Performance Studies Network Conference 2018
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Sòouünd Póetry the Wages of Syntax
SòouÜnd Póetry The Wages of Syntax Monday April 9 - Saturday April 14, 2018 ODC Theater · 3153 17th St. San Francisco, CA WELCOME TO HOTEL BELLEVUE SAN LORENZO Hotel Spa Bellevue San Lorenzo, directly on Lago di Garda in the Northern Italian Alps, is the ideal four-star lodging from which to explore the art of Futurism. The grounds are filled with cypress, laurel and myrtle trees appreciated by Lawrence and Goethe. Visit the Mart Museum in nearby Rovareto, designed by Mario Botta, housing the rich archive of sound poet and painter Fortunato Depero plus innumerable works by other leaders of that influential movement. And don’t miss the nearby palatial home of eccentric writer Gabriele d’Annunzio. The hotel is filled with contemporary art and houses a large library https://www.bellevue-sanlorenzo.it/ of contemporary art publications. Enjoy full spa facilities and elegant meals overlooking picturesque Lake Garda, on private grounds brimming with contemporary sculpture. WElcome to A FESTIVAL OF UNEXPECTED NEW MUSIC The 23rd Other Minds Festival is presented by Other Minds in 2 Message from the Artistic Director association with ODC Theater, 7 What is Sound Poetry? San Francisco. 8 Gala Opening All Festival concerts take place at April 9, Monday ODC Theater, 3153 17th St., San Francisco, CA at Shotwell St. and 12 No Poets Don’t Own Words begin at 7:30 PM, with the exception April 10, Tuesday of the lecture and workshop on 14 The History Channel Tuesday. Other Minds thanks the April 11, Wednesday team at ODC for their help and hard work on our behalf. -
Center for International Studies Annual Report
MARIO EINAUDI Center for International Studies Annual Report 2014-2015 Cover Art from Einaudi Center events and the Fall 2014 graduate students photo competition (from top left, photo credits in parenthesis): “Ashanti Pride”, Ghana (by Sharon Liu); President Ólafur Grímsson (by University Photography); Einaudi Center Director Fredrik Logevall (by Shai Eynav); Mr. Michael McFaul (by University Photography); “My Tenth Child”, Burundi (by Angela Siele); Ms. Sarah Mendelson (by Gail Fletcher); Judge Sang-Hyun Song (by Gail Fletcher); Symposium 2015 (by University Photography); Mr. William Hitchcock (by Robin Nichols); Mr. Francis Fukuyama (by University Photography); Annual Reception 2014 (by Shai Eynav); Lund Critical Debate (by Gail Fletcher); “Kalandia Checkpoint”, Palestine (by Laura Munchaca Ruiz) and Language and International Studies Fair 2014 (by Gail Fletcher). Table of Contents 1. Report of the Director of the Mario Einaudi Center for International Studies ..................................................................................................................... 1 2. International Relations Minor .............................................................................. 22 3. Comparative Muslim Societies Program ............................................................. 26 4. Cornell Institute for European Studies ................................................................ 31 5. East Asia Program ................................................................................................. 41 6. Institute -
2015 Programme Bergen International Festival
BERGEN 27 MAY — 10 JUNE 2015 2015 PROGRAMME BERGEN INTERNATIONAL MORE INFO: WWW.FIB.NO FESTIVAL PREFACE BERGEN INTERNATIONAL 003 FESTIVAL 2015 Love Enigmas Love is a perpetually fascinating theme in the Together with our collaborators we aim to world of art. The most enigmatic of our emotions, create a many-splendoured festival – in the it brings us joy when we experience it set to music, truest sense of the word – impacting the lives of AN OPEN INVITATION recounted in literature or staged in the theatre, in our audiences in unique and unmissable ways, dance and in film. We enjoy it because art presents both in venues in the city centre, the composers’ TO VISIT OUR 24-HOUR us with mirror images of ourselves and of the most homes and elsewhere in the region. important driving forces in our lives. OPEN BANK The Bergen International Festival is an event Like a whirling maelstrom love can embrace in which artists from all over the world want ON 5-6 JUNE 2015 us and suck us in and down into the undertow to participate, and they are attracted to the with unforeseeable consequences. Love unites playfulness, creativity and tantalizing energy high and low, selfishness and selflessness, self- of the festival. The Bergen International Festival Experience Bergen International Festival at affirmation and self-denial, and carries us with is synonymous with a high level of energy and our branch at Torgallmenningen 2. There will equal portions of blindness and ruthlessness a zest for life and art. Like an explorer, it is be activities and mini-concerts for children into the embrace of the waterfall, where its unafraid, yet approachable at the same time. -
Ultima Oslo Contemporary Music Festival on Nature
ultima oslo contemporary 10–19 september 2015 ultima music festival oslo contemporary music festival om natur 10.–19. september 2015 10.–19. on nature 1 programme THURSDAY 10 SEPTEMBER Lunchtime concert Henrik Hellstenius Ørets teater III: Ultima Academy Cecilie Ore Ultima Academy Eivind Buene Georg Friedrich Haas In Vain SATURDAY 19 SEPTEMBER Herman Vogt Om naturen (WP) Alexander Schubert in conversation Adam & Eve—A Divine Comedy Geologist Henrik H. Svensen The Norwegian Chamber Orchestra Ensemble Ernst Ultima Remake Concordia Discors, Études (WP) Oslo Sinfonietta / Dans les Arbres with rob Young 21:00 — Kulturkirken Jakob on issues in the Age of Man 19:00 — Universitetets aula 21:00 — Riksscenen Edvin Østergaard (WP) / 10:00 — Edvard Munch Secondary 12:00 — Loftet 19:30 — The Norwegian National Opera 14:00 — Kulturhuset p. 18 19:30 — Kulturhuset New music by Eivind Buene, plus the Spellbinding piece described as ‘an optical Jan Erik Mikalsen (WP) / Maja Linderoth School Piano studies with Ian Pace, piano & Ballet, (Also 12 and 13 September) p. 31 p. 35 pieces that inspired it illusion for the ear’” The Norwegian Soloists’ Choir Interactive installation created by pupils p. 19 Concert / performance Robert Ashley Perfect Lives p. 38 p. 47 13:00 — Universitetets gamle festsal p. 13 p. 16 Ultima Academy Matmos Ultima Academy p. 53 Installation opening and concert Music Professor Rolf Inge Godøy 22:00 — Vulkan Arena Musicologist Richard Taruskin on David Toop Of Leonardo da Vinci — James Hoff / Afrikan Sciences / Ultima Academy Elin Mar Øyen Vister Røster III (WP) Installation opening on sound and gesture American electronica duo perform cele- birdsong, music and the supernatural Quills / a Black Giant / Deluge (WP) Hilde Holsen Øyvind Torvund (WP) / Jon Øivind Media theorist Wolfgang Ernst 15:00 — Deichmanske Ali Paranadian Untitled I, 14:30 — Kulturhuset brated TV opera 20:30 — Kulturhuset Elaine Mitchener / David Toop 22:00 — Blå Ness (WP) / Iannis Xenakis on online culture and hovedbibliotek A Poem for Norway (WP) p. -
Norway – Music and Musical Life
Norway2BOOK.book Page 273 Thursday, August 21, 2008 11:35 PM Chapter 18 Norway – Music and Musical Life Chapter 18 Norway – Music and Musical Life By Arvid Vollsnes Through all the centuries of documented Norwegian music it has been obvi- ous that there were strong connections to European cultural life. But from the 14th to the 19th century Norway was considered by other Europeans to be remote and belonging to the backwaters of Europe. Some daring travel- ers came in the Romantic era, and one of them wrote: The fantastic pillars and arches of fairy folk-lore may still be descried in the deep secluded glens of Thelemarken, undefaced with stucco, not propped by unsightly modern buttress. The harp of popular minstrelsy – though it hangs mouldering and mildewed with infrequency of use, its strings unbraced for want of cunning hands that can tune and strike them as the Scalds of Eld – may still now and then be heard sending forth its simple music. Sometimes this assumes the shape of a soothing lullaby to the sleep- ing babe, or an artless ballad of love-lorn swains, or an arch satire on rustic doings and foibles. Sometimes it swells into a symphony descriptive of the descent of Odin; or, in somewhat less Pindaric, and more Dibdin strain, it recounts the deeds of the rollicking, death-despising Vikings; while, anon, its numbers rise and fall with mysterious cadence as it strives to give a local habitation and a name to the dimly seen forms and antic pranks of the hol- low-backed Huldra crew.” (From The Oxonian in Thelemarken, or Notes of Travel in South-Western Norway in the Summers of 1856 and 1857, written by Frederick Metcalfe, Lincoln College, Oxford.) This was a typical Romantic way of describing a foreign culture. -
Ultima Oslo Contemporary Music Festival
ultima oslo contemporary årsmelding 2013 music festival ÅRSMELDING 2013 1. INNLEDNING 4 2. ORGANISASJON 4 2.1 Organisasjon 4 2.1.1 Formål 4 2.1.2 Rådet 4 2.1.3 Styret 5 2.1.4 Programkomité 5 2.1.5 Valgkomité 5 3. INNHOLD OG FAKTA 2013 5 3.1 Arrangementer 5 3.1.1 Kammer- og orkesterkonserter 5 3.1.2 Opera og musikkteater 10 3.1.3 Elektronisk musikk, impro og annet 12 3.1.4 Utstillinger, lydkunst og installasjoner 14 3.2 Ultima Education 16 3.2.1 Academy 16 3.2.2 Barn og unge 18 3.3 Statistikk 19 3.3.1 Publikumstall 19 3.3.2 Kjønnsfordeling 19 4. SAMARBEIDSPARTNERE 19 4.1 Ultima takker 19 Ultimas medlemmer 20 4.2 Internasjonale relasjoner 20 5. KOMMUNIKASJON 20 5.1 Publikasjoner 20 5.2 Dokumentasjon 21 5.2.1 Lyd- og filmopptak 21 5.3 Presse og kringkasting 21 5.3.1 Medieomtale og anmeldelser 21 5.4 Annonser 21 5.4.1 Mediesamarbeid 21 5.4.2 Øvrige markedstiltak 21 5.4.3 Wimp 22 5.5 Internett og sosiale medier 22 5.5.1 Nettsider 22 5.5.2 Sosiale medier 22 5.6 Publikumsutvikling 22 6. ØKONOMI OG REGNSKAP 23 7. ADMINISTRASJON OG ARBEIDSMILJØ 23 7.1 Ansatte 23 7.1.1 Faste medarbeidere 23 7.1.2 Festivalmedarbeidere 23 7.1.3 Studenter 23 7.2 Arbeidsmiljø 24 7.2.1 Likestilling 24 7.2.2 Ytre miljø 24 8. SIGNATURER 24 9. REGNSKAP OG REVISJONSBERETNING 26 10. APPENDIX 34 også vårt åpne, kunstneriske perspektiv NOTAM 2.1.5 VALGKOMITÉ 1. -
Oslo Griegfestival
Oslo Griegselskap presenterer: Oslo Griegfestival Nr. 15 Lørdag 3. mai - søndag 11. mai 2014 Festivalkomponist: Cecilie Ore Kunstnerisk leder: Einar Steen-Nøkleberg OM FESTIVALEN Oslo Griegfestival arrangeres av Oslo Griegselskap i samarbeid med Nasjonalmuseet, Oslo Domkirke, Universitetet i Oslo og Nationaltheatret. Festivalen er støttet av Norsk kulturråd, Aksel Byes legat, Det norske komponistfond, Oslo kommune, Fritt Ord og Norsk Komponistforening. Billetter til konsertene koster kr 200 (ordinær)/kr 100 (barn t.o.m. 19 år/student/medlem av Oslo Griegselskap). Konsertene Grieg og Beyer og Grieg i Domkirken koster kr 100. Barn t.o.m. 19 år/student går gratis i Aulaen. Omvisningene med musikk søndagene kl 14 og konserten på Musikkpaviljongen er gratis. Billetter selges på www.billettservice.no (inkl. 7-Eleven og Narvesen) eller ved inngangen fra en time før konsertstart. Billetter til konserten på Nationaltheatret selges på www.nationaltheatret.no eller i teatrets billettluke. Oslo Griegselskap ble opprettet i 1993 i forbindelse med 150- årsdagen for Griegs fødsel og er en ideell organisasjon. Selskapets formål er å befeste og øke kjennskapen til Edvard Grieg og hans musikk og å skape en bevissthet om Griegs betydning for utviklingen av musikklivet i hovedstaden. Bli medlem: Send en e-post til [email protected] eller meld deg inn ved inngangen fra en time før konsertstart og få medlemspris under hele festivalen. Årskontingent: kr 300 (ordinær)/kr 200 (honnør/student) Kontakt: Styret: Oslo Griegselskap Einar Steen-Nøkleberg, leder Vallegata 3 Joachim Kwetzinsky, nestleder 0454 Oslo August Albertsen Tlf: 900 84 978/905 02 487 Harald Herresthal Org.nr: 995.402.122 Geir Inge Lotsberg [email protected] Elisabeth Tandberg www.oslogriegselskap.no Bjørn Øgaard KONSERTOVERSIKT Lørdag 3. -
Presents a Carnatic Violin Concert by Mysore Nagaraj and Dr
SRUTI The India Music and Dance Society 651 Limehouse Road, Radnor, PA 19087-2856 • www.sruti.org Presents A Carnatic Violin Concert by Mysore Nagaraj and Dr. Manjunath and Party Saturday, September 20, 2008 4:30 PM at Calvary Vision Center 550 E. Township Line Rd., Suite 200, Blue Bell, PA This concert is supported by a grant from the Philadelphia Music Project, an artistic initiative of the Pew Charitable Trusts, administered by the University of the Arts. Tickets: Members $17, Non-members $22, Seniors and Students $12. For more information, contact Nataraj at (610) 687-4565, Vidyasankar at (215) 310 1783 Srinivas at (215) 364-2089, Venkat at (610) 631-2291 About the Artistes Violin maestros Mysore Nagaraj and Dr. Manjunath are the sons and disciples of renowned violinist Sangeetha Vidhya Nidhi Prof. S. Mahadevappa. Their exceptional musical talents were first revealed at the age of 9. Their violin concerts have been featured in numerous music festivals & conferences all over the world. Dr. Manjunath obtained a Master’s degree in music from the University of Mysore. He continued his research to prepare a scholarly thesis on violin in Indian Classical Music and was awarded a Ph.D. Dr.Manjunath has the privilege of representing Indian music at the prestigious International Violin Conference in San Diego several times. They have collaborated with many outstanding musicians from all over the world & have performed Jugalbandhi (Indian fusion) concerts with many top-ranking Hindustani artists in contemporary music today including Pandith V.G.Jog, Pandith Vishwamohan Bhat, Tejendra Narayana Majumdar, Pandith Ronu Majumdar, Dr. -
Clarinet Concertos by Post World War II Generation Norwegian Composers: Bjorn Kruse, Olav Berg, and Rolf Wallin
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1999 Clarinet Concertos by Post World War II Generation Norwegian Composers: Bjorn Kruse, Olav Berg, and Rolf Wallin. Beverly Ann Gibson Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Gibson, Beverly Ann, "Clarinet Concertos by Post World War II Generation Norwegian Composers: Bjorn Kruse, Olav Berg, and Rolf Wallin." (1999). LSU Historical Dissertations and Theses. 6990. https://digitalcommons.lsu.edu/gradschool_disstheses/6990 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Tildelinger 2013 Norsk Kulturfond NORSK KULTURFOND
Tildelinger 2013 Norsk kulturfond NORSK KULTURFOND Innhold TILDELINGER NORSK KULTURFOND Rom for kunst 2 Prosjektstøtte barn og unge 4 Kunstløftet 9 Andre formål 11 Visuell kunst 13 Statens utstillingsstipend 26 Musikk 30 Scenekunst 92 Basisfinansiering av frie scenekunstgrupper 92 Fri scenekunst 92 Litteratur 105 Innkjøpsordningene 105 Periodiske publikasjoner 129 Kulturvern 131 Saker som blir behandlet i flere utvalg 136 Tildelinger for Norsk kulturfond og Statens utstillingsstipend i 2013. Listene viser tilskudd for budsjettåret 2013, med unntak av tildelinger gjort for 2013 i 2012. Vedtak gjort i 2013 for senere år er markert med årstall. 1 TILDELINGER 2013 Rom for kunst SØKER FYLKE TITTEL TILSKUDD SAKER SOM BLIR BEHANDLET I FLERE UTVALG (SE ALLE TILSKUDD PÅ SIDE 136) Bugge Wesseltoft Oslo Moving Arts – utvikling av digital formidlingsarena 200 000 Fellesverkstedet Oslo Fellesverkstedet driftstilskudd 2014 400 000 Kunsthall Grenland Telemark Kunsthall Grenland 2014-2016 1 000 000 Sør-Trønde- Kunsthall Trondheim Kunsthall Trondheim 2014 400 000 lag Oppgradering av lavvu til drop-in-scene ved Mette Brantzeg Hedmark 30 000 Riksvei 3 NIKU – Norsk institutt for Nasjonal kartlegging av eldre industrianlegg som er Oslo 50 000 kulturminneforskning blitt brukt som nye kulturarenaer – 2013/14 ARENAER FOR VISUELL KUNST Utvidelse av Bergen Kjøtt – oppgraderinger av Bergen Kjøtt Hordaland 150 000 fryselageret på Bontelabo Berlevåg Havnemuseum – forprosjekt for Berlevåg Havnemuseum Finnmark 70 000 tilrettelegging av uteareal Galleri FORMAT- Bergen -
Årsmelding 2014 Norsk Senter for Teknologi I Musikk Og Kunst
Norsk senter for teknologi Årsmelding 2014 i musikk og kunst. Notam er et senter for utvikling og nyskapende bruk av teknologi i musikk og kunst. Vi fungerer både som et ressurs- og kompetansesenter for komponister, musikkutøvere og kunstnere som kommer til oss med prosjektideer de vil ha realisert, og som en institusjon som genererer egne prosjekter med kryssfeltet musikk, kunst og teknologiutvikling som utgangspunkt. Vi er en aktiv pådriver for nye og tverrfaglige innfallsvinkler innen norsk kulturliv og i det internasjonale musikkteknologimiljøet, og søker hvert år å bidra til en økt forståelse for disse perspektivene i form av forskningsartikler, undervisning, forelesningsvirksomhet og annen formidling. Våre aktiviteter deles inn i kjerneområdene • Hjelp til skapende arbeid • Forskning og utvikling • Utdanning • Formidling Innhold 1. Forord ......................................................... side 3 2. Hjelp til skapende arbeid ............................ side 5 3. Forskning og utvikling ................................ side 17 4. Utdanning ................................................... side 25 5. Formidling ................................................... side 33 6. Fasiliteter og utstyr .................................... side 40 7. Organisasjon ............................................... side 45 8. Årsberetning ............................................... side 49 1. Forord Ingen år er like på Notam – de er gode på forskjel- lige måter. 2014 har vært som å komme opp på vidda etter en bratt stigning, og utsikten er betagende. Vi er nå godt etablerte i lokalene på Sagene etter flyttingen i 2012. Som ressurssenter betjener vi et voksende og sammensatt miljø, og det er gledelig å se at den gode rekrutteringen blant unge brukere sørger for at Notam stadig fornyer seg og beholder sin relevans i kulturlivet. Den nasjonale og internasjonale profilen er blitt tydeligere, og det arbeides med å stimulere denne utviklingen videre gjennom flere gjesteopphold og prosjekter med nedslagsfelt utover det rent lokale. -
Sammenrediert Rsmelding 2006
Årsmelding Norsk kulturråd 2006 Årsmelding Norsk kulturråd 2006 ........................................................................................... 1 Innledning .............................................................................................................................. 3 Råd og utvalg .......................................................................................................................... 4 Norsk kulturfond ................................................................................................................. 7 Hovedfordeling av Norsk kulturfond 2006 .................................................................................... 8 Oversikt over søknader 2006 ..................................................................................................... 8 Statistikk ................................................................................................................................9 Fylkesvise fordelinger i 2006.....................................................................................................11 Forholdet mellom antall søknader og tildelinger fordelt på fylker i 2006...........................................12 Administrasjonsutgifter........................................................................................................13 Driftsutgifter ..........................................................................................................................13 Inntekter ...............................................................................................................................13