DOCSLIB.ORG

Introduction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Introduction Introduction PAGE 1 INTRODUCTION TO THE SNOW-DROP THROW© Contents Materials ................................................................................................................................................. 3 Nurturing Fibres Eco-Fusion DK .......................................................................................................... 3 Gauge .................................................................................................................................................. 3 Yarn ..................................................................................................................................................... 3 Hook Size ............................................................................................................................................ 4 Difficulty .................................................................................................................................................. 4 Finished Size ............................................................................................................................................ 4 Abbreviations .......................................................................................................................................... 5 UK to USA Conversions ........................................................................................................................... 6 Blocking ................................................................................................................................................... 6 Why Block? ......................................................................................................................................... 6 Materials for Blocking ......................................................................................................................... 7 Wet Blocking ....................................................................................................................................... 7 Steam Blocking ................................................................................................................................... 7 Terms of Use ........................................................................................................................................... 8 Acknowledgements ................................................................................................................................. 8 Testers ................................................................................................................................................ 8 Resources ............................................................................................................................................ 8 Inspiration ........................................................................................................................................... 8 PAGE 2 INTRODUCTION TO THE SNOW-DROP THROW© Materials Nurturing Fibres Eco-Fusion DK 3.5mm crochet hook [4 / E US size] Tapestry needle for sewing away the yarn tail ends Scissors Stitch markers Eco-Fusion DK Quantity* (125 m / 137 yards per 50g) Vanilla 30 x 50g (1500g) *Yarn quantities are provided as a guideline only. Bear in mind that gauge differences and yarn differences may affect the outcome of the throw. Gauge Whilst gauge is less important when making an item such as a throw, it will affect the quantities of yarn required. However, it is very important to work with a consistent gauge (tension). This is especially true when working with complicated mixtures of stitches and techniques. The best advice I can give is that you lay your work down after each round to ensure that it is lying flat. This is a good indicator that your gauge is correct. There will be times when I will indicate that the work may be a bit wavy while working a particular section. When I specifically make mention of this, then there is no need to worry – subsequent rounds will correct the wave. My gauge – worked in sc and measured over 10 x 10 cm / 4 x 4 in: Using 3.5mm hook: 20 sts x 25 rows Yarn The yarn used in this pattern sample is a double knit / light worsted (No. 3 USA). PAGE 3 INTRODUCTION TO THE SNOW-DROP THROW© If you decide to use a heavier weight yarn, your throw will be substantially bigger than the sample made in this pattern. Refer to chart on next page for more information on yarn types. Symbol Description Fingering 10-count crochet thread Sock, Fingering, Baby Sport, Baby Double Knit (DK), Light Worsted Worsted, Afghan, Aran Chunky, Craft, Rug Super Bulky, Roving Jumbo, Roving Standard symbols and information sourced from www.craftyarncouncil.com . Hook Size If you have a loose tension, it is recommended that you adjust your hook sizes down from the recommended sizes in this pattern. If you have a particularly tight tension, you may wish to adjust your hook sizes up. Difficulty I have given this pattern an experienced rating. With the assistance of the video tutorials, I believe that even beginners would be able to easily complete the project, however, you would need to have basic crochet skills, as this is not a “how to crochet” project. Finished Size Approximately 125 cm x 125 cm (49 x 49 in). PAGE 4 INTRODUCTION TO THE SNOW-DROP THROW© Abbreviations Please note that my patterns always use US terminology. Listed below you will find the abbreviations used in my patterns as well as the long name. Where applicable, the abbreviation is linked to a video tutorial. Terms are listed alphabetically by the abbreviation. Abbreviation Long Name blo back loop only bpdc back post double crochet bphdc back post half double crochet bpsc back post single crochet bptc back post treble crochet ch/chs chain/chains cr dc cross double crochet dc double crochet dc2tog double crochet two together dc3tog double crochet three together – refer to * below dec decrease fpdc front post double crochet fphdc front post half double crochet fpsc front post single crochet fptc front post treble crochet hdc half double crochet hdc2tog half double crochet two together hs hidden stitch p2dc-cl perpendicular two double crochet cluster – refer to * below p picot pc popcorn stitch rpt repeat rs right side sc single crochet sk st skip a stitch sc2tog single crochet two together sl st slip stitch sp/sps sp/spaces st-dc standing double crochet st-dc3tog standing double crochet three together st-hdc standing half double crochet st-sc standing single crochet st-tc standing treble crochet st/sts stitch/stitches tc treble crochet tc2tog treble crochet two together v-st v stitch ws wrong side PAGE 5 INTRODUCTION TO THE SNOW-DROP THROW© Other Techniques and Special Stitches * dc3tog + p2dc-cl Fasten off and secure ends Half Double Crochet Join Invisible Join Magic Circle Reverse Single Crochet (Crab Stitch) Single Crochet Join UK to USA Conversions UK USA chain ch chain ch slip stitch sl st slip stitch sl st double crochet dc single crochet sc half treble htr half double crochet hdc treble tr double crochet dc double treble dtr treble tc triple treble ttr double treble dtc Blocking Why Block? It is my considered opinion that blocking of the project is very important. This is for the following reasons: 1. Contemporary crochet patterns tend to use complex combinations of stitches. When used together, these stitch combinations sometimes need some encouragement to settle together. For example: a. Front and back post stitches – depending on your tension (gauge) these very often need to be gently coaxed to lay in the correct position. This is particularly true if you tend to work quite tightly. b. When crocheting particularly dense stitches, e.g. tapestry crochet (back loop only single crochet – blo sc), the work will tend to pull to one side. This is easily remedied with a gentle blocking. The fact that we work in the blo allows flexibility in realigning the stitches. 2. There is an argument that says that all the benefits of blocking will be lost the next time you wash the item. I disagree, however, I must add here that I believe that all treasured handmade items should be treated with love and respect every time they are washed. I block my treasures after every wash. It only takes about 10 minutes of my time and is well worth the effort. I don’t always use pins at this stage, but I do lay the work flat to dry and gently coax it into the correct shape. 3. Whilst working on a project, I tend to block frequently. I do what I call a “quick block”. I simply pin it into shape while it is dry and then give it a light spray with water. It dries quickly, because it is not saturated. This is beneficial for the following reasons: a. You will very quickly pick up tension (gauge) problems that may arise. We all work at different tensions. Your tension may be very different to mine especially when working with textured and single crochet stitches. It is far better to realise that there is a problem PAGE 6 INTRODUCTION TO THE SNOW-DROP THROW© earlier in the process. It is easy to adjust hook sizes to counteract any tension problems that may arise. b. Your work will look its very best. This is very motivational. Far too many projects land up in the naughty corner, because they don’t come up to expectation and never get completed. All too often a gentle blocking would make all the difference. Materials for Blocking It is not necessary to buy expensive blocking materials. A bed or a clean carpet will suffice. If you can afford the specialist materials and have the necessary
Load more

Recommended publications
  • Memoirs Faculty of Engineering
    ISSN 0078－6659 MEMOIRS OF THE FACULTY OF ENG THE FACULTY MEMOIRS OF MEMOIRS OF THE FACULTY OF ENGINEERING OSAKA CITY UNIVERSITY INEERING OSAKA CITY UNIVERSITY VOL. 60 DECEMBER 2019 VOL. 60. 2019 PUBLISHED BY THE GRADUATE SCHOOL OF ENGINEERING OSAKA CITY UNIVERSITY 1911-0402大阪市立大学 工学部 工学部英文紀要VOL.60（2019） 1-4 見本 スミ 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 This series of Memoirs is issued annually. Selected original works of the members 㻌 of the Faculty of Engineering are compiled in the first part of the volume. Abstracts of 㻌 㻌 papers presented elsewhere during the current year are compiled in the second part. List 㻌 of conference presentations delivered during the same period is appended in the last part. 㻌 All communications with respect to Memoirs should be addressed to: 㻌 Dean of the Graduate School of Engineering 㻌 Osaka City University 㻌 3-3-138, Sugimoto, Sumiyoshi-ku 㻌 Osaka 558-8585, Japan 㻌 㻌 Editors 㻌 㻌 㻌 Akira TERAI Hayato NAKATANI This is the final print issue of “Memoirs of the Faculty of Engineering, Osaka City Masafumi MURAJI University.” This series of Memoirs has been published for the last decade in print edition as Daisuke MIYAZAKI well as in electronic edition. From the next issue, the Memoirs will be published only Hideki AZUMA electronically. The forthcoming issues will be available at the internet address: Tetsu TOKUONO https://www.eng.osaka-cu.ac.jp/en/about/publication.html. The past and present editors take Toru ENDO this opportunity to express gratitude to the subscribers for all their support and hope them to keep interested in the Memoirs.
    [Show full text]
  • Blocking Knits 101 with Faith Hale
    Blocking Knits 101 with Faith Hale Chapter 1 - Blocking Knits 101 Overview - Hi there, I'm Faith. I'm a resident knitter here at Creativebug and I have been knitting for over 20 years. And one question you ask any knitter is whether or not they are a blocker. If they block their knitting. And the best ones always say yes. Blocking is one of those steps that can take a bit of time but it really lends polish to your finished garment. If you design your own knitwear, you'll want to block all of your swatches so that you can see how they'll behave when the piece is completed. In this class, we'll cover three different kinds of blocking, wet blocking, steam blocking, and spot blocking. And I'll share with you some tips for working with different kinds of yarns and different kinds of techniques. Blocking can feel a bit tedious, but it's also super meditative. And I love taking my time with it as the final step for knitwear that I'm planning myself or giving to someone else. (upbeat music) Materials - You'll need a blocking surface, which can be as simple as a bed or a piece of cardboard, but I really prefer these blocking mats. They're interlocking, you can get a budget version as kids play mats. They're made out of this foam and I really like that they break down and you can pack them up and put them away. But if you don't have access to these, you can use a guest bed or even your rug covered with a clean towel.
    [Show full text]
  • The Do-Gooder Donation Hat Knitting Pattern This Pattern Is Copyright Little Red Window Design 2016 and Is Intended for Personal Use Only
    the do-gooder Donation Hat knitting pattern This pattern is copyright Little Red Window Design 2016 and is intended for personal use only. Please do not distribute, reproduce or sell this pattern or sell items made from this pattern. You can find step by step photos at: littleredwindow.com/knitting-patterns The Do-Gooder Hat Free Knitting Pattern for Donations Sizes: 0-3 months (6 months, 12 -24 months, Child) Gauge: 16 stiches = 4 inches US 10 16" or 12" circular knitting needles US 10 double pointed needles Bulky weight yarn (I used Lion Brand Tonal, but I also love their Baby's First and Homespun yarns) Yarn needle Using a long-tail cast on, cast on 40 (48, 56, 64) stitches on your circular needles. Join to knit in the round and k1, p1 in a rib stitch for 5 rounds. Then knit all rounds until the hat is 4(4 1/2, 5, 5 1/2) inches long. Decrease (distribute stitches among 3 double pointed needles and knit with the 4th): Round 1: (k6, k2tog) and repeat to the end of the round. Round 2: Knit all stitches Round 3: (k5, k2tog) and repeat to the end of the round. Round 4: Knit all stitches Round 5: (k4, k2tog) and repeat to the end of the round. Round 6: Use the fourth double pointed needle to knit all stitches for one round. Round 7: (k3, k2tog) and repeat to the end of the round. Round 8: Knit all stitches to the end of the round Round 9: (k2, k2tog) and repeat to the end of the round.
    [Show full text]
  • 2591ES | 3391ES | 4191ES Scissor Lift
    Introduction. 1 Safety. 2 Safety Alert Symbols . 3 Fall Protection . 4 Electrocution Hazard . 5 Tip-over Hazards. 6 Fall Hazards . 7 Collision Hazards . 7 Additional Safety Hazards. 8 Battery Safety . 8 Jobsite Inspection . 9 Function Tests. 9 Operating Instructions . 10 Prestart. 10 Base Controls Operation and Test . 11 Platform Control Operation and Test . 12 Joystick Operation . 12 Outrigger Operation (optional). 15 Shutdown Procedure . 15 Emergency Systems. 16 Emergency Lowering – 2591ES – 3391ES . 16 Emergency Lowering – 4191ES. 16 Deck Extension . 17 Fold Down Platform Railings . 18 Machine Inspections and Maintenance . 20 Pre-Start Inspection Checklist . 21 Monthly Inspection Checklist . 22 Quarterly Inspection Checklist . 23 Maintenance . 25 Routine Maintenance . 26 Scheduled Maintenance . 26 ART_2849 Maintenance Lock . 26 Lubrication . 27 2591ES | 3391ES | 4191ES Battery Charger . 28 Component Locations. 30 Scissor Lift Warning and Instructional Decals . 34 2591ES Serial #11400001 – up Troubleshooting. 36 3391ES Serial #11500001 – up Transport and Lifting Instructions.. 38 4191ES Serial #11600001 – up Loading . 38 Lifting and Tie Down Instructions . 40 91831 December 2008 —Specifications— 2591ES 3391ES 4191ES Working Height* 31 FT* 9.62 m* 39 FT* 12.06 m* 47 FT* 14.50 m* Platform Height 25 FT 7.62 m 33 FT 10.06 m 41 FT 12.50 m Platform Entry Height 57 IN 1.45 m 66 IN 1.67 m 74 IN 1.88 m Stowed Height Rails Up 100.5 IN 2.55 m 109.5 IN 2.78 m 119 IN 3.02 m Rails Folded Down 71 IN 1.80 m 79 IN 2.01 m 87.5 IN 2.22 m Maximum Number
    [Show full text]
  • Low Spring Index Niti Coil Actuators for Use in Active Compression Garments
    Low Spring Index NiTi Coil Actuators for Use in Active Compression Garments The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Holschuh, Bradley, Edward Obropta, and Dava Newman. “Low Spring Index NiTi Coil Actuators for Use in Active Compression Garments.” IEEE/ASME Transactions on Mechatronics (2014): 1–14. As Published http://dx.doi.org/10.1109/TMECH.2014.2328519 Publisher Institute of Electrical and Electronics Engineers (IEEE) Version Author's final manuscript Citable link http://hdl.handle.net/1721.1/88470 Terms of Use Creative Commons Attribution-Noncommercial-Share Alike Detailed Terms http://creativecommons.org/licenses/by-nc-sa/4.0/ IEEE/ASME TRANSACTIONS ON MECHATRONICS 1 Low Spring Index NiTi Coil Actuators for Use in Active Compression Garments Bradley Holschuh, Edward Obropta, and Dava Newman Abstract—This paper describes the modeling, development, in astronauts [6] and for use in lightweight, full-body, high- and testing of low spring index nickel titanium (NiTi) coil mobility compression suits known as a mechanical counter- actuators designed for use in wearable compression garments, pressure (MCP) suits for future planetary exploration [7]–[11]. and presents a prototype tourniquet system using these actuators. NiTi coil actuators produce both large forces (>1 N) and large Compression garments typically take the form of either tight recoverable displacements (>100% length) that are well suited fitting elastic materials (in the case of [1]–[4], [7]–[11]) or as for compression garment design. Thermomechanical coil models an inflatable bladder system (in the case of [2], [6]). Both are presented that describe temperature and force as a function designs offer unique benefits and disadvantages.
    [Show full text]
  • Blocking of Hand Knits by Binka Schwan
    ON YOUR WAY TO THE MASTERS Blocking of Hand Knits by binka schwan Blocking is an important step in the knitting process. Unfortunately this very important step is often forgotten or neglected by the knitter. When knitters skip the blocking process they are often unhappy with their finished product. There are many definitions of blocking in knitting books, but most texts agree that the blocking process gives a knitted piece its permanent size and shape. The blocking process is an integral part of all three levels of the Master Hand Knitting Program. All knitted swatches and projects required for each level need to be blocked prior to submission. In addition, Level One requires a report on Blocking and Care of Hand Knits. 1 Either water or steam is used in the blocking process. Once the knitting of a garment is completed, blocking is done on each knitted piece prior to sewing together. Blocking will help adjust and reshape both length and width of pieces that are supposed to be identical. It will also even out the edges of individual pieces so that seaming together is easier. Seamless knitting (knitting in the round) can also be blocked to shape the stitches and smooth the rounds. Blocking after washing a garment will reshape it to the correct proportions. The blocking process allows the knitter to make certain that measurements stated in a pattern match the actual knitted pieces. This ensures a proper size and fit to the finished garment. A few tools are required for the blocking process. A method for getting the swatch/garment wet, a surface to block on, the original pattern, and a tape measure or yardstick to ensure correct 2 measurements are all necessary.
    [Show full text]
  • UNIVERSITY of CALIFORNIA, SAN DIEGO a Deficiency in The
    UNIVERSITY OF CALIFORNIA, SAN DIEGO A deficiency in the congenital tufting enteropathy gene, EpCAM, results in intestinal barrier and ion transport dysfunction A thesis submitted in partial satisfaction of the requirements for the degree Master of Science in Biology by Philip Andrew Kozan Committee in charge: Kim E. Barrett, Chair James Golden, Co-Chair Mamata Sivagnanam Ronald Marchelletta Randy Hampton 2014 Copyright Philip Andrew Kozan, 2014 All rights reserved. The Thesis of Philip Andrew Kozan is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Chair University of California, San Diego 2014 iii Table of Contents Signature Page………………………………………………………………….. iii Table of Contents………………………………………………………….…… iv List of Figures………………………………………………………………….. v List of Tables…………………………………………………………………… vi Acknowledgements……………………………………………………………. vii Abstract of the Thesis………………………………………………………….. viii I. Introduction……………………………………………………………… 1 II. Material and Methods………………………………………………….. 8 III. Results…………………………………………………………………… 15 IV. Discussion……………………………………………………………….. 19 V. Figures……………………………………………………………………. 24 VI. Tables……………………………………………………………………... 31 References……………………………………………………………………….. 32 iv LIST OF FIGURES Fig 1: EpCAM in cell and murine models……………………………………… 24 Fig 2: Knockdown of EpCAM results in resistance and permeability defects 25 Fig 3: EpCAM shows changes in tight junction proteins…………………….. 26 Fig 4: Mutated EpCAM in mice causes barrier dysfunction…………………. 27 Fig 5: Knockdown of EpCAM decreases ion transport………………………. 28 Fig 6: Mutated EpCAM decreases ion transport in mice…………………….. 29 v LIST OF TABLES Table 1: List of Primers…………………………………………………………… 31 vi ACKNOWLEDGEMENTS I would like to acknowledge Dr. Kim Barrett for serving as chair of my committee. Her guidance and advice has helped in the completion and success of my project from the time I first began as a master’s student.
    [Show full text]
  • 4-H Textile Science Textile Arts Projects. INSTITUTION Pennsylvania State Univ., Univeriity Park
    DOCUMENT RESUME ED.379 510 CE 068 348 AUTHOR Scholl, Jan TITLE 4-H Textile Science Textile Arts Projects. INSTITUTION Pennsylvania State Univ., Univeriity Park. Cooperative Extension Service. PUB DATE 94 NOTE 24p.; For related documents, see CE 068 343-347. PUB TYPE Guides Classroom Use Instructional Materials (For Learner) (051) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Clothing; Clothing Design; *Clothing Instruction; *Design Crafts; Elementary Secondary Education; Extracurricular Activities; Home Economics; *Home Management; *Learning Activities; *Student Organizations; Student Projects; *Textiles Instruction IDENTIFIERS *4 H Programs; Crocheting; Knitting; Weaving ABSTRACT This packet contains three 4-H textile arts projects for students in the textile sciences area. The projects cover weaving, knitting, and crocheting. Each project provides an overview of what the student will learn, what materials are needed, and suggested projects for the area. Projects can be adapted for beginning, intermediate, or advanced levels of skills. A step-by-step plan for doing the project, with instruction sheets and line drawings is included. Also included are a project record, ideas for sharing the project with others, and suggestions for additional projects. (KC) *********************************************************************** Reproductions supplied by EDRS are the best that can be made * from the original document. *********************************************************************** 4-H Textile Science Textile Arts Projects U S. DEPARTMENT OF EDUCATION Ofj Ice of Educational Research and Improvemont E r.1 CATIONAL RESOURCES INFORMATION "PERMISSION TO REPRODUCE THIS CENTER (ERIC) This document has been reproduced as MATERIAL HAS BEEN GRANTED BY received from the person or organization originating it. Minor changes have been made to improve reproduction quality. Points of view or opinions stated in this document do not necessarily represent official OERI position or policy.
    [Show full text]
  • Civil Society and the State in Democratic East Asia
    PROTEST AND SOCIAL MOVEMENTS Chiavacci, (eds) Grano & Obinger Civil Society and the State in Democratic East Asia East Democratic in State the and Society Civil Edited by David Chiavacci, Simona Grano, and Julia Obinger Civil Society and the State in Democratic East Asia Between Entanglement and Contention in Post High Growth Civil Society and the State in Democratic East Asia Protest and Social Movements Recent years have seen an explosion of protest movements around the world, and academic theories are racing to catch up with them. This series aims to further our understanding of the origins, dealings, decisions, and outcomes of social movements by fostering dialogue among many traditions of thought, across European nations and across continents. All theoretical perspectives are welcome. Books in the series typically combine theory with empirical research, dealing with various types of mobilization, from neighborhood groups to revolutions. We especially welcome work that synthesizes or compares different approaches to social movements, such as cultural and structural traditions, micro- and macro-social, economic and ideal, or qualitative and quantitative. Books in the series will be published in English. One goal is to encourage non- native speakers to introduce their work to Anglophone audiences. Another is to maximize accessibility: all books will be available in open access within a year after printed publication. Series Editors Jan Willem Duyvendak is professor of Sociology at the University of Amsterdam. James M. Jasper teaches at the Graduate Center of the City University of New York. Civil Society and the State in Democratic East Asia Between Entanglement and Contention in Post High Growth Edited by David Chiavacci, Simona Grano, and Julia Obinger Amsterdam University Press Published with the support of the Swiss National Science Foundation.
    [Show full text]
  • 1.1 Introductions of Denim Dyeing
    1.1 Introductions of denim dyeing 1.1.1 Background of Denim Fabric Denim, as shown in figure 1.1, is a rugged cotton twill textile, in which the weft passes under two or more warp fibers. It produces the recognizable diagonal ribbing characteristic on the fabric, which distinguishes denim from cotton duck. It is a twill-weave woven fabric that uses different colours for the warp and weft. One colour mainly used on the fabric surface is indigo blue. This produces an effect of surface dyeing. There are two types of denim fabric dyeing. They are indigo dyeing and sulphur dyeing. Indigo dyeing produces conventional blue colour and shade alike to blue colour. Sulphur dyeing, which also called colour denim is used to produce particular colours like black, cherry, grey, rust, mustard and lime, and also to get better the quality. Both of them are vat dyestuff. They are insoluble in water and have a very poor affinity to cellulose fibers like cotton fiber. In normal situation, vat dyes will not attach on cotton fiber. For dyeing of cotton yarn, vat dyes should be transformed into water-soluble form via chemical reduction process, in which hydrogen is liberated. The hydrogen reacts with the dye and allows a water molecule to attach to the dye. The dye is then transported into cotton fiber by the media of water. Sodium hydrosulfite with sodium hydroxide is one of the reducing agents used to convert the dye to its soluble form. The dye is attached onto cotton fiber by the water. These reduced dyes have to then be oxidized.
    [Show full text]
  • Evaluating Fire Blocking Performance of Barrier Fabrics
    FIRE AND MATERIALS Fire Mater. (2013) Published online in Wiley Online Library (wileyonlinelibrary.com). DOI: 10.1002/fam.2210 Evaluating fire blocking performance of barrier fabrics Shonali Nazaré*,†, William Pitts, Shaun Flynn, John. R. Shields and Rick D. Davis Fire Research Division, Engineering Laboratory, National Institute of Science and Technology, 100 Bureau Drive, MS-8665, Gaithersburg, MD 20899-8665, USA SUMMARY A series of evaluations were performed on different types of barrier fabrics (BFs) used in soft furnishings. Fundamental properties that influence the heat transfer characteristics of barrier material as it relates to thermal protection of cushioning components in upholstered products are discussed. This is important to enable a priori selection of BFs such that a final upholstered product complies with flammability regulations. Heat transfer measurements are used to determine effectiveness of materials to be used as barrier materials. A new bench-scale composite test method is also described to assess qualitative fire blocking performance of BFs. When tested for heat transfer characteristics, the area density and thickness of BFs show strong influence. However, when tested as a composite in a mock-up assembly, the BFs considered in this study showed a clear distinction between active and passive BFs. In the case of chemically active BFs, the construction parameters and material properties such as thickness, air permeability, and heat transfer were of little significance. In the case of passive BFs, however, these parameters became decisive. Results from this study suggest that if the BF is not an active fire barrier, then the amount of heat transferred through BF is critical.
    [Show full text]
  • Hat Blocking Pt1 Blocking Over a Balloon This Method Works Particularly Well for Slouchy Hats and Even Beanies!
    Hat Blocking pt1 Blocking over a balloon This method works particularly well for slouchy Hats and even beanies! 1) Soak your Hat in a specialist wool wash bath, rinse, and remove excess water by gently squeezing the Hat. 2) Blow up the balloon until it's about half the size of the Hat and hold between your fingers. 3) Slip the damp Hat over the balloon and continue to blow up the balloon – with the Hat on it! - until it is the desired size. Doing it this way avoids over stretching the brim, which can occur when placing the Hat over a fully sized balloon. 4) Stand on a small vase or plant pot and allow the brim to gently sit and reshape naturally. When the Hat is dry burst the balloon with a pin. Voila! Blocking over a splatter guard This is a brilliant method for blocking berets as it lets the air through – Hats dry much faster than they would over a plate, and there's less risk of breakage! 1) Gently stretch the beret over a suitably sized splatter guard, and place in the wool bath. 2) As you lift the beret out from it's soak, gently press to remove excess water then place it between two towels to soak up even more water. 3) Then allow the beret to dry naturally on an airer or even standing against a work surface – wherever it can rest and dry undisturbed. Once the beret is dry, remove the splatter guard. 4) Placing the splatter guard inside the beret before soaking prevents any stretching of the brim and helps maintain shape.
    [Show full text]