The Association of Dress Historians New Research in Dress History

Total Page:16

File Type:pdf, Size:1020Kb

The Association of Dress Historians New Research in Dress History The Association of Dress Historians New Research in Dress History Conference 7–13 June 2021 Convened By: The Association of Dress Historians www.dresshistorians.org Conference Webpage: www.dresshistorians.org/june2021conference Conference Tickets: https://tinyurl.com/June2021 Conference Email Contact: [email protected] The Association of Dress Historians Annual New Research in Dress History Conference, 7–13 June 2021 The Association of Dress Historians (ADH) supports and promotes the study and professional practice of the history of dress, textiles, and accessories of all cultures and regions of the world, from before classical antiquity to the present day. The ADH is proud to support scholarship in dress and textile history through its international conferences, the publication of The Journal of Dress History, monetary awards for students and researchers, and ADH members’ events such as curators’ tours. The ADH is passionate about sharing knowledge. The mission of the ADH is to start conversations, encourage the exchange of ideas, and expose new and exciting research. If you are not yet an ADH member, please consider joining us! Membership has its perks and is only £10 per year. Thank you for supporting our charity and the work that we do. Memberships are available for purchase on this page: www.dresshistorians.org/membership. To attend the weeklong “festival” of dress history, just one conference ticket must be purchased (which entitles participation at all seven conference days) in advance, here: https://tinyurl.com/June2021. Please join The Association of Dress Historians twitter conversation @DressHistorians, and tweet about our June 2021 New Research conference with hashtags #ADHNewResearch2021 and #NewResearchFestival. The ADH Communications Team is led by Mariza Galindo and Emmy Sale and a team of wonderful volunteers. Together they oversee the growth of the ADH digital presence through the creation of diverse and interactive content, produce the ADH newsletter, develop the Lecture & Conversation Series, and much more! Connect with the ADH on social media: Instagram: @dresshistorians or can also be found at https://www.instagram.com/dresshistorians Twitter: @DressHistorians or can also be found at https://twitter.com/DressHistorians LinkedIn: https://www.linkedin.com/company/the-association-of-dress-historians Facebook: https://www.facebook.com/DressHistorians ADH newsletter sign up form: http://eepurl.com/gWRNeL This conference programme is intended to be read electronically, in consideration of the environment. There will be no paper programmes distributed at the conference. The ADH is Registered Charity #1014876 of The Charity Commission for England and Wales. Copyright © 2021 The Association of Dress Historians 2 The Association of Dress Historians Annual New Research in Dress History Conference, 7–13 June 2021 Contents Welcome from the Conference Chair .............................................................................................. 8 Conference Logistics and Technical Support ................................................................................... 9 Send Technical Questions to [email protected] .......................... 9 How To Download and Set Up Zoom ......................................................................... 9 How To Join the Conference via Zoom ....................................................................... 9 How To Use Zoom Functions ...................................................................................... 9 Conference Schedule, 7–13 June 2021 ........................................................................................... 11 Conference Speakers’ Abstracts and Biographies .......................................................................... 15 Anna Adrian ................................................................................................................ 16 Kristina af Klinteberg ................................................................................................... 17 Sophie Anagnostopoulou ............................................................................................ 18 Eva I. Andersson ......................................................................................................... 19 Camilla Annerfeldt ...................................................................................................... 20 Janne Helene Arnesen ................................................................................................ 21 Juliet Ashdown ............................................................................................................. 22 Eanna Morrison Barrs ................................................................................................. 23 Annette Becker ............................................................................................................ 24 Vivian Berto de Castro ................................................................................................ 25 Anne Bissonnette ......................................................................................................... 26 Stephanie Blythman ..................................................................................................... 27 Laurie Anne Brewer .................................................................................................... 28 Helena Britt ................................................................................................................. 29 Amelia Brookins .......................................................................................................... 30 Jill Carey ....................................................................................................................... 31 Lena Dahrén ................................................................................................................ 32 Gillian Davies ............................................................................................................... 33 Éva Deák ...................................................................................................................... 34 Clodagh Deegan........................................................................................................... 35 Olga Dritsopoulou ....................................................................................................... 36 Ruth M. Egger .............................................................................................................. 37 Caroline Elenowitz–Hess ............................................................................................ 38 Rezvan Farsijani ........................................................................................................... 39 3 The Association of Dress Historians Annual New Research in Dress History Conference, 7–13 June 2021 Arabel Fernández, Gabriel Prieto, and Andres Shiguekawa ..................................... 40 Trish FitzSimons and Madelyn Shaw ......................................................................... 42 Yulduz Gaybullaeva ..................................................................................................... 44 Kadian Gosler .............................................................................................................. 45 Inga Lena Ångström Grandien ................................................................................... 46 Victoria Haddock ........................................................................................................ 47 Amy Hare..................................................................................................................... 48 Charlotte Headrick ...................................................................................................... 49 Marley Healy ................................................................................................................ 50 Julia Holm .................................................................................................................... 51 Susan House Wade ..................................................................................................... 52 Elena Ilicheva ............................................................................................................... 53 Maud Karlsson ............................................................................................................. 54 Kenisha Kelly ............................................................................................................... 55 Zara Kesterton ............................................................................................................. 56 Josefin Kilner ............................................................................................................... 57 Anna König .................................................................................................................. 58 Tiina Kuokkanen ......................................................................................................... 59 Linsey Labson .............................................................................................................. 60 Yona Lesger ................................................................................................................. 61 Lena Larsson Lovén .................................................................................................... 62 Sara Ludueña ..............................................................................................................
Recommended publications
  • Hollywood Chinese by Erica Marcus Published: April 10, 2008
    Hollywood Chinese By Erica Marcus Published: April 10, 2008 Hollywood Chinese: A Very Queer Story An Interview with Filmmaker Arthur Dong Filmmaker Arthur Dong, who created Coming Out Under Fire, Licensed to Kill, Family Fundamentals and other LGBT films, has finished a new film Hollywood Chinese, a vivid and entertaining journey tracking the experience of Chinese Americans in America’s film industry. The film opens in the Bay Area on April 11 at San Francisco’s Sundance Kabuki Cinemas and at Oakland’s Grand Lake Theater. A San Francisco native, Arthur Dong Whowould have thought that it would be a heterosexual Chinese recently spoke to Bay Times about the director (Ang Lee) to bring the a great gay love story (Brokeback film. Mountain) to the silver screen. (Bay Times) So, you’re going to be at the screening in San Francisco on Friday and in Oakland on Saturday. You’ve assembled one hell of a cast - Ang Lee, Wayne Wang, Joan Chen, David Henry Huang, B.D. Wong, Nancy Kwan, Amy Tan and Fu Man Chu. But I gotta ask - is it a queer film? (Arthur Dong) Am I queer? No, I mean is the film, Hollywood Chinese, queer? That’s the answer. Am I queer? Ah ha! So there. Okay, identity politics is so passé. You got me, but now I’m curious. Do you believe that a queer sensibility is embedded in one’s vision? I believe that my films are embedded with my vision and I happen to be a gay man. I’m not saying all gay people produce gay products, but I do.
    [Show full text]
  • February 2, 1962 Let's Pay "Unpaid Debts" Coats and Ties for the Boys
    Madison CriXe??. ! •' •-•■ E«:' WE BREEZE t^C All The News That Fits We Print Vol. XXXVIII Madison College, Harrisonburg, Virginia, Friday, February 2,1962 No. 13 Sound of Whistle NO EXCUSES GIVEN Means Trouble Professional excuses will not Frankel Dance Drama Company be given to students for the To "Jack" Derrer purpose of holding an interview •by Nancy Kersey concerning summer employment. To Be At Madison February 5 The smell of smoke filled the Students who need to have air in Converse Dorm. Where conferences with prospective The Frankel Dance Drama Com- there is smoke there must be fire! employers should arrange to pany will be presented in the third Girls rushed to the telephone to have such conferences during Madison College Lyceum Program call the fire department. At the week ends at home or during at Wilson Hall Monday, February 5 at 8:00 P. M. sight of the fire trucks a well- the Easter vacation period. known Madison figure hurried to Class cuts should be used for The Dance Drama Company, Converse. this purpose. which has recently completed a Mr. Franklin Pierce Derrer, bet- six weeks repertory session in ter known to his friends as Jack, New York, has appeared in more was once again at the scene of AAUW To Help than 600 American cities. trouble as he has been for eighteen Graduate Students The Madison College program years. Mr. Derrer in the capacity by the Company will include "Al- A program of graduate study as night watchman has answered ways Pierrot," a play within a many a whistle blown by a dorm through which mature college play, about the people in a travel- Hostess.
    [Show full text]
  • GENERAL AGREEMENT ACCORD GENERAL SUR on TARIFFS and LES TARIFS DOUANIERS CONFIDENTIAL T2X.SB/336 TRADE ET LE COMMERCE 5 Aprii 1979
    GENERAL AGREEMENT ACCORD GENERAL SUR ON TARIFFS AND LES TARIFS DOUANIERS CONFIDENTIAL T2X.SB/336 TRADE ET LE COMMERCE 5 Aprii 1979 Textiles Surveillance Body , Organe de surveillance des textiles ARRMGB'EFf REffiARDIIIG BiTERNATIONAL TRADE El TEXTILES Article h notification Note by the Chairman Attached hereto is a notification received from Canada of a bilateral agreement concluded under Article h between Canada and Hong Kong. ARRANGEMENT CONCERTANT LE COMMERCE INTERNATIONAL PES TEXTILES NotificatioL« n conformément a l'article k Note du Président Le Canada a fait parvenir au secretariat la notification ci-jointe relative à un accord bilateral conclu entre le Canada et Hong-kong au titre de l'article h. (Tin- ycrmancittj^fggTgn ûEggm^tti; I ^.,^tO! '-'-^ JtUssnuu permanente îut QlanaÀut tu tbcltMï^^^^ttHW—:——^;';^:;v^i autres îu*s SCatiuns "llntes i u-jri. PW. _! | _ ! f'vjv.v*'* i ' > i .>s--'- £••»• ~r;-.r .."• " j1 i ^^I'J^'i : ~-— •• " 10 k, avenue de Bu.c.3 jl^bTâvâcf-oi^ i /.! 1202 Geneva Dev. Div. ^k—yrrr; • i\jf^ . f^ch 2S.1979 C~c£ CF ^ . ~CÔn'.i.,lnnt i *OOj : Deaf Ambassador Wurth, With reference to paragraph 4 of Article 4 of the Arrangement Regarding International Trade in Textiles (hereinafter • referred to as the ITA), done at Geneva on December 20, 1973» and to the Protocol Extending the ITA, done at Geneva on December 14, 1977» I have the honour to notify the Textile Surveillance Body of the conclusion of a 3-year bilateral textile arrangement between the Government of Canada and the Government of Hong Kong. This bilateral arrangement, wa3 concluded having regard to Article 4 of ihe ITA and to the Protocol of Extension.
    [Show full text]
  • Results and Discussion 83 RESULTS and DISCUSSION the Interest That Indian Women Showed in Ornamentation and Aesthetic Expression
    Results and Discussion RESULTS AND DISCUSSION The interest that Indian women showed in ornamentation and aesthetic expression through their costumes has been documented well. It is pertinent to understand the messages that they conveyed through their sartorial preferences which is documented in various forms sculptures, scriptures, literature, paintings, costume archives, cinema, media –advertisements and magazines etcetera. Each community and ethnic group maintained unique characteristics, which become symbols of recognition and identification and served to establish their cultural affiliation. Central to this was the Indian woman who was the symbol of patriarchal society. She combined both the functions of being the nurturer and protector of her household and cultural ethos of the society. The woman was as important part as the man; of the Indian society, which embraced both the indoor and outdoor roles within the social- cultural paradigms of the community. The span of evolution of Indian women’s costume, especially the draped version, the sari has undergone immense changes, however to interpret the semiology of the era bygone is rather complex; as one can attempt to understand and decode the tacit meaning through the lens of current observation only. Since the people who shared the ancient set of rules or code for contextual reading that enables us to connect the signifier with the signified are not present, this will prove to be delimiting. The Indian fashion scene began receiving its due credibility and attention from 1980’s onwards and gained the industry recognition in 21st century: hence this research focuses on new millennium to understand the Indian Fashion System.
    [Show full text]
  • Anne Lister's Use of and Contributions to British Romanticism
    THE CLOSET ROMANTIC: ANNE LISTER’S USE OF AND CONTRIBUTIONS TO BRITISH ROMANTICISM ___________ A Thesis Presented to The Faculty of the Department English Sam Houston State University ___________ In Partial Fulfillment of the Requirements for the Degree of Master of Arts ___________ by Michelina Olivieri May, 2021 THE CLOSET ROMANTIC: ANNE LISTER’S USE OF AND CONTRIBUTIONS TO BRITISH ROMANTICISM by Michelina Olivieri ___________ APPROVED: Kandi Tayebi, PhD Committee Director Audrey Murfin, PhD Committee Member Evelyn Soto, PhD Committee Member Chien-Pin Li, PhD Dean, College of Humanities and Social Sciences DEDICATION For Jasmine, who never gave up on me, even when I did. We made it. iii ABSTRACT Olivieri, Michelina, The closet romantic: Anne Lister’s use of and contributions to British romanticism. Master of Arts (English), May, 2021, Sam Houston State University, Huntsville, Texas. In this thesis, I explore Anne Lister as a Romantic writer. While much criticism has focused on Lister’s place in queer history, comparatively little has examined her writing itself. Thus, this thesis aims to place Lister’s writings within popular Romantic genres and in conversation with other Romantic writers. Chapter I is an introduction to Anne Lister and the scholarship that has surrounded her since the first collection of her diaries was published in the 1980s and establishes the arguments that will be made in each chapter. In Chapter II, I examine how Lister uses Romantic works and their writers to construct her own personal identity despite her lack of participation in either the written tradition or in the major social movements of the period during her lifetime.
    [Show full text]
  • Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister
    Stoically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister Sarah E. Maier and Rachel M. Friars (University of New Brunswick, Saint John, New Brunswick, Canada & Queen’s University, Kingston, Ontario, Canada) Abstract: Anne Lister (1791–1840) was a multihyphenate landowner-gentry-traveller-autodidact- queer-lesbian, a compulsive journal writer who lived through the late-Romantic and well into the Victorian ages. While her journals have proven to be an iconographic artefact for queer and lesbian history, our interest here is in the public adaptations of Lister’s intentionally private writings for twenty-first-century audiences as found in the film The Secret Diaries of Miss Anne Lister (2010) and the television series Gentleman Jack (2019–). Our discussion queries what it means to portray lived queer experience of the nineteenth century, how multimedia translate and transcribe Lister’s works onto screen, as well as how questions of legibility, visibility and ethics inevitably emerge in these processes. Keywords: adaptation, encryption, Gentleman Jack, journals, lesbianism, Anne Lister, queer history, queer visibility, The Secret Diaries of Miss Anne Lister, transcription. ***** Lister ought to tell her own story before anyone interpreted it for her. Hers is, after all, the truly authentic voice of the nineteenth century woman caught up in a dilemma not of her own making. She ought to be allowed to tell it as it was, from her own point of view. (Whitbread 1992: xii) The recent appearance of a woman given the nickname ‘Gentleman Jack’ in a show focused on a queer woman depicts a subject who writes her life into encrypted journals.
    [Show full text]
  • Dress and Fabrics of the Mughals
    Chapter IV Dress and Fabrics of the Mughals- The great Mughal emperor Akbar was not only a great ruler, an administrator and a lover of art and architecture but also a true admirer and entrepreneur of different patterns and designs of clothing. The changes and development brought by him from Ottoman origin to its Indian orientation based on the land‟s culture, custom and climatic conditions. This is apparent in the use of the fabric, the length of the dresses or their ornamentation. Since very little that is truly contemporary with the period of Babur and Humayun has survived in paintings, it is not easy to determine exactly what the various dresses look like other than what has been observed by the painters themselves. But we catch a glimpse of the foreign style of these dresses even in the paintings from Akbar‟s period which make references, as in illustrations of history or chronicles of the earlier times like the Babar-Namah or the Humayun-Namah.1 With the coming of Mughals in India we find the Iranian and Central Asian fashion in their dresses and a different concept in clothing.2 (Plate no. 1) Dress items of the Mughals: Akbar paid much attention to the establishment and working of the various karkhanas. Though articles were imported from Iran, Europe and Mongolia but effort were also made to produce various stuffs indigenously. Skilful master and workmen were invited and patronised to settle in this country to teach people and improve system of manufacture.2 Imperial workshops Karkhanas) were established in the towns of Lahore, Agra, Fatehpur Sikri and Ahmedabad.
    [Show full text]
  • C on Tra Ctn As 8
    C C ON TRA C T N AS 8- 2 11 7 2 Final Report Covering Period June 21 through October 20, 1967 DEVELOPMENT OF MANUFACTURING TECHNIQUES FOR APPLICATION OF HIGH PERFORMANCE CRYOGENIC INSULATION D2-109005-1 Prepared by: Missile and Information Systems Division THE BOEING COMPANY Seattle, Washington C. L. Lofgren - Program Manager D. E. Gieseking - Technical Leader Prepared for: National Aeronautics and Space Administration George C. Marshall Space Flight Center Huntsville, Alabama i D2-109005-1 SCOPE This document specifies the process requirements and manufacturing procedures for the system component fabrication, insulation fabrication, insulation instal- lation, preconditioning, and insulation quality maintenance of the thermal protec- tion system for a 200-inch diameter Torus Tank (Drawing 15-.4-X-1100). When specified on the Engineering Drawing SKll-041071, all applicable manu- facturing and quality control shall comply with the requirements of this document. The Engineering Drawing SKil-041071 shaii take precedence over this document in case a conflict arises. ii D2-109 005-1 FORKW OIZD This final report represents the results of an 18-week design and manufacturing aedysis conducted between Jute 21, 1967 and October 28, 1967, for the George C. Marshall Space Flight Center, National Aeronautics and Space Administration. The work was accomplished under Contract NAS8-21172. Mr. I. C. Yates, Manufacturing Engineering Laboratory, was the technical monitor. The study was performed by The Boeing Company, Missiles and Information Systems Division, Manufacturing Development Section. Program Manager was Mr. C.L. Lofgren. Mr. D.E. Gieseking was technical advisor and Mr. D.H. Bartlett was responsible for the designs, thermal, and structural analyses.
    [Show full text]
  • The Sari Ebook
    THE SARI PDF, EPUB, EBOOK Mukulika Banerjee | 288 pages | 16 Sep 2008 | Bloomsbury Publishing PLC | 9781847883148 | English | London, United Kingdom The Sari PDF Book Anushka Sharma. So shop for yourself or gift a sari to someone, we have something for everyone. The wavy bun completed her look. Face Deal. Long-time weaving families have found themselves out of work , their looms worthless. Sari , also spelled saree , principal outer garment of women of the Indian subcontinent, consisting of a piece of often brightly coloured, frequently embroidered, silk , cotton , or, in recent years, synthetic cloth five to seven yards long. But for some in Asian American communities, the prospect of the nation's first Black and South Asian Vice President wearing a traditional sari at any of the inauguration events -- even if the celebrations are largely virtual -- has offered a glimmer of positivity amid the tumult. Zari Work. As a politician, Dimple Kapadia's sarees were definitely in tune with the sensibilities but she made a point of draping elegant and minimal saree. Batik Sarees. Party Wear. Pandadi Saree. While she draped handloom sarees in the series, she redefined a politician's look with meticulous fashion sensibility. Test your visual vocabulary with our question challenge! Vintage Sarees. Hence there are the tie-dye Bandhani sarees, Chanderi cotton sarees and the numerous silk saree varieties including the Kanchipuram, Banarasi and Mysore sarees. You can even apply the filter as per the need and choose whatever fulfil your requirements in the best way. Yes No. Valam Prints. Green woven cotton silk saree. Though it's just speculation at this stage, and it's uncertain whether the traditional ball will even go ahead, Harris has already demonstrated a willingness to use her platform to make sartorial statements.
    [Show full text]
  • The Battle of Lund
    104 Rinnebäcksvad Lilla Harrie o retake Skåne, Halland and Blekinge, which had The Battle of Lund was a battle during the Scanian War that Krutmöllan Lilla Harrie church been lost to Sweden by the Peace of Ros kilde in Kävlinge River occurred on 4 December 1676 in an area north of Lund. The V. Hoby 1658, Denmark declared war on Sweden in the Väggarp battle was between a Danish army under King Christian V T autumn of 1675. In June 1676 a Danish army landed and the Swedish army under King Charles XI. It is one of the near Råå south of Helsingborg and quickly recaptured bloodiest battles ever fought on Nordic soil. The war was Skåne and Blekinge. The only place that remained an attempt by Denmark to regain the provinces of Skåne, Håstad under Swedish control was Malmö, which had strong Halland and Blekinge, which had been lost to Sweden by the fortifications. The Swedish forces in Skåne were weak Treaty of Roskilde in 1658. and had to retreat to Småland. Stångby church Svenstorp Ehrenstrahl. Klöcker David XI by of Karl Portrait Johan Philip Lemke. by page: Painting Front i Syd. Ingemar D Kristiansen/Bilder by The monument in Lund, photo In August 1676 the Danish and Swedish forces met in Skälshög battle outside Halmstad. The Swedes won and the Danish ◄ The monument army retreated down into Skåne to set up camp there for to the Battle of the winter and avoid more fighting that year. The Swedes Stångby Odarslöv Lund was erected followed and in November the two armies were each in 1883 and is camped separately north of Lund, in sight of each other designed by ar- chitect Helgo Zet- THE BATTLE OF LUND but separated by the Kävlinge River.
    [Show full text]
  • ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media
    ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation Yueqin Yang, M.A. Mentor: Douglas R. Ferdon, Jr., Ph.D. This thesis commits to highlighting major stereotypes concerning Asians and Asian Americans found in the U.S. media, the “Yellow Peril,” the perpetual foreigner, the model minority, and problematic representations of gender and sexuality. In the U.S. media, Asians and Asian Americans are greatly underrepresented. Acting roles that are granted to them in television series, films, and shows usually consist of stereotyped characters. It is unacceptable to socialize such stereotypes, for the media play a significant role of education and social networking which help people understand themselves and their relation with others. Within the limited pages of the thesis, I devote to exploring such labels as the “Yellow Peril,” perpetual foreigner, the model minority, the emasculated Asian male and the hyper-sexualized Asian female in the U.S. media. In doing so I hope to promote awareness of such typecasts by white dominant culture and society to ethnic minorities in the U.S. Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation by Yueqin Yang, B.A. A Thesis Approved by the Department of American Studies ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson ___________________________________ James M. SoRelle, Ph.D. ___________________________________ Xin Wang, Ph.D.
    [Show full text]
  • The Cheongsam—The Treasure of Chinese National Apparel
    Asian Culture and History January, 2009 The Cheongsam—the Treasure of Chinese National Apparel Hongxia Liu Fashion & Art College Tianjin Polytechnical University No. 66 Chenglin Road, Tianjin 300160, China E-mail: [email protected] Abstract The cheongsam, the typical national apparel of the internal and external harmonious unity, is known as the representative of the Chinese clothing culture. It has expressed the virtuous, elegant, and gentle temperament of the Chinese women through flowing melody, rakish picturesque conception, and strong poetic emotion. The paper studies several aspects of the origin, evolution, techniques and communication to let China and the world know better about cheongsam, the national apparel of China. Keywords: Cheongsam, Nation, Garments Cheongsams, the traditional national apparel, are owned and cherished by all Chinese of all regions. A cheongsam is a special garment favored by people all over the world. Its elegance is known by the Chinese people, and appreciated by the world. The cheongsam, as the Chinese name suggests, refers to the gown that women of Eight Banners wore before Manchu rulers went across Shanhaiguan, the important pass in north part of China. It was actually the daily dress mainly for women of Manchu and Mongolia. Its basic style is loose with standing collar, bottoms on the right chest, long sleeves, and spacious downswing without side vents by linear tailoring. Usually there is decorative embroidery or other colors of lace in the front collar or at the downswing or the mouth of the sleeves. A Chinese Cheongsam, with the oriental artistic aesthetics as the cultural heritage, has displayed various beauties, youthful beauty of young ladies and the maturity of women grow-ups.
    [Show full text]