The family’s 20th-century descendants gave it to Colonial Williamsburg. The adaptation features a painted dial and has been adjusted slightly to accommodate a German movement with triple chimes.
WA-730 Governor’s Palace Tall Clock H90 W19 D121/2
WA-730
Once known as “Easie” chairs, high-backed, upholstered armchairs with pronounced side wings kept their sitter warm by capturing and holding in heat from a fire. The Philadelphia Easy Chair is an adaptation of a chair from the collection of Mr. and Mrs. Archibald McCrea. The McCreas’ collection and home, Carter’s Grove plantation, were gifted to Colonial Williamsburg in 1969. The chair features acanthus carving on the mahogany legs, in place of shell carving on the original.
WA-2013 {opposite} Philadelphia Easy Chair H48 W371/2 D36
Arm Height 281/2 to 21 opposite: WA-2013 Philadelphia Easy Chair, CW-202 Bassett Hall Chest of Drawers, Royal Pine Coral {Stickley Designer Rug}
133 134 CW-205 CW-204
The Coates Arm and Side Chairs have quite a history. The antiques on which they are based are true masterpieces of the late baroque style. In fact, they have been recognized as perhaps the most artistically successful late baroque chairs produced in America. According to tradition, these sophisticated chairs were handed down through the Coates family of Philadelphia before their acquisition by Colonial Williamsburg. Our reproductions capture all the fine details of these important chairs including their angular balloon seats with recessed shells, voluted and acanthus carved knees, vase-shaped back splats and double S-scrolled crest rails.
CW-205 {opposite} CW-204 Coates Arm Chair Coates Side Chair H42 W311/2 D221/2 H42 W21 D201/2
Arm Height 291/2 Seat Height 171/2
Seat Height 171/2
opposite: CW-205 Coates Arm Chair
135 In the 18th century, men of wealth and education often had extensive libraries. Books with leather bindings were stored in large “bookpresses”, which today we refer to as breakfronts. This magnificent English mahogany bookpress is adapted from a circe-1750 antique in the collections of Colonial Williamsburg. It stands 99” as a set with an optional pediment and is crafted from mahogany solids with crotch mahogany veneer doors and swirl mahogany drawer fronts. One adjustable shelf behind each door.
WA-2020/WA-2021-1 {shown} Kensington Breakfront with China Top Overall H99 W701/2 D18
WA-2020 Kensington Buffet H32 W69 D171/2
WA-2021-1 Kensington Breakfront China Top with Mirror Back H67 W701/2 D18
H59 W701/2 D18 (without pediment)
also available as: WA-2021 Kensington Breakfront China Top with Wood Back H67 W701/2 D18
H59 W701/2 D18 (without pediment)
WA-2020/WA-2021-1
The double-pedestal dining table so beloved today became popular in the late 18th-century when homes began to be built with rooms designed specifically for dining. The Norfolk Dining Table is adapted from an important Virginia tilt-top table now in the Colonial Williamsburg collection. The table was first owned by Norfolk resident Daniel Barraud, whose son Philip resided in Williamsburg. It features a boldly turned pedestal and graceful tripod base with beautiful acanthus leaf carving and exquisite ball and claw feet.
WA-2002 {opposite} also available as: WA-2002-4LVS
Norfolk Dining Table WA-2002-3LVS H30 W48 D74 H30 W48 D74 H30 W48 D74 With four 12” leaves, extends to 122” With two 20” leaves, extends to 114” With three 20” leaves, extends to 134” Solid top. No highlighting. Mahogany veneer top with highlighted border. Mahogany veneer top with highlighted border.
opposite: WA-2002 Norfolk Dining Table, CW-204 Coates Side Chair, CW-205 Coates Arm Chair, WA-2020 Kensington Breakfront Buffet, WA-2021-1 Kensington Breakfront China Top
136 137 CW-16A CW-16
These fine chairs are based on a 1760s rococo antique stamped proudly by its maker, London cabinetmaker W. Huntsman. They illustrate the complexity of the rococo style. A lightness of form and a profusion of carved and pierced ornaments are evident. Features flow from the naturalistic crest rail to the back splat, comprised of an arch formed from ribbon-like elements flanked by elongated c-scrolls with a gothic-inspired trefoil at its base. The chairs rest on Chinese inspired Marlborough legs. Renowned cabinetmaker Thomas Chippendale described pieces that feature such a compendium of design elements as being in the “Gothic, Chinese and Modern” taste.
CW-16A CW-16 Huntsman Arm Chair Huntsman Side Chair 1 1 H37/2 W25 D21/2 H371/2 W23 D211/2 1 Arm Height 20/4 Seat Height 271/2 Seat Height 271/2
Before the neoclassic period, it wasn’t unusual for a dining table to be pushed to the room’s perimeter when not in use. Pedestal base tables like our mahogany adaptation were a response to the new era when changes in living habits dictated that furniture could be left in place. The Goodwin Dining Table is named after the Reverend W.A.R. Goodwin, an early 20th-century rector of historic Bruton Parish Church. Reverend Goodwin inspired John D. Rockefeller, Jr. to undertake the restoration of the Historic Area of Williamsburg.
WA-2003 {opposite} also available as: WA-2003-4LVS WA-2003-3LVS Goodwin Dining Table H30 W46 D72 H30 W46 D72 H30 W46 D72 With four 12” leaves, extends to 120” With two 20” leaves, extends to 112” With three 20” leaves, extends to 132” Solid top. No highlighting. Mahogany veneer top with Mahogany veneer top with highlighted border. highlighted border.
opposite: WA-2003 Goodwin Dining Table, CW-16 Huntsman Side Chair, CW-16A Huntsman Arm Chair, WA-2005 Classical Inlay Sideboard
138 139 140 WA-1068
The Governor’s Palace Silver Chest is an adaptation of a fine 18th-century English gentleman’s tool chest-on-stand. The gentleman’s tool chest of the late 1700s was a beautiful, yet practical, piece proudly displayed indoors and fitted with tools required for occasional household repairs. On February 13, 1773, London ironmonger William Hewlett sold the tool chest that the Colonial Williamsburg Foundation would acquire almost two centuries later. Simple lines and delicate scale make it ideal for storage of silver or flatware in modern homes. The three top compartments have working locks, and all compartments have Pacific Silvercloth® liners.
WA-1068 The Governor’s Palace Silver Chest H36 W24 D13
CW-87 Called hunt boards by many modern furniture enthusiasts, small sideboards like this gained popularity in American homes by the late 18th-century. Our reproduction accurately portrays the original’s neoclassic slender legs, arched center and octagonal key escutcheons. Rounded beading outlining the drawer edges completes the look. Solid mahogany with locking drawers and a Pacific Silvercloth® lined silver tray in center drawer.
CW-87 {opposite} Piedmont Sideboard H401/2 W57 D201/2
opposite: CW-87 Piedmont Sideboard
141 142 CW-142A CW-142
Our Sarah Richardson Arm and Side Chairs are reproduced from a set of six chairs that are now found in Colonial Williamsburg’s extensive decorative art collection. The reproductions incorporate graceful mid-18th-century features, including a flowing bowed crest rail and S-shaped stiles. We named these chairs in honor of the woman who stitched the floral wool needlework used to cover the seats of the original chairs. Her circa 1740s handiwork survives today, but it has been removed from the furniture for safekeeping.
CW-142A CW-142 Sarah Richardson Arm Chair Sarah Richardson Side Chair H401/2 W24 D221/2 H401/2 W211/2 D201/2
Arm Height 271/2 Seat Height 181/2 Seat Height 181/2
It wasn’t until the end of the 18th-century, during the neoclassic period, that the sideboard became popular in America. This circa 1795 adaptation blends elements from two antique sideboards found in Colonial Williamsburg’s collection. A Charleston antique lends this handsome piece its overall proportion, inlay decoration, center drawer and end doors. And a striking Baltimore sideboard is the influence for the graceful center arch. The center drawer contains a Pacific Silvercloth® liner with flap and a sliding utility tray. The gracefully tapered legs are completed with spade feet. A compass motif adorns the sides, while the inlayed husks, flutes and patera reflect the neoclassic style employed by period craftsmen. Mahogany and veneers.
WA-2005 {opposite} Classical Inlay Sideboard H36 W72 D27
opposite: WA-2005 Classical Inlay Sideboard
143 144 WA-2001 WA-2000
Thomas Jefferson had a keen sense of beauty and style, and he acquired several pieces of fashionable furniture while ambassador to France. So it is no surprise that the president was responsible for introducing and interpreting influential European furniture designs to Americans. The Albemarle Chair illustrates this influence. Similar in style to contemporary continental designs, the chair’s bolder proportions reveal its American origins. The antique chair is thought to have been made in the joinery, or cabinetmaking, shop that existed on the grounds of the president’s beloved Virginia estate, Monticello. The side chair is a recent addition to complement the versatile Albermarle Arm Chair.
WA-2001 WA-2000 Albemarle Arm Chair Albemarle Side Chair H361/2 W23 D24 H361/2 W20 D23
Arm Height 271/2 Seat Height 19 Seat Height 19
opposite: WA-2000 Albemarle Side Chair, WA-2001 Albemarle Arm Chair, CW-207 John Townsend Chest, 4358 Round Dining Table {Stickley Traditional Collection} 145 146 WA-2006LC
The beautiful The Grove bed combines the 18th century tall post form with a headboard style popular in the early 20th century. It is adapted from a bed purchased by Mr. and Mrs. Archibald McCrea during their restoration of The Grove, the 18th-century plantation purchased by the McCreas in 1928. The Grove was acquired for the Colonial Williamsburg Foundation from the McCrea estate in 1964. Constructed of solid mahogany, the The Grove Bed embodies the confidence and romanticism of the Colonial Revival Style. It features lavish stylized acanthus leaf and plume carving on all four posts.
The Grove beds with canopies in- The Grove Bed WA-2006CL also available as: clude four post extenders and four Headboard 59 The Grove WA-2006BC dowl pin anchors to secure the Footboard 191 /2 The Grove Queen Bed & canopy to the top of the bed posts. California King Bed Canopies must be ordered when H88 W791/2 L931/2 Canopy with Extenders, No WA-2006B {opposite} beds are ordered to insure proper Finials The Grove Queen Bed above fit. Carved finials are not WA-2006LC { } H891/2 W661/2 L88 included with canopies. H88 W68 L891/2 The Grove King Bed & Canopy with Extenders, WA-2006CLC WA-2006L The Grove California The Grove King Bed No Finials H891 W82 L88 King Bed & Canopy with H88 W831 L891 /2 /2 /2 Extenders, No Finials H891/2 W78 L92
opposite: WA-2006B The Grove Bed, WA-2009 The Grove Night Stand, Shalimar Garden-Light Green {Stickley Designer Rug Collection}
147 148 WA-2009 WA-2010
CW-210PS WS-2007
CW-210 also available as: WA-2009 WA-2010 Charleston Chest on Chest CW-0210PS The Grove Night Stand The Grove Mirror H77 W45 D241/2 Charleston Chest on Chest H30 W31 D171/2 H36 W50 D31/2 Eleven locking drawers with swirl H88 W45 D241/2 Four drawers. Solid brass hardware. Mahogany. mahogany fronts. Eleven locking drawers with swirl Mahogany. mahogany fronts. Swan neck pediment with pierced crest board, carved finial WS-2007 and rosettes. The Grove Dresser H391/2 W72 D201/2 Jewelry tray in top right drawer. Solid brass hardware. Mahogany.
The The Grove Door Chest is a perfect complement to the exquisitely carved The Grove Bed. Distinctive fluted pilasters grace the upper section, while beautiful crotch mahogany adorns the door panels. Behind the doors are two shelves with six dividers. Three graduated drawers occupy the lower section. The door chest culminates with stepped crown moulding at the top and rests on ogee bracket feet. Exquisite sand-cast brasses enhance the elegance of the Door Chest. Solid brass hardware.
WA-2008 {opposite} The Grove Door Chest with Dividers H80 W47 D24 opposite: WA-2008 The Grove Door Chest
149 WA-0113 Named after the wife of Peyton Randolph, president of the first Continental Congress, this collector’s edition desk is an adaptation of a versatile circa-1740 mahogany writing desk in the collections of Colonial Williamsburg. The compartments of the desk’s interior have been modified from the original to enhance the work space. During the “Age of Enlightenment” a desk such as this would have been a prized possession of an urbane gentleman or lady of means. A limited edition of only 250 will be made.
WA-0113 Elizabeth Randolph Writing Desk H38 W253/4 D163/4
WA-2018B
The Livingston Pencil Post Bed is adapted from an 18th century antique in the collections of Colonial Williamsburg. The term “pencil post” was coined in the 20th century to describe a bed with head posts that taper upward from the rails until the posts achieve an octagonal form. An urn-shaped round finial tops each Livingston Bed post which transitions into a square form and terminates into a Marlboroughfoot. Mahogany.
WA-2018B also available as: WA-2018CL Livingston Queen Bed WA-2018L Livingston California King Bed H861/2 W661/2 L861/2 Livingston King Bed H861/2 W781/2 L901/2 Headboard Height 50 H861/2 W821/2 L861/2
opposite: WA-2018B Livingston Bed
150 151 williamsburg reserve collection finishes
Mahogany Finishes
Aged Heirloom Premium Richmond - 46 Heirloom - 47 Old Virginia - 48 Distressed Finish - 45
The images printed here cannot begin to convey the depth, clarity, and beauty of our hand-rubbed finishes. This page is intended only to show the wide variety of finishes that we offer. This page is intended only to show the wide variety of finishes that we offer. Please use it as a general reference, but not as the basis for selecting your finish. We encourage you to visit an authorized Stickley dealer near you to experience the beauty of our finishes first hand.
152 certificate of authenticity
Has approved this Article made under its supervision and Special License by
All Williamsburg Reproductions and Adaptions bear the Hallmark of the Licensor as follows:
williamsburg Reproduction Program This hallmark, designed from an early shipper’s mark, is used to identify authentic reproductions and adaptations of 17th and 18th century English and American antiques in the Colonial Williamsburg Foundation collection. The products are produced by licensed manufacturers of the Foundation.
153 williamsburg reserve collection idex
CW-8 Daniel Shute Tea Table 113, 116 CW-207 John Townsend Chest 124, 125, 144 CW-12 Newport Easy Chair 122, 123 CW-209 Virginia Breakfast Table 118 CW-13 New England Lolling Chair 71, 116, 117, 130 CW-210 Charleston Chest on Chest 149 CW-16 Huntsman Side Chair 138, 139 CW-311 Matthew Egerton Work Table 120 CW-16A Huntsman Arm Chair 138, 139 WA-730 Governor’s Palace Clock 133 CW-48 New England Corner Chair 123 WA-1010 Meyers Candle Stand 123 CW-68 Ewing House Chest of Drawers 115 WA-1068 Governor’s Palace Silver Chest 141 WA-84 Neoclassic Gaming Table 124 WA-2000 Albemarle Side Chair 144, 145 CW-87 Piedmont Sideboard, Mahogany 140, 141 WA-2001 Albemarle Arm Chair 144, 145 WA-113 Elizabeth Randolph Writing Desk 150 WA-2002 Norfolk Dining Table 136, 137 CW-118-91 English Rococo Sofa 126, 127 WA-2003 Goodwin Dining Table 138, 139 WA-118-66 English Rococo Loveseat 126 WA-2005 Classical Inlay Sideboard 138, 142, 143 CW-142 Sarah Richardson Side Chair 143 WA-2006 The Grove Bed 146, 147 CW-142A Sarah Richardson Arm Chair 143 WS-2007 Dresser 149 CW-154 Everard House Settee 115 WA-2008 The Grove Door Chest 47, 148, 149 CW-164 Wythe House Bookcase, Mahogany 118, 119, 129 WA-2009 The Grove Night Stand 47, 146, 149 CW-174 English Serpentine Sofa 112, 113 WS-2010 Mirror 149 WS-175-84 Bassett Hall Sofa 128, 129 WA-2013 Philadelphia Easy Chair 121, 132, 133 WS-175-63 Bassett Hall Loveseat 128 WA-2014 Regency Side Chair 124 WS-175-CH Bassett Hall Chair 128 WA-2015 Regency Arm Chair 124 WS-175-OT Bassett Hall Ottoman 128 WA-2016 Nelson-Galt Sofa Table 116, 117 CW-201 Blackwell Serpentine Chest 114, 115 WA-2018 Livingston Bed 150, 151 CW-202 Bassett Hall Chest of Drawers 120, 121, 130, 132 WA-2019 Goodwin Cocktail Table 127, 130, 131 CW-204 Coates Side Chair 135, 137 WA-2020 Kensington Breakfront Buffet 136, 137 CW-205 Coates Arm Chair 134, 135, 137 WA-2021 Kensington Breakfront China Top 136, 137 CW-206 New England Easy Chair 128 WA-2022 Philadelphia Open Arm Chair 113, 118 WS-206-OT New England Ottoman 128 WA-2023 Providence Hall Cane Sofa 130, 131
154 the care of stickley furniture
Since 1900 Stickley Craftsmen have been making history by creating masterful pieces by hand. From designing each piece to executing the intricate details of making it a work of art, each step is meticulously perfected. Because we have taken so much care in making the antiques of the future, we hope you will cherish each Stickley piece as a precious work of art and care for it accordingly, preserving its original beauty which will undoubtedly be enhanced with age.
• Avoid exposure to strong sunlight. This may cause discoloration. • When protecting the tops with glass, do not use felt dots, plastic dots, or cork under glass. • Lift objects, do not drag them. • Avoid exposure to extreme heat or cold. Table pads are advisable. Trivets and placemats are useful, but will not prevent blushing if utensils are extremely hot. • Do not use nail polish remover, hair spray or perfume, most of which contain alcohol, near the furniture. • Be cautious about placing rubber or plastic products on the funiture since a chemical reaction may cause a deterioration in the finish. • Do not use products containing silicone. • Never place heavy objects or table pads on freshly polished surfaces.
stickley furniture dressing
It was Leopold Stickley who first captured the inherent beauty of the “aging” of cherry and created a special-formula dressing that preserves and beautifies this mellowed finish through successive applications. The dressing gives full play to the color and unique figuration of the wood. It brings out the clarity, transparency, and depth of finish so necessary to obtaining the full artistic effect. Stickley dressing may be used to advantage on other furniture as well as Stickley pieces. It surpasses other dressings in emphasizing the beauty of choice cabinet wood and in building up the lustrous patina of rare old age.
Some finishes are best maintained with a paste wax. Contact your Stickley dealer or sales professional for specific care instructions or email us at [email protected].
155 warranty
We believe so strongly in the integrity of our workmanship that we offer you the Stickley Lifetime Promise. We want you to be truly pleased with your Stickley furniture as it becomes an important part of your family for generations to come.
We offer a Manufacturer’s Limited Lifetime Warranty against defects on all case goods except dining and office chairs. Showld the furniture fail structurally at any time during the lifetime of the original owner, because of workmanship or material, we will repair or replace at our discretion.
Stickley offers Five Year Limited Warranty against defects on the following: dining chairs, office chairs, finishes, and mechanical devices (clock movements, recliner mechanisms, etc.). Should these items fail within five years of purchase due to manufacturing defects, we will repair or replace it at our discretion.
This warranty does not apply to fabric or leather supplied by Stickley or the customer. Warranty does not apply to customer damage, alteration, or accident. Seasonal wood movement on solid wood products is normal and is not considered a warranty issue.
For a copy of the Stickley Warranty in its entirety, please ask your Stickley retailer or visit www.stickley.com
With proper care, and the Stickley Lifetime Promise, you can be assured that your Stickley furniture is destined to become a cherished family heirloom.
design
Stickley reserves the right to change, modify, discontinue or improve any product designs, finishes, or specifications at our discretion and without prior notice.
156
TRADITIONAL COLLECTION N O I T C E L L O C L A N O I T I D A R T Y E L K C I T S
l.& J.G. STICKLEY, INC. P.O. Box 480, one Stickley DrivE • Manlius, New York 13104-0480 • T 315-682-5500 F 315-682-6306 www.stickley.com
G8 © 2008 L. & J.G. Stickley, Inc.