191. Araua Artelanen Izenak
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Cambridge Archaeological Journal 15:2, 2005
Location of the Old Kingdom Pyramids in Egypt Miroslav Bârta The principal factors influencing the location of the Old Kingdom pyramids in Egypt are reconsidered. The decisive factors influencing their distribution over an area of c. eighty kilometres were essentially of economic, géomorphologie, socio-political and unavoidably also of religious nature. Primary importance is to be attributed to the existence of the Old Kingdom capital of Egypt, Memphis, which was a central place with regard to the Old Kingdom pyramid fields. Its economic potential and primacy in the largely redistribution- driven state economy sustained construction of the vast majority of the pyramid complexes in its vicinity. The location of the remaining number of the Old Kingdom pyramids, including many of the largest ever built, is explained using primarily archaeological evidence. It is claimed that the major factors influencing their location lie in the sphere of general trends governing ancient Egyptian society of the period. For millennia, megaliths and monumental arts were pyramids see Edwards 1993; Fakhry 1961; Hawass commissioned by the local chieftains and later by the 2003; Lehner 1997; Stadelmann 1985; 1990; Vallogia kings of Egypt. The ideological reasons connected 2001; Verner 2002; Dodson 2003). The reasons that may with the construction and symbolism of the pyra be put forward to explain their location and arrange mids were manifold, and in most cases obvious: the ment are numerous but may be divided into two basic manifestation of power, status and supremacy over groups: practical and religious. It will be argued that the territory and population, the connection with the whereas the general pattern in the distribution of the sacred world and the unlimited authority of the rulers pyramid sites may be due mainly to practical reasons, (O'Connor & Silverman 1995). -
A Critical Analysis of the Legal and Quasi-Legal Recognition of the Underlying Principles and Norms of Cultural Heritage
A CRITICAL ANALYSIS OF THE LEGAL AND QUASI-LEGAL RECOGNITION OF THE UNDERLYING PRINCIPLES AND NORMS OF CULTURAL HERITAGE Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Charlotte Cassandra Woodhead LL.M Department of Law University of Leicester 2014 Charlotte Woodhead A critical analysis of the legal and quasi-legal recognition of the underlying principles and norms of cultural heritage Certain things, places and practices are valuable to particular individuals, communities, nations or to mankind to such a degree that the loss or destruction would be a misfortune to the culture, identity, heritage or religious practices of those people(s). For the purposes of this thesis, cultural heritage represents the intangible aspect of these important things, places and practices. It will be argued that despite the existence of various cultural heritage principles which represent the different types of value, public legacy and associated norms with its subject matter, these principles are not always effectively upheld in the governing legal regime, although a body of principles akin to legal ones has developed, from professional practice, codes of ethics and non-legal decision-making bodies. Recent legal intervention has responded to political imperatives at the risk of a clear and consistent regime to effectively meet the underlying principles of cultural heritage. The most effective means of fulfilling these principles and norms is by treating cultural heritage as an intangible legal concept, akin to property which in its English common law form is really a bundle of rights associated with things tangible or intangible rather than simply ownership and possession or the physical things themselves. -
View Professor Felos' Greece Presentation
Professor Kimberly Felos Study Abroad in Greece: May 3-13, 2018 Athens Kalymnos Experience the Island Kalymnos Kalymnos (above) is known as ‘the island of the sponge divers’ because it was the main occupation for many centuries, and still is a large part of its economic prosperity and fame today. Fly From Tampa to Athens to Kalymnos – Arrive in Pόthia Pόthia, the capital town, is known for its brightly colored houses and structures built amphitheatrically around the port or on two mountain slopes. Pόthia, Kalymnos – Stay in a Hotel Each student will stay in a hotel, and will receive the world famous Greek gift of hospitality. Kalymnian Architecture Kalymnos is famous for its 19th C. neoclassical architecture (left) and its simple island style (right) on the narrow streets. Pόthia – Delicious Meals Enjoy feta, olives, tomatoes, grilled meats and freshly made spanakopita (spinach pie). Pόthia – Tour the Sanctuary of Apollo/Early Christian Basilica Tour the archaeological site (above) of the ancient Temple of Apollo, on which the basilica of Christ was built in the 6th C. A.D. Then visit the Kalymnos Archaeological Museum, housed in a 19th C. neoclassical mansion, to see numerous local finds. Pόthia – Visit the Byzantine Knights Castle of Chrysocheria Built by the Knights of the Order of St. John, who ruled the island from the 14th-16th C. Pόthia – Church of St. Savvas (Patron Saint of Kalymnos) Visit the church and monastery of St. Savvas, where he spent the last years of his life. Kalymnos – Lunches and Dinners at Local Tavernas Enjoy the waterfront tavernas and many cafes, with their delicious local specialties. -
Copyright by Amy Beth Angell 2017
Copyright by Amy Beth Angell 2017 The Thesis committee for Amy Beth Angell Certifies that this is the approved version of the following thesis: Images of Divinities in Functional Objects: A Study of Seventh-Century BCE Perirrhanteria in Greek Sanctuary Contexts APPROVED BY SUPERVISING COMMITTEE: __________________________________________ Athanasio (Nassos) Papalexandrou, Supervisor _________________________________________ Penelope Davies Images of Divinities in Functional Objects: A Study of Seventh-Century BCE Perirrhanteria in Greek Sanctuary Contexts by Amy Beth Angell, B.A. Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2017 Abstract Images of Divinities in Functional Objects: A Study of Seventh-Century BCE Perirrhanteria in Greek Sanctuary Contexts Amy Beth Angell, M.A. The University of Texas at Austin, 2017 Supervisor: Athanasio (Nassos) Papalexandrou Perirrhanteria in Greek sanctuaries are described in general terms as water basins for the purpose of purification. From the mid-seventh century to the early sixth century BCE, the perirrhanteria were made of marble, featured sculptural figures in the place of columnar stands, and found wide distribution among a variety of Greek sanctuaries. Due to the striking motif of the figurative stands, three or four female figures flanked by lions or standing on their backs, scholarship regarding the stone perirrhanteria has been centered on iconography and early monumental sculpture. Although preceding sculptural analyses provide useful information for the history of a motif, the relatively short lifespan of this particular basin type and its appearance in sanctuaries dedicated to an array of deities begs further study of its function in context. -
Download) 5 C A3 London, BM M
REGINA HANSLMAYR DIE SKULPTUREN VON EPHESOS • DIE HERMEN Hermen-Home.indd 1 16.10.16 20:01 FORSCHUNGEN IN EPHESOS Herausgegeben vom ÖSTERREICHISCHEN ARCHÄOLOGISCHEN INSTITUT der ÖSTERREICHISCHEN AKADEMIE DER WISSENSCHAFTEN IN WIEN BAND X/2 Hermen-Home.indd 2 16.10.16 20:01 REGINA HANSLMAYR Die Skulpturen von Ephesos Die Hermen MIT BEITRÄGEN VON GEORG A. PLATTNER, URSULA QUATEMBER Hermen-Home.indd 3 16.10.16 20:01 Vorgelegt von w. M. JOHANNES KODER in der Sitzung vom 28. April 2015 Umschlagabbildung: Schulterhermen aus Ephesos. Wien, Kunsthistorisches Museum, Antikensammlung Inv. I 848 und I 920. Fotos: Niki Gail, © ÖAW/ÖAI Umschlaggestaltung: Büro Pani; A. Sulzgruber Gestaltung der Tafeln: Regina Hanslmayr, Niki Gail Diese Publikation wurde einem anonymen, internationalen Peer-Review-Verfahren unterzogen. This publication has undergone the process of anonymous, international peer review. Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie, detaillierte bibliografische Daten sind im Internet über <http://dnb.ddb.de> abrufbar. Die verwendete Papiersorte ist aus chlorfrei gebleichtem Zellstoff hergestellt, frei von säurebildenden Bestandteilen und alterungsbeständig. Alle Rechte vorbehalten. ISBN 978-3-7001-7630-5 Copyright © 2016 by Österreichische Akademie der Wissenschaften, Wien Redaktion und Lektorat: Barbara Beck-Brandt Satz: Andrea Sulzgruber Druck: Prime Rate Kft., Budapest http://epub.oeaw.ac.at/7630-5 http://verlag.oeaw.ac.at Hermen-Home.indd -
Art List by Year
ART LIST BY YEAR Page Period Year Title Medium Artist Location 36 Mesopotamia Sumerian 2600 Standard of Ur Inlaid Box British Museum 36 Mesopotamia Sumerian 2600 Stele of the Vultures (Victory Stele of Eannatum) Limestone Louvre 38 Mesopotamia Sumerian 2600 Bull Headed Harp Harp British Museum 39 Mesopotamia Sumerian 2600 Banquet Scene cylinder seal Lapis Lazoli British Museum 40 Mesopotamia Akkadian 2254 Victory Stele of Narum-Sin Sandstone Louvre 42 Mesopotamia Akkadian 2100 Gudea Seated Diorite Louvre 43 Mesopotamia Akkadian 2100 Gudea Standing Calcite Louvre 44 Mesopotamia Babylonian 1780 Stele of Hammurabi Basalt Louvre 45 Mesopotamia Assyrian 1350 Statue of Queen Napir-Asu Bronze Louvre 46 Mesopotamia Assyrian 750 Lamassu (man headed winged bull 13') Limestone Louvre 48 Mesopotamia Assyrian 640 Ashurbanipal hunting lions Relief Gypsum British Museum 65 Egypt Old Kingdom 2500 Seated Scribe Limestone Louvre 75 Egypt New Kingdom 1400 Nebamun hunting fowl Fresco British Museum 75 Egypt New Kingdom 1400 Nebamun funery banquet Fresco British Museum 80 Egypt New Kingdom 1300 Last Judgement of Hunefer Papyrus Scroll British Museum 81 Egypt First Millenium 680 Taharqo as a sphinx (2') Granite British Museum 110 Ancient Greece Orientalizing 625 Corinthian Black Figure Amphora Vase British Museum 111 Ancient Greece Orientalizing 625 Lady of Auxerre (Kore from Crete) Limestone Louvre 121 Ancient Greece Archaic 540 Achilles & Ajax Vase Execias Vatican 122 Ancient Greece Archaic 510 Herakles wrestling Antaios Vase Louvre 133 Ancient Greece High -
The Origins of the Kouros
THE ORIGINS OF THE KOUROS By REBECCA ANN DUNHAM A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2005 Copyright 2005 by Rebecca Ann Dunham This document is dedicated to my mom. TABLE OF CONTENTS page LIST OF FIGURES ........................................................................................................... vi ABSTRACT.........................................................................................................................x CHAPTER 1 DEFINITION OF THE KOUROS TYPE ....................................................................1 Pose...............................................................................................................................2 Size and material...........................................................................................................2 Nudity ...........................................................................................................................3 Body Shape and Treatment of Musculature .................................................................3 Execution ......................................................................................................................4 Function ........................................................................................................................5 Provenances ..................................................................................................................7 -
Analecta Romana Instituti Danici Xxxv/Xxxvi
ANALECTA ROMANA INSTITUTI DANICI XXXV/XXXVI ANALECTA ROMANA INSTITUTI DANICI XXXV/XXXVI 2010/11 ROMAE MMX-MMXI ANALECTA ROMANA INSTITUTI DANICI XXXV-XXXVI © 2011 Accademia di Danimarca ISSN 2035-2506 Published with the support of a grant from: Det Frie Forskningsråd / Kultur og Kommunikation SCIENTIFIC BOARD Ove Hornby (Bestyrelsesformand, Det Danske Institut i Rom) Jesper Carlsen (Syddansk Universitet) Astrid Elbek (Det Jyske Musikkonservatorium) Karsten Friis-Jensen (Københavns Universitet) Helge Gamrath (Aalborg Universitet) Maria Fabricius Hansen (Ny Carlsbergfondet) Michael Herslund (Copenhagen Business School) Hannemarie Ragn Jensen (Københavns Universitet) Kurt Villads Jensen (Syddansk Universitet) Mogens Nykjær (Aarhus Universitet) Gunnar Ortmann (Det Danske Ambassade i Rom) Bodil Bundgaard Rasmussen (Nationalmuseet, København) Birger Riis-Jørgensen (Det Danske Ambassade i Rom) Lene Schøsler (Københavns Universitet) Poul Schülein (Arkitema, København) Anne Sejten (Roskilde Universitet) EDITORIAL BOARD Marianne Pade (Chair of Editorial Board, Det Danske Institut i Rom) Erik Bach (Det Danske Institut i Rom) Patrick Kragelund (Danmarks Kunstbibliotek) Gitte Lønstrup Dal Santo (Det Danske Institut i Rom) Gert Sørensen (Københavns Universitet) Birgit Tang (Det Danske Institut i Rom) Maria Adelaide Zocchi (Det Danske Institut i Rom) Analecta Romana Instituti Danici. — Vol. I (1960) — . Copenhagen: Munksgaard. From 1985: Rome, «L’ERMA» di Bretschneider. From 2007 (online): Accademia di Danimarca ANALECTA ROMANA INSTITUTI DANICI encourages scholarly contributions within the Academy’s research fields. All contributions will be peer reviewed. Manuscripts to be considered for publication should be sent to: [email protected]. Authors are requested to consult the journal’s guidelines at www.acdan.it. Contents STINE BIRK Third-Century Sarcophagi from the City of Rome: A Chronological Reappraisal 7 URSULA LEHMANN-BROCKHAUS Asger Jorn: Il grande rilievo nell’Aarhus Statgymnasium 31 METTE MIDTGÅRD MADSEN: Sonne’s Frieze versus Salto’s Reconstruction. -
Catalogue of Paintings, Sculptures and Other Objects Exhibited During The
ART ' INSTITUTE OF CHICAGO CATALOGUE • OF PAINTINGS, ScuLPTURES AND OTHER OBJECTS EXHIBITED DURING THE WoRLD'S CoNGREssEs MAY 15 TO OCT. 31, 1893. THE ART INSTITUTE, Lake Front, opposite Adams Street, Chicago. THE ART INSTITUTE OF CHICAGO. CATALOGUE -OF- PAINTINGS, SCULPTURES AND OTHER OBJECTS EXHIBITED DURING THE WORLD'S CON- GRESSES. · SEPTEMBER, I893. CHICAGO, LAKE FRONT, HEAD OF ADAMS STREET. TRUSTEES OF THE ART INSTITUTE OF CHICAGO, !892-J. CHARLES L. HUTCHINSON, SAMUEL M. NICKERSON, DAVID W. IRWIN, MARTIN A. RYERSON, EDWARD E. A YER, WILLIAM . T. BAKER, ELIPHALET W. BLATCHFORD, NATHANIEL K. FAIRBANK, JAMES H. DOLE, ALBERT A. SPRAGUE, JOHN C. BLACK, ADOI;PHUS C. BARTLETT, . JOHN J. GLESSNER, CHARLES D. HAMILL, EDSON KEITH, TURLINGTON W. HARVEY. ALLISON V. ARM01J.R, HOMER N. HIBBARD, MARSHALL FIELD, GEORGE N . CULVER, PHILANDER C. HANFORD. OFFICERS CHARLES L. HUTCHINSON, JAMES H. DOLE, President. V{ce-President. LYMAN J . GAGE, N.H. CARPENTER, Treasurer. Secretary. W . M. R. FRENCH, ALFRED EMERSON, Director. Curator of Classical Antiquities. EXECUTIVE COMMITTEE <;HARLES L. HUTCHINSON, CHARLES D. HAMILL, JA)iES H. DOLE, JOHN C. BLACK, ALBERT A. SPRAGUE, MARTIN A. RYERSON, WILLIAM T . BAKER. THE ART INSTITUTE OF CHICAGO was incorporated May 24, 1879, for the purpose of maintaining a Museum and School of Art. The present building is built by the Art Institute and the World's Columbian Exposition jointly, at a cost of ~625,000, upon land granted by the city. At the end of the Fair the building will become the permanent and exclusive possession of· the Art Institute . During the Fair it is occupied by the World's Congresses. -
Women in the Ancient Near East: a Sourcebook
WOMEN IN THE ANCIENT NEAR EAST Women in the Ancient Near East provides a collection of primary sources that further our understanding of women from Mesopotamian and Near Eastern civiliza- tions, from the earliest historical and literary texts in the third millennium BC to the end of Mesopotamian political autonomy in the sixth century BC. This book is a valuable resource for historians of the Near East and for those studying women in the ancient world. It moves beyond simply identifying women in the Near East to attempting to place them in historical and literary context, follow- ing the latest research. A number of literary genres are represented, including myths and epics, proverbs, medical texts, law collections, letters and treaties, as well as building, dedicatory, and funerary inscriptions. Mark W. Chavalas is Professor of History at the University of Wisconsin-La Crosse, where he has taught since 1989. Among his publications are the edited Emar: The History, Religion, and Culture of a Syrian Town in the Late Bronze Age (1996), Mesopotamia and the Bible (2002), and The Ancient Near East: Historical Sources in Translation (2006), and he has had research fellowships at Yale, Harvard, Cornell, Cal-Berkeley, and a number of other universities. He has nine seasons of exca- vation at various Bronze Age sites in Syria, including Tell Ashara/Terqa and Tell Mozan/Urkesh. ROUTLEDGE SOURCEBOOKS FOR THE ANCIENT WORLD HISTORIANS OF ANCIENT ROME, THIRD EDITION Ronald Mellor TRIALS FROM CLASSICAL ATHENS, SECOND EDITION Christopher Carey ANCIENT GREECE, THIRD EDITION Matthew Dillon and Lynda Garland READINGS IN LATE ANTIQUITY, SECOND EDITION Michael Maas GREEK AND ROMAN EDUCATION Mark Joyal, J.C. -
Egypt Revisited “It Was an Amazing Experience to See Such Wonderful Sites Enhanced by Our Lecturer’S Knowledge...A Fabulous Experience!”
Limited to just 16 guests EGYPT Revisited “It was an amazing experience to see such wonderful sites enhanced by our lecturer’s knowledge...A fabulous experience!” - Barbara, Maryland Foreground, Red Pyramid at Dahshur; background, Temple of Seti I at Abydos October 19-November 3, 2019 (16 days | 16 guests) with Egyptologist Stephen Harvey optional extensions: pre-tour Siwa Oasis & Alexandria (8 days) and/or post-tour Jordan (5 days) Archaeology-focused tours for the curious to the connoisseur. Dear Traveler, You are invited to return to Egypt on a brand-new, custom-designed tour in the company of AIA lecturer/host Stephen Harvey, Egyptology guide Enass Salah, and a professional tour manager. © Ivrienen Snefru's Bent Pyramid at Dahshur Highlights are many and varied: • Gain inside access to the Red Pyramid at Dahshur, enter the burial chamber of the collapsed pyramid at Meidum, and visit two mud-brick pyramids (Illahun and Hawara) at the Fayoum Oasis. • Go behind-the-scenes at the ancient necropolis of Saqqara to see some of the new and remarkable excavations that are not open to the public, including (pending final confirmation) special access to the newly- discovered, 5th-dynasty Tomb of Wah Ti. • Make a special, private visit (permission pending) to the new Grand Egyptian Museum. • Explore the necropoli of Beni Hasan, known for its 39 rock-cut tombs © Olaf Tausch with well-preserved paintings of dancing, acrobatics, juggling, fishing, Red Pyramid at Dahshur hunting, and weaving; and Tuna el-Gebel, with huge catacombs for thousands of mummified ibises and baboons, and much more. • Visit Tell el-Amarna, which replaced Thebes (modern Luxor) as capital of Egypt under the heretic, 18th-dynasty pharaoh Akhenaton and was significant for its monotheism and distinctive artistic style. -
University of Florida Thesis Or Dissertation Formatting
SMATHERS LIBRARIES’ LATIN AND GREEK RARE BOOKS COLLECTION UNIVERSITY OF FLORIDA 2016 1 TABLE OF CONTENTS page LECTORI: TO THE READER ........................................................................................ 20 LATIN AUTHORS.......................................................................................................... 24 Ammianus ............................................................................................................... 24 Title: Rerum gestarum quae extant, libri XIV-XXXI. What exists of the Histories, books 14-31. ................................................................................. 24 Apuleius .................................................................................................................. 24 Title: Opera. Works. ......................................................................................... 24 Title: L. Apuleii Madaurensis Opera omnia quae exstant. All works of L. Apuleius of Madaurus which are extant. ....................................................... 25 See also PA6207 .A2 1825a ............................................................................ 26 Augustine ................................................................................................................ 26 Title: De Civitate Dei Libri XXII. 22 Books about the City of God. ..................... 26 Title: Commentarii in Omnes Divi Pauli Epistolas. Commentary on All the Letters of Saint Paul. ....................................................................................