Sandpaper [2.0] Fall 2004 Issue II Birla Institute of Technology & Science Alumni Magazine
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AWARDS AWARDS Awards & Recognition- April Nations Educational, Scientific & Cultural Lyricist & Director Sreekumaran Thampi Has Been Organization‟S (UNESCO)
AWARDS AWARDS Awards & Recognition- April Nations Educational, Scientific & Cultural Lyricist & director Sreekumaran Thampi has been Organization‟s (UNESCO). selected for the J.C. Daniel Award, the Kerala The Council of Scientific & Industrial Research (CSIR) government‟s highest honour for lifetime contribution is awarded the National Intellectual Property (IP) to Malayalam cinema. The award comprises of Rs5 Award 2018 in the category “Top R&D Institution / lakh & a citation. Organization for Patents & Commercialization”. Dr Bollywood actor Anushka Sharma will be awarded the Girish Sahni, DG, CSIR & Secretary, DSIR received the Dadasaheb Phalke Excellence Award for her award at the hands of Mr. Suresh Prabhu, Minister of successful movies as a producer. Commerce & Industry. Veteran Hindi film actor Shri Vinod Khanna was Bollywood actors Bhumi Pednekar, Sonam Kapoor & awarded the Dadasaheb Phalke Award for his Akshay Kumar bagged the best actress & best actor contribution to Indian Cinema. This was announced awards respectively at the Dadasaheb Phalke awards, during the 65th National Film Awards. given by Dadasaheb Phalke Film Foundation, held in Veteran Bollywood actor Dharmendra will be Mumbai. Manisha Koirala won the „Most Versatile conferred with the prestigious Raj Kapoor Lifetime Actress‟ award. Veteran actor-director Rakesh Roshan Achievement & filmmaker Rajkumar Hirani with Raj was given the lifetime achievement award for his Kapoor Special Contribution awards. Maharashtra contribution to the industry as an actor, producer & a Culture Minister Vinod Tawde announced the names director. of the winners. Gujarati poet, playwright & academic Sitanshu Kolkata-based Bandhan Bank Ltd became one of the Yashaschandra was selected for 2017 Saraswati top 50 most valuable publicly traded firms in India. -
Syed Haider Raza Painter
Syed Haider Raza Painter S.H. Raza was born as Syed Haider Raza in the year 1922, in the state of Madhya Pradesh. One of the most distinguished artists of the Indian subcontinent, Raza has been settled in France since 1950. However, his ties with India remain as strong as ever. The paintings of Syed Haider Raza have been done mainly in oil or acrylic and have a very heavy usage of color. His wife is a French artist, Janine Mongillat. Know more about the biography and life history of S.H. Raza with this article: Raza received his formal training in painting at the Nagpur School of Art (Nagpur) and Sir J. J. School of Art (Mumbai). During his stay at the Sir J.J. School, he became a member of Progressive Artist Group. At that time, SH Raza experimented with the Western Modernism, which was moving away from expressionism and towards abstraction. Thereafter, he shifted to France to pursue his studies at the Ecole Nationale des Beaux-Arts of Paris. The paintings of Syed Haider Raza in the 1940s and 1950s revolved mainly around landscapes. His Style The paintings of S.H. Raza revolve mainly around nature and its various faucets. His paintings have evolved from being purely expressionist landscapes to abstract ones. He believes the Bindu (dot) to be the center of creation and existence and his works reflect this particular thinking. Even though the vibrancy of his paintings has become subtle, the dynamism remains as alive as ever. Achievements A painting by S.H. Raza was reportedly sold for US $1.4 million at an auction held in December 2006. -
MZU Journal of Literature and Cultural Studies
MZU Journal of Literature and Cultural Studies MZU JOURNAL OF LITERATURE AND CULTURAL STUDIES An Annual Refereed Journal Volume IV Issue 1 ISSN:2348-1188 Editor : Dr. Cherrie Lalnunziri Chhangte Editorial Board: Prof. Margaret Ch.Zama Prof. Sarangadhar Baral Prof. Margaret L.Pachuau Dr. Lalrindiki T. Fanai Dr. K.C. Lalthlamuani Dr. Kristina Z. Zama Dr. Th. Dhanajit Singh Advisory Board: Prof. Jharna Sanyal, University of Calcutta Prof. Ranjit Devgoswami,Gauhati University Prof. Desmond Kharmawphlang, NEHU Shillong Prof. B.K. Danta, Tezpur University Prof. R. Thangvunga, Mizoram University Prof. R.L. Thanmawia, Mizoram University Published by the Department of English, Mizoram University. 1 MZU Journal of Literature and Cultural Studies 2 MZU Journal of Literature and Cultural Studies FOREWORD The present issue of MZU Journal of Literature and Cultural Studies has encapsulated the eclectic concept of culture and its dynamics, especially while pertaining to the enigma that it so often strives to be. The complexities within varying paradigms, that seek to determine the significance of ideologies and the hegemony that is often associated with the same, convey truly that the old must seek to coexist, in more ways than one with the new. The contentions, keenly raised within the pages of the journal seek to establish too, that a dual notion of cultural hybridity that is so often particular to almost every community has sought too, to establish a voice. Voices that may be deemed ‘minority’ undoubtedly, yet expressed in tones that are decidedly -
Years Because of a #Metoo Scandal
1 CHAPTERS 1 AWARDS & HONOURS 2 FAMOUS BOOKS 3 APPOINTMENTS 4 INDIAN ECONOMY 5 BUSINESS & CORPORATE WORLD 6 BRAND AMBASSADORS 7 AGREEMENTS & MoU 8 SUMMITS 9 INDEX, RANKINGS & DISTINCTIONS 10 SPORTS 11 SCIENCE & TECHNOLOGY 11 YOJANAS & SCHEMES 12 MISCELLANEOUS 2 AWARDS & HONOURS 2018 Nobel Laureates 2018 2018 Nobel Prize were announced in 5 different fields viz. Physiology or Medicine, Physics, Chemistry, Peace, & Economic Sciences. This is for the first time that Nobel Prize for Literature was not given in 70 years because of a #MeToo scandal. Field Winners Key Points “for their discovery of cancer James P Allison (USA) therapy by inhibition of negative Physiology or Medicine & Tasaku Honjo(Japan) immune regulation” Arthur Ashkin (USA), Gerard Mourou (France) and Donna Strickland "for groundbreaking inventions Physics (Canada) in the field of laser physics" (a) one half to Frances H. Arnold (USA) (a) "for the directed evolution of (b) Other half jointly to George P. enzymes" Chemistry Smith (USA) & Sir Gregory P. (b) "for the phage display of peptides & antibodies" Winter (UK) “for their efforts to end the use of Denis Mukwege (Congo) & sexual violence as a weapon of war Peace Nadia Murad (Iraq) & armed conflict” (a) “for integrating climate change into long-run macroeconomic analysis” (a) William D.Nordhaus (USA) Economic Sciences (b) “for integratingtechnological (b) Paul M. Romer (USA) innovations into long-run macroeconomic analysis.” 3 Ramon Magsaysay Award Winners 2018 Ramon Magsaysay Award is an annual award established to perpetuate former Philippine President Ramon Magsaysay's example of integrity in governance, courageous service to the people, & pragmatic idealism within a democratic society. -
Bollywood Bourgeois Author(S): Rachel Dwyer Source: India International Centre Quarterly, Vol
Bollywood Bourgeois Author(s): Rachel Dwyer Source: India International Centre Quarterly, Vol. 33, No. 3/4, India 60 (WINTER 2006-SPRING 2007), pp. 222-231 Published by: India International Centre Stable URL: http://www.jstor.org/stable/23006084 . Accessed: 07/11/2013 09:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. India International Centre is collaborating with JSTOR to digitize, preserve and extend access to India International Centre Quarterly. http://www.jstor.org This content downloaded from 146.96.128.36 on Thu, 7 Nov 2013 09:20:14 AM All use subject to JSTOR Terms and Conditions INDIA 60 Bollywood Bourgeois cliche of Indian cinema being the domain of the escapist fantasies of the Indian masses can now be safely put to rest. While this may have been true for The the 1980s, when the study of Indian cinema began to grow, the present cinema audiences, who are willing to pay Rs. 200 and upwards for a cinema ticket, are from various sections of the Indian middle classes and elites. These classes now dominate the public sphere in India and film is one of the major media which they are producing and consuming. -
Catalogue Fair Timings
CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions. -
Center for International Studies Annual Report
MARIO EINAUDI Center for International Studies Annual Report 2014-2015 Cover Art from Einaudi Center events and the Fall 2014 graduate students photo competition (from top left, photo credits in parenthesis): “Ashanti Pride”, Ghana (by Sharon Liu); President Ólafur Grímsson (by University Photography); Einaudi Center Director Fredrik Logevall (by Shai Eynav); Mr. Michael McFaul (by University Photography); “My Tenth Child”, Burundi (by Angela Siele); Ms. Sarah Mendelson (by Gail Fletcher); Judge Sang-Hyun Song (by Gail Fletcher); Symposium 2015 (by University Photography); Mr. William Hitchcock (by Robin Nichols); Mr. Francis Fukuyama (by University Photography); Annual Reception 2014 (by Shai Eynav); Lund Critical Debate (by Gail Fletcher); “Kalandia Checkpoint”, Palestine (by Laura Munchaca Ruiz) and Language and International Studies Fair 2014 (by Gail Fletcher). Table of Contents 1. Report of the Director of the Mario Einaudi Center for International Studies ..................................................................................................................... 1 2. International Relations Minor .............................................................................. 22 3. Comparative Muslim Societies Program ............................................................. 26 4. Cornell Institute for European Studies ................................................................ 31 5. East Asia Program ................................................................................................. 41 6. Institute -
A Retrospective of Modern Indian Art — As Told by the Walls of Taj OVERLEAF
A Retrospective of Modern Indian Art — As Told by The Walls of Taj OVERLEAF V.S. Gaitonde b. 1924 - 2001 ‘Untitled’ (1977), Oil on Canvas Detail — Considered one of V.S Gaitonde’s greatest works, this painting represents the pinnacle of 20th Century abstract art. For over a century, Taj Hotels have enchanted and inspired the world’s most discerning travellers with one of the largest collections of modern Indian art. With a commitment to nurture, support and celebrate talented artists, our hotels provide the perfect backdrop to showcase their work to art connoisseurs and collectors alike. We invite you now to join us on an exclusive tour of some of the signature pieces from our collection. Whilst many grace the public areas of our hotels, some are presented only to our resident guests in the privacy of their accommodations, making this a unique opportunity to view these seminal works. Like the artists represented here, our associates practise their craft with passion and dedication. As proud custodians of tradition and creativity, everything we do is born from a unique combination of meticulous performance and artistry. We believe that when perfected, any form of human endeavour is elevated to an art form. The Practice of Perfect Hospitality is truly Performance.Art DECEMBER/14 JANUARY/15 FEBRUARY/15 S M T W T F S S M T W T F S S M T W T F S The Taj Mahal Palace — 01 02 03 04 05 06 01 02 03 01 02 03 04 05 06 07 Mumbai 07 08 09 10 11 12 13 04 05 06 07 08 09 10 08 09 10 11 12 13 14 14 15 16 17 18 19 20 11 12 13 14 15 16 17 15 16 17 18 19 20 21 21 22 23 24 25 26 27 18 19 20 21 22 23 24 22 23 24 25 26 27 28 28 29 30 31 25 26 27 28 29 30 31 Jehangir Sabavala S M T W T F S b. -
Of Grandeur and Valour: Bollywood and Indiaís Fighting Personnel 1960-2005
OF GRANDEUR AND VALOUR: BOLLYWOOD AND INDIAíS FIGHTING PERSONNEL 1960-2005 Sunetra Mitra INTRODUCTION Cinema, in Asia and India, can be broadly classified into three categoriesópopular, artistic and experimental. The popular films are commercial by nature, designed to appeal to the vast mass of people and to secure maximum profit. The artistic filmmaker while not abandoning commercial imperatives seeks to explore through willed art facets of indigenous experiences and thought worlds that are amenable to aesthetic treatment. These films are usually designated as high art and get shown at international film festivals. The experimental film directors much smaller in number and much less visible on the film scene are deeply committed to the construction of counter cinema marked by innovativeness in outlook and opposition to the establishment (Dissanayke, 1994: xv-xvi). While keeping these broad generalizations of the main trends in film- making in mind, the paper engages in a discussion of a particular type of popular/ commercial films made in Bollywood1. This again calls for certain qualifications, which better explain the purpose of the paper. The paper attempts to understand Bollywoodís portrayal of the Indian military personnel through a review of films, not necessarily war films but, rather, through a discussion of themes that have war as subject and ones that only mention the military personnel. The films the paper seeks to discuss include Haqeeqat, Border, LOC-Kargil, and Lakshya that has a direct reference to the few wars that India fought in the post-Independence era and also three Bollywood blockbusters namely Aradhana, Veer-Zara and Main Hoon Na, the films that cannot be dubbed as militaristic nor has reference to any war time scenario but nevertheless have substantial reference to the army. -
Representation of 'Masculinities' in Bombay Cinema: Millennial
Representation of ‘Masculinities’ in Bombay Cinema: Millennial Men Exploring the visual representations of masculinities in Bombay cinema and the narratives pertaining to the construction of a ‘nationalist’ identity in Lakshya. A Research Paper presented by: Vemuri Nagalaxmi Sushrutha (India) in partial fulfilment of the requirements for obtaining the degree of MASTER OF ARTS IN DEVELOPMENT STUDIES Major: Social Justice Perspectives: Human rights, Gender and Conflict Studies. (SJP) Members of the Examining Committee: Dr. Dubravka Žarkov Karen Gabriel The Hague, The Netherlands November 2017 December 2017 ii Cinema’s characteristic forte is its ability to capture and communicate the intimacies of the human mind. Satyajit Ray iii Table of Contents Acknowledgements vi Abstract vii Chapter 1 Introduction 8 Origin and legacy: 8 Towards critical research: 9 Chapter 2 : Theoretical foundations 11 Gender 11 Unpacking gender: 11 Crisis of Masculinity: 12 Representation 14 Towards a film theory: 14 Representing ‘masculine’ characters: 16 The new man image: 18 Nationalism 19 Nation and Nationalism: 19 War and masculinity: 21 Nationalism in India- Hindu Nationalism: 21 Chapter 3 : Context 24 Hindi Hero: 24 Research Questions: 28 Chapter 4 : Methodology 29 Method: 29 Researcher’s bias and positionality: 30 Sample: 32 iv Plot: 32 Chapter 5 : Analysis 35 Making of the man: 35 Father: 36 Love interest: 38 Friends: 41 The army: 44 Music: 46 Narrative of the film: 47 Chapter 6 : Conclusions 48 Reflecting on the New man: 48 Limitations and scope: 49 References: 52 v Acknowledgements To all those who kept me motivated during the melancholy rainy days. To my mom and dad, for showing faith in me and supporting me throughout. -
Presents a Carnatic Violin Concert by Mysore Nagaraj and Dr
SRUTI The India Music and Dance Society 651 Limehouse Road, Radnor, PA 19087-2856 • www.sruti.org Presents A Carnatic Violin Concert by Mysore Nagaraj and Dr. Manjunath and Party Saturday, September 20, 2008 4:30 PM at Calvary Vision Center 550 E. Township Line Rd., Suite 200, Blue Bell, PA This concert is supported by a grant from the Philadelphia Music Project, an artistic initiative of the Pew Charitable Trusts, administered by the University of the Arts. Tickets: Members $17, Non-members $22, Seniors and Students $12. For more information, contact Nataraj at (610) 687-4565, Vidyasankar at (215) 310 1783 Srinivas at (215) 364-2089, Venkat at (610) 631-2291 About the Artistes Violin maestros Mysore Nagaraj and Dr. Manjunath are the sons and disciples of renowned violinist Sangeetha Vidhya Nidhi Prof. S. Mahadevappa. Their exceptional musical talents were first revealed at the age of 9. Their violin concerts have been featured in numerous music festivals & conferences all over the world. Dr. Manjunath obtained a Master’s degree in music from the University of Mysore. He continued his research to prepare a scholarly thesis on violin in Indian Classical Music and was awarded a Ph.D. Dr.Manjunath has the privilege of representing Indian music at the prestigious International Violin Conference in San Diego several times. They have collaborated with many outstanding musicians from all over the world & have performed Jugalbandhi (Indian fusion) concerts with many top-ranking Hindustani artists in contemporary music today including Pandith V.G.Jog, Pandith Vishwamohan Bhat, Tejendra Narayana Majumdar, Pandith Ronu Majumdar, Dr. -
Mohanlal Filmography
Mohanlal filmography Mohanlal Viswanathan Nair (born May 21, 1960) is a four-time National Award-winning Indian actor, producer, singer and story writer who mainly works in Malayalam films, a part of Indian cinema. The following is a list of films in which he has played a role. 1970s [edit]1978 No Film Co-stars Director Role Other notes [1] 1 Thiranottam Sasi Kumar Ashok Kumar Kuttappan Released in one center. 2 Rantu Janmam Nagavally R. S. Kurup [edit]1980s [edit]1980 No Film Co-stars Director Role Other notes 1 Manjil Virinja Pookkal Poornima Jayaram Fazil Narendran Mohanlal portrays the antagonist [edit]1981 No Film Co-stars Director Role Other notes 1 Sanchari Prem Nazir, Jayan Boban Kunchacko Dr. Sekhar Antagonist 2 Thakilu Kottampuram Prem Nazir, Sukumaran Balu Kiriyath (Mohanlal) 3 Dhanya Jayan, Kunchacko Boban Fazil Mohanlal 4 Attimari Sukumaran Sasi Kumar Shan 5 Thenum Vayambum Prem Nazir Ashok Kumar Varma 6 Ahimsa Ratheesh, Mammootty I V Sasi Mohan [edit]1982 No Film Co-stars Director Role Other notes 1 Madrasile Mon Ravikumar Radhakrishnan Mohan Lal 2 Football Radhakrishnan (Guest Role) 3 Jambulingam Prem Nazir Sasikumar (as Mohanlal) 4 Kelkkatha Shabdam Balachandra Menon Balachandra Menon Babu 5 Padayottam Mammootty, Prem Nazir Jijo Kannan 6 Enikkum Oru Divasam Adoor Bhasi Sreekumaran Thambi (as Mohanlal) 7 Pooviriyum Pulari Mammootty, Shankar G.Premkumar (as Mohanlal) 8 Aakrosham Prem Nazir A. B. Raj Mohanachandran 9 Sree Ayyappanum Vavarum Prem Nazir Suresh Mohanlal 10 Enthino Pookkunna Pookkal Mammootty, Ratheesh Gopinath Babu Surendran 11 Sindoora Sandhyakku Mounam Ratheesh, Laxmi I V Sasi Kishor 12 Ente Mohangal Poovaninju Shankar, Menaka Bhadran Vinu 13 Njanonnu Parayatte K.