Presents a Carnatic Violin Concert by Mysore Nagaraj and Dr
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Center for International Studies Annual Report
MARIO EINAUDI Center for International Studies Annual Report 2014-2015 Cover Art from Einaudi Center events and the Fall 2014 graduate students photo competition (from top left, photo credits in parenthesis): “Ashanti Pride”, Ghana (by Sharon Liu); President Ólafur Grímsson (by University Photography); Einaudi Center Director Fredrik Logevall (by Shai Eynav); Mr. Michael McFaul (by University Photography); “My Tenth Child”, Burundi (by Angela Siele); Ms. Sarah Mendelson (by Gail Fletcher); Judge Sang-Hyun Song (by Gail Fletcher); Symposium 2015 (by University Photography); Mr. William Hitchcock (by Robin Nichols); Mr. Francis Fukuyama (by University Photography); Annual Reception 2014 (by Shai Eynav); Lund Critical Debate (by Gail Fletcher); “Kalandia Checkpoint”, Palestine (by Laura Munchaca Ruiz) and Language and International Studies Fair 2014 (by Gail Fletcher). Table of Contents 1. Report of the Director of the Mario Einaudi Center for International Studies ..................................................................................................................... 1 2. International Relations Minor .............................................................................. 22 3. Comparative Muslim Societies Program ............................................................. 26 4. Cornell Institute for European Studies ................................................................ 31 5. East Asia Program ................................................................................................. 41 6. Institute -
Sandpaper [2.0] Fall 2004 Issue II Birla Institute of Technology & Science Alumni Magazine
The Quarterly BITSians: Dr. SP Kothari, Professor at MIT Sloan & Prithviraj Chavan, Minister of State The BITSAA Edition Sandpaper [2.0] Fall 2004 Issue II Birla Institute of Technology & Science Alumni Magazine Mahatma Gandhi, the missing Nobel Laureate Rebel with a cause: Tosh Sheshabalaya The Rule of Three by Prof. Rajendra Sisodia IT in China: How BITS Pilani you can benefit Admissions A conversation History, debates and a solution with Dr. Meera Bannerji Bridle IT, BITS Pilani’s first incubated How they did it: company Rajesh Hukku & the i-flex Story _____________________________________________________________________________________________ FALL 2004 SANDPAPER 0 Ads by BITSian ventures Wissen is seeking outstanding BITSians to join their team Buy the world’s best cricketing gear or play fantasy cricket online _____________________________________________________________________________________________ FALL 2004 SANDPAPER 1 Sandpaper [2.0] Fall 2004 Issue CONTENTS 3 EDITORIAL RESEARCH & INNOVATION 53 The Rule of Three: Dr. Raj Sisodia (’74) FEATURES 4 Chitti aye hai – Letters & Opinions GENERAL INTEREST 6 Sandpaper Online 58 Mahatma Gandhi – the missing laureate 7 News 61 IT in China: From the Land of the Dragon 11 Masala & Spice 65 From Dilip’s Corner: Srinagar & Adoption 67 Making a difference COVER STORY 12 History of BITS Admissions EDUCATION & ACADEMICS 15 Admissions – Issues and Admissions 70 When Academicians become Entrepreneurs: Prof. Vijay Jog (’69) NOSTALGIC NOTES 72 Rebel with a cause: Tosh Sheshabalaya (‘76) 21 Reminiscences by Dr. Meera Bannerji 73 Excerpts from “The Rising Elephant” 24 The 74-79 Silver Jubilee 74 AP Mathur’s (’70) Sabbatical in the Sands NOTES FROM PILANI THE QUARTERLY BITSIAN 32 Bridle IT: Made in Pilani Labs ! 76 Prof. -
Sing Rāga, Embody Bhāva: the Way of Being Rasa
SING RĀGA, EMBODY BHĀVA: THE WAY OF BEING RASA Thanmayee Holalkere Krishnamurthy, B.E. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2019 APPROVED: Steven Friedson, Major Professor Vivek Virani, Committee Member Catherine Ragland, Committee Member Felix Olschofka, Interim Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Holalkere Krishnamurthy, Thanmayee. Sing Rāga, Embody Bhāva: The Way of Being Rasa. Master of Arts (Music), May 2019, 88 pp., 1 table, 7 figures, 10 musical examples, references, 94 titles. The rasa theory of Indian aesthetics is concerned with the nature of the genesis of emotions and their corresponding experiences, as well as the condition of being in and experiencing the aesthetic world. According to the Indian aesthetic theory, rasa (“juice” or “essence,” something that is savored, that is tasted) is an embodied aesthetic experienced through an artistic performance. In this thesis, I have investigated how the aesthetics of rasa philosophy account for creative presence and its experiences in Karnatik vocal performances. Beyond the facets of grammar, Karnatik rāga performance signifies a deeper ontological meaning as a way to experience rasa, idiomatically termed as rāga-rasa by South Indian rāga practitioners. A vocal performance of a rāga ideally depends on a singer’s embodied experience of rāga and rāga-bhāva (emotive expression of rāga), as much as it does on his/her theoretical knowledge and skillset of a rāga’s svaras (scale degrees), gamakas (ornamentation), lakṣhaṇās (emblematic phrases), and so on. -
Performance Studies Network Conference 2018
Performance Studies Network Conference 2018 The Norwegian Academy of Music, Oslo 5–8 July 2018 Performance Studies Network Conference 2018 www.psn2018.org Follow us at Performance Studies Network Fifth International Conference 5–8 July 2018 It is my great honour and privilege to welcome you Dear guests, to the Norwegian Academy of Music and the 5th International Conference of the Performing Studies Network (PSN). As one of the leading conservatoires in Scandinavia, the Academy is home to a distinguished faculty of international experts, covering a wide range of aca- demic and artistic disciplines. Our students are sys- tematically encouraged to explore connections between musical practice and research. The recent addition of a PhD in Artistic Research to the doctoral program deepens our commitment to understanding musical performance from the perspective of the artist-researcher. I’m truly pleased to see such a broad rostrum of Photo: David Engmo scholars and performers presenting at the confer- ence and look forward to take part in many discus- sions. It is my hope that the ideas radiating from the Oslo conference will contribute to the further devel- opment of the increasingly essential dialogue between doing, observing, articulating and – ulti- mately – understanding music. Welcome! Peter Tornquist Principal 2 On behalf of the Norwegian Academy of Music I should like to thank the distinguished individuals Welcome to (NMH) and its Arne Nordheim Centre for Artistic who have accepted the invitation to serve as Research (NordART) it gives me great pleasure to members of the Expert Panel and who, through their PSN 2018! welcome you to the Fifth Performance Studies statements and opening up debate, may help us Network (PSN) International Conference, the first to towards a collectively deepened and enhanced be held outside the United Kingdom.