Discovering Sant Cugat
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COAC.1874-1962-En.Pdf
COL·LEGI D’ARQUITECTES DE CATALUNYA 1874-1962 Enric Granell, Antoni Ramon The author of the cover photograph is Klaus Erik Halmburger. Thanks to the donation of Enric Granell, it forms part of the Historical Archive of the Col·legi d’Arquitectes de Catalunya. This book is published at a time of crisis when it is useful to look back at our history and review the role played by the Col·legi d’Arquitectes de Catalunya (Architects’ Institute of Catalonia) at other, equally difficult moments and to see how, in its support to architects as a body, the COAC has been able to evolve by adapting to new situations. It is also positive to see how some constants of the COAC and, by extension, of Catalan architects, have continued throughout inevitable changes. These are values such as the will to undertake the responsibility for constructing a quality environment for our fellow citizens, with social and cultural commitment, incorporating the requirements and needs produced by the rapid transformation of lifestyles and technological means. Since 1874, first the Associació d’Arquitectes de Catalunya and then the Col·legi d’Arquitectes de Catalunya have brought together the architectural profession, becoming its public representative and a link between citizens, professionals and architecture. With the opening of the building in Barcelona’s Plaça Nova, 50 years ago now, these roles acquired a new dimension. Today, at a time of far-reaching global change, the objectives remain the same, and we continue with our search for new ways to make them reality. -
Between Form and Plot
ENGLISH HOUR GOING NATIVE NEIL STOKES [email protected] Between form and plot ow does moving around because I’ve been a translator. H a lot affect your work? Every Monday at 7.10 pm, El P u n t A v u i T V ’s E n g l i s h Even if you think you know a lot When I change my horizons Hour airs the interview series Going Native. This about another language you and my landscape is new, some- week, Neil speaks to the author of Pell d’armadillo don’t. The person who is the thing new comes from it. I have and Maletes perdudes, writer Jordi Puntí, who native speaker knows best. It’s writer friends who need to fol- talks about the challenges of writing novels probably easier when it is not fic- low the same rules every day, but tion but when it’s fiction you that is not my case. I sometimes have thought so much about all think this has to do with when I those sentences that it makes it was a child. Both my parents more difficult to accept. worked in a factory, so when I What about the New York left school I would go to their fac- fellowship you recently did? tory until they finished work at I’m writing a novel now about sevenish. And so I used to do my the life of a Catalan musician, homework in the factory with all Xavier Cugat. He was born in the noise of the textile machines 1900 and when he was five he and I learnt to concentrate very moved with his family to Cuba. -
Soundies Research
Soundies Disc 1 Golden Oldies Opening & © notice Listed in the order they appear on the disc: Del Casino Surrender 1946 Three Suns with Artie Dunn Beyond the Blue Horizon 1944 Emil Coleman with June Barton Gotta Be This or That 1945 Six Hits and a Miss Sweet Sue, Just You 1941 Harry Cool Stardust 1945 Yvonne De Carlo with Spike Jones band Lamp of Memory 1942 Ray Bloch with Carolyn Marsh I Can’t Give You Anything But Love Baby 1941 Seven Sarongs Heaven Help a Sailor 1941 Zarek and Zarina Male Order 1941 3 Car Hops At Your Service 1941 Juvenile Jubilee with Merle Pitt I Don’t Want to Walk W/out You 1942 Thelma White Hollywood Boogie 1946 Andy Iona Orchestra Tropical Swingaroo 1941 Johnny Long and Orchestra Maria Elena 1943 Varios and Vida (dancers) Begin the Beguine 1943 Larry Clinton Semper Fidelis 1943 Johnny Long In a Shanty In Old Shanty Town 1943 Billy MacDonald & His Highlanders Playmates 1944 Jimmy Dorsey Bar Babble 1943 Jimmy Dorsey with Helen O’Connell Man That’s Groovy 1943 Jimmy Dorsey La Rosita 1943 Gene Krupa with Anita O’Day Let Me Off Uptown 1942 Gene Krupa with Anita O’Day Thanks for the Boogie Ride 1942 Al Donahue with Ellen Connor Java Jive 1943 Al Donahue with Phil Brito Lonesome Road 1943 Victor Young Hold That Tiger 1940 Al Donahue Anvil Chorus 1943 Al Donahue with Ellen Connor Jumpin’ at the Juke Box 1943 Will Bradley Boardwalk Boogie 1941 Will Bradley Barnyard Bounce 1941 Johnny Long Boogie Man 1943 Charlie Spivak Hop, Skip and Jump 1942 Johnny Long It Must Be Jelly 1946 Nat King Cole Frim Fram Sauce 1945 Nat King Cole Calypso Girl (?) Mills Brothers Cielito Lindo 1944 Cab Calloway Minnie the Moocher 1942 Soundies Disc 2 All of these are Soundies except the Artie Shaw number from Second Chorus. -
National Plan for Abbeys, Monasteries and Convents
NATIONAL PLAN FOR ABBEYS, MONASTERIES AND CONVENTS NATIONAL PLAN FOR ABBEYS, MONASTERIES AND CONVENTS INDEX Page INTRODUCTION ................................................................................................................. 3 OBJECTIVES AND METHOD FOR THE PLAN’S REVISION .............................................. 4 1. BACKGROUND ......................................................................................................... 6 1.1.- Inception of the Plan ............................................................................................. 6 1.2.- Groundwork.......................................................................................................... 6 1.3.- Initial objectives .................................................................................................... 7 1.4.- Actions undertaken by the IPCE after signing the Agreement .............................. 8 1.5.- The initial Plan’s background document (2003). ................................................... 9 2. METHODOLOGICAL ASPECTS .............................................................................. 13 2.1.- Analysis of the initial Plan for Abbeys, Monasteries and Convents ..................... 13 2.2.- Intervention criteria ............................................................................................. 14 2.3.- Method of action ................................................................................................. 17 2.4.- Coordination of actions ...................................................................................... -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Onomastica Uralica 8
ONOMASTICA PatrocinySettlementNames inEurope Editedby VALÉRIA TÓTH Debrecen–Helsinki 2011 Onomastica Uralica President of the editorial board István Nyirkos, Debrecen Co-president of the editorial board Ritva Liisa Pitkänen, Helsinki Editorial board Terhi Ainiala, Helsinki Sándor Maticsák, Debrecen Tatyana Dmitrieva, Yekaterinburg Irma Mullonen, Petrozavodsk Kaisa Rautio Helander, Aleksej Musanov, Syktyvkar Guovdageaidnu Peeter Päll, Tallinn István Hoffmann, Debrecen Janne Saarikivi, Helsinki Marja Kallasmaa, Tallinn Valéria Tóth, Debrecen Nina Kazaeva, Saransk D. V. Tsygankin, Saransk Lyudmila Kirillova, Izhevsk The articles were proofread by Terhi Ainiala, Helsinki Andrea Bölcskei, Budapest Christian Zschieschang, Leipzig Lector of translation Jeremy Parrott Technical editor Valéria Tóth Cover design and typography József Varga The work is supported by the TÁMOP 4.2.1./B-09/1/KONV-2010-0007 project. The project is implemented through the New Hungary Development Plan, co-financed by the European Social Fund and the European Regional Development Fund. The studies are to be found at the Internet site http://mnytud.arts.unideb.hu/onomural/ ISSN 1586-3719 (Print), ISSN 2061-0661 (Online) ISBN 978-963-318-126-3 Debreceni Egyetemi Kiadó University of Debrecen Publisher: Márta Virágos, Director General of University and National Library, University of Debrecen. Contents Foreword ................................................................................................... 5 PIERRE -HENRI BILLY Patrociny Settlement Names in France .............................................. -
The Use of IST Applications in Catalan Museums: a Comparative Evaluation Carried out at the Museum- Monastery of Sant Cugat Del Vallès
CJCS 3 (1) pp. 21–44 Intellect Limited 2011 Catalan Journal of Communication & Cultural Studies Volume 3 Number 1 © 2011 Intellect Ltd Article. English language. doi: 10.1386/cjcs.3.1.21_1 LAIA PUJOL-TOST Media Unit, Tecnalia Research & Innovation ANNA BUSANYA-VILAR AND PALOMA GONZÁLEZ-MARCÉN CEPAP, Universitat Autònoma de Barcelona The use of IST applications in Catalan museums: A comparative evaluation carried out at the Museum- Monastery of Sant Cugat del Vallès ABSTRACT KEYWORDS This article presents some preliminary conclusions on the use of information soci- museum exhibitions ety technologies (IST) as communication tools in Catalan museums, drawn from IST applications a research project that was undertaken jointly by the University of Manchester comparative evaluation and the Universitat Autònoma de Barcelona. The general aim of the project was design guidelines to widen the understanding of the specific usefulness of technology for exhibitions. Churchill Museum We evaluated an exhibition in the United Kingdom and a second exhibition in Museum-Monastery Catalonia, by interviewing staff, observing and interviewing visitors and holding a of Sant Cugat del round table discussion with museum experts. The general conclusion was that the Vallès 21 CCJCSJCS 3.1_Pujol_etal_21-44.indd3.1_Pujol_etal_21-44.indd 2121 33/22/11/22/11 111:46:381:46:38 AAMM Laia Pujol-Tost | Anna Busanya-Vilar | Paloma González-Marcén integration of technological applications might ultimately depend on the museo- logical tradition of the country, which influences the use and perceptions of tech- nologies. The article also describes empirical data for Catalonia and guidelines for future applications. INTRODUCTION In the last fifteen years, cultural heritage museums have widely adopted infor- mation society technologies (IST) as a new communication tool given their features seem to match at least theoretically with postmodern museological trends. -
Law, Liturgy, and Sacred Space in Medieval Catalonia and Southern France, 800-1100
Law, Liturgy, and Sacred Space in Medieval Catalonia and Southern France, 800-1100 Adam Christopher Matthews Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2021 1 ©2021 Adam Christopher Matthews All Rights Reserved 2 Abstract Law, Liturgy, and Sacred Space in Medieval Catalonia and Southern France, 800-1100 Adam Christopher Matthews With the collapse of the Visigothic kingdom, the judges of Catalonia and southern France worked to keep the region‘s traditional judicial system operable. Drawing on records of judicial proceedings and church dedications from the ninth century to the end of the eleventh, this dissertation explores how judges devised a liturgically-influenced court strategy to invigorate rulings. They transformed churches into courtrooms. In these spaces, changed by merit of the consecration rite, community awe for the power infused within sacred space could be utilized to achieve consensus around the legitimacy of dispute outcomes. At the height of a tribunal, judges brought litigants and witnesses to altars, believed to be thresholds of Heaven, and compelled them to authenticate their testimony before God and his saints. Thus, officials supplemented human means of enforcement with the supernatural powers permeating sanctuaries. This strategy constitutes a hybridization of codified law and the belief in churches as real sacred spaces, a conception that emerged from the Carolingian liturgical reforms of the ninth century. In practice, it provided courts with a means to enact the mandates from the Visigothic Code and to foster stability. The result was a flexible synthesis of law, liturgy, and sacred space that was in many cases capable of harnessing spiritual and community pressure in legal proceedings. -
Reportatge FRANCIS CUGAT, L’ALTRE CUGAT
reportatge El 24 de maig farà 120 anys que va néixer, accidentalment a Barcelona, Francesc Cugat i Mingall, un home excepcional que va destacar, sobretot en la seva etapa nord-americana, en diverses disciplines. Francis Cugat, el nom amb el qual es conegut, va viure sempre, en la seva etapa adulta, a l’ombra de Xavier Cugat, fet que va suposar que, malgrat el seu gran talent, hagi passat injustament a la història no pel que va fer sinó pel fet de ser el germà gran de Xavier, un personatge d’enormes proporcions, poc valorat aquí, però molt reconegut en vida als EUA, on, per donar una dada, va participar a la Casa Blanca en la cerimònia d’obertura de mandat de set presidents del país. Francis Cugat, l’altre Cugat JOAN BARBARÀ > TEXT I FOTOS rancis Cugat va ser el Inquietuds artístiques primer fill del matrimo- Malgrat la incertesa dels temps que ni que formaven Joan corrien i que no hi havia tradició ar- Cugat de Bru i Àvila Min- tística a la família, Francis Cugat va gall. Després d’ell varen orientar de ben jove la seva vida cap a Fvenir l’Albert, en Xavier i l’Enric. L’ac- la vessant cultural. Sense perdre mai tivitat política del pare —un republicà el contacte amb els seus, quan va po- compromès— les dificultats econòmi- der, va marxar a França i es va apuntar, ques de l’època i les seves ambicions d’antuvi, a l’acadèmia de Reims, i pos- artístiques varen fer que els Cugat en teriorment va ser alumne de l’Escola general, i ell en particular, visquessin de Belles Arts de París. -
IMAGO TEMPORIS Medium Aevum
SUMMARY I PART. THE PAST INTERROGATED AND UNMASKED 27-44 Free Fathers, Slave Mothers and their Children: A Contribution to the Study of Family Structures in Al-Andalus Cristina de la Puente 45-58 “Paradise is at the Feet of the Mothers”. Some Preliminary Remarks concerning the Figuration of Motherhood in Medieval Arab Literature Isabel Toral-Niehoff 59-75 Paternity and Filiation according to the Jurists of al-Andalus: Legal Doctrines on Transgression of the Islamic Social Order Delfi na Serrano 77-94 Islamic Rural Land Use Refl ected in Past and Present Catalan Toponymy Pere Balañà II PART. THE PAST STUDIED AND MEASURED 97-137 Notes and Considerations on the Importance of St. Patrick’s Epistola Ad Milites Corotici as a Source on the Origins of Celtic Christianity and Sub-Roman Britain Fausto Iannello 139-174 San Sebastián de Silos: the Church dedicated or consecrated around 1088 through the Documentation and Archaeological Remains Félix Palomero and Irene Palomero 175-224 Tracking down the Glitter of Gold in the Diplomatari de Santes Creus Arnald Puy IMAGO TEMPORIS Medium Aevum 225-269 On the Origins of Crusading in the Peninsula: the Reign of Alfonso VI (1065-1109) Carlos de Ayala 271-297 Sancha Raimúndez: An Infanta in the Exercise of her Power Gregoria Cavero 299-322 The Hospitallers of Rhodes and their Vow of Poverty in the 15th Century (1420-1480) Pierre Bonneaud 323-341 Sodomy and the Sick Body of Women Rafael M. Mérida 343-353 Coinage and Papal Policy in Umbria in the early 15th Century Manuel Vaquero IMAGO TEMPORIS 355-373 Cicero in the Late-Medieval tractatus nauticus Carlos Medina-Hernández III PART. -
Race, Nation, and Popular Culture in Cuban New York City and Miami, 1940-1960
Authentic Assertions, Commercial Concessions: Race, Nation, and Popular Culture in Cuban New York City and Miami, 1940-1960 by Christina D. Abreu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in The University of Michigan 2012 Doctoral Committee: Associate Professor Jesse Hoffnung-Garskof Associate Professor Richard Turits Associate Professor Yeidy Rivero Associate Professor Anthony P. Mora © Christina D. Abreu 2012 For my parents. ii Acknowledgments Not a single word of this dissertation would have made it to paper without the support of an incredible community of teachers, mentors, colleagues, and friends at the University of Michigan. I am forever grateful to my dissertation committee: Jesse Hoffnung-Garskof, Richard Turits, Yeidy Rivero, and Anthony Mora. Jesse, your careful and critical reading of my chapters challenged me to think more critically and to write with more precision and clarity. From very early on, you treated me as a peer and have always helped put things – from preliminary exams and research plans to the ups and downs of the job market – in perspective. Your advice and example has made me a better writer and a better historian, and for that I thank you. Richard, your confidence in my work has been a constant source of encouragement. Thank you for helping me to realize that I had something important to say. Yeidy, your willingness to join my dissertation committee before you even arrived on campus says a great deal about your intellectual generosity. ¡Mil Gracias! Anthony, watching you in the classroom and interact with students offered me an opportunity to see a great teacher in action. -
Building Monastic Cloisters in the Iberian Peninsula (8Th-11Th Centuries): Regular Layouts and Functional Organization1 GERARDO BOTO VARELA
Building Monastic Cloisters in the Iberian Peninsula (8th-11th centuries): Regular Layouts and Functional Organization1 GERARDO BOTO VARELA UDC: 726.71(365)"07/10" G. Boto Varela Original scientific paper Institut de Recerca Històrica Manuscript received: 03. 09. 2016. Facultat de Lletres - Universitat de Girona Revised manuscript accepted: 26. 01. 2017. Pl. Ferrater Mora, 117071 Girona DOI: 10.1484/J.HAM.5.113716 Spain [email protected] As is well known, the cloisters of monasteries and cathedrals were being designed as quadrilaterals with porches and rooms arranged around the perimeter by the end of the eighth century. We know how they developed from philological (Fontanelle), documental (Sankt Gallen) and archaeo- logical studies (Munstair, Lorsch or Fulda). The same formula was used in France throughout the 10th and 11th centuries, as is evidenced by the cloisters of Autun, Vezelay and Cluny II, which was originally made of wood until Odilo (994-1049) rebuilt it in marble. Recent findings at the Catalan monastery of Ripoll raise the possibility that full square cloisters were being built south of the Pyrenees before 1000. This cloister should be studied in relation to other Catalan enclosures such as Sant Cugat (beginning 11th c.) which had a stone portico from the outset, or the lower cloister at Sant Pere de Rodes. The morphology of these enclosures can be explained through comparison with other early Catalan examples. Nevertheless, the international literature has ignored the possibility that there were regular square or half square cloisters in the Iberian Peninsula from the Visigothic period onwards. It is possible that Carolingian proposals were not the only way of experimenting with quadrangle cloister layouts in both monasteries and cathedrals in Mediterranean Europe during the High Middle Ages.