Abstract in This Piece of Writing L Have Tried to Compress the Impressions L

Total Page:16

File Type:pdf, Size:1020Kb

Abstract in This Piece of Writing L Have Tried to Compress the Impressions L , Abstract . In this piece of writing l have tried to compress the impressions l had while living and working in Africa for three years. The result is a series of sketches organised into four thematic sections. The sketches are designed not only to portray aspects of life in Africa, but also to give a feeling of how a unique experience acted upon my conception of myself and the west. A Quartet of Sketches From an African Experience Joseph Lurie Department of English M.A. A Quartet of Sketches ~ An African Experience by Joseph Lurie Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of English McGill University March 25; 1970 J ~ Joseph Lurie 1970 f CONTENTS Preface .. .. .. .. .. .. .. 1 Icitial Bncounters .. .. .. .. .. 1 Reflections from African Landscapes . .. .. .. .. 26 Missionaries .. .. .. .. 56 Culture and Race Motifs .. 78 Selected Bibliography .. .. .. .. .. .. .. 103 i Preface It was my original intention to keep a journal of my experiences in Africa. But the more l wrote the more apparent it became that my writing did not constitute a chronological record. l found instead that l had a series of vignettes and anecdotes which cou1d be organized into four thematic groups. The sketches are meant to capture the essence of my experiences which not on1y taught me about Africa, but also enabled me to see myse1f and the west in a different light. New York March 20, 1970 Joseph Lurie Initial Encounters l Illusions l was to teach secondary school English and History in some rural area of Kenya, and the prospect set my mind aflame with exotic visions. l knew nothing of Kenya, so the visions were partly fanciful, partly the result of sub­ conscious accumulations picked up here and there from the most stereotyped remarks about Africa. 'Kenyatta' and 'Mau Mau' were epithets that spontaneously evoked notions of strange tribal rites. The mere mention of cities such as Mombasa or Nairobi for no apparent reason acted upon my mind like mysterious herbs, and my imagination bubbled away from me in anticipation of the journey. Despite three months of studying the history, culture and language of the area, romantic visions persisted, for academic knowledge rarely captures the imagination until rooted in experience. It is often a deception of life that our observation of a new reality is coloured by what we imagined it to be, so reluctant are we to admit the fallibility of our ideas. l can remember, for example, getting off the plane in Entebbe en"'route to Nairobi, breathing in' the thick African night air, being convinced that that was African air, permeated, l thought, with the scent of lion. My mind tried to hide 2 shame from myself when months later l learned that there are no lions in that vicinity; and l did not come to recognize until much later, living at a much higher altitude than that of Entebbe, that there is no particular type of air that monopolizes the African atmosphere. From the plane l walked into a small reception lounge whose wicker chairs and sluggish overhead fans conjured visions of Humphrey Bogart and 'The African Queen'. * The deep black- ness of the bartender's skin convinced me that he was a pure African, that here was no product of intermarriage which Americans tend to think of when they see lighter American Negroes. l was soon to learn, however, that blackness is not necessarily a standard for racial purity, that those ancient men of Africa, the Bushmen, are broWD; and l was to live among the Kikuyu who, in describing a person they could not name, often referred to him as being 'that very black man' as if to distinguish him from the more usual Kikuyu of lighter hue. This kind of description startles the white man, as the term 'black' has for him lost its literal mean- ing. To many white people, anyone who has African blood is * The decor of the lounge has changed considerably since my first visite 3 black, but there are those who have tried to be less lin­ guistically inexact by uSing the word 'coloured', though· it could amusingly enough te applied to all of us. Now the American Negro, however light he may be, takes pride in calling himself 'black' to offset the humil­ iation that whites have attached to the word. Yet the men­ tal shack1es of the Negro have yet to be fully broken, for though he now refuses to accept the negative connotation of the word, he does not realize that in his use of 'black' to describe people of African ancestry, he has accepted the initial misnomer promulgated by the white man -- that all Africans are black. At the Nairobi airport in the middle of the night l again sensed lion in the air; and this time, though l had never had the good fortune of smelling a lion at close range, l might not have been mistaken since the Nairobi game park was near-by. Traveling by bus from the airport to Nairobi l strained for a view of game, but was disappointed when, soon after, the appearance of modern highway lighting and neon signs heralded the outskirts of the city. It was three in the morning when l finally got to bed in a comfortable hotel. But my sleep was restless, as l was anxious to expaore the city the next day. 4 The modern buildings, supermarkets, cinemas, fancy shops and well-cared-for parks made me wonder at the ignor­ ance about Africa that was prevalent in North America. This is not to say that wild animals, bush, mud huts, and tradi­ tional people don't existe They do, but it was now clear to me that too few people in America knew of this other Africa which isn't depicted in Tarzan films. l remembered to send a picture post card of Nairobi home to my mother as she was MOSt anxious about my safety. There was a wide assortment of people walking the streets., and l found the turbaned or sari-draped Indians and Pakistanis (here commonly called Asians) the MOSt colour­ fuI. They had initially came to East Africa as labourers to help the British build the railway, but had eventually become a bourgeouis group which virtually controlled busi­ ness throughout East Africa. Their monopoly on trade and often misused commercial acumen are greatly resented by the Africans, so that they are gradually being pushed out of Kenya by the government. There were also~lot of tourists milling in the streets, Many of whom fidgeted with cameras and wore khaki bush clothing anticipating or returning from a safari; of course there were others who dressed that way because it was comfortable and no doubt gave them the feeling 5 of being in Africa. Then there were the indigenous whites, many of whom owned and worked farms that their grandfathers had developed in the colonial period, and there were Many young expatriates who helped the government with various development projects. Except for government workers and those fortunate enought to get into business, the Africans were poorly dressed, and it vas sad to see so many crippled beggars, in a country that was supposed to be theirs, ob­ sequiously greeting people of other races. A few miles outside of Nairobi are the Ngong Hills, a small cluster of four hills, where Isak Dinesen once lived and wrote her poetic book, Out of Africa. From the distance the hills look like a magnificent solitary wave. The Kikuyus have a very apt explanation for the small summits that gently rise one after the other above the saall valleys between them. According to a legend, the Kikuyus had angered their god, Ngai; in his wrath the deity shot his fist to the earth, his huge knuckles leaving the lovely depressions and rises that l saw silhouetted against the skye It was a beautiful clear day when l hiked in those green hills with a group of teachers. Arriving at the first summit, we looked down into the valley and beheld a jet black buffalo quietly grazing. l was hesitant to continue 6 the journey, but recovered sorne confidence as the beast presently ambled off into some bush. When we reached the spot where the animal had originally appeared we were all quiet and there was a noticeable increase in our pace as we mounted the next summit. To the left, still at a high altitude, were rolling Kikuyu farmlands that looked like a cOllage that ran the gamut of green. There were banana plantations that resembled frightened crowds of people, the closely bunched multitude of their deep green to emerald leaves rising, imploringly, as if panic stricken, to the sky; and set against this confusion were stately rows of grass-green maize and spinach-green coffee here·and there shaded by various varieties of trees and becalmed by puffs of smoke emanating from scattered thatched huts. To the right, far below, were the dry plains of the nomadic Masai specked with dying bush, and groggily aroused from time to time by slowly moving herds of cattle. It was a testament to man's ability to make sense out of nothingness, that in this mass expanse of barrenness there were neatly arranged circular Masai villages where life went on as if ob­ livious to the ubiquitous dry plains that bespoke death. l wore no hat on that day as the coolness in those high hills belied the effect of the sun. Another illusion was 7. thus to be dispelled when the next day l awoke with my face the colour of red pepper: its blistering sting told me that l had encountered the African sun.
Recommended publications
  • Nancy Wilson Ross
    Nancy Wilson Ross: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Ross, Nancy Wilson, 1901-1986 Title: Nancy Wilson Ross Papers Dates: 1913-1986 Extent: 261.5 document boxes, 12 flat boxes, 18 card boxes, 7 galley folders (138 linear feet) Abstract: The papers of this American writer encompass her entire literary career and include manuscript drafts, extensive correspondence, and subject files reflecting her interest in Eastern cultures. Call Number: Manuscript Collection MS-03616 Language: English Access Open for research Administrative Information Acquisition Purchase, 1972 (R5717) Provenance Ross's first shipment of materials to the Ransom Center accompanied her husband Stanley Young's papers, and consisted of Ross's literary output to 1975, including manuscripts, publications, and research materials. The second, posthumous shipment contained manuscripts created since 1974, and all her correspondence, personal, and financial files, as well as files concerning the estate of Stanley Young. Processed by Rufus Lund, 1992-93; completed by Joan Sibley, 1994 Processing note: Materials from the 1975 and 1986 shipments are grouped following Ross's original order, with the exception of pre-1970, special, and current correspondence which were interfiled during processing. An index of selected correspondents follows at the end of this inventory. Repository: Harry Ransom Center, The University of Texas at Austin Ross, Nancy Wilson, 1901-1986 Manuscript Collection MS-03616 2 Ross, Nancy Wilson, 1901-1986 Manuscript Collection MS-03616 Biographical Sketch Nancy Wilson was born in Olympia, Washington, on November 22, 1901. She graduated from the University of Oregon in 1924, and married Charles W.
    [Show full text]
  • Becoming Rwandan: Paths to Integration for the Potters
    BECOMING RWANDAN: PATHS TO INTEGRATION FOR THE POTTERS ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Anthropology ____________ by Anna Rushton Kamanzi Spring 2016 BECOMING RWANDAN: PATHS TO INTEGRATION FOR THE POTTERS A Thesis by Anna Rushton Kamanzi Spring 2016 APPROVED BY THE INTERIM DEAN OF GRADUATE STUDIES: _________________________________ Sharon Barrios, Ph.D. APPROVED BY THE GRADUATE ADVISORY COMMITTEE: ______________________________ _________________________________ Guy Q. King, Ph.D. David A. Eaton Jr., Ph.D., Chair Graduate Coordinator _________________________________ William Loker, Ph.D. DEDICATION To Bruce My sounding board, my translator, my husband My sample of one. I love you. iii ACKNOWLEDGMENTS First and foremost I would like to extend my deepest gratitude and sincerest appreciation to Dr. David A. Eaton, Jr. whose mentorship, kindness, support, phenomenal teaching, and countless hours of advice have meant more to me than I can ever say. Your introduction to this beautiful continent has provided a means for endless exploration and adventure. I am honored to count you among my friends and I look forward to continuing to work together in the future. I would also like to extend my sincerest thanks to my second committee member, Dr. Loker. Your patience and guidance throughout this process have been invaluable. To my mom and Janice, thank you for your patience, support, and help with my daughter while I completed classes, research, and writing. Your hard work and dedication has been nothing short of inspiring. Amaya, thank you for your amazing spirit and willingness to move across the world with me.
    [Show full text]
  • Doing Anthropology in Sound
    STEVEN FELD University of New Mexico DONALD BRENNEIS University of California, Santa Cruz Doing anthropology in sound ound has come to have a particular resonance in many disciplines ABSTRACT over the past decade. Social theorists (Attali 1995), historians Sound has come to have a particular resonance in (Brady 1999; Carter 1992; Corbin 1998; Hoffer 2003; Johnson many disciplines over the past decade. Social 1995; Picker 2003; Rath 2003; Smith 2001), literary researchers theorists, historians, literary researchers, (Smith 1999), folklorists (Bendix 2003), and scholars in science folklorists, and scholars in science and technology Sand technology studies (Sterne 2003; Thompson 2002) and in visual, studies and visual, performative, and cultural performative, and cultural studies (Bull and Back 2003; Chion 2002; Connor studies provide a range of substantively rich 2000; Drobnick 2004; Erlmann 2004; Gouk 1999; Ja¨rviluoma and Wagstaff accounts and epistemologically provocative models 2002; Kahn 1999; Kruth and Stobart 2000; Morris 1998; van Leeuwen 1999; for how researchers can take sound seriously. This Wishart 1996) provide a range of substantively rich accounts and epistemo- conversation explores general outlines of an logically provocative models for how researchers can take sound seriously. anthropology of sound. Its main focus, however, is In this conversation we explore not only what an anthropology of sound on the issues involved in using sound as a primary might be like but also what doing ethnography through sound—listening, medium for ethnographic research. [sound, recording, editing, and representation—might entail and promise.1 epistemology, ethnography, documentation, media representation] Don Brenneis: Why don’t you start out by talking about the chronology of taking up sound recording in your anthropological work? Steven Feld: I was inspired to think about recording sound as anthropological work at pretty much the same moment that I was inspired to pursue anthropology.
    [Show full text]
  • Violent Conflicts, Ceasefires and Peace Accords Through the Lens Of
    The Invasion of Nyae Nyae: A case study in on-going aggression against indigenous hunter-gatherers in Namibia Jennifer Hays, Research Fellow in Comparative Indigenous Studies, University of Tromsø Initially we had invited Kxao Moses, a Ju|’hoansi man from Nyae Nyae, Namibia, to give a presentation about the recent invasion of the Nyae Nyae Conservancy by neighboring pastoralists. He was unable to come at the last minute, however, so I will discuss the issue instead. I have spent a great deal of time in southern Africa, including a year of fieldwork in the Nyae Nyae Conservancy—the area discussed here. I was also in the country in May, and visited Nyae Nyae as these events were happening. Although this presentation is informed by my own experience in southern Africa, I have quoted extensively from the involved organizations and affected individuals and representatives and it is their words that best describe the situation. I will begin with a quote from a letter written by the Nyae Nyae Conservancy management to several government ministers, on the 13th of May 2009: ...The initial violation of the veterinary fence began on the evening of Wednesday 29 April 2009 when a group of families cut the southern veterinary fence and illegally moved a number of cattle, goats. donkeys and sheep into thc Nyae Nyae Conservancy area and settled at Gum Pan (a game water point)...- Nyae Nyae Conservancy Letter to Ministers, 13 May 2009 Shortly before a long weekend at the beginning of May, 2009, a group of Herero pastoralists are alleged to have cut the veterinary cordon fence separating their grazing lands from the Nyae Nyae Conservancy in northeast Namibia.
    [Show full text]
  • Doing Anthropology in Sound
    STEVE FELD University of New Mexico DONALD BRENNEIS University of California, Santa Cruz Doing anthropology in sound ound has come to have a particular resonance in many disciplines ABSTRACT over the past decade. Social theorists (Attali 1995), historians Sound has come to have a particular resonance in (Brady 1999; Carter 1992; Corbin 1998; Hoffer 2003; Johnson many disciplines over the past decade. Social 1995; Picker 2003; Rath 2003; Smith 2001), literary researchers theorists, historians, literary researchers, (Smith 1999), folklorists (Bendix 2003), and scholars in science folklorists, and scholars in science and technology Sand technology studies (Sterne 2003; Thompson 2002) and in visual, studies and visual, performative, and cultural performative, and cultural studies (Bull and Back 2003; Chion 2002; Connor studies provide a range of substantively rich 2000; Drobnick 2004; Erlmann 2004; Gouk 1999; Ja¨rviluoma and Wagstaff accounts and epistemologically provocative models 2002; Kahn 1999; Kruth and Stobart 2000; Morris 1998; van Leeuwen 1999; for how researchers can take sound seriously. This Wishart 1996) provide a range of substantively rich accounts and epistemo- conversation explores general outlines of an logically provocative models for how researchers can take sound seriously. anthropology of sound. Its main focus, however, is In this conversation we explore not only what an anthropology of sound on the issues involved in using sound as a primary might be like but also what doing ethnography through sound—listening, medium for ethnographic research. [sound, recording, editing, and representation—might entail and promise.1 epistemology, ethnography, documentation, media representation] Don Brenneis: Why don’t you start out by talking about the chronology of taking up sound recording in your anthropological work? Steve Feld: Iwasinspiredtothinkaboutrecordingsoundas anthropological work at pretty much the same moment that I was inspired to pursue anthropology.
    [Show full text]
  • The Life of Colin Turnbull
    AnthroNotes Volume 22 No. 1 Fall 2000 IN THE ARMS OF AFRICA: THE African studies and in anthropology more LIFE OF COLIN TURNBULL generally: how, as an outsider, can you understand your subject? The fact is that, inasmuch as the by Roy Richard Grinker author constructs the subject in the act of writing, the author is always an integral pan of the subject. My teachers in college and graduate school have spent the past two years writing the consistently emphasized that much of the work of biography of the late anthropologist Colin ethnography is a self-reflective effon to overcome ITurnbull, best known for his bestselling books, one's biases. And when the first draft of my The Forest People and The Mountain People. While I biography of Turnbull was returned to me from a initially considered the biography of an gay editor with a post-it reading simply, "You're anthropologist to be far afield from the usual straight," I knew that I had failed to extend myself anthropological enterprise fieldwork in local — into Colin TurnbulTs world. It is not that I wanted communities—I now view it as a powerful tool for to mask my own identity, but rather that my own understanding how an anthropologist's life is identity had gotten in the way. I had been unable to inextricably linked with his or her work. Despite represent TurnbulTs world in a way that seemed the popularity and influence of his books, which meaningful to a gay reader or, almost cenainly, that are required reading in high schools and many would have been meaningful to Turnbull himself.
    [Show full text]
  • Michael Korda
    Michael Korda From Wikipedia Born in London, Michael Korda is the son of English actress Gertrude Musgrove, and the Hungarian Jewish artist and film production designer Vincent Korda. He is the nephew of film magnate Sir Alexander Korda and brother, Zoltan Korda, both film directors. Korda grew up in England but received part of his education in France where his father had worked with film director Marcel Pagnol. As a child, Korda also lived in the United States from 1941 to 1946. He was schooled at the private Institut Le Rosey in Switzerland and read History at Magdalen College, Oxford. He served in the Royal Air Force doing intelligence work in Germany. The novelist Graham Greene was a lifelong friend. Korda met him on his Uncle Alex Korda's yacht. Career Korda moved to New York City in 1957 where he worked for playwright Sidney Kingsley as a research assistant and then later as a freelance reader in the CBS story department. In 1958 he joined the book publishing firm, Simon & Schuster, beginning as an assistant editor, which included the task of reading slush pile manuscripts for Henry Simon. Many editors stick to one area of interest, but early on Korda demonstrated an ability and interest in editing both fiction and non-fiction. He states in his memoir that he edited books on everything from mathematics and philosophy, memoirs, fiction, translations from French, politics, anthropology and science history among others. One of the first books Korda bought was The Forest People by Colin Turnbull—a memoir of Turnbull's time living with the Mbuti Pygmies in the then Belgian Congo.
    [Show full text]
  • Apollo 17 Halfway to Moon SPACE CENTER, Houston the Astronauts Spent a Quiet Mission Control Reported Orology, Spent Much of His Rainy Day Experienced by the Troller
    Today: Our Weekend Enjoyment Section SEE PAGES 7-10 The Weather Increasing cloudiness today, rain tonight and tomorrow. FINAL Sunday fair and cool. Red Bank, Freehold Long Branch 7 EDITION 34 PAGES Monmouth County's Outstanding Home Newspaper VOL.95 NO. 112 RED BANK, N.J. FRIDAY, DECEMBER 8,1972 TEN CENTS NIUIIIIIIllinillllllllllllllllllHIIIIIIIIIIIIIIIIIIIIIIIIIIIillllllllllllllllHIIIIIIUIUHIIUIUIIIIII lllllllllUIUIIMIIIimillllllllllllllllll Apollo 17 Halfway to Moon SPACE CENTER, Houston The astronauts spent a quiet Mission Control reported orology, spent much of his rainy day experienced by the troller. "You're a regular (AP) — Apollo 17, a bit off day in space yesterday and Apollo 17 had just passed a first day in space describing city. weather satellite." course but operating Schmitt reported that all point lW.OOO miles from earth, the changing weather pat- "I don't know what your smoothly, passed the midway three took sleeping pills be- "One hundred thousand terns over the continents and weather is like down there, Mission Control officials point of its voyage to the fore retiring in hopes of get- miles," mused Schmitt. "My oceans of earth, which he but from here it looks like you said they were delighted with moon today. ting a solid eight hours of goodness, gracious, That's im- called "a little bit of blue in might be overcast," he said. how well America and Challe- A rocket firing later in the sleep. pressive." space." "Might even have a good nger, spacecraft which Cer- day is scheduled to adjust the Just before the rest period Schmitt, who said he's Looking at Houston, Schmitt storm going." nan called "superbirds," were course and put the spacecraft started, at 1:20 a.m.
    [Show full text]
  • Sound and Sentiment Birds, Weeping, Poetics, and Song in Kaluli Expression   
    Sound and Sentiment Birds, Weeping, Poetics, and Song in Kaluli Expression Steven Feld Sound and Sentiment Sound and Sentiment Birds, Weeping, Poetics, and Song in Kaluli Expression Third Edition Steven Feld Thirtieth Anniversary Edition with a New Introduction Duke University Press Durham & London 2012 © 1982, 1990 Steven Feld “Introduction to the Third Edition”© 2012 Steven Feld All rights reserved Printed in the United States of America on acid- free paper ∞ Library of Congress Cataloging-in- Publication Data Feld, Steven. Sound and sentiment : birds, weeping, poetics, and song in Kaluli expression / Steven Feld. — 3rd ed.; thirtieth anniversary ed. with a new introduction. p. cm. Includes bibliographical references and index. ISBN 978-0-8223-5365-2 (pbk. : alk. paper) 1. Kaluli (Papua New Guinean people)—Social life and customs. 2. Kaluli (Papua New Guinean people)—Rites and ceremonies. 3. Kaluli (Papua New Guinean people)—Music— History and criticism. 4. Folk music—Papua New Guinea— History and criticism. 5. Folk songs, Kaluli—Papua New Guinea—History and criticism. 6. Birds—Mythology—Papua New Guinea. 7. Birds—Papua New Guinea. I. Title. DU740.42.F44 2012 305.89'912—dc23 2012024696 To the boy who became a muni bird and in memory of Charlie Parker, John Coltrane, and Charles Mingus, ane kalu ɔbɛ mise Contents List of Illustrations ix Acknowledgments xi Introduction to the Third Edition xiii Preface to the Second Edition xxxix Introduction to the First Edition 3 1. The Boy Who Became a Muni Bird 20 2. To You They Are Birds, to Me They Are Voices in the Forest 44 3.
    [Show full text]
  • Speaker Biographies Males and Violence: Engaging Men and Boys
    Speaker Biographies Males and Violence: Engaging Men and Boys as Survivors, Advocates, and Change Agents Conference September 10-11, 2018 Kathy Barbini Kathy Barbini, founder of Big Voice Pictures, and producer/director, is an award-winning independent documentary and television producer. Prior to founding Big Voice Pictures, she worked as a producer for The Discovery Channel’s multi-award winning educational documentary series Assignment Discovery. She was nominated for an ACE-Award for MTV Networks for a year-end special featuring socially conscious entertainers and music artists making an impact in the world. Ms. Barbini also produced media for political media consultants, and was an associate producer on a prime-time Presidential election-eve special broadcast on ABC, NBC and CBS. Additionally, as Project Director for HBO’s national screening tour of the Emmy Award-winning documentary Dear America: Letters Home From Vietnam, she organized national fundraising screenings to benefit the Vietnam Veterans of America. Ms. Barbini started her early career working on leading magazine programs for ABC and NBC News. Her independent documentaries are distributed internationally and were funded by leading foundations including The Eastman Kodak Foundation, The Global Ministries Foundation, and the Pioneer Fund. She is producer/director of Big Voice Pictures’ recent film, Boys and Men Healing produced in association with The International Documentary Association. The film was broadcast on PBS stations nationwide, and is currently being utilized for education, training and prevention by thousands of organizations internationally in the United States, Canada, England, Cambodia, Israel, Spain, Argentina, and other countries. The film is being screened internationally in hundreds of communities and universities, along with panel discussions with leaders in the field.
    [Show full text]
  • 1 Enid Schildkrout Curriculum Vitae Education
    ENID SCHILDKROUT CURRICULUM VITAE EDUCATION Ph.D. (First class) Cambridge University, Newnham College, Social Anthropology (1970). M.A., B.A. Hons. (First Class), Cambridge University, Newnham College (1965) B.A., Sarah Lawrence College (1963) EMPLOYMENT/ ACADEMIC POSITIONS American Museum of Natural History, Curator Emerita, 2005‐present. Museum for African Art, Chief Curator and Director of Exhibitions and Publications, 2005‐2011. American Museum of Natural History, Chair, Division /Department of Anthropology, 1997‐ 2002. American Museum of Natural History. Assistant Curator: 1973‐78; Associate Curator: 1978‐83; Curator: 1983 – 2005; Adjunct Professor, Columbia University, New York. 1992‐ Adjunct Professor, The Graduate Center of City University of N.Y. 1990‐ 2011. San Francisco International Airport Museums. Consulting Curator, 1990‐2002. Drew University, Summer Arts Program in Côte d'Ivoire. Professor 1997 Senior Scientific Editor, “Faces,” A magazine about culture for children, 1984‐96. Research Associate, Ahmadu Bello University, Kano, Nigeria. 1976‐80 Adjunct Professor, State University of New York at Purchase. 1975. Visiting Assist. Professor, Sir George Williams University, Montreal. 1973. Visiting Assist. Professor, McGill University, Montreal. 1972‐73. Assist. Professor, Univ. of Illinois, Champaign‐Urbana 1970‐73 (on leave 1972‐3). Tutorial supervision, Dept. of Anthropology, Cambridge University, 1967‐69. Research Associate, Institute of African Studies, University of Ghana, Legon, 1966. Teaching Assistant, Sarah Lawrence
    [Show full text]
  • Development Discourse and the Batwa of South West Uganda: Representing the 'Other': Presenting the 'Self'
    Kidd, Christopher (2008) Development discourse and the Batwa of South West Uganda: representing the 'other': presenting the 'self'. PhD thesis. http://theses.gla.ac.uk/169/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Development discourse and the Batwa of south west Uganda Representing the ‘Other’: Presenting the ‘Self’ Christopher Kidd A thesis submitted for the degree of Doctor of Philosophy University of Glasgow Department of Sociology, Anthropology and Applied Social Sciences February 2008 Abstract This thesis focuses on a group of former forest based hunter-gatherers, the Batwa of south west Uganda, whose livelihoods and situations have been dramatically affected through their recent interactions with non-Batwa peoples. Once inhabitants of the rainforests of south west Uganda, the Batwa today live in bonded labour arrangements with their local neighbours and exist as a despised and marginalised group, positioned on the margins of Ugandan society. In the first part of this thesis, Global Powers, I seek to lay out the theoretical foundations for the marginalisation of the Batwa by discussing the more general marginalisation and representation of Indigenous Peoples.
    [Show full text]