Proposal to Add Greek Epigraphical Letters to the UCS 2
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Art, Philosophy, and the Philosophy Of
NATIONAL E N D O W M E N T FOR THE HUMANITIES VOLUME 4 NUMBER 1 FEBRUARY 1983 Humanities Art, Philosophy, and the Philosophy of Art period of Abstract Expressionism, ward behavior might be indistin when decisions for or against The guishable between the two. In all these Image were fraught with an almost cases one must seek the differences religious agony, the crass and casual outside the juxtaposed and puzzling use of tacky images by the new examples, and this is no less the case artists seemed irreverent and juve when seeking to account for the dif nile. But the Warhol show raised a ferences between works of art and question which was intoxicating and mere real things which happen immediately philosophical, namely exactly to resemble them. why were his boxes works of art This problem could have been while the almost indistinguishable raised at any time, and not just with utilitarian cartons were merely con the somewhat minimal sorts of tainers for soap pads? Certainly the works one might suspect the Brillo minor observable differences could Boxes to be. It was always conceiva not ground as grand a distinction as ble that exact counterparts to the that between Art and Reality! most prized and revered works of BY ARTHUR C. DANTO A philosophical question arises art could have come about in ways Not very many years ago, whenever we have two objects inconsistent with their being works aesthetics—understood as the phi which seem in every relevant par at all, though no observable differ losophy of art—was regarded as the ticular to be alike, but which belong ences could be found. -
Typesetting Classical Greek Philology Could Not find Anything Really Suitable for Her
276 TUGboat, Volume 23 (2002), No. 3/4 professor of classical Greek in a nearby classical high Philology school, was complaining that she could not typeset her class tests in Greek, as she could do in Latin. I stated that with LATEX she should not have any The teubner LATEX package: difficulty, but when I started searching on CTAN,I Typesetting classical Greek philology could not find anything really suitable for her. At Claudio Beccari that time I found only the excellent Greek fonts de- signed by Silvio Levy [1] in 1987 but for a variety of Abstract reasons I did not find them satisfactory for the New The teubner package provides support for typeset- Font Selection Scheme that had been introduced in LAT X in 1994. ting classical Greek philological texts with LATEX, E including textual and rhythmic verse. The special Thus, starting from Levy’s fonts, I designed signs and glyphs made available by this package may many other different families, series, and shapes, also be useful for typesetting philological texts with and added new glyphs. This eventually resulted in other alphabets. my CB Greek fonts that now have been available on CTAN for some years. Many Greek users and schol- 1 Introduction ars began to use them, giving me valuable feedback In this paper a relatively large package is described regarding corrections some shapes, and, even more that allows the setting into type of philological texts, important, making them more useful for the com- particularly those written about Greek literature or munity of people who typeset in Greek — both in poetry. -
Assessment of Options for Handling Full Unicode Character Encodings in MARC21 a Study for the Library of Congress
1 Assessment of Options for Handling Full Unicode Character Encodings in MARC21 A Study for the Library of Congress Part 1: New Scripts Jack Cain Senior Consultant Trylus Computing, Toronto 1 Purpose This assessment intends to study the issues and make recommendations on the possible expansion of the character set repertoire for bibliographic records in MARC21 format. 1.1 “Encoding Scheme” vs. “Repertoire” An encoding scheme contains codes by which characters are represented in computer memory. These codes are organized according to a certain methodology called an encoding scheme. The list of all characters so encoded is referred to as the “repertoire” of characters in the given encoding schemes. For example, ASCII is one encoding scheme, perhaps the one best known to the average non-technical person in North America. “A”, “B”, & “C” are three characters in the repertoire of this encoding scheme. These three characters are assigned encodings 41, 42 & 43 in ASCII (expressed here in hexadecimal). 1.2 MARC8 "MARC8" is the term commonly used to refer both to the encoding scheme and its repertoire as used in MARC records up to 1998. The ‘8’ refers to the fact that, unlike Unicode which is a multi-byte per character code set, the MARC8 encoding scheme is principally made up of multiple one byte tables in which each character is encoded using a single 8 bit byte. (It also includes the EACC set which actually uses fixed length 3 bytes per character.) (For details on MARC8 and its specifications see: http://www.loc.gov/marc/.) MARC8 was introduced around 1968 and was initially limited to essentially Latin script only. -
The Carian Language HANDBOOK of ORIENTAL STUDIES SECTION ONE the NEAR and MIDDLE EAST
The Carian Language HANDBOOK OF ORIENTAL STUDIES SECTION ONE THE NEAR AND MIDDLE EAST Ancient Near East Editor-in-Chief W. H. van Soldt Editors G. Beckman • C. Leitz • B. A. Levine P. Michalowski • P. Miglus Middle East R. S. O’Fahey • C. H. M. Versteegh VOLUME EIGHTY-SIX The Carian Language by Ignacio J. Adiego with an appendix by Koray Konuk BRILL LEIDEN • BOSTON 2007 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Adiego Lajara, Ignacio-Javier. The Carian language / by Ignacio J. Adiego ; with an appendix by Koray Konuk. p. cm. — (Handbook of Oriental studies. Section 1, The Near and Middle East ; v. 86). Includes bibliographical references. ISBN-13 : 978-90-04-15281-6 (hardback) ISBN-10 : 90-04-15281-4 (hardback) 1. Carian language. 2. Carian language—Writing. 3. Inscriptions, Carian—Egypt. 4. Inscriptions, Carian—Turkey—Caria. I. Title. II. P946.A35 2006 491’.998—dc22 2006051655 ISSN 0169-9423 ISBN-10 90 04 15281 4 ISBN-13 978 90 04 15281 6 © Copyright 2007 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill Hotei Publishers, IDC Publishers, Martinus Nijhoff Publishers, and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
Greek Numbers 05/10/2006 12:02 PM
Greek numbers 05/10/2006 12:02 PM History topic: Greek number systems There were no single Greek national standards in the first millennium BC. since the various island states prided themselves on their independence. This meant that they each had their own currency, weights and measures etc. These in turn led to small differences in the number system between different states since a major function of a number system in ancient times was to handle business transactions. However we will not go into sufficient detail in this article to examine the small differences between the system in separate states but rather we will look at its general structure. We should say immediately that the ancient Greeks had different systems for cardinal numbers and ordinal numbers so we must look carefully at what we mean by Greek number systems. Also we shall look briefly at some systems proposed by various Greek mathematicians but not widely adopted. The first Greek number system we examine is their acrophonic system which was use in the first millennium BC. 'Acrophonic' means that the symbols for the numerals come from the first letter of the number name, so the symbol has come from an abreviation of the word which is used for the number. Here are the symbols for the numbers 5, 10, 100, 1000, 10000. Acrophonic 5, 10, 100, 1000, 10000. We have omitted the symbol for 'one', a simple '|', which was an obvious notation not coming from the initial letter of a number. For 5, 10, 100, 1000, 10000 there will be only one puzzle for the reader and that is the symbol for 5 which should by P if it was the first letter of Pente. -
Vocalic Phonology in New Testament Manuscripts
VOCALIC PHONOLOGY IN NEW TESTAMENT MANUSCRIPTS by DOUGLAS LLOYD ANDERSON (Under the direction of Jared Klein) ABSTRACT This thesis investigates the development of iotacism and the merger of ! and " in Roman and Byzantine manuscripts of the New Testament. Chapter two uses onomastic variation in the manuscripts of Luke to demonstrate that the confusion of # and $ did not become prevalent until the seventh or eighth century. Furthermore, the variations % ~ # and % ~ $ did not manifest themselves until the ninth century, and then only adjacent to resonants. Chapter three treats the unexpected rarity of the confusion of o and " in certain second through fifth century New Testament manuscripts, postulating a merger of o and " in the second century CE in the communities producing the New Testament. Finally, chapter four discusses the chronology of these vocalic mergers to show that the Greek of the New Testament more closely parallels Attic inscriptions than Egyptian papyri. INDEX WORDS: Phonology, New Testament, Luke, Greek language, Bilingual interference, Iotacism, Vowel quantity, Koine, Dialect VOCALIC PHONOLOGY IN NEW TESTAMENT MANUSCRIPTS by DOUGLAS LLOYD ANDERSON B.A., Emory University, 2003 A Thesis Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Douglas Anderson All Rights Reserved VOCALIC PHONOLOGY IN NEW TESTAMENT MANUSCRIPTS by DOUGLAS LLOYD ANDERSON Major Professor: Jared Klein Committee: Erika Hermanowicz Richard -
Archaic Eretria
ARCHAIC ERETRIA This book presents for the first time a history of Eretria during the Archaic Era, the city’s most notable period of political importance. Keith Walker examines all the major elements of the city’s success. One of the key factors explored is Eretria’s role as a pioneer coloniser in both the Levant and the West— its early Aegean ‘island empire’ anticipates that of Athens by more than a century, and Eretrian shipping and trade was similarly widespread. We are shown how the strength of the navy conferred thalassocratic status on the city between 506 and 490 BC, and that the importance of its rowers (Eretria means ‘the rowing city’) probably explains the appearance of its democratic constitution. Walker dates this to the last decade of the sixth century; given the presence of Athenian political exiles there, this may well have provided a model for the later reforms of Kleisthenes in Athens. Eretria’s major, indeed dominant, role in the events of central Greece in the last half of the sixth century, and in the events of the Ionian Revolt to 490, is clearly demonstrated, and the tyranny of Diagoras (c. 538–509), perhaps the golden age of the city, is fully examined. Full documentation of literary, epigraphic and archaeological sources (most of which have previously been inaccessible to an English-speaking audience) is provided, creating a fascinating history and a valuable resource for the Greek historian. Keith Walker is a Research Associate in the Department of Classics, History and Religion at the University of New England, Armidale, Australia. -
The Use of Gamma in Place of Digamma in Ancient Greek
Mnemosyne (2020) 1-22 brill.com/mnem The Use of Gamma in Place of Digamma in Ancient Greek Francesco Camagni University of Manchester, UK [email protected] Received August 2019 | Accepted March 2020 Abstract Originally, Ancient Greek employed the letter digamma ( ϝ) to represent the /w/ sound. Over time, this sound disappeared, alongside the digamma that denoted it. However, to transcribe those archaic, dialectal, or foreign words that still retained this sound, lexicographers employed other letters, whose sound was close enough to /w/. Among these, there is the letter gamma (γ), attested mostly but not only in the Lexicon of Hesychius. Given what we know about the sound of gamma, it is difficult to explain this use. The most straightforward hypothesis suggests that the scribes who copied these words misread the capital digamma (Ϝ) as gamma (Γ). Presenting new and old evidence of gamma used to denote digamma in Ancient Greek literary and documen- tary papyri, lexicography, and medieval manuscripts, this paper refutes this hypoth- esis, and demonstrates that a peculiar evolution in the pronunciation of gamma in Post-Classical Greek triggered a systematic use of this letter to denote the sound once represented by the digamma. Keywords Ancient Greek language – gamma – digamma – Greek phonetics – Hesychius – lexicography © Francesco Camagni, 2020 | doi:10.1163/1568525X-bja10018 This is an open access article distributed under the terms of the CC BY 4.0Downloaded license. from Brill.com09/30/2021 01:54:17PM via free access 2 Camagni 1 Introduction It is well known that many ancient Greek dialects preserved the /w/ sound into the historical period, contrary to Attic-Ionic and Koine Greek. -
Herodotus' Four Markers of Greek Identity (Ch
Loyola Marymount University From the SelectedWorks of Katerina Zacharia September, 2008 Hellenisms (ii), Herodotus' Four Markers of Greek Identity (ch. 1) Katerina Zacharia, Loyola Marymount University Available at: https://works.bepress.com/katerina_zacharia/15/ 1. Herodotus’ Four Markers of Greek Identity Katerina Zacharia [...] πρὸς δὲ τοὺς ἀπὸ Σπάρτης ἀγγέλους τάδε· Τὸ μὲν δεῖσαι Λακεδαιμονίους μὴ ὁμολογήσωμεν τῷ βαρβάρῳ κάρτα ἀνθρωπήιον ἦν. ἀτὰρ αἰσχρῶς γε οἴκατε ἐξεπιστάμενοι τὸ Ἀθηναίων φρόνημα ἀρρωδῆσαι, ὅτι οὔτε χρυσός ἐστι γῆς οὐδαμόθι τοσοῦτος οὔτε χώρη καλλει καὶ ἀρετῇ μέγα ὑπερφέρουσα, τὰ ἡμεῖς δεξάμενοι ἐθέλοιμεν ἂν μηδίσαντες καταδουλῶσαι τὴν Ἑλλάδα. Πολλὰ τε γὰρ καὶ μεγαλα ἐστι τὰ διακωλύοντα ταῦτα μὴ ποιέειν μηδ᾿ ἢν ἐθέλωμεν, πρῶτα μὲν καὶ μέγιστα τῶν θεῶν τὰ ἀγάλματα καὶ τὰ οἰκήματα ἐμπεπρησμένα τε καὶ συγκεχωσμένα, τοῖσι ἡμέας ἀναγκαίως ἔχει τιμωρέειν ἐς τὰ μέγιστα μᾶλλον ἤ περ ὁμολογέειν τῷ ταῦτα ἐργασαμένῳ, αὖτις δὲ τὸ Ἑλληνικὸν, ἐὸν ὅμαιμόν τε καὶ ὁμόγλωσσον, καὶ θεῶν ἱδρύματά τε κοινὰ καὶ θυσίαι ἤθεά τε ὁμότροπα, τῶν προδότας γενέσθαι Ἀθηναίους οὐκ ἂν εὖ ἔχοι. ἐπίστασθέ τε οὕτω, εἰ μὴ καὶ πρότερον ἐτύγχανετε ἐπιστάμενοι, ἔστ᾿ ἂν καὶ εἶς περιῇ Ἀθηναίων, μηδαμὰ ὁμολογήσοντας ἡμέας Ξέρξῃ .1 Herodotus, Histories, 8, 144.1–3 1. The Sources: Some Qualifiers All contributors were invited to think about the four characteristic features of Hellenism (blood, language, religion, and customs) listed by some anonymous Athenian speakers at the end of Herodotus VIII, in the caption of this chapter. Some of the questions the contributors were asked to explore are: How far has it been true historically that these four features have acted 1 “To the Spartan envoys they said: ‘No doubt it was natural that the Lacedaemonians should dread the possibility of our making terms with Persia; none the less it shows a poor estimate of the spirit of Athens. -
Ordinance No. 04-61
.. 200500022607 BEST POSSIBLE IMAGE Filed for Record in HAMILTON COUNTY, INDIANA ALL PAGES JENNIFER J HAYDEN 0~-18-2OQ5 At 12'~7 >•• ORDINANCE 101.00 I ORDINANCE NO. 04-61 , AN ORDINANCE OF THE TOWN OF WESTFIELD CONCERNING AMENDMENT TO TITLE 16- LAND USE CONTROLS WHEREAS, The Town ofWeslfield, Indiana and the Township of Washington, both of Hamilton County, Indiana are subject to the Westfield Washington Township Zoning Ordinance; and WHEREAS, the Westfield-Washington Township Plan Commission ("Commission") considered a petition (docket 0310-PUD-06) filed with the Commission to rezone certain lands; and WHEREAS, the Westfield Washington Township Plan Commission did take action to forward the request to the Westfield town Council with a negative recommendation under the provision onc 36-7-4-605; and WHEREAS, the Secretary of the Commission certified the action of the commission to the Town Council on January 27, 2004; and WHEREAS, the Weslfield Town Council is subject to the provisions onc 36-7-4-608(t) or IC36-7-4-608(g) concerning any action on requests forwarded by the Advisory Plan Commission. NOW THEREFORE BE IT ORDAINED BY THE WESTFIELD TOWN COUNCIL THAT TITLE 16 OF THE WESTFIELD CODE OF ORDINANCE BE AMENDED AS FOLLOWS: SECTION 1. WC-16-04.Zoningmaps amended as follows: The Zoning Map accompanying and made a part of the Zoning Ordinance is amended to reclassifY the real estate described in the attachment "West Oak Planned Unit Development" hereto (Real Estate) wm EI to EI-PUD This real estate being subject to commitments and standards as detailed in the attachment "Westoak Industrial Park Planned unit Development District" 4/612004 Ordinance 04-01 SECTION 2. -
Greek Character Sets
Greek Character set Sets a. monotonic b. basic polytonic c. extended polytonic d. archaic a. Monotonic Greek upper case: ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨΩ Ά Έ Ή Ί Ό Ύ Ώ ΪΫ U0386, U0388-U038A, U038C, U038E-U038F, U0391-U03A1, U03A3-U03AB lower case: αβγδεζηθικλμνξοπρστυφχψως άέήίόύώ ΐϋϊϋ U0390, U03AC-U03CE punctuation: · anoteleia, U0387 the equivalent of semicolon ; greekquestionmark, U037E accents: ΄ tonos, U0384 ΅ dieresistonos, U0385 and dieresis that we take from the latin set proposed additions to monotonic set: ϗ greek kai symbol (greek ampersand), U03D7 https://en.wikipedia.org/wiki/Kai_(conjunction) Ϗ greek Kai symbol (greek cap ampersand), U03CF http://std.dkuug.dk/jtc1/sc2/wg2/docs/n3122.pdf ʹ ͵ greek numeral signs or keraia, U0374, U0375 https://en.wikipedia.org/wiki/Greek_numerals#Table https://en.wikipedia.org/wiki/Greek_numerals#Description GRKCharsetIV20170104 b. Basic Polytonic Greek upper case: ᾺΆἈἉᾸᾹἊἋἌἍἎἏᾼᾈᾉᾊᾋᾌᾍᾎᾏΈἘἙῈἚἛἜἝ ῊΉἨἩἪἫἬἭἮἯῌᾘᾙᾚᾛᾜᾝᾞᾟΊἸἹῚῘῙΪἺἻἼἽἿΌ ὈὉῸὊὋὌὍῬΎΫὙῪῨῩὛὝὟΏὨὩῺὪὫὬὮὯ ῼᾨᾩᾪᾫᾬᾭᾮᾯ U1F08-U1F0F, U1F18-U1F1D, U1F28-U1F2F, U1F38-U1F3F, U1F48-U1F4D, U1F59, U1F5B, U1F5D, U1F5F, U1F68-U1F6F, U1F88-U1F8F, U1F98-U1F9F, U1FA8-U1FAF, U1FB8-U1FBC, U1FC8-U1FCC, U1FD8-U1FDB, U1FE8-U1FEC, U1FF8-U1FFC �������������������� ������� stylistic alternates to UC with iota subscript, using the iota adscript lower case: ὰάἀἁᾰᾱᾶἂἃἄἅἆἇᾳᾲᾴᾀᾁᾂᾃᾄᾅᾆᾇᾷέἐἑὲἒἓἔἕὴήἠἡἢἣἤἥἦἧῃῂῄ ῇᾐᾑᾒᾓᾔᾕᾖᾗίἰἱὶῐῑῖϊΐἲἳἴἵἶἷῒΐόὀὁὸὂὃὄὅῤῥύὐὑὺῠῡῦϋΰὒὓὔὕὖὗῢΰῧ ώὠὡὼῶῳὢὣὤὥὦὧᾠᾡῲῴῷᾢᾣᾤᾥᾦᾧ U1F00-1F07, U1F10-U1F15, UF20-U1F27, U1F30-U1F37, U1F40-U1F45, U1F50-U1F57, U1F60-U1F67, U1F70-U1F7D, -
Greek Alphabet ( ) Ελληνικ¿ Γρ¿Μματα
Greek alphabet and pronunciation 9/27/05 12:01 AM Writing systems: abjads | alphabets | syllabic alphabets | syllabaries | complex scripts undeciphered scripts | alternative scripts | your con-scripts | A-Z index Greek alphabet (ελληνικ¿ γρ¿μματα) Origin The Greek alphabet has been in continuous use for the past 2,750 years or so since about 750 BC. It was developed from the Canaanite/Phoenician alphabet and the order and names of the letters are derived from Phoenician. The original Canaanite meanings of the letter names was lost when the alphabet was adapted for Greek. For example, alpha comes for the Canaanite aleph (ox) and beta from beth (house). At first, there were a number of different versions of the alphabet used in various different Greek cities. These local alphabets, known as epichoric, can be divided into three groups: green, blue and red. The blue group developed into the modern Greek alphabet, while the red group developed into the Etruscan alphabet, other alphabets of ancient Italy and eventually the Latin alphabet. By the early 4th century BC, the epichoric alphabets were replaced by the eastern Ionic alphabet. The capital letters of the modern Greek alphabet are almost identical to those of the Ionic alphabet. The minuscule or lower case letters first appeared sometime after 800 AD and developed from the Byzantine minuscule script, which developed from cursive writing. Notable features Originally written horizontal lines either from right to left or alternating from right to left and left to right (boustophedon). Around 500 BC the direction of writing changed to horizontal lines running from left to right.