Joni Mitchell - Eine Kategorie Für Sich Selbst

Total Page:16

File Type:pdf, Size:1020Kb

Joni Mitchell - Eine Kategorie Für Sich Selbst Jazz Collection: Joni Mitchell - Eine Kategorie für sich selbst Dienstag, 06.11.2018, 21.00 – 22.00 Uhr Radio SRF 2 Kultur Samstag, 10.11.2018, 17.00 – 18.30 Uhr (mit Bonustracks) Allein schon mit ihren Singer-Songwriter-Alben Ende der 60er Jahre hätte sie einen wichtigen Platz eingenommen in der Musikgeschichte, Joni Mitchell. Die unkonventionellen Harmonien, die herausragenden Texte, die intensive Stimme: alles da. Aber Joni Mitchell erfindet sich danach gleich noch mehrere Male neu. Sie spielt und singt auf Augenhöhe mit ihren Lieblings-Jazz-Musikern in den 70er Jahren, hat eine pop-rockige Phase in den 80ern und findet einen nochmals neuen, entspannteren Ton in den 90er Jahren. Und sogar danach, wenn sie ihre eigenen Klassiker noch einmal mit grossem Orchester aufnimmt (Both Sides Now), ist das nicht Nostalgie, sondern pure Innovation. Die Singer-Songwriterin Anet Zemp hat sich viel beschäftigt mit der jungen und der älteren Joni Mitchell. Sie versucht eine Annäherung, zu Joni Mitchells 75. Geburtstag - als Gast in der Jazz Collection von Jodok Hess. Gast: Joni Mitchell Redaktion und Moderation: Jodok Hess Joni Mitchell – Clouds Label: Reprise Records Track 03: I Don't Know Where I Stand Joni Mitchell – Live At The Second Fret 1966 Label: All Access Ent. Track 03: Both Sides Now Joni Mitchell – Blue Label: Reprise Records Track 09: A Case Of You Joni Mitchell – Mingus Label: Warner Track 09: The Dry Cleaner From Des Moines Joni Mitchell – Chalk Mark In A Rain Storm Label: Geffen Records Track 01: My Secret Place Joni Mitchell – Turbulent Indigo Label: Reprise Records Track 01: Sunny Sunday Joni Mitchell – Both Sides Now Label: Reprise Records Track 12: Both Sides Now Joni Mitchell – Shine Label: Universal Music Track 02: This Place Bonustracks (nur am Samstag, 10.11.2018) Joni Mitchell – Ladies Of The Canyon Label: Reprise Records Track 10: Big Yellow Taxi Track 11: Woodstock Joni Mitchell – Court And Spark Label: Elektra Track 02: Help Me Track 09: Raised On Robbery Joni Mitchell – Hejira Label: Asylum Records Track 01: Coyote Track 04: A Strange Boy .
Recommended publications
  • Joni Mitchell Changes with the Times
    September 21. ls-79 San Francisco'Foghorn Page 15 Greg Kihn Rocks From start to finish, the band displayed their line musicianship in all forms. Ihe rhythm section ol by Denise Sullivan "We could open with 'Sweet Larry Lynch on drums and Steve Hard driving rock and roll .lane' but we'd rather keep Wright on bass especially shone characterized the Greg Kihn building it up until thc end." stated during the encore numbers. Band's return to San Francisco Kihn flatly. "Wc do our own thing, When asked to comment on the Saturday night at thc Old Waldorf. regardless." new wave movement, Kihn's Though thc show kicked-off on a Kihn was relatively happy with immediate response was. "I like the laid-back note. Kihn and his band the night's first performance. From Pants," as he sat comfortably in managed to get the audience the onset the band rocked tightly. skintight black slacks. "I like jumping by thc final encores. "We weren't out of tune or modern girls and the modern During an informal backstage anything," smiled Kihn. world," he joked. interview between sets. Mr. Kihn The first set featured such well- Kihn is a firm supporter of new gave some of his views on rock and known numbers as "Secret bands and encourages his fans to revealed some of his thoughts on Meetings" and "Cold Hard Cash" support other local club acts like returning to thc Bay Area. from the "Next of Kihn" LP, as they backed himself in the early "We toured all thc big cities, but well as his covers of "Rendezvous days.
    [Show full text]
  • Joni Mitchell," 1966-74
    "All Pink and Clean and Full of Wonder?" Gendering "Joni Mitchell," 1966-74 Stuart Henderson Just before our love got lost you said: "I am as constant as a northern star." And I said: "Constantly in the darkness - Where 5 that at? Ifyou want me I'll be in the bar. " - "A Case of You," 1971 Joni Mitchell has always been difficult to categorize. A folksinger, a poet, a wife, a Canadian, a mother, a party girl, a rock star, a hermit, a jazz singer, a hippie, a painter: any or all of these descriptions could apply at any given time. Moreover, her musicianship, at once reminiscent of jazz, folk, blues, rock 'n' roll, even torch songs, has never lent itself to easy categorization. Through each successive stage of her career, her songwriting has grown ever more sincere and ever less predictable; she has, at every turn, re-figured her public persona, belied expectations, confounded those fans and critics who thought they knew who she was. And it has always been precisely here, between observers' expec- tations and her performance, that we find contested terrain. At stake in the late 1960s and early 1970s was the central concern for both the artist and her audience that "Joni Mitchell" was a stable identity which could be categorized, recognized, and understood. What came across as insta- bility to her fans and observers was born of Mitchell's view that the honest reflection of growth and transformation is the basic necessity of artistic expres- sion. As she explained in 1979: You have two options.
    [Show full text]
  • The Shakin' Street Gazette, Volume 6
    State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Shakin Street Gazette, Student Music Magazine Buffalo State Archives: History of the College 1-1-1974 The Shakin' Street Gazette, Volume 6 The Shakin' Street Gazette Follow this and additional works at: https://digitalcommons.buffalostate.edu/shakinstreet Part of the History Commons Recommended Citation The Shakin' Street Gazette, "The Shakin' Street Gazette, Volume 6" (1974). Shakin Street Gazette, Student Music Magazine. 6. https://digitalcommons.buffalostate.edu/shakinstreet/6 This Book is brought to you for free and open access by the Buffalo State Archives: History of the College at Digital Commons at Buffalo State. It has been accepted for inclusion in Shakin Street Gazette, Student Music Magazine by an authorized administrator of Digital Commons at Buffalo State. For more information, please contact [email protected]. Volume one, Number six S+ree+ ' 0 But for the work I've taken on · Sto · star maker machine e popular song ut features double electric guitars (Jose Feliciano and Larry Carlton) that Joni's new on top of a light acoustic rhythm., released on the same day as the . "People's Parties!' follows, a . .- Dylan LP (coming in the balancing diversionary pasttimes (pe _s .first tour in seven years) parties) against the underlying s rt of ov wed. Not this repressed dispair in this song an 0 longing request for release in the fin oni, who ~ C:Ot! rts for "Same Situation" which ends: I ti4 first time g time, (including I called out to be released I o{e at Klein _ on February 11, Caught in my 'struggle for f cqurtesy of Festival East) has changed her _.:,achievement , I st~'le a little.
    [Show full text]
  • Joni Mitchell Complete So Far …
    GUITAR SONGBOOK EDITION1 JONI MITCHELL Complete SO FAR … Joni wishes to express her thanks … to Joel Bernstein: “As my repertoire of tunings expanded it became necessary to have a whole fleet of guitars set up in tuning families. It was Joel’s job to tune my guitars, and to do this he needed to learn at least the first eight bars of every one of my songs—therefore preserving these tunings which may have otherwise been lost, for which I am grateful”; to Henry Diltz for capturing these special moments in time with his photos; to Jeffrey Pepper Rodgers for asking interview questions that actually pertained to the art and the music; to Dana D’Elia and all the staff at Alfred Music who participated in the making of this book; and special thanks to Aaron Stang for overseeing the production of this project with such care. Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com All rights reserved. Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9588-9 ISBN-13: 978-0-7390-9588-1 Transcriptions by Joel Bernstein, Daniel Libertino, and Andrew DuBrock Cover photo by Jack Robinson, The Jack Robinson Archive, LLC; robinsonarchive.com All inside photos by Henry Diltz; morrisonhotelgallery.com Contents Foreword ................................................................................................................................................................................
    [Show full text]
  • The Cyclic Nature of Joni Mitchell's Court and Spark Susan Neimoyer
    Document generated on 09/29/2021 8:25 a.m. Intersections Canadian Journal of Music Revue canadienne de musique The Cyclic Nature of Joni Mitchell's Court and Spark Susan Neimoyer Volume 34, Number 1-2, 2014 Article abstract Current scholarship recognizes several of Joni Mitchell’s albums as being URI: https://id.erudit.org/iderudit/1030868ar cyclic, or based on a unifying concept. Court and Spark (1974), however, is not DOI: https://doi.org/10.7202/1030868ar numbered among them, despite Mitchell’s having described it as “a discourse on romantic love.” Following the inference that this album may have been See table of contents conceived as an extended, multi-movement work, this article examines both its textual and musical aspects, seeking unifying characteristics. The cyclic nature of the album is uncovered, showing it to be more unified from a musical Publisher(s) perspective than a textual one. This approach is the opposite of Mitchell’s perceived norm, suggesting her compositional process may have been more Canadian University Music Society / Société de musique des universités sophisticated than is currently thought. canadiennes ISSN 1911-0146 (print) 1918-512X (digital) Explore this journal Cite this article Neimoyer, S. (2014). The Cyclic Nature of Joni Mitchell's Court and Spark. Intersections, 34(1-2), 3–32. https://doi.org/10.7202/1030868ar Copyright © Canadian University Music Society / Société de musique des This document is protected by copyright law. Use of the services of Érudit universités canadiennes, 2015 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit.
    [Show full text]
  • Inspired by Joni - the Albums
    Inspired by Joni - The Albums Compiled by: Simon Montgomery, © 2006 Please send comments, corrections or additions to: [email protected] Latest Update: May 23, 2021 Illustration from The Music Of Joni Mitchell Songbook Published by C.H. Hansen Publications All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. 1974 Sara Smith Sings The Best of A Tribute To Joni Mitchell Delmar #3013 (8 Track Cartridge) 1. Raised On Robbery 2. Woodstock 3. You Turn Me On, I'm A Radio 4. Chelsea Morning 5. California 6. Carey 7. The Circle Game 8. Night In The City 9. He Played Real Good For Free 1994 Back to the Garden – A Tribute to Joni Mitchell Intrepid Records #N21-00016 - Canada 01. Free Man In Paris Big Faith 02. This Flight Tonight Sara Craig 03. Carey Universal Honey 04. Big Yellow Taxi Lorraine Scott 05. Black Crow Molly Johnson 06. The Beat Of Black Wings Andy Stochansky 07. Shades Of Scarlett Conquering Martha And The Muffins 08. The Hissing Of Summer Lawns Funky Bummer featuring Anne Beadle 09. River Hugh Marsh, Jonathan Goldsmith, Rob Piltch, Martin Tielli 10. You Turn Me On, I'm A Radio Kurt Swinghammer 11. Coyote Spirit Of The West 12. Woodstock W.O.W. 13. Night In The City Jenny Whiteley 14. A Case Of You Sloan 15. Blonde In The Bleachers Squiddly featuring Maria Del Mar 16.
    [Show full text]
  • NY Unofficial Archive V5.2 22062018 TW.Pdf
    ........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION
    [Show full text]
  • Page 1 TEACHER, TEACHER .38 SPECIAL I GO BLIND 54-40
    Page 1 TEACHER, TEACHER .38 SPECIAL I GO BLIND 54-40 OCEAN PEARL 54-40 Make Me Do) ANYTHING YOU WANT A FOOT IN COLD WATER HAND IN MY POCKET ALANIS MORISSETTE HEAD OVER FEET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE THANK YOU ALANIS MORISSETTE UNINVITED ALANIS MORISSETTE YOU LEARN ALANIS MORISSETTE YOU OUGHTA KNOW ALANIS MORISSETTE BLACK VELVET ALANNAH MYLES LOVE IS ALANNAH MYLES LOVER OF MINE ALANNAH MYLES SONG INSTEAD OF A KISS ALANNAH MYLES STILL GOT THIS THING ALANNAH MYLES FANTASY ALDO NOVA MORE THAN WORDS CAN SAY ALIAS HELLO HURRAY ALICE COOPER BIRMINGHAM AMANDA MARSHALL DARK HORSE AMANDA MARSHALL FALL FROM GRACE AMANDA MARSHALL LET IT RAIN AMANDA MARSHALL BABY I LOVE YOU ANDY KIM BE MY BABY ANDY KIM HOW'D WE EVER GET THIS WAY? ANDY KIM I FORGOT TO MENTION ANDY KIM ROCK ME GENTLY ANDY KIM SHOOT 'EM UP BABY ANDY KIM BAD SIDE OF THE MOON APRIL WINE ENOUGH IS ENOUGH APRIL WINE I WOULDN'T WANT TO LOSE YOUR LOVE APRIL WINE I'M ON FIRE FOR YOU BABY APRIL WINE JUST BETWEEN YOU AND ME APRIL WINE LIKE A LOVER, LIKE A SONG APRIL WINE OOWATANITE APRIL WINE ROCK AND ROLL IS A VICIOUS GAME APRIL WINE ROLLER APRIL WINE SAY HELLO APRIL WINE SIGN OF THE GYPSY QUEEN APRIL WINE TONITE IS A WONDERFUL TIME APRIL WINE YOU COULD HAVE BEEN A LADY APRIL WINE YOU WON'T DANCE WITH ME APRIL WINE BLUE COLLAR BACHMAN-TURNER OVERDRIVE GIMME YOUR MONEY PLEASE BACHMAN-TURNER OVERDRIVE HEY YOU BACHMAN-TURNER OVERDRIVE LET IT RIDE BACHMAN-TURNER OVERDRIVE Page 2 LOOKIN' OUT FOR #1 BACHMAN-TURNER OVERDRIVE ROLL ON DOWN THE HIGHWAY BACHMAN-TURNER OVERDRIVE TAKIN'
    [Show full text]
  • Vinyl Releases, Promos & Radio Programs
    Singles: 7” & 12” Vinyl Releases, Promos & Radio Programs Compiled by Simon Montgomery, © 2001 All items listed are U.S. releases, unless otherwise noted. Please send comments, corrections or additions to: [email protected] Latest Update: Jan. 1, 2020 © All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. August 2001 1966 United Sound Systems – Acetate Demo (Not For Sale) The Circle Game / Night In The City w/ the Siegel / Schwall Blues Band __________________________________________________________________ 1968 Reprise #PRO-280 (WLP) Radio Spots for SONG TO A SEAGULL 1. :50 Spot 2. :60 Spot 3. :60 Spot 4. :60 Spot Essex Music Group – Demonstration Record (Not For Sale) Chelsea Morning / Come To The Sunshine Reprise #0694 (WLP) Night In The City / I Had A King Reprise #0694 Night In The City / I Had A King Reprise #0694 (Canada) Night In The City / I Had A King Reprise #RV.20169 (France, P/S) Night In The City / I Had A King Emidisc (UK Test Pressing) Night In The City / I Had A King Reprise #RS-20694 (UK Advance Promo) Night In The City / I Had A King __________________________________________________________________ 1969 Reprise #PRO-333, (WLP) Radio Spots for CLOUDS Band One: 50 Seconds Band Two: 50 Seconds Band Three: 50 Seconds Reprise #PRO-337, (WLP) Chelsea Morning / The Fiddle And The Drum Reprise #3404 Chelsea Morning / The Fiddle And The Drum Reprise #3404, (Canada) Chelsea Morning / The Fiddle And The Drum Reprise #RV.
    [Show full text]
  • CD Singles: Promos, Radio Programs & Cdr Reference Recordings
    CD Singles: Promos, Radio Programs & CDr Reference Recordings Compiled by Simon Montgomery, © 2001 Unless otherwise noted, all items listed are U.S. releases. Please send comments, corrections or additions to: [email protected] Latest Update: Jan. 1, 2020 © All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. August 2001 1988 Geffen #PRO-CD-3076 (Promo-Only, Picture Insert) A Special Conversation For Radio Recorded in London: A Rare Interview with Joni Mitchell featuring music from the album Chalk Mark In A Rainstorm Geffen #MER-0096 (UK Promo) Chalk Mark In A Rainstorm (9" x 11" Promo Box Set) Includes cassette edition of Chalk Mark In A Rainstorm album, Snakes & Ladders 3" Promo CD Single, Biography & Press Photo Geffen #PRO-CD-3262 (Promo-Only, Picture Insert) Cool Water Geffen #GEF-37CD • 920 945-2 (France, Picture Insert) My Secret Place / Number One (ReMix) / Chinese Cafe (Unchained Melody) / Good Friends Geffen #PRO-449-2 (Promotion Copy - not for sale) Snakes And Ladders (LP Version) __________________________________________________________________ 1989 A&M #CD-17808 (Promo, picture insert) Indio Hard Sun (Joni Mitchell, background vocals) Virgin Records #PRCD-2795 (UK Promo) Various Artists Spirit Of The Forest Pyramid Records #PRCD-7128 (Promo) Various Artists Spirit Of The Forest __________________________________________________________________ 1990 Mercury #MER-336, 1990 (Promo) From “The Wall-Live In Berlin” Roger Waters And The Company The Tide Is Turning (After Live Aid) Featuring vocal performances by Bryan Adams, Paul Carrack, Joni Mitchell, Cyndi Lauper & Van Morrison accompanied by The Bleeding Heart Band, Rundfunk Orchestra and Choir, and The Military Orchestra of the Soviet Army.
    [Show full text]
  • TCU Senate Plans to Expand Club Sports
    Today: Showers THE TUFTS High 48 Low 37 Tufts’ Student Tomorrow: Newspaper Rain Since 1980 High 48 Low 27 VOLUME LV, NUMBER 30 DAILY TUESDAY , MARCH 4, 2008 Candidates head into pivotal contests TCU Senate plans to expand club sports Students to play larger role in approving club teams and allotting money BY MADELI N E GARBER to approve club sports and President Neil DiBiase. Daily Editorial Board appropriate their funding, is The process by which the meant to broaden the presence university officially recognizes The Athletics Department of club sports on campus. clubs will change, according is working with administra- TCU senators, Athletics to Director of Athletics Bill tors and students in the Tufts Department officials and Gehling. In the past, student Community Union (TCU) Dean of Student Affairs Bruce teams would appeal to him for Senate to raise the universi- Reitman met to review plans approval, and a faculty com- ty’s recognition and funding of for the project at a meeting on mittee on athletics would play club sports on campus. Feb. 13. a role as well. Now the univer- University officials and sen- “We just discussed a way to sity wants to incorporate more ators hope to set up an advi- solidify the presence of club student input and to increase MCT sory board composed of club sports on campus and to fund, the number of club sports Texas and Ohio, two of the most delegate-heavy states in the race for the sport athletes and leaders from recognize and allocate resourc- teams on campus. Democratic nomination, will vote today with Vermont and Rhode Island.
    [Show full text]
  • Unofficial-Archive-V
    [email protected] Version 3 for Thrasher’s Wheat 2 April 2018 FOREWORD This document attempts to provide as complete a catalogue as possible of songs written or performed by Neil Young which do not appear on his officially released material and media. “Official” in this case means released through an authorized record company. The catalogue will therefore include much material which has already been released on unofficial bootleg media or other non-commercial recordings. It also includes a listing of unreleased songs performed by Neil Young which were written by other artists and which may therefore have been released on their officially released media. As far as I know, it is the most comprehensive 0 listing of its kind, though the publication of further official Neil Young Archive material can at any time change its accuracy. Many entries here will presumably automatically become part of his “officially released material”, and I will try to update what will (hopefully!) become an ever shorter document as time goes on. I am making this information available in the public domain for Neil’s fans. It has always been intended for it to be a “community venture”, a kind of Neilopedia, and I invite everyone to join in with feedback, input, corrections, suggestions and of course new content. If for any reason you make use of it in publications of any kind, please do give me a credit, just as I have tried to give credit to those sources I have drawn upon. It is good for the ego! Please let me know if you know of any other sources which I can include or cooperate with in future.
    [Show full text]