Downloading Nollywood Movies for Teaching Purposes

Total Page：16

File Type：pdf, Size：1020Kb

H-West-Africa Downloading Nollywood Movies for teaching purposes Discussion published by Hodan Osman on Thursday, February 16, 2017 hello everyone, i need some help finding the best place to download some of the movies on the following list, I am a university lecturer and i am starting a nollywood course this semester. I would very much appreciate it if anyone who can help guide me in finding the best resources to download any of these movies, would kindly leave a reply or contact me through : [email protected]. if you have any suitable suggestions for other movies that are not on my list, and could be of value to my studetns, please do leave a comment. p.s. I don't mind having to pay for my purchses if they are available on sale. Thank you, Hodan. List of Nollywood movies 1- 30 days in atlanta , Ayo Makun , 2014 2- October 1, kunle afulayan 2014 3- Last flight to Abuja , obi emelonye, 2013 4- Phone swap, kunle afolayan, 2012 5- The figurine , kunle afolayan, 2009 6- Ije, Chineze anyaene, 2010 7- The mirror boy, obi emelonye, 2011 8- The return of jenifa, Funke Akindele, 2008 9- Maami, Tunde Kelani , 2011 10- Osuofia in London 1 & 2 , Kingsley Ogoro, 2003, 2004 11- Irapada, kunle afolayan, 2006 12- Knocking on heaven’s door , desmond Elliot , 2014 13- Tango with me, Mahmood ali-balogun, 2010 14- Aki Na Ukwa , amayo uzo philips 15- The amazing Grace , jeta amata , 2006 16- Journey to Self, tope oshin ogun , 2012 17- Fifty, Biyi Bandele, 2015 18- Sitanda, izu ojukwu , 2006 19- Dangerous twins, tade ogidan, 2004 20- Invasion 1897, lancelot imasuen , 2014 21- A Kiss from a Rose – Osita Okoli, 2009 22- Runaway Prince – Nonso Ekene Okonkwo 2009 23- Welcome To Nollywood – JamieMeltzer 2007 24- This is Nollywood – Franco Sacchi 2007 25- Danger Signal – Teco Benson , 2007 26- Mama Africa – A collection of shorts by African women directors, : 2007 27- This America – Bethels Agomouh, 2006 Citation: Hodan Osman. Downloading Nollywood Movies for teaching purposes. H-West-Africa. 02-16-2017. https://networks.h-net.org/node/13790/discussions/166920/downloading-nollywood-movies-teaching-purposes Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1.

Copy Link

Recommended publications

Videos in Motion
Università degli Studi di Napoli “L’Orientale” Dipartimento di Studi e Ricerche su Africa e Paesi Arabi Tesi di Dottorato di Ricerca in Africanistica, IX ciclo - Nuova Serie VIDEOS IN MOTION Processes of transnationalization in the southern Nigerian video industry: Networks, Discourses, Aesthetics Candidate: Alessandro Jedlowski Supervisor: Prof. Alessandro Triulzi (University of Naples “L’Orientale”) Co-supervisor: Prof. Jonathan Haynes (Long Island University – New York) Academic Year 2010/211 Università degli Studi di Napoli “L’Orientale” Dipartimento di Studi e Ricerche su Africa e Paesi Arabi Tesi di Dottorato di Ricerca in Africanistica, IX ciclo - Nuova Serie VIDEOS IN MOTION Processes of transnationalization in the southern Nigerian video industry: Networks, Discourses, Aesthetics Candidate: Alessandro Jedlowski Supervisor: Prof. Alessandro Triulzi (University of Naples “L’Orientale”) Co-supervisor: Prof. Jonathan Haynes (Long Island University – New York) Academic Year 2010/2011 2 TABLE OF CONTENTS P. 5 INTRODUCTION. Videos in motion P. 16 CHAPTER I. Defining the field of enquiry: History, concepts and questions P. 40 SECTION I. Beyond the video boom: Informal circulation, crisis of production and processes of transnationalization in the southern Nigerian video industry P. 45 CHAPTER II. Regulating mobility, reshaping accessibility: The production crisis and the piracy scapegoat. P. 67 CHAPTER III. From Nollywood to Nollyworld: Paths of formalization of the video industry’s economy and the emergence of a new wave in Nigerian cinema P. 87 SECTION II. The “Nollywoodization” of the Nigerian video industry: Discursive constructions, processes of commoditization and the industry’s transformations. P. 93 CHAPTER IV. When the Nigerian video industry became “Nollywood”: Naming and branding in the videos’ discursive mobility.
[Show full text]
Market Forces and Filmmakers: Building a National Image Through Production Quality
MARKET FORCES AND FILMMAKERS: BUILDING A NATIONAL IMAGE THROUGH PRODUCTION QUALITY Ovunda Ihunwo Department of Theatre and Film studies University of Port Harcourt, Nigeria . Abstract The Nigerian Video Film Industry popularly known as Nollywood in the recent past has come under harsh criticism centred basically on modes of production, quality, and professionalism. This has affected our storytelling abilities and restricted them to occult, witchcraft and other stories that have to do with these vices thereby creating a wrong impression on the country’s image. These criticisms have however arisen as a result of the fact that directors of these films who are supposed to be the storytellers are faced with the commercial approach employed in such productions and most times do not have a say in what kind of production is churned out but must bow to market forces as dictated by the marketers. In what may seem a quick response to these negative reports, there has been a revolution in the industry with what is now termed as cinema ‘movies’ which have now turned out to be the viewers’ delight, a perfect example of which is the Africa Magic Viewers’ Choice Awards (AMVCA). Film directors who have found themselves in this area are known to take their time in giving attention to details from pre-production to post-production, no matter how long it takes and then let their movies tour cinemas around the globe before they let it into the market. A comparative analysis of Kunle Afolayan’s The Figurine (2009) and Mac-Collins Chidebe’s He Lives in Me (2004) will be used to advance the need for attention to details in productions as a means of checking the quality of film productions, which will in turn help to launder the Nigerian image in terms of film production quality.
[Show full text]
BEST Ifooafrica Launches in Nigeria
Nolly Silver Screen ISSUE 09 10 OCTOBER 2014 54TH NIGERIA BEST INDEPENDENCE Nollywood ISSUE films ever made Africa Movie Academy Awards 2015: +Interviews - Charles Novia Organisers call - Kunle Afolayan for entries - Daniel Etim Effiong - Demola Adedoyin IfooAfrica - Judith Audu - Walter Taylaur Launches - Sadiq Daba - Ugoma Adegoke in Nigeria KEHINDE BANKOLE Afolayan’s October 1 as her first ‘big’ fruit 3 Nolly Silver Screen CONTENTS ISSUE 09 OCTOBER 2014 FEATURES 8 The Classics: 10 best Nollywood films ever made INTERVIEWS 14 Cover: Kehinde Bankole 18 Filmmaker Interview: Charles Novia 20 October 1: Interviews with the cast 22 Q & A with Daniel Etim Effiong 23 Up close and personal with Walter Taylaur 26 Talent on the rise: Judith Audu 27 A Day in the life of... 14 Amarachi Onoh 27 Ugoma Adegoke talks Lights, Camera, Africa film festival REGULARS 4 Editor’s Note 5 Readers’ Corner 6 Contributors’ Bios 10 Vox Pop 11 Celebrations 18 13 11 Story-Bored 12 On Set 17 News 21 Photo News 23 Nolly Pop Quiz 24 Reviews 28 Red Carpet 31 Festival News 34 Listings 35 Events 37 Award News 35 4 Editor’sNote October 1 means different “things to different people. It is Nigeria’s Independence Day. It is Kunle Afolayan’s latest blockbuster. For us here at Nolly Silver Screen, it is the first anniverssary of our parent website www.nollysilverscreen.com Well done with your website and magazine as well. I read copy with Amaka Igwe on it sometime back. It’s nice to know that someone is document- ing the Nollywood industry.
[Show full text]
Beyond the Video Boom. New Tendencies in the Nigerian Video Industry.1
Beyond the video boom. New tendencies in the Nigerian video industry.1 Alessandro Jedlowski, University of Naples “L'Orientale” According to a UNESCO Institute of Statistics' survey, released in April 2009, the Nigerian video industry has become the second largest film industry in the world, overtaking Hollywood's position but remaining behind the Indian film industry, Bollywood. Only seventeen years after the release of Living in Bondage, the film that is commonly considered the one that made the industry (Haynes and Okome 1998), Nigeria has managed to become the centre of one of the most influential film industries in the world. However, behind the rhetoric of this success, the reality of the phenomenon is complex and rich in nuance. After an initial decade of prosperity, the immense popularity of Nollywood began to have a perverse effect on the industry itself. The market became saturated, generating a negative spiral which brought the industry into a situation of critical impasse. Paradoxically, the international recognition of Nollywood's success, sanctioned by the UNESCO report, arrived at the moment of the worst crisis ever faced by the industry.1 The reasons for this crisis, as well as the strategies that the different economic actors involved in the film industry are adopting to overcome it, are multiple. Ironically, the informal structure of production and distribution that determined the initial success of Nollywood, turned out to be the major threat to the survival of the industry itself. For this reason, some of the strategies that the actors are taking to solve the crisis imply radical transformations that will probably change the face of the Nigerian industry in the coming years.
[Show full text]
Omenka-Film-Issue.Pdf
VOLUME 2 ISSUE 3 ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 NIGERIAN THEATRE, TV & FILM: PAST, PRESENT & FUTURE NIGERIAN FILM AS AN ART DISTRIBUTION IN NOLLYWOOD THE ETISALAT PRIZE FOR LITERATURE: REPRESENTING THE DIVERSITY OF AFRICAN VOICES TAIWO AJAI-LYCETT, SADIQ DABA, WALE OJO, TUNDE KELANI, KUNLE AFOLAYAN KUNLE IDOWU, MICHAEL ‘TRUTH’ OGUNLADE, LALA AKINDOJU, O.C. UKEJE OBIJIE ORU, STANLEE OHIKHUARE, MIKE-STEVE ADELEYE THE FILM ISSUE OMENKA MAGAZINE VOLUME 2 ISSUE 3 2 OMENKA MAGAZINE OMENKA MAGAZINE VOLUME 2 ISSUE 3 VOLUME 2 ISSUE 3 CONTENTS ARTS ARCHITECTURE & DESIGN BUSINESS LUXURY AFRICA N5000 R362 $25 £17 €22 VOLUME 2 ISSUE 3 DEPARTMENTS ANTENNAE NEWS, EVENTS 10 Sink Hits at the Local Box Office 10 Annecy International Animated Film Festival to Show Three South African Films 11 Perivi John Katjavivi: Confronting The Mostly ‘Unseen’ in Post- Colonial Namibia 11 The Book of Negroes Sweeps Canadian Screen Awards 12 Free State Wins at Luxor African Film Festival Award 12 The 12th New African Film Festival FEATURES 14 A Concise History of Nigerian Theatre, TV & Film, and the Future of Drama 16 Nigerian Film as an Art 18 The Academia and the Media, Partners in Promoting Nollywood 20 Africa Rising on the International Scene 28 Charting New Territory with Animation 30 Ebele Okoye Weber on Animation in Nigeria 32 In Conversation with Richard Oboh 44 5 OMENKA MAGAZINE VOLUME 2 ISSUE 3 CONTENTS FOCUS PLAYING THE BOSS PROFILES, INTERVIEWS THE PRODUCERS AND DIRECTORS Icons of the Screen 128 Using Documentary to Impact 44 A Legend of the Reel Africa Positively 52 Sadiq Daba is Like Fine Wine 132 Thriving in a Male-Dominated Industry 58 Quintessential Wale Ojo 134 The Real Deal! The Unfolding Generation 138 Raising the Bar 64 A Fine Gentleman..
[Show full text]
Videos in Motion
Università degli Studi di Napoli “L’Orientale” Dipartimento di Studi e Ricerche su Africa e Paesi Arabi Tesi di Dottorato di Ricerca in Africanistica, IX ciclo - Nuova Serie VIDEOS IN MOTION Processes of transnationalization in the southern Nigerian video industry: Networks, Discourses, Aesthetics Candidate: Alessandro Jedlowski Supervisor: Prof. Alessandro Triulzi (University of Naples “L’Orientale”) Co-supervisor: Prof. Jonathan Haynes (Long Island University – New York) Academic Year 2010/211 Università degli Studi di Napoli “L’Orientale” Dipartimento di Studi e Ricerche su Africa e Paesi Arabi Tesi di Dottorato di Ricerca in Africanistica, IX ciclo - Nuova Serie VIDEOS IN MOTION Processes of transnationalization in the southern Nigerian video industry: Networks, Discourses, Aesthetics Candidate: Alessandro Jedlowski Supervisor: Prof. Alessandro Triulzi (University of Naples “L’Orientale”) Co-supervisor: Prof. Jonathan Haynes (Long Island University – New York) Academic Year 2010/2011 2 TABLE OF CONTENTS P. 5 INTRODUCTION. Videos in motion P. 16 CHAPTER I. Defining the field of inquiry: History, concepts and questions P. 40 SECTION I. Beyond the video boom: Informal circulation, crisis of production and processes of transnationalization in the southern Nigerian video industry P. 45 CHAPTER II. Regulating mobility, reshaping accessibility: The production crisis and the piracy scapegoat. P. 67 CHAPTER III. From Nollywood to Nollyworld: Paths of formalization of the video industry’s economy and the emergence of a new wave in Nigerian cinema P. 87 SECTION II. The “Nollywoodization” of the Nigerian video industry: Discursive constructions, processes of commoditization and the industry’s transformations. P. 93 CHAPTER IV. When the Nigerian video industry became “Nollywood”: Naming and branding in the videos’ discursive mobility.
[Show full text]
Pan African Film Festival: 2011 Filmmakers Awards
Pan African Film Festival: 2011 Filmmakers Awards Best Picture (Narrative Feature) Besouro (Brazil), directed by João Daniel Tikhomiroff. Besouro (http://www.besouroofilme.com.br/) is an action movie set in 1920s Bahia, the story of a legendary capoeira fighter who uses the power of Candomble to fight the harsh conditions which, even post-abolition, the black population endured in Brazil. Best Picture-Honorable Mention The Athlete (Atletu) (Ethiopia), directed by Davey Frankel & Rasselas Lakew. Marathoner Abebe Bikila, the first African to win an Olympic gold, ran his gold medal marathon barefoot. Impressive, sure, but Bikila’s story becomes truly remarkable following an accident that leaves him unable to walk. From Bikila’s early Olympic triumphs that made him a national hero, to the aftermath of the accident that left him unable to walk, Bikala’s determination never wavers. The Athlete is a well-crafted character study couched in a compelling sport biopic. In Bikila’s struggles to redefine his life after the accident, the film thoughtfully considers the meaning of the drive to compete. Switching between archival footage of the real Abebe Bikila and breathtaking scenes starring Ethiopian Rasselas Lakew, the film’s visual metaphors cements this film in the runner’s movie pantheon. This well-acted and strikingly photographed true story will come as a welcomed tribute to those who know Bikila’s story, and as an unforgettable introduction to those who do not. Best Documentary Feature Thunder Soul (http://thundersoulmovie.com/) (USA), directed by Mark Landsman, tells the true story of Conrad O. Johnson and the legendary Kashmere Stage Band.
[Show full text]
Formalizing Nollywood: Gentrification in the Contemporary Nigerian Film Industry
FORMALIZING NOLLYWOOD: GENTRIFICATION IN THE CONTEMPORARY NIGERIAN FILM INDUSTRY. EZINNE IGWE A thesis submitted in partial fulfilment of the requirements of Birmingham City University for the degree of Doctor of Philosophy. June, 2018. Birmingham School of Media, The Faculty of Arts, Design and Media. ACKNOWLEDGEMENTS I wish to acknowledge the help and support of some important persons without whom this thesis wouldn’t have been possible. I will start by thanking and blessing God my maker for all blessings, resilience and grace. I am not without Him. While I was rounding up my Master’s study at the University of Birmingham, Ozlington recommended Birmingham City University for my PhD. Following his advice remains one of my best decisions in life. I am very grateful for having the right people in my way at all times. Thank you to my supervisory team who assessed me and saw the potential: John Mercer, Oliver Carter and Ayo Oyeleye who left on sabbatical leave. John Mercer’s support as supervisor was invaluable. Although busy with many responsibilities, he found time to provide feedback, offer suggestions and research into new fields. Oliver Carter remains exceptional – patient, persistent, supportive, empathetic and most importantly, generous with his time – providing feedback on the minutest detail. I appreciate John and Oliver for boosting my confidence, looking out for me, supporting me through challenging periods in the course of this study and helping direct my proposal and research into what it now is. I wish to acknowledge Jacqueline Taylor for making this PhD journey interesting with the ADM PhD mentoring scheme.
[Show full text]
View 2017 Producer
About Nigerian Movie Producers & Directors Stephanie Linus Ayo Makun Emem Isong-Misodi Sarah Inya Lawa Movies Directed Movies Directed Movies Directed Movies Directed Dry yr: 2015 30 Days in Atlanta yr: 2014 Breaking Point yr: 1996 Evol yr: 2017 Through The Glass yr: 2009 10 Days in Sun City yr: 2017 Emotional Crack yr: 2003 Potato Potahto yr: 2017 RELOADED yr: 2008 Ever After yr: 2017 Ayo Makun (Ayodeji Richard Makun, also known by his Stephanie Linus is a Nigerian actress/filmmaker Emem Isong-Misodi is an award-winning, screenwriter, Sarah Inya Lawal is a producer, talent manager and stage name A.Y) is a multi-award winning Nigerian with an infectious personality. She has earned a producer and now director in Nollywood. A holder of a business development Manager working across actor, comedian, radio and T.V presenter, actor, writer, reputation as Africa's foremost actress, especially Bachelor of Arts degree in Theatre Arts from the theatre, film, TV and brand management for in Nollywood, the Nigerian film industry, which director and MC. He hails from Ondo State but prefers University of Calabar, Emem ventured into film making to be known as a 'Warri boy'. artists. The New York Times reported to be the world's in Nigeria when it was not fashionable to do so. He is the C.E.O of Corporate World Entertainment She boldly launched her own production company, third largest. Inya is the founder of Ascend Talent Management Nigeria and the host of the A.Y live shows and A.Y Theatre Images in 1994, after resigning from a job in comedy skits.
[Show full text]
0000-0000 July, 2019
EDE: Journal of Humanities and Social Sciences | Vol. 1, No. 2 ISSN: 0000-0000 July, 2019 Homosexuality, Molestation and Murder in those involved risk a jail term of at least 14 Kunle Afolayan’s October 1 years, the practice is no longer a closeted affair but one that has assumed a vantage position in Julius-Adeoye ‘Rantimi Jays (PhD) Department of Theatre and Film Studies Nigerian popular narrative. The twenty-first Redeemer’s University (RUN), Ede, Osun State century has seen more resourcefulness and Nigeria. engagements in the clamour for rights of [email protected] marriage and social acceptance by the group & known as Lesbian, Gay, Bisexual and Transgender (LGBT) in United State of America Elizabeth A. Omoruyi Literary and Film Studies Department (USA) and Europe. These volatile domestic and University of Leiden political engagement in the West, find Netherlands representation in Nigeria and other parts of [email protected] Africa by bringing to the fore right groups who are canvasing for legislation supporting LGBT rights in the continent. Abstract Introduction This paper looks at the issues of homosexuality, molestation and murder in the There has been a major shift in the film October 1 produced and directed by Kunle narrative style of Nigerian video film since year Afolayan in 2014. It will argue that, though, 2000. This shift become noticeable, especially homosexuality does not have an overbearing with the emergence of new breeds of young presence as a theme in the film, it is significant filmmakers who studied the art in various film to the whole narrative.
[Show full text]
The Poetics of Demythologisation in Kunle Afolayan's the Figurine
Olayiwola & Folajimi / Legon Journal of the Humanities (2017) 79-89 DOI: https://dx.doi.org/10.4314/ljh.v28i1.7 The Poetics of Demythologisation in Kunle Afolayan’s The Figurine Abiodun Olayiwola Senior Lecturer, Department of Dramatic Arts, Obafemi Awolowo University, Ile-Ife, Nigeria [email protected] Pelumi Folajimi Doctoral Student, Department of African Cultural Studies, University of Wisconsin, Madison, USA [email protected] Submitted: September 22, 2016 /Accepted: February 14, 2017/ Published: May 31, 2017 Abstract The paper examines the concept of demythologisation as it is expressed in Kunle Afolayan’s film, The figurine (subtitled Araromire). The paper argues that, though some influences of supernatural forces appear potent in the early parts of the film (Araromire Village around 1908), natural coincidence and human action (human orchestration) are more convincingly projected in the latter part of the film (which is set in Lagos around 2001). Examining how Femi Osofisan’s drama demystifies and demythologises sacred matters, the paper argues that Afolayan adopts the same technique of demythologisation in his film, The figurine (Araromire) the same way Osofisan does in most of his plays. However, deriving its premises from certain revelations in the film, the study concludes that Kunle Afolayan’s attempt at demythologisation is a partial success, as certain occurrences in the film are difficult to completely detach from supernatural influence despite their denotation as coincidences. Keywords: film, demythologisation, Figurine, Nigerian drama, Kunle Afolayan Introduction As noted by Murfin and Supryia (1998), myths are ‘stories chronicling the adventures of gods and other supernatural forces, especially stories about their various feuds and encounters with mortals, are also common fare, as are tales about the fictional humans who must interact with them’ (p.
[Show full text]
Yinka Edward Director of Photography
Shepperton Studios, Studios Road, Shepperton, Middx, TW17 OQD Tel: +44 (0)1932 571044 Website: www.saraputt.co.uk Yinka Edward Director of Photography Website http://www.yinkaedward.com Features THE MILKMAID Mighty Man Entertainment Prod: Desmond Ovbiagele Director of Photography Danono Media Prod: Maxwell Mijinyawa Prod: Jumafor Ajogwu Dir: Desmond Ovbiagele LIONHEART Netflix Prod: Chinny Onwugbenu Director of Photography Dir: Genevieve Nnaji '76 Adonis Production EP: Adonijah Owiriwa Director of Photography EP: Tonye Princewill Prod: Izu Ojukwu Dir: Izu Ojukwu 93 DAYS Natives Filmworks Prod: Bolanle Austen-Peters Director of Photography Prod: Steve Gukas Prod: Dotun Olakunri Prod: Pemon Rami Dir: Steve Gukas OCTOBER 1 Golden Effects / Netflix Prod: Kunle Afolayan Director of Photography Dir: Kunle Afolayan CONFUSION NA WA Cinema KpataKpata Prod: Kenneth Gyang Director of Photography / Co-Producer Dir: Kenneth Gyang PHONE SWAP Golden Effects Prod: Kunle Afolayan Director of Photography Dir: Kunle Afolayan SOMETHING NECESSARY Ginger Ink Films Prod: Sarika Hemi Lakhani Director of Photography Prod: Tom Tykwer Prod: Ginger Wilson Dir: Judy Kibinge ALERO'S SYMPHONY Amstel Malta Box Office Dir: Izu Ojukwu Director of Photography THE FIGURINE Golden Effects Dir: Kunle Afolayan Director of Photography Prod Man: Bose Oshin COMRADE Prod: Mak 'Kusare Director of Photography Dir: Mak 'Kusare 90 DEGREES Prod: Mak 'Kusare Director of Photography Dir: Mak 'Kusare Short Films Page 1 of 3 DOLAPO IS FINE Apatan Productions Prod: Millie Marsh Director of Photography
[Show full text]